Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

Here’s the thing.

Ever had an itch you can’t scratch; that’s a part of what you’ve written, you have reservations, and you’re not sure what to write in its place.

For a few days now the start, or maybe the end, has been swirling around in my head.  To be honest, I don’t like the start, and I can’t get a feel for it.  I have about five different starting points, but none of them feels right.

I’ve been thinking of writing it from John’s perspective, but there are so many peripheral characters that need to be drawn in, people he doesn’t really know much about, or some who have a vested interest in his current girlfriend if she could be called that.

So I thought I’d throw a few words down and see how they sit:

…

You would not know by looking at MaryAnne that she was probably one of the best assassins in the world.  You would be more inclined to consider she was just another spoilt American brat on the loose on holiday.

She was certainly one of the most beautiful women I’d ever met.

And she was certainly one of the most deadly.  I could personally attest to that having seen her in action.

I could also attest to the fact that somewhere under that hard, conscienceless exterior, there was a heart, and sometimes it was visible.  After all, I was a target, her target, once, and I’m still alive thanks to her.

It was a small detail I omitted when I introduced her to my parents, but that was one little step on a long road that I thought was going somewhere.

Perhaps, after all this time, I’d misinterpreted the signs, and I was wrong.

We were sitting on the balcony of our hotel room on the 45th floor of the hotel we were staying in downtown Surfer’s Paradise, a mecca for holidaymakers from the rest of Australia, and overseas.

It was perfect for tourists.

The champagne was cold, and although it was a hot 35 degrees Celsius out in the sunlight, the mood on the balcony was as decidedly cool as the champagne.

Today was the six-month anniversary of the first day we had spent together as, well, I was not sure, now, what we were.

She turned to look at me.  She was nothing like the Zoe of old, and I had finally gotten used to Mary Anne.  It was an amazing transformation, but with it, I had thought she had finally shrugged off the Zoe persona.

She hadn’t.  That hardened expression that I had hoped would be gone forever, had returned.

“It’s time to go back home, John.”

It was also that tone, the one when she spoke, that sent shivers down my spine, not the good shivers, but the one that told me trouble was ahead.  Deadly trouble.

“I need to do something.  Don’t get me wrong, this had been a delightful rest, and I could not ask for a better companion, but it is time.  We both knew this was going to happen.”

I noticed her features had softened a little when she mentioned my name, but the message was the same.  We had talked about this moment at the outset.  There was always going to be a use-by date on this adventure, for me at least.

It was also the time when she would, she said, decide where I would fit, if I fitted, in her future.  When we originally spoke about it, she was still unsure of her feelings towards me.  Over time, I had also hoped that they would be the same as mine for her.

Perhaps I had been expecting too much.

“When did you decide?”

“About thirty seconds ago.  That’s when I realized it doesn’t matter where we are in the world, I still want to be with you.  So, how do you like the idea of going into the assassination business?”

…

I’m not sure what John might think of this development, but I think you will agree with me, so long as he is with Zoe, he’s happy.

…

© Copyright, Charles Heath 2018-2024

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.