A photograph from the inspirational bin – 13

I came across this photo:

This is like so many roads off in what is known as the Gold Coast hinterland, that tract of land between the ocean and the mountain range that runs along the eastern side of the country, known as the Great Dividing Range.

This is the road that runs behind where friends of ours live, and runs on down into a valley where a river runs, and when the rains come down, floods.

It’s hard to imagine that a few hundred years ago all of this would have been tropical jungle, and intrepid explorers would be making their way north or west, just to see what was there.

I imagine in another 100 years, all of this will be gone, given over to housing, shopping malls, and factories, and anything that resembles country living will have been moved out to far beyond the mountain range and towards the what is called the ‘red’ centre.

Or over that time there is a reckoning with mother nature, and if there is, I know who I’d put my money on.

But, as for a story…

It was quite literally the road to nowhere.

You just had to follow it until it disintegrated into a dirt track, and then for another 20 miles before you finished up at a rusty gate attached to a dilapidated fence that surrounds the a house that was cleverly hidden behind a grove of trees, the only place I knew as home. We had no phones, no television or radio, no real contact with the outside world.

Until, one day, my fairy godmother came and rescued me.

Yes, it felt like that.

Little had I realized that there were any other people in our family, and it took until the death of my parents to find out I had grandparents, and a much larger extended family.

There had been, according to my father, no reason to leave. Or for anyone else to come, and the few that ventured to end of the road, found there was nothing to see, and no reason to stay.

For all intents and purposes we didn’t exist, and, oddly, I was content with that.

Until I decided to venture further afield, run into two people, a man and a woman, both of whom said they were related to my father, and ask me to take them back with them to meet my father,

A bad choice, but I didn’t know it at the time.

Not until my father ran them off at the point of the gun he always had with him.

He knew who they were, and it surprised me to see the change in him, from the strong silent type, to a man greatly afraid, though he would not tell me of what.

He just told me to lock myself in my room, and not to come out for anything.

I heard him leave, but not come back.

It took three days before I left that room, to find I was completely alone in the house. Outside, it was a different story. There, half way between the back door and the barn were the two people I’d brought home, both dead. A little further away were my parents, also dead.

And another man, who was leaning over my father.

I stopped when he looked up in my direction.

“You must be Jake.”

How did he know my name? I nodded, warily watching him in case I had to run.

He went from body to body, checking to see if they were still alive, then stood and turned around to look at me.

“Do you know what happened?”

“No.”

“Do you know who the other two are?”

I assumed he was referring to the visitors.

“No. The man said he was a relative, asked me to bring them here.”

“How did you…”

Escape? “My father told me to hide and not come out.” If this man was associated with the other two…

Perhaps he saw my trepidation.

“I’m a friend of your father’s, a policeman. You were supposed to be safe here.”

We were, until I brought the harbingers of death. “Not any more,” I said.

© Charles Heath 2021

The cinema of my dreams – Was it just another surveillance job – Episode 32

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

I ordered breakfast to be brought to my room, then sat back and read the paper, culminating in a second cup of coffee and a half-hearted attempt at the crossword.

My mind was not sufficiently clear of all the implications of what I’d seen last night, and before that.

The first task was to go back to the office and get onto the computer to track down the address the car was registered to.  It was not the flat.  My guess that it was a sort of safe house.  He may not have had reservations about Jan, or who she worked for, not until he became the prey.

Then it occurred to me that if Jan didn’t know where the USB was, then she had to realize he might have rumbled her perfidy.  Maybe he was not as easily fooled as I first thought.

But it didn’t explain why Nobbin was in the dark over the USB’s whereabouts, as he had told me to give Nobbin a message.  Perhaps there’s been a secret message behind that message.

Now, my mind was spinning out of control.

Like O’Connell/Quinley, and in accordance with more lessons on tradecraft, I too, had what I would like to have called a safe house, a small flat on the outskirts of Wimbledon.  

I also had an off-site parking space that was a reasonable distance from the flat, so that if I was being hunted, the car would not lead them to my hiding spot.

There I had a shower, changed, and headed for the underground.

I took the train to Charing Cross, getting there around nine, to take the short walk to the hotel.

Not expecting to find her in the room, I used my key to let myself in.

I was wrong.

She was in bed, still asleep.  Or was until I let the door slam shut.

She didn’t exactly come out from under the covers with a gun pointing at me, but I would be willing to be there was one under her pillow and her hand was on it.

“Sam?”  It was uttered sleepily, the sort that would normally send a shiver down my spine.  Not now.

“I hope you’re not intending to shoot me?”

“No.”

I could see her hand moving slowly withdrawing, and then watched her sit up and swing her legs over the side.

Still in basic clothes.  Obviously, no time to go and get some pyjamas then.

“What happened to you?”

“Got side-tracked on what I thought might be a lead, and it wasn’t.  Just a waste of time and a long night.  Thought I’d come here and get some shuteye.  Perhaps not.  Are you going to order breakfast?”

“Of course.”

“I’ll have a pot of coffee and a paper, preferably one with a crossword.”

She rang down a breakfast order, full English, then said she was having a quick shower.  I heard the water running and wondered if she was giving Severin a short report.  Old trick, running water hides conversations.

Breakfast arrived at the same time as she came out of the bathroom, hair up in a towel, and in one of the hotel dressing gowns.  My imagination got a five-second workout before I grabbed the paper and the coffee and sat in the corner.

She could have the desk.

“Do we know where Maury is?” I asked suddenly.

“Who?”

She hesitated before answering, a moment to give herself time to process the question, and if there were any hidden meanings.

“You know?  You dropped a tracker on him.”

“Oh, him.  He must have found and dumped it.  It was pinging about 100 yards from the flat.”

Of course.  There probably wasn’t one in the first place.

“Pity.  I’d like to turn up unannounced, give him a bit of a scare.”

I went back to the crossword, keeping an eye on her, noticing every now and then giving me a sideways glance.

“Did you go anywhere after the flat?”  Again sudden, out of left field.

“No.  Just come straight back here.  Do you want to keep the room for a few days?  See what happens.”

“Sounds like a good idea.  Look, I have to run an errand this morning, unfortunately, it’s not a work matter, so I’ll give you a call on my way back.  You must want to talk to your people and let them know what’s happening if you haven’t already.”

I finished the coffee, folded the paper, and stood.

“At the very least,” I added, “I have to go back into the office and report to Nobbin.  I’m sure he’ll be impressed with the lack of progress.”

“Won’t you run into that other fellow, what’s his name?”

“Severin?”

“Him, yes.”

“I don’t think so.  His name will probably be very high on the ‘we’d like to talk to you’ list if he shows his face.  Anyway, I’ve got your number.”

I deliberately waved the phone where she could see it, and the implication she could probably use it to track my movements.  That might have been the case if there was a sim card in it, and it was similar to the phone she last saw me with.

It was not.

Where I was going, no one was going to follow me or find me.

© Charles Heath 2020

365 Days of writing, 2026 – 26

Day 25 – Days 26 – What is the perfect writing space

Crafting Your Perfect Writing Room: A Sanctuary for Creativity and Focus

Introduction: The Power of a Personal Writing Space
A writing room is more than just a place to jot down words—it’s a sanctuary where creativity thrives, ideas flow, and focus is prioritised. Whether you’re a novelist, a student, a blogger, or a poet, having a well-designed writing space can transform your productivity and inspiration. But what makes a writing room “perfect”? The answer is deeply personal, shaped by your habits, preferences, and goals. Let’s explore the key elements that can help you curate your ideal writing space.

Location and Layout: Choose Wisely
Start by selecting a spot that reflects your lifestyle. A dedicated room is ideal for minimising distractions, but a corner of a bedroom, living room, or even a cozy nook in a kitchen can work wonders. Prioritise an area with an ergonomic layout—avoid your bed or couch, as they’re associated with rest. A standing desk might offer flexibility, or a high-chair kitchen counter could spark creativity. The core is to create a space that mentally signals: It’s time to write.

Lighting: Illuminate Your Ideas
Lighting plays a crucial role in mood and productivity. Natural daylight is optimal, reducing eye strain and boosting focus. If you’re writing late at night, invest in a warm, adjustable LED lamp to avoid harsh overhead lighting. Consider layering light sources: a desk lamp for focused tasks, string lights for ambience, or a lamp with a soft glow for a relaxed vibe. Aim for a balance that supports both clarity and creativity.

Furniture: Comfort Meets Support
Comfortable furniture is non-negotiable. Invest in an ergonomic chair that supports your spine and encourages good posture. Pair it with a desk at the correct height—your arms should form a 90-degree angle while typing. Avoid overly plush seating that tempts you to nap! A minimalist setup often works best, with just your essentials: laptop, notebook, and perhaps a cup of coffee or tea.

Ambience and Noise: Curate Your Soundscape
Personalise the atmosphere to your needs. If silence is your muse, use noise-cancelling headphones to block out distractions. For writers who thrive on background noise, a white noise machine or a fan can mask unwanted sounds. Some prefer the gentle hum of a rainforest playlist or a café ambience track. The goal is to create a soundscape that enhances concentration without overwhelming your mind.

Organisation and Storage: Clarity Through Order
A cluttered space can stifle creativity. Use shelves, baskets, or drawer organisers to keep your writing tools (pens, notebooks, sticky notes) within reach. If you’re a hybrid digital-analog writer, designate spots for devices and chargers. However, don’t overdo it—leave room for a bit of organised mess, like a stack of books or sticky-note quotes. Balance tidiness with personal style.

Inspiration and Motivation: Surround Yourself with Spark
A writing space should ignite your imagination. Pin motivational quotes or visual collages on the wall, display books for reference, or create a “dream board” with magazine cuts, photos, and goals. A digital pinboard or framed art can also spark creativity. Keep a journal nearby to jot down sudden ideas. The right stimuli can turn moments of writer’s block into breakthroughs.

Personalisation: Make It Yours
Infuse the space with elements that reflect your personality. Choose calming colours like sage green or navy blue to foster focus, or energise with yellows and oranges. Add a plant for life and air purification (try a snake plant or pothos for low-maintenance). Scented candles or essential oil diffusers can create a soothing atmosphere—lavender for relaxation or peppermint for alertness. This is your space, so let it breathe.

Digital Tools: Equip for Efficiency
Streamline your workflow with smart tech. A high-quality keyboard, a docking station for multiple monitors, or a voice recorder can enhance efficiency. Use apps to block distracting websites during writing sessions. Yet, remember to disconnect: a writing room is about presence, not overstimulation.

Creating Rituals: The Psychology of Space
Finally, build habits around your space. Light a candle, brew a specific tea, or play ambient music to signal the start of a writing session. Over time, your brain will associate the space with creativity and focus, making it easier to enter “writer mode.”

Conclusion: Your Ideal Space Awaits
The perfect writing room isn’t a one-size-fits-all concept—it’s a tailored environment that evolves with you. Experiment with layouts, lighting, and tools to discover what works. Need a high-end chair? Start with a cozy cushion. No dedicated room? Try a corner with a folding desk. The key is to foster a space that nurtures your craft, both practically and emotionally. So go ahead—design a haven that transforms your writing process and celebrates your unique voice.

Remember, the best writing spaces are not built overnight. They’re curated with intention, care, and a bit of trial and error. What will you add to yours? 📝✨

Have you created your ideal writing space? Share your tips and stories in the comments!

If I only had one day to stop over in – Brussels – what would I do?

One‑Day Stopover in Brussels? Make It Unforgettable with a Visit to the Grand‑Place

If you’ve only got 24 hours between flights, there’s no better way to capture the heart of Belgium than to spend it in the city’s most iconic square – the Grand‑Place (Grote Markt). Here’s why this UNESCO‑listed masterpiece should be the sole stop on your whirlwind itinerary, and how to squeeze the most magic out of every minute.


Why the Grand‑Place is the Ultimate “One‑Place” Experience

What you’ll seeWhy it matters
Stunning Baroque & Gothic façades – Town Hall, Maison du Roi, the guild housesA visual history of Brussels from the 15th‑17th centuries, all in a compact, walkable space
UNESCO World Heritage statusGuarantees the square’s preservation and its global cultural significance
A living stage – street musicians, flower carpets (every two years), and seasonal marketsThe square isn’t a museum; it’s a vibrant urban theatre that changes with the calendar
Gastronomic micro‑cosm – waffles, frites, Belgian chocolate, and world‑class cafésYou taste the nation without leaving the square’s perimeter
Perfect photo backdrop – golden hour light, night illuminationInstagram‑ready views that make every traveler’s feed pop

In short: the Grand‑Place condenses Brussels’ architecture, history, food, and atmosphere into a single, unforgettable patch of cobblestones.


How to Turn a Quick Layover into a Grand‑Place Day

Below is a step‑by‑step itinerary that assumes you arrive at Brussels Airport (BRU) in the morning and depart the following evening. Adjust the times to fit your flight schedule, but keep the core sequence: arrival → transit → Grand‑Place immersion → departure.

1. Get There Efficiently (30 min)

ModeDetails
Train (Eurostar/Thalys/IC)Follow signs to the Airport‑Brussels train station (right outside the arrivals hall). A direct IC (InterCity) train whisks you to Brussels Central in 18 minutes (≈ 5 €).
Bus (STIB/MIVB line 12 or 21)Slightly cheaper (≈ 3 €) but slower (≈ 30 min). Take the bus to Gare Centrale and you’re already at the doorstep of the Grand‑Place.
Taxi/Uber20‑25 min, about 35‑45 €, useful if you have heavy luggage or a group.

Tip: Buy a STIB/MIVB “15‑hour ticket” (€7.50) for unlimited metro, tram, and bus rides. It’s a bargain even if you only use it for the airport hop.

2. First Glimpse – The Square at Dawn (15 min)

  • Arrive just before 9 am to avoid the midday crowds.
  • Grab a coffee and a fresh croissant from Le Pain Quotidien on the north side; the aroma of roasted beans mingles perfectly with the morning light on the Town Hall’s spire.

3. Guided Exploration (45 min)

  • Free self‑guided audio tour – download the “Brussels Grand‑Place” app (available in 12 languages).
  • Key highlights:
    1. Town Hall – climb the 87‑step tower for a panoramic view (optional, 10 min).
    2. Maison du Roi – the “King’s House” façade and its intricate stone carvings.
    3. Guildhalls – each tells a story (the Brewers’, the Clothiers’, the Bakers’).
  • Quick fact: The square’s golden “pigeon‑hole” statues were added after the 1695 bombardment, symbolising Brussels’ resilience.

4. Savour the Flavours (60 min)

FoodWhere to get itWhy it’s a must
Belgian Waffle (Liège style)Maison Dandoy (corner of the square)Caramelized sugar crystals, warm, perfect with a shot of espresso.
Frites with mayoFriterie René (just a block away)The legendary double‑fried potatoes—crispy outside, fluffy inside.
Chocolate tastingPierre Marcolini or Leonidas kiosksSample a praline while you stroll; chocolate is practically a national sport.
Beer in a historic tavernChez Léon (nearby) – try a Trappist dubbelBrussels is the capital of beer; you can’t leave without a glass.

Pro tip: Order a “combo” (waffle + coffee + chocolate) for a budget‑friendly, all‑in‑one treat.

5. The “Extra” Touch – Nearby Gems (30 min)

If you still have a bit of time, dip just a few steps outside the square:

  • Galeries Royales Saint‑Hubert – a covered arcade with designer boutiques and a quick photo op beneath its glass dome.
  • Manneken Pis – the mischievous bronze boy (5‑minute walk). The statue’s daily costume changes are a quirky cultural footnote.
  • Mont des Arts – a short tram ride up a hill for a sweeping view of the city’s skyline, perfect for sunset shots.

6. Wrap‑Up and Return to the Airport (45 min)

  • Grab a final Belgian chocolate bar for the flight (the “Bombe” from Pierre Marcolini makes a luxurious gift).
  • Board the same train back to BRU—remember to validate your ticket before hopping on the platform.

Insider Hacks for a Seamless Grand‑Place Day

HackHow it Helps
Pre‑download the “Brussels Card” appGives you a 10 % discount at most cafés and priority entry to the Town Hall tower.
Carry a small foldable umbrellaEven in summer, sudden showers are common; the square’s cafés offer shelter and a great people‑watching spot.
Speak a few French/Dutch words – “Bonjour / Goedemorgen” – locals appreciate the effort and may share hidden tips.
Leave your valuables in a hotel locker if you’re doing a multi‑day trip; the square can be a pick‑pocket hotspot during rush hour.
Check the event calendar – Flower Carpet (every two years in August) or Brussels Summer Festival (July) can turn your visit into a once‑in‑a‑lifetime spectacle.

Bottom Line: One Square, Endless Memories

A one‑day stopover can feel like a blur, but the Grand‑Place offers a concentrated dose of everything that makes Brussels legendary: architectural grandeur, culinary indulgence, historic ambience, and a buzzing, friendly atmosphere—all within a 10‑minute walk radius.

So, when the clock ticks down on your layover, skip the museum hops and head straight for the heart of Brussels. Let the cobblestones, the golden façades, and the scent of fresh waffles write the story of your Belgian intermission.

Pack your camera, bring an appetite, and let the Grand‑Place turn a fleeting stop into a lifelong memory.


What I learned about writing – You are always going to be asked questions

And a lot of them you will not want to answer, like: Why do we write?

That’s the eternal question asked of nearly every writer/author, whether successful or not.

Of course for the successful writer, though it’s hard to put a correct label on what constitutes successful, it’s either because we can make an adequate living out of it, and if it’s not that, for me anyway, it is the life of writing and the joy when someone reads a piece and leaves s review that makes it all worthwhile.

It’s not always about the money.

Most writers have a day job and squirrel themselves away in a variety of places they call their writing space and work long into the night, or over the weekends, trying to fit in everything else.

For most out happy times are when we are constructing a story, lost in another world, away from the everyday hustle and bustle and problems usually left behind when the kids go to sleep.

I’m sure I would like to travel the world, but it would only be in search of the locations of my stories. There is no such thing as a holiday that is just a holiday, and there’s a reason why Venice is a favoured location, as is London, as is New York.

These days, when my other half is visiting doctors, hospitals, and specialists, those long hours in the waiting room are spent conjuring up new stories, working on current projects and just dreaming.

We spend a lot of time in these places, and she gets to read, and I get to write. I’m sure a lot of the others wonder what it is that I am up to. Our GP, whom we visit at least once a month, and the wait can be up to about an hour, has noticed when he comes out to call us in, and always asks what I’m up to.

If I didn’t have something to write, I think I would go bonkers.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

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365 Days of writing, 2026 – 26

Day 25 – Days 26 – What is the perfect writing space

Crafting Your Perfect Writing Room: A Sanctuary for Creativity and Focus

Introduction: The Power of a Personal Writing Space
A writing room is more than just a place to jot down words—it’s a sanctuary where creativity thrives, ideas flow, and focus is prioritised. Whether you’re a novelist, a student, a blogger, or a poet, having a well-designed writing space can transform your productivity and inspiration. But what makes a writing room “perfect”? The answer is deeply personal, shaped by your habits, preferences, and goals. Let’s explore the key elements that can help you curate your ideal writing space.

Location and Layout: Choose Wisely
Start by selecting a spot that reflects your lifestyle. A dedicated room is ideal for minimising distractions, but a corner of a bedroom, living room, or even a cozy nook in a kitchen can work wonders. Prioritise an area with an ergonomic layout—avoid your bed or couch, as they’re associated with rest. A standing desk might offer flexibility, or a high-chair kitchen counter could spark creativity. The core is to create a space that mentally signals: It’s time to write.

Lighting: Illuminate Your Ideas
Lighting plays a crucial role in mood and productivity. Natural daylight is optimal, reducing eye strain and boosting focus. If you’re writing late at night, invest in a warm, adjustable LED lamp to avoid harsh overhead lighting. Consider layering light sources: a desk lamp for focused tasks, string lights for ambience, or a lamp with a soft glow for a relaxed vibe. Aim for a balance that supports both clarity and creativity.

Furniture: Comfort Meets Support
Comfortable furniture is non-negotiable. Invest in an ergonomic chair that supports your spine and encourages good posture. Pair it with a desk at the correct height—your arms should form a 90-degree angle while typing. Avoid overly plush seating that tempts you to nap! A minimalist setup often works best, with just your essentials: laptop, notebook, and perhaps a cup of coffee or tea.

Ambience and Noise: Curate Your Soundscape
Personalise the atmosphere to your needs. If silence is your muse, use noise-cancelling headphones to block out distractions. For writers who thrive on background noise, a white noise machine or a fan can mask unwanted sounds. Some prefer the gentle hum of a rainforest playlist or a café ambience track. The goal is to create a soundscape that enhances concentration without overwhelming your mind.

Organisation and Storage: Clarity Through Order
A cluttered space can stifle creativity. Use shelves, baskets, or drawer organisers to keep your writing tools (pens, notebooks, sticky notes) within reach. If you’re a hybrid digital-analog writer, designate spots for devices and chargers. However, don’t overdo it—leave room for a bit of organised mess, like a stack of books or sticky-note quotes. Balance tidiness with personal style.

Inspiration and Motivation: Surround Yourself with Spark
A writing space should ignite your imagination. Pin motivational quotes or visual collages on the wall, display books for reference, or create a “dream board” with magazine cuts, photos, and goals. A digital pinboard or framed art can also spark creativity. Keep a journal nearby to jot down sudden ideas. The right stimuli can turn moments of writer’s block into breakthroughs.

Personalisation: Make It Yours
Infuse the space with elements that reflect your personality. Choose calming colours like sage green or navy blue to foster focus, or energise with yellows and oranges. Add a plant for life and air purification (try a snake plant or pothos for low-maintenance). Scented candles or essential oil diffusers can create a soothing atmosphere—lavender for relaxation or peppermint for alertness. This is your space, so let it breathe.

Digital Tools: Equip for Efficiency
Streamline your workflow with smart tech. A high-quality keyboard, a docking station for multiple monitors, or a voice recorder can enhance efficiency. Use apps to block distracting websites during writing sessions. Yet, remember to disconnect: a writing room is about presence, not overstimulation.

Creating Rituals: The Psychology of Space
Finally, build habits around your space. Light a candle, brew a specific tea, or play ambient music to signal the start of a writing session. Over time, your brain will associate the space with creativity and focus, making it easier to enter “writer mode.”

Conclusion: Your Ideal Space Awaits
The perfect writing room isn’t a one-size-fits-all concept—it’s a tailored environment that evolves with you. Experiment with layouts, lighting, and tools to discover what works. Need a high-end chair? Start with a cozy cushion. No dedicated room? Try a corner with a folding desk. The key is to foster a space that nurtures your craft, both practically and emotionally. So go ahead—design a haven that transforms your writing process and celebrates your unique voice.

Remember, the best writing spaces are not built overnight. They’re curated with intention, care, and a bit of trial and error. What will you add to yours? 📝✨

Have you created your ideal writing space? Share your tips and stories in the comments!

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

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In a word: Left

The word left conjures up many interesting connotations such as:

Left at the altar, not a very nice occurrence but an oft-used scenario to fuel a Romcom

Should have turned left at Albuquerque, used by Bugs Bunny in a cartoon I saw once, and now basically is the go-to phrase when you get lost and have to tell someone

Lefties, not exactly the word but oft used to describe one side of politics usually leaning towards socialism or communism, or perhaps simply because they don’t agree with us

They’re coming at us left, right, and centre, meaning people, or some other object, are coming from everywhere, that is, from all directions

But one of some more simple explanations, I’m left-handed, which means I write with my left hand.

Only that doesn’t mean that I’m left-handed at everything because I’m right-handed using a bat and playing golf.  How does that work?

Turn left which means you turn in a specific direction, directly opposite to another direction, right, but I defy you to describe exactly how to turn left!

Oh, and by the way, I often get left and right mixed up.

There was only one slice of cake left, which means someone else ate it all, or that there’s one slice remaining, and you’d better be quick getting it.

Or probably the saddest of the examples, I left London to go home, meaning that I had to depart a place I wanted to stay but circumstances dictated I had to leave.  Usually, you have to go back to work where you came from, but more realistically you couldn’t afford to stay.

In politics, if you are a right-wing conservative, anyone from the other side is a left-wing lunatic.  Politics can be very polarising and there is often an all-or-nothing approach to the opposition. Rarely is there a middle of the road.