An excerpt from “The Things We Do For Love”

In the distance he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs, and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was about mid-twenties, slim, long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back on his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’s spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slight abrupt in manner, perhaps as a result of her question, and the manner in which she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought,  she had completely different ideas of what constituted a holiday than he, not that she had actually said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

 

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no possible way she could know than anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for very different reasons.

On discreet observance whilst they ate, she gained the impression his air of light-heartedness was forced and he had no sense of humor.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and rather incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, almost unbearably awkward.

 

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humor.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought, when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs. Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humor failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening had worn on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close up, didn’t hide the very pale, and tired look, or the sunken, dark ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner now over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet the compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

 

© Charles Heath 2015-2020

lovecoverfinal1

A story inspired by Castello di Brolio – Episode 36

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

Jackerby came back and sat down.  It was clear he was annoyed his lunch was interrupted.

“Atherton’s not among those Leonardo brought back.”

Johannsen silently breathed a sigh of relief.  While he was still outside there was hope he would not get hurt.  If he had the sense to keep his head down.  Anyone else, Johannesen would not have cared.

“Who did Leonardo bring in?”

“Some woman called Martina, the one he says is in charge of the resistance.  He said he raided their last stronghold, killed everyone except the three people he knew were in the resistance.  They’re now in the dungeons.”

“We should be down there asking questions.”  A pointed glare from Wallace carried the message, what are you doing here?

“No use.  He nearly killed them, and it’ll take a while for them to recover.”

“To find out where Atherton is?”

“It seems that was the least of his concerns.  Apparently, she apparently humiliated him so he was more interested in payback.”

“It wouldn’t be hard to humiliate a fool like him,” Johannsen muttered.

Wallace glared at him.  “You should have more faith in our Italian friends, Richard.”

“My faith in him extends only to the fact he will drink the cellar dry.”

Wallace shrugged.  “Once he’s served his purpose…” and left it at that.  “Have you got onto London and asked them for further information on Mayer?”

“I think, by now, they would have tumbled to what’s going on here.  Especially after I saw Atherton come out of the radio room just before Jackerby arrived.  I asked the operator, and he gave me a coded message, but it’s not like any code I’ve seen.”

“And you’re telling me this now?”

“At least he didn’t smash it, which is what I would have done.  We haven’t heard any more from High Command other than to say the traitor was thought to be heading for Innsbruck and coming over the mountains near the Brenner Pass.  They’ve got people looking, but nothing as yet.”

“Now we’ve lost Carmichael, do we have a description of him?”

“Yes.”

“Good.  At least something is happening.”


After lunch, Johannsson went down to the dungeon to check on the prisoners.  Wallace had assigned their ‘welfare’ to him.  It was a difficult assignment seeing they arrived both exhausted, weak, and then subjected to an initial interrogation that determined whether or not they got medicines or food.

Most were left to starve.  Any women were sent to the soldier’s barracks, where they were out of his control.  None had ever come back, and he was ordered not to go check on them.

All told, there were 12 still in cells, with three due to be executed later that day.  All had worked in an armaments factory and had admitted to having information about the bombs that were being dropped over England.

Another six had yet to say what information they had, and had been subjected to severe torture, the handiwork of two of Jackerby’s men, and who Johannsen thought had been trained by the Gestapo.  In fact, he believed they were Gestapo, and that Jackerby, though he didn’t have the uniform, was a ranking SS officer.

Not a man to cross.  Leonardo would find that out soon enough.

The most recent three, the resistance fighters were put in separate cells next to each other.  The guards had been told to listen to any conversations they had, and report.  As yet, none of them had spoken.

Considering the condition they arrived in, that was no surprise.

He stood outside the cell holding the woman they called Martina.

The leader.

She hadn’t moved from the moment she had been dropped there.

A guard appeared beside him.

“Nothing yet?” Johansson asked him.

“I doubt they’ll speak again.  If that’s what Leonardo does to his so-called countrymen; I’d hate to see what he does to his enemies.”

“You let me know if she says anything.”

The soldier nodded, then went back to his station.

The other two were men, one old, one younger.  An odd group to be part of the resistance.  The woman he could understand and was the key. 

He now believed Atherton would come to rescue her.  Like any good British soldier, his empathy would be his downfall.

© Charles Heath 2020

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In a word: Nobody

This is sometimes how we must feel when overlooked or ignored, like a nobody.

And some people will treat you like a nobody, i.e someone who is just not important.

That’s just one use of the word.

Another might be…

Who did that to your room?

‘Nobody’ is the plaintiff reply.  The infamous Mr. Nobody.  We’ve never met him, but he’s always there.  And, what’s more, he seems to be able to be in more than one place at a time.

Then there’s that time when there’s nobody in the room, nobody agreed with me, hell, that happens all the time, and when I rang your phone nobody answered.

Nobody?  Was I expecting Mr. Nobody to answer?  Surely the response should have been, ‘and you didn’t answer’.

Of course, let’s not delve too deep here, lest we might find out something we didn’t want to know.

I went to your house last night, but nobody was home.

How is it we refer to the people whom we know live in that house as ‘nobody’.  Shouldn’t we be saying, ‘none of you was at home’?

It seems nobody is one of those words we often use in vain.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

 

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

 

© Charles Heath 2018-2020

How do you fit an author’s biography into a few simple words?

Every year I come back to revisit this, and each year it becomes a harder issue to deal with.  All that’s recently changed is the number of characters you can use.

I’ve been trawling the endless collection of twitter descriptions provided by their users, noting that there is a restriction of 280 characters.

How do you sum yourself up in 280 characters?

I don’t think I can, so like everyone else, I tend to put down a few catchphrases, something that will draw followers.  I’m thinking the word ‘aspiring’ will be my catchword.

I’m aspiring to be a writer, or is that author?  Is there a difference, like for instance, one publishes eBooks on Amazon, one publishes hard copies in the traditional manner?

The thing is, I want to be different from everyone else.  The real fact of the matter is that I’m not.  Like every other writer, or author, I put words on paper, and some people will read them, and a whole lot of others won’t.

And it’s not because they don;t want to, it’s simply because they don’t know my work is pout there.

So, the question is, how the hell do I make myself heard?

Taking the tradition route, saying I’k a father, I have children, I have a long suffering but accommodation wife, that hours of shutting myself away is a necessity, but creates hardship on others, how an I different?

What is it about me that makes me different from anyone else?  Am I different, do I want to be different?  Certainly I want to be heard, so do I shout at the top of my vices from the top of the highest hill?

Perhaps it would be better if I was a retired policeman, a retired lawyer, a retired sheriff, a retired private investigator, a retired doctor, someone who had an occupation that was a rich mine of information from which to draw upon.

Retired computer programmers, supermarket shelf stackers, night cleaners, accounts clerks and general dogsbody s don’t quite cut the mustard.  A mundane life does a writer not make.

Perhaps I need a ‘killer biography’.  Does it mean that I have to be a ‘killer’?

Anything has to be better than the self-confession above, and it begs the question, should we try to embellish our personal history in order to make ourselves more appealing?

All very good questions which deserve really good answers.  The pity of it is no one wants to address them.

So maybe it’s time I take a leaf out of the book of one of my characters, and become larger than like, be the character that people want to read about, the one that translators them from their everyone mundane life, if only for a few short hours.  AS a writer, perhaps I simply want to be something, someone other than myself.

And there you have it, in a nutshell, why I write.

“Sunday in New York”, it’s a bumpy road to love

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

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Writing about writing a book – Day 31

I’ve been toiling away in the attic putting the pieces together, and continuing to get the story written.

This means I’ve almost got Chapter 2 somewhere near the first draft, or maybe second. I didn’t expect it would take this long, but most authors, I suppose, take a year, or more, to write a book.

It’s been hot in the attic and making it hard to think let alone write, but it is a good background for the steamy jungles of Southeast Asia, and it has given me a few more ideas for the background sequences.

I’ll share one or two of those next.

In the meantime, so far so good.

The following is the first musings of what Chapter 2 might read like:

The first sign of anything amiss was the three police cars outside the building, parked awkwardly on the plaza in front of the building. Their lights were still flashing, and several policemen were standing near them, talking.

As I went through the front revolving door I could see several uniformed and plainclothes police in the lobby. Two were by the door, perhaps to prevent someone from leaving, one on the desk with two of the building security guards, and another near the elevator lobby.

Temporary barriers had been erected, funneling everyone through a narrow gap, where building security was checking ID cards and building passes, both of which I handed to one of the guards. These men were new, I hadn’t seen them before, and, when I took a closer look, saw they were from a different security company.

I guess with the shooting of Richardson, our management had decided the existing building security was not good enough. These new men looked a lot tougher if the number of visible tattoos on each were anything to go by, the sort of men I’d call mercenaries or ex-soldiers.

One of them gave me a good look, at my face to see if it was the same as that looking back at him on the ID card. It was not a good photo of me, and it was no surprise he was having difficulty. I’d cut my hear, I was wearing glasses, and I have the makings of a three-day beard.

I had not intended to shave while I was on holiday, and, given the urgent nature of the recall, had no time to do so before coming into the office. Benton could have warned me of the new security arrangements, but it did not surprise me he didn’t.

He called over a friend, not by turning and motioning to him, but talking into his collar communication device. It was rather pointless, the man he spoke to was no more than 20 feet away. He checked me versus the ID photo and let me pass. Perhaps his eyesight was better.

In the elevator heading up to my floor, 18, I had a few moments to consider the implications. New security meant trouble. It had happened once before, and it caused all manner of trouble for me and my staff. We had been locked out of the server room then.

The elevator jerked to a stop, and the doors opened. Everything looked quiet. I could not see any police or security personnel. But waiting for me in the lobby was Benton’s personal assistant, waiting to tell me that Benton had been dragged off to an emergency meeting, one, she said, that involved share prices or stock exchange announcements. I could not make sense of what she was saying, because his hysteria had become hers. The events of the morning so far had traumatized both of them.

I smiled, trying to be my usual charming self, and then wrote a message on a scrap of paper, and gave it to her to give to him when he returned from wherever he had gone. I was quite sure it was not a meeting. She reminded me Aitchison was still waiting to see me, and then walked off.

I turned and pressed the ‘up’ button, and the doors to the elevator car I’d stepped out of opened. I stepped in, pressed the button for 59, and the doors closed. Once again I was alone with my thoughts in an elevator. I had just enough time to realize that the investigation into Richardson must be more serious than first thought if the police were still here in numbers.

I thought I might visit the 17th floor after seeing Aitchison, and see what was happening. A decision was still pending when the doors opened, and I stepped out into ‘Fantasyland’.
It was the unofficial nickname we mortals from the lower floors called the Executive levels. They were the top three in the 60 story building. The mortals lived on levels 17 through 22.

This level housed all the Assistant General Managers. We had six. Aitchison was the AGM – Security. Goldstein, who was waiting in the lobby for an elevator, was the AGM – Administration. He was a surly chap near the age of retirement and spent more time on holiday than in the office. Preparing for retirement some said. Others were less charitable.

He nodded in my direction as we passed, I came out of the elevator car, he went in. The doors closed behind me and I let the silence envelop me.

 

© Charles Heath 2016-2020

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

 

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

 

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

 

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in May 2020.  It even has a cover.

 

PIWalthJones1

In a word: Keep

Yes, this is an easy one.

I want to keep the car.  Especially if it’s a Lamborghini and it didn’t cost $500,000.

This form of the word simply means to hang on to something, or up the proper definition, to have or retain possession of

Paring it with other words is where it gets complicated.

For instance,

Keepings off, make sure that the ball doesn’t get into someone else’s possession.

Keep it to yourself, yes, here’s your chance to become the harbinger of secrets and not tell anyone else.  Not unless a lot of money is involved, or a Lamborghini.

You guessed it, the car is the running joke on this post.

How about, keep a low profile, been there tried that, it’s a lot harder than you think.

What about keeping your cards close to your chest, yes, this had both a literal and figurative meaning which makes it sort of unique.

That might follow the second definition, to continue, or cause to continue a particular state.

Another way of using keep is by delaying or stopping someone from doing something or getting somewhere; ie, I was kept waiting at the doctor’s surgery because he was late.

There are any number of examples of using the word keep in tandem with other words

One that specifically doesn’t relate to all the former examples, is simply the word keep.

What is it?

Usually the strongest part of the castle, and the last to fall in an attack.

At least, that was the theory.