365 Days of Writing, 2026 – 222

Day 222 – From a wish to ambition

The Birth of a Writer: At What Age Does the Inherent Desire to Write Actually Begin?

Every author has an origin story. Long before the book deals, the midnight editing sessions, and the sacred mug of cold coffee on the desk, there was a spark. A quiet, persistent urge that whispered, Put pen to paper. Tell a story.

But when does that inherent desire to write actually begin?

Is it during the wide-eyed pre-teen years, when the magic of chapter books first captures your imagination? Does it ignite in the turbulent, emotionally charged teenage years, fueled by first loves and heartbreak? Or does it wait patiently until adulthood, when real-world experience, careers, and hardships finally grant you the insight to understand the human condition?

The truth is, the writing bug doesn’t have a single birthday. It visits us at different stages of life, transforming us in unique ways depending on when it decides to strike. Let’s explore the three distinct phases where the desire to write commonly takes root, and how each shapes the writer you become.


1. The Pre-Teen Wonder: When Magic Becomes a Blueprint

For many writers, the journey begins in childhood. Think back to the days of flashlight-under-the-covers reading, when the world of Narnia, Hogwarts, or Camp Half-Blood felt more real than your actual backyard.

During the pre-teen years, books are pure magic. But for future writers, reading is never just a passive activity. It’s an invitation.

  • The Inspiration: You finish a beloved book, close the back cover, and feel a sharp pang of grief because the story is over. Then comes the realisation: I can make my own world.
  • The Output: These early efforts are often messy, heavily derivative fan-fictions or tales of magical kingdoms featuring pets as protagonists, written in spiral-bound notebooks with gel pens.
  • The Impact: Starting young instils a sense of play and boundless imagination. Pre-teen writers learn early on that the page is a limitless sandbox. They write for the sheer joy of creation, long before the inner critic learns how to speak.

2. The Teenage Storm: When Emotion Demands an Outlet

If childhood writing is driven by imagination, teenage writing is driven by gasoline and matches.

The teen years are a whirlwind of firsts: first love, crushing rejection, identity crises, and a sudden, overwhelming awareness of the world outside oneself. For many, the inherent desire to write doesn’t come from a love of plotting; it comes from an urgent need to survive the emotional turbulence of growing up.

  • The Inspiration: Raw emotion. Whether it’s the dizzying high of a mutual crush or the devastating isolation of feeling misunderstood, life feels cinematic and high-stakes.
  • The Output: Poetry scrawled in the margins of algebra notebooks, angsty journal entries, and deeply emotional coming-of-age stories where the protagonists experience the exact emotional spectrum the author is currently navigating.
  • The Impact: Teenage writing teaches emotional honesty. It forces the writer to confront vulnerability and translate abstract feelings into concrete words. While these pieces might make you cringe a decade later, they build the vital muscle of emotional resonance.

3. The Adult Awakening: When Lived Experience Demands to Be Told

Not everyone catches the writing bug early. For many, the desire to write arrives much later in life—after years in the workforce, raising a family, navigating loss, or simply watching the world turn.

You might be sitting at a corporate desk, standing in your kitchen, or travelling the world when a sudden realisation hits: I have something to say.

  • The Inspiration: Perspective. Years of observing human behaviour, professional triumphs and failures, relationships that bloomed and withered, and the quiet resilience it takes to simply be an adult. You’ve seen how the world actually works, beyond the idealism of youth.
  • The Output: Rich, nuanced fiction with morally grey characters, reflective memoirs, deep non-fiction, or stories that explore the complexities of mid-life, grief, and reinvention.
  • The Impact: Adult-bloomed writers bring depth, pacing, and psychological realism to their work. They may lack the unbridled innocence of the pre-teen or the raw urgency of the teen, but they compensate with wisdom, patience, and a profound understanding of human motivation.

So, When Does It Truly Begin?

The beauty of the creative spirit is that it has no expiration date—and no single starting line.

  • If your journey started at age 10, your superpower is imagination.
  • If it started at age 15, your superpower is emotion.
  • If it started at age 40 (or 60, or 80), your superpower is perspective.

Ultimately, the inherent desire to write doesn’t belong to a specific age bracket. It belongs to the moment you decide that a story inside you deserves to exist outside of your head.

Whether you are dusting off a childhood dream, channelling current heartbreaks, or drawing from decades of life experience, the best time to start writing was yesterday. The second best time is right now.


When did the desire to write first strike you? Was it a childhood book, a teenage diary, or a later-in-life epiphany? Let us know in the comments below!

Top 5 sights on the road less travelled – Cairo

Beyond the Pyramids: 5 Hidden Gems in Cairo for the Discerning Traveller

Cairo, the bustling capital of Egypt, is synonymous with ancient wonders and crowded tourist hotspots. Most visitors flock to the iconic Pyramids of Giza, the Egyptian Museum, and bustling Khan El Khalili Bazaar—and for good reason. But beyond the well-trodden paths lies a quieter, more intimate Cairo, rich in history, art, and authenticity. For travellers seeking unique experiences without the crowds, here are the top five lesser-known visitor attractions in Cairo that offer distinctive charm and unforgettable moments.


1. The Coptic Cairo (Old Cairo)

Why it stands out: A peaceful enclave of early Christian heritage tucked behind the Roman fortress of Babylon.

While many tourists pass through en route to other sites, Coptic Cairo remains surprisingly uncrowded, despite housing some of Egypt’s most ancient churches and religious artifacts. Wander through narrow cobblestone streets and visit the Hanging Church (Al-Muallaqa), built atop Roman fortress gates, or step into the Church of St. Sergius and Bacchus, believed to be a resting place for the Holy Family during their flight into Egypt.

Don’t miss the Coptic Museum, a serene treasure trove of early Christian art, manuscripts, and textiles that tell the story of Egypt’s Christian roots. The quiet ambience, combined with centuries-old spirituality, makes this area a contemplative retreat in the heart of the city.

Pro tip: Visit early in the morning to enjoy the golden light filtering through the ancient arches and minimal foot traffic.


2. Manial Palace (Al-Manial Palace)

Why it stands out: A stunning blend of Ottoman, Persian, Moorish, and European architectural styles, set in a lush garden oasis.

Overlooked by most tour itineraries, Manial Palace is a 20th-century marvel built by Prince Muhammad Ali Tewfik. Located on the banks of the Nile in the suburb of Manial, the palace feels like a fairy-tale retreat. Its opulent interiors—complete with hand-painted ceilings, intricate mosaics, and royal artifacts—offer a glimpse into royal life during Egypt’s final days as a monarchy.

The surrounding gardens, with fountains, pavilions, and botanical displays, make it a perfect picnic spot or quiet escape from the urban rush.

Why it’s special: Unlike the crowded museums downtown, Manial Palace sees few visitors, allowing you to explore at your own pace, without guides or tour groups crowding your view.


3. Al-Azhar Park

Why it stands out: A 74-acre urban paradise offering panoramic views, Ottoman-era restoration, and a breath of fresh air.

Built on a former garbage dump, Al-Azhar Park is one of Cairo’s greatest urban renewal success stories. Opened in 2005, this beautifully landscaped park offers walking paths, man-made lakes, and shaded gardens. It’s a favourite spot for local families on weekends, but during weekdays, it’s peaceful and nearly empty—ideal for quiet reflection or photography.

From the elevated terraces, you get a stunning bird’s-eye view of Islamic Cairo, including the minarets of historic mosques like Al-Rifa’i and Sultan Hassan. The park also houses Restaurant @ the Tower, offering fine dining with a view, and the Aga Khan Museum, which explores Islamic art and culture.

Bonus: The park supports community initiatives, making your visit both enjoyable and socially responsible.


4. The Museum of Islamic Art

Why it stands out: One of the world’s most comprehensive collections of Islamic artifacts, housed in a striking 19th-century building.

Despite its global significance, the Museum of Islamic Art reopened in 2017 after years of restoration and still remains off the radar for many tourists. Inside, you’ll find over 100,000 artifacts spanning over 1,300 years—ranging from intricately designed metalwork, Qur’ans, textiles, ceramics, and astrolabes.

The building itself—a former 1881 school—exudes old-world elegance, and the spacious galleries allow you to explore without the usual museum crowds. Highlights include the Mamluk-era brass trays, Ottoman calligraphy, and rare wooden minbars (pulpits) from Cairo’s historic mosques.

Insider fact: The museum’s renovation was a joint effort between Egypt and international institutions, preserving not just artifacts, but architectural heritage.


5. The Graeco-Roman Museum (in Cairo – Misr University for Science and Technology)

Why it stands out: Though the original Alexandria branch is better known, this satellite museum in 6th of October City offers a rare focus on Greco-Roman Egypt.

Located just outside central Cairo, this modern museum presents a fascinating chapter of Egypt’s history when Greek and Roman influences merged with ancient Egyptian traditions. The exhibits include statues of Cleopatra, Roman busts, funerary practices, and everyday objects that illustrate cultural fusion.

The location on a university campus ensures low visitor numbers, making it a peaceful place to explore. The museum also features interactive displays and educational installations, appealing to both history buffs and casual visitors.

Why go? It’s a chance to see another side of Egypt—one shaped by Mediterranean empires yet deeply rooted in Pharaonic traditions.


Final Thoughts: Rediscovering Cairo’s Quiet Soul

Cairo is more than crowds and commotion. These five under-the-radar attractions reveal the city’s layered identity—spiritual, artistic, and historically rich—without the overwhelm of mass tourism. Whether you’re wandering through Coptic alleyways, strolling palace gardens, or marvelling at Islamic masterpieces, these hidden gems offer something truly distinctive.

Next time you’re in Cairo, skip the line and venture off the beaten path. The city’s quieter corners are waiting to whisper their stories.


Traveller’s Checklist:

  • Visit early in the day to avoid even small crowds.
  • Carry water and sun protection—Cairo heats up quickly.
  • Respect local customs, especially in religious sites.
  • Consider hiring a local guide for deeper insight, even at quieter spots.

Let Cairo surprise you. Sometimes, the most memorable moments come not from the loudest landmarks, but from the quiet ones that time forgot.

In a word: Joe

Aside from being the short form of the name Joseph, ie a man’s name, there is also a derivative for women, Jo.

The name Joe is said to be used from the mid-1800s.

My favourite Joe name is Joe Bloggs, and he features in some of my stories.

It’s anonymous enough for someone to use as a cover when booking into a sleazy motel and is a little more refined than Smith or Jones, names that more than likely already feature in the register.

Jo could be a short form for Josephine, a name I’m sure some women would prefer not to be called.

But…

Did you know it’s also a name given to a cup of coffee?

Well, that didn’t make much of a splash.  I don’t think anyone these days refers to coffee as Joe because there are so many different variations with names I couldn’t pronounce let alone spell, I think it’s been lost in the mists of time because there was only one type of coffee.

It was called coffee.  Funny about that.

However…

There is another definition, and that is for the ‘average Joe’, an ordinary fellow who works for a living.

Odd, because I thought that was what most of us did, but perhaps it refers to tradespeople, or blue collar workers, not the white collar brigade.

Hang on, isn’t there a GI Joe, a universal description of the average soldier?

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

Top 5 sights on the road less travelled – Georgetown

For those seeking experiences beyond the well-known landmarks in Georgetown, Guyana, here are five excellent things to do on a more unconventional path:

  • Visit the manatees at Guyana National Park (or Botanical Gardens)
    While the botanical gardens and national park are known, a specific, less common activity is feeding the manatees in the ponds. It is one of the few places in the world where it’s possible to interact with these endangered creatures by feeding them grass.
  • Explore the local culture at the lesser-known markets
    Beyond the central Stabroek Market, venture into local markets like Bourda Market or Kitty Market for a more authentic feel of daily Guyanese life. Here, you can experience the vibrant atmosphere, interact with locals, and find unique spices, fresh produce, and local crafts away from the main tourist flow.
  • Experience a local “seven curry” food tour
    Immerse yourself in the unique Indo-Guyanese culinary tradition with a “seven curry” tour, which typically involves collecting lotus leaves and experiencing a cooking class with local chefs in an authentic setting. This provides a deep cultural and gastronomic experience that goes beyond simply visiting a restaurant.
  • Take a blackwater creek adventure
    An excursion about an hour outside the city leads to the serene blackwater creeks, such as those along the Soesdyke/Linden Highway or with local operators like Blackwater Adventures. These unique, palm-fringed swimming spots offer a tranquil escape into nature and a chance to see diverse wildlife, including birds and monkeys, away from the city bustle.
  • Discover Amerindian culture with a village day trip
    Organise a day trip to an Amerindian village, such as the community-run Pakuri Village or lodges like Surama Eco Lodge (which is further afield in the Rupununi region), to learn about the indigenous culture and lifestyle. Engaging with local communities and guides offers a profound insight into Guyana’s heritage and biodiversity that general city tours rarely provide

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet them or be confronted by them was significantly lower. Except, of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact that, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street who look like someone we knew and make the mistake of approaching them like a long-lost friend, only to discover an embarrassed individual desperately trying to get away from what they perceive as a stalker, or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then, according to the circumstances and narrative that is attached to that picture, either flattered or horrified.

For me, one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognise was murder. The photo of the man on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated by what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer, the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room. I looked through the peephole and saw an army of police officers. It didn’t take much to realise what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low-profile travel agency, was single, and currently not involved in a relationship, had no children, and, according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company; I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably, more people needed a travel agent than a lawyer. At least that was what I told myself as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with several other delegates who had arrived on the same plane. I had mingled with several other delegates at the pre-conference get-together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bulletproof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me? I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain-killing drugs. I tried to imagine the scene again, but this time it played out without the image of my mother.

I opened my eyes and took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod or a greeting, just went back to the paper.

If I still had a police guard, then I would still be considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try to explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in and out of consciousness. A nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told me what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have another visitor. He is from the British Embassy, I think. But he will have to wait until I have finished my examination.”

I realised then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit, the sort of which I associated with the British Civil Service.  He was not very old, which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome, and he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently, for them, it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact that you were shot had made it an all-around embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologising?”

“That is why you have another visitor.  I only took precedence because I insisted on speaking with you first.  I have come, basically, to ask you for a favour.  This situation has afforded us an opportunity.  We would like you to sign the official document, which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter that could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush-hush type deals, you do this for us, we’ll help you out with that?  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible, so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man, Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri or Sorrento, if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, who had announced herself as the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it: “The patient has recovered excellently, and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed, so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long, wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful, though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him. She checked the door and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then that I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have several witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed-circuit TV, we have established you are not the criminal Jacob Westerbury.”

She put her notebook back in her bag and then said, “My name is Vicenza Andretti, and I am with the prosecutor’s office. I am here to formally apologise for the situation that can only be described as a case of mistaken identity. I assure you, it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest, one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger-happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realised if it was mistaken identity, the answer would be yes.

She saw the look on my face and said quietly, “I think you know the answer to that question, Mr Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry, but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest, he escaped. Once we realised we had made a mistake and reviewed the closed-circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough, no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officers’ weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you, Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrongdoing?”

“I have apologised. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank you for your time and cooperation, Mr Pargeter. Good morning.”

© Charles Heath 2015-2021

365 Days of Writing, 2026 – 222

Day 222 – From a wish to ambition

The Birth of a Writer: At What Age Does the Inherent Desire to Write Actually Begin?

Every author has an origin story. Long before the book deals, the midnight editing sessions, and the sacred mug of cold coffee on the desk, there was a spark. A quiet, persistent urge that whispered, Put pen to paper. Tell a story.

But when does that inherent desire to write actually begin?

Is it during the wide-eyed pre-teen years, when the magic of chapter books first captures your imagination? Does it ignite in the turbulent, emotionally charged teenage years, fueled by first loves and heartbreak? Or does it wait patiently until adulthood, when real-world experience, careers, and hardships finally grant you the insight to understand the human condition?

The truth is, the writing bug doesn’t have a single birthday. It visits us at different stages of life, transforming us in unique ways depending on when it decides to strike. Let’s explore the three distinct phases where the desire to write commonly takes root, and how each shapes the writer you become.


1. The Pre-Teen Wonder: When Magic Becomes a Blueprint

For many writers, the journey begins in childhood. Think back to the days of flashlight-under-the-covers reading, when the world of Narnia, Hogwarts, or Camp Half-Blood felt more real than your actual backyard.

During the pre-teen years, books are pure magic. But for future writers, reading is never just a passive activity. It’s an invitation.

  • The Inspiration: You finish a beloved book, close the back cover, and feel a sharp pang of grief because the story is over. Then comes the realisation: I can make my own world.
  • The Output: These early efforts are often messy, heavily derivative fan-fictions or tales of magical kingdoms featuring pets as protagonists, written in spiral-bound notebooks with gel pens.
  • The Impact: Starting young instils a sense of play and boundless imagination. Pre-teen writers learn early on that the page is a limitless sandbox. They write for the sheer joy of creation, long before the inner critic learns how to speak.

2. The Teenage Storm: When Emotion Demands an Outlet

If childhood writing is driven by imagination, teenage writing is driven by gasoline and matches.

The teen years are a whirlwind of firsts: first love, crushing rejection, identity crises, and a sudden, overwhelming awareness of the world outside oneself. For many, the inherent desire to write doesn’t come from a love of plotting; it comes from an urgent need to survive the emotional turbulence of growing up.

  • The Inspiration: Raw emotion. Whether it’s the dizzying high of a mutual crush or the devastating isolation of feeling misunderstood, life feels cinematic and high-stakes.
  • The Output: Poetry scrawled in the margins of algebra notebooks, angsty journal entries, and deeply emotional coming-of-age stories where the protagonists experience the exact emotional spectrum the author is currently navigating.
  • The Impact: Teenage writing teaches emotional honesty. It forces the writer to confront vulnerability and translate abstract feelings into concrete words. While these pieces might make you cringe a decade later, they build the vital muscle of emotional resonance.

3. The Adult Awakening: When Lived Experience Demands to Be Told

Not everyone catches the writing bug early. For many, the desire to write arrives much later in life—after years in the workforce, raising a family, navigating loss, or simply watching the world turn.

You might be sitting at a corporate desk, standing in your kitchen, or travelling the world when a sudden realisation hits: I have something to say.

  • The Inspiration: Perspective. Years of observing human behaviour, professional triumphs and failures, relationships that bloomed and withered, and the quiet resilience it takes to simply be an adult. You’ve seen how the world actually works, beyond the idealism of youth.
  • The Output: Rich, nuanced fiction with morally grey characters, reflective memoirs, deep non-fiction, or stories that explore the complexities of mid-life, grief, and reinvention.
  • The Impact: Adult-bloomed writers bring depth, pacing, and psychological realism to their work. They may lack the unbridled innocence of the pre-teen or the raw urgency of the teen, but they compensate with wisdom, patience, and a profound understanding of human motivation.

So, When Does It Truly Begin?

The beauty of the creative spirit is that it has no expiration date—and no single starting line.

  • If your journey started at age 10, your superpower is imagination.
  • If it started at age 15, your superpower is emotion.
  • If it started at age 40 (or 60, or 80), your superpower is perspective.

Ultimately, the inherent desire to write doesn’t belong to a specific age bracket. It belongs to the moment you decide that a story inside you deserves to exist outside of your head.

Whether you are dusting off a childhood dream, channelling current heartbreaks, or drawing from decades of life experience, the best time to start writing was yesterday. The second best time is right now.


When did the desire to write first strike you? Was it a childhood book, a teenage diary, or a later-in-life epiphany? Let us know in the comments below!

The cinema of my dreams – Was it just another surveillance job – Episode 11

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Just the person to see next

 

I couldn’t imagine what those details were.  But if it was a setup, it was a very elaborate one, by people who knew our systems and procedures.  Naturally, the first thought that sprang to mind, someone who was working here, or used to.

Then I had another thought, what if none of us was meant to survive the operation, and hat we had been selected specifically because we were new to field operations.  At the briefing, we had been told this was simple surveillance, observe and report, nothing more.

Usually we had one experienced member and three new team members, the experienced member was there to continue on the job training and evaluation.  What worried me was that an experienced member could be taken out apparently as easy as the others.

And my money was not on the guy I’d cornered.  Of course, I could be wrong, and no doubt circumstantial evidence would go a long way towards proving that, but in my estimation, a cornered man like he was, with a thirst and talent for killing, would not have hesitated to kill me before I’d got three words out.

I believed him.  He was scared and, now that I thought about it, confused.  That was anything but the m.o. of a conscienceless killer.

The wrinkle that hadn’t been accounted for was the explosion.  No one could have predicted that, or its effect on the operation.  It might well have saved him, except that I didn’t play by the rules and reconnected with him.  Maybe he had felt safe after taking out the others, and assuming I’d been taken down by the explosion.

Except, if I didn’t think he did the killing, who did, and why?  Severin?  Just who the hell is this Severin?  There’s been no indication he wasn’t one of us.

I was pondering that question when the woman returned and sat down again.  This time her stare wasn’t quite as glacial.

“Describe this Severin.”

She opened her notebook, and had her pencil ready.  Odd that she should be taking notes in pencil.

I described him.  Five feet eight inches tall, 250 pounds, thinning black hair, making him anywhere between 35 and 50, though I thought he was mid-forties.  He wore a tweed suit, rather an odd choice for the climate, and had the aroma of cigarette smoke hanging about him.

Every free moment I saw him, he had a cigarette, so I thought he was quite possibly a chain smoker, and from that, perhaps a man with bad nerves, or who worried a lot.  Now I knew he was not one of us, that could be interpreted as thinking he might get caught.

But he was confident, and outgoing, which meant he was quite sure he wouldn’t get caught, and that meant, quite possibly there was someone within our department that was working for or with him and had covered his comings and goings.  Either that or he had a universal passcode key to come and go as he pleased.

When I finished the description I could see a flicker of recognition.  IT was possible she knew who he might be, and if so, I was betting she knew him by another name.  I asked if that was the case.

“You know who this man is, don’t you?”

The stern reproving look returned.  “What makes you think that?”

“I read faces.  Yours is not a poker face.”

“Well, that disappoints me because I like to play poker.  Perhaps the people I play with have a different view.”

“I’m usually a good judge of character.”

“It’s let you down this time.”  She stood.  “Before you go, one of the supervisors here would like a word with you.  His name is Nobbin.  He works out of another office and is coming here directly.  After that, you’re free to go.”

She didn’t wait to say goodbye, and I was glad I managed to keep a straight face long enough.

Nobbin.  Just the man I wanted to see.

 

© Charles Heath 2019

The story behind the story – Echoes from the Past

The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus, the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all rewrites, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally, it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Year’s, and it was an experience I’ll never forget.

One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live”.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy man with few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule and begins a relationship?

But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

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The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 67

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

Back at the newspaper archives

Boggs didn’t come home.

His mother and I waited until way after dark, and when I raised the possibility that something might have happened to him, she didn’t agree, nor did she look all that concerned.

The fact he had experience in cave exploration, and used to camping out with his father and later uncle Rico and had suffested he might not be back for a few days and was not a cause for concern.

It didn’t register that he might get into trouble considering the instability of some of the caves, nor the fact they have warning signs and or been boarded up to stop explorers.

It bothered me.

He was starting to emulate his father, with this obsession.  If the story in the paper was anything to go by, at worst he could finish up just like his father, buried under a pile of rubble.  That was one of the more speculative reults to his treasure hunt, besides leaving his family penniless and heartbroken.

Did I believe that was where his father was?  I didn’t think he disappeared of his own volition but as to the who, well, there were only two principal suspects, and no evidence of the complicity.

Boggs’s father might never be found.

But, in the end, I didn’t know what to think, because the waters were so muddied by people who were driven by self-interest.

There was so much more to this story, mostly driven by self-interest, revenge perhaps, and, worse, greed.  It was perhaps a symptom of everything that had gone wrong in not only this town but what was happening on a much larger scale to the whole country.  But, that was someone else’s problem.  My concern was here, now, and saving Biggs from following the same destructive path his father had

And, to do that, I needed to know more.  That meant, first thing the next morning, a trip to the newspaper office.

When I returned to the newspaper office Lenny was in his usual seat with a paper in hand, reading.  Keeping up with the competition, he said, though the difference in circulation was counted in millions.

There was a woman behind the other desk.

“Staff journalist,” he said when he saw me looking at her.  “And family.  My wife, Jennifer.”

I’d not seen her before, and she didn’t come from here, or I would have recognized her.

She smiled, and there was something in that expression that struck me as familiar.

“Are you related to the Ormistons?”

It was a vague resemblance, after seeing so many pictures of the Ormistons, that everyone looked like them.

“It’s a name I don’t use anymore,” she said, “for obvious reasons.  My grandfather stirred a lot of resentment.”

“And,” Lenny added, “it’s between us and these four walls, Sam.”

I nodded.  I could understand the sentiment.  And it explained Lenny’s depth of knowledge.

“Just to be clear, your grandfather didn’t find the treasure?”

She sighed.

Lenny said, sharply, “Sam!”

I shrugged.  “Sorry.  I had to ask.”

“No, he did not, and believe me, that’s a sore point with everyone whose lives he destroyed.”

“I can imagine.  Does anyone know what happened to him, the real story?”

“There is no real story Sam.  I tried to discover the truth and failed.  For Jennifer’s peace of mind.  We may never know what happened to him.”

“But surely you don’t believe he died in a cave somewhere?”

“It’s the most plausible.”

“And what about Boggs’s father?”

“He was a fool,” Jennifer said.  “From what I remember of him, he was always insistent that the treasure was in a cavern up in the hills, accessible only by an underground river that flowed down to the sea.  He originally thought it was the one the mall was built over, except every cave had a dead end.”

“Before or after the mall was built?”

“My father explored the cave system, with my grandfather, extensively, before the mall was built.  There was no underground river.”

“How did the mall get destroyed in a flood then?”

“That was the Benderby’s cost-cutting the foundations.  The flooding was man-made, not an act of nature like they said it was.  That was just so they could claim the insurance.  No one could really tell the difference, and the specialist the got to sign off on it lied.  The same guy that turned up dead on Rico’s boat, by the way.”

“The Benderby’s cleaning up another mess, but their way.”  Jennifer sounded, and probably had every right to be, resentful.

“Then there still could be an underground river somewhere along the coast?”

“If there is, I haven’t found it, and neither has Alex and that fancy boat of his.  It’s another dead end, and like as not, another nail in the coffin of what was a fairy tale, to begin with.  There was no treasure, just a fable invented by the Cossatinos.”

“Even so, it’s part of the folklore of this county and will have a place in the history I’m writing.  I noticed over the years the treasure had a prominent place in the paper.”

“My father, and his before him thought it would be good for the town. You know, bring in tourists.  It was my father’s idea to print treasure maps, and then the Cossatino’s embellished it but producing what they called ‘the real map’ each a slight variation on the other, commanding a special fee, and swearing the purchases to a promise of silence, and adding to the authenticity, demanding a 19 percent share of whatever they found.  People lapped it up and my father said they’d made a fortune out of it.  Boggs’s father hand-made the copies and used that money to fund his own explorations.  Everyone made money out of it, one way or another except Ormiston.”

A bitter irony if there was ever one.  There was more money in the illusion of treasure than the actual treasure itself.

“And the so-called real map that Boggs reputedly found in the pirate’s hideaway?”

“No one ever saw it, except that one time it was authenticated age-wise, so no one ever got to see it.  Boggs made sure of that, and never let it out of his sight.  Now we’ll never know.  I’m sure Boggs junior doesn’t have it, but with him, he’s as daft as his father was.”

“He had a lot of his father’s stuff he found in a box in the attic recently.  I’ve seen some of it, but not an authentic map, so maybe your right.”

“Of course I am.  When you have an idea of what this history of yours is going to look like, let me know. And I’ll publish in parts if you want, maybe pass it on to the dailies.  It might be worth something.”

“Thanks.  I will.  But more study first, you have the history of the place in that back room, maybe you should write something yourself. Being the journalist.”

“Too busy with births deaths and marriages, Sam, and the antics of the Benderby’s and Cossatino’s.  Do you know that Benderby is demolishing the mall and putting a marina in its place?  Talk of building a hotel, boosting tourism.  Talking of running for mayor, you know, the first stop on the way to the presidency?”

“A crook for a mayor?”

“Wouldn’t be the first, won’t be the last.  But one thing is for sure, that kind of news sells papers.”

It did, but I had a feeling the Benderbys were all about creating a distraction, and something else was going on at that mall site.

A construction crew had arrived, and more secure fencing was being erected, and the two points where I’d entered the sire with Boggs on one hand and Nadia later, they were gone.  There was also an increase in the security guards, covering more of the fence line in shorter intervals, and worse, arc lighting lit the whole outside area like a sports stadium.

Not even an ant could sneak in without being seen.

© Charles Heath 2020-2022