Another excerpt from “Strangers We’ve Become” – A sequel to ‘What Sets Us Apart’

It was the first time in almost a week that I made the short walk to the cafe alone.  It was early, and the chill of the morning was still in the air.  In summer, it was the best time of the day.  When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.

On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’.  This was a side of her I had not seen before, and it surprised me.

She hadn’t complained, but it was making her irritable.  The Susan that morning was vastly different to the Susan on the first day.  So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.

It was also the first morning I had time to reflect on her visit and what my feelings were towards her.  It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.

I sat in my usual corner.  Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner.  There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around.  I could understand her attitude if it was towards Alisha, but not Maria.  All she did was serve coffee and cake.

When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?”  She gave a quick glance in the direction of my villa, just to be sure.

“I am this morning.  I’m afraid the heat, for one who is not used to it, can be quite debilitating.  I’m also afraid it has had a bad effect on her manners, for which I apologise.  I cannot explain why she has been so rude to you.”

“You do not have to apologise for her, David, but it is of no consequence to me.  I have had a lot worse.  I think she is simply jealous.”

It had crossed my mind, but there was no reason for her to be.  “Why?”

“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”

It made sense, even if it was not true.  “Perhaps if I explained…”

Maria shook her head.  “If there is a hole in the boat, you should not keep bailing but try to plug the hole.  My grandfather had many expressions, David.  If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her.  Before she goes home.”

Interesting advice.  Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma.  What was that expression, ‘not just a pretty face’?

“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.

“You would disappoint me if you had not suspected as much.  Susan was having coffee and talking to someone in her office on a cell phone.  It was an intense conversation.  I should not eavesdrop, but she said being here was like being stuck in hell.  It is a pity she does not share your love for our little piece of paradise, is it not?”

“It is indeed.  And you’re right.  She said she didn’t have a phone, but I know she has one.  She just doesn’t value the idea of getting away from the office.  Perhaps her role doesn’t afford her that luxury.”

And perhaps Alisha was right about Maria, that I should be more careful.  She had liked Maria the moment she saw her.  We had sat at this very table, the first day I arrived.  I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.

She sighed.  “I am glad I am just a waitress.  Your usual coffee and cake?”

“Yes, please.”

Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.

I didn’t get to be a Lord, or have any title, not that I was expecting one.  What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.

There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it.  We were still married, just not living together.

This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her.  She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.

It was not something I would forgive or forget any time soon.

There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd.  She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right.  It was not the Susan I first met, even allowing for the ordeal she had been subjected to.

But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings.  But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.

Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart.  I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit.  The flippancy of that comment was the last straw, and I left before I said something I would regret.

I knew I was not a priority.  Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.

And finally, there was Alisha.  Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around.  It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties. 

At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata.  Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.

Perhaps it was time to set Susan free.

When I swung around to look in the direction of the lane where my villa was, I saw Susan.  She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores.  We had fun that day, shopping for clothes, a chore I’d always hated.  It had been followed by a leisurely lunch, lots of wine and soul searching.

It was the reason why I sat in this corner; old habits die hard.  I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.

She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top.  She followed my glance down, and then she looked unrepentant back at me.

Maria came back at the exact moment she was going to speak.  I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.

Neither spoke nor looked at each other.  I said, “Susan will have what I’m having, thanks.”

Maria nodded and left.

“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests.  I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence?  All you had to do was tell me there were problems and you needed to remain at home to resolve them.”

My comment elicited a sideways look, with a touch of surprise.

“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us.  There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”

“Why come at all.  A phone call would have sufficed.”

“I had to see you, talk to you.  At least we have had a chance to do that.  I’m sorry about yesterday.  I once told you I would not become my mother, but I’m afraid I sounded just like her.  I misjudged just how much this role would affect me, and truly, I’m sorry.”

An apology was the last thing I expected.

“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington.  I think it would be for the best if I were not another distraction.  We have plenty of time to reacquaint ourselves when you get past all these teething issues.”

“You’re not coming with me?”  She sounded disappointed.

“I think it would be for the best if I didn’t.”

“Why?”

“It should come as no surprise to you that I’ve been keeping an eye on your progress.  You are so much better doing your job without me.  I told your mother once that when the time came I would not like the responsibilities of being your husband.  Now that I have seen what it could possibly entail, I like it even less.  You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it.  I won’t make things difficult for you if that’s what you want.”

It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement.  Perhaps she had forgotten the finer points.  I, on the other hand, had always known we would not last forever.  The perplexed expression, to me, was a sign she might have forgotten.

Then, her expression changed.  “Is that what you want?”

“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways.  But the truth is, I can’t see how this is going to work.”

“In saying that, do you think I don’t care for you?”

That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud.  “You spent a lot of time finding new ways to make my life miserable, Susan.  You and that wretched friend of yours, Lucy.  While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”

“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance.  I cannot be held responsible for the actions of my mother.  She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right.  Why do you think I gave you such a hard time?  You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously.  But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”

“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”

“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”

“And yet here we are, one argument away from ending it.”

I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead.  Gianna was more abrupt and, for that reason, was rarely seen serving the customers.  Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen.  Gianna didn’t like Susan either.

Behind me, I heard a car stop, and when she looked up, I knew it was for her.  She had arrived with nothing, and she was leaving with nothing.

She stood.  “Last chance.”

“Forever?”

She hesitated and then shook away the look of annoyance on her face.  “Of course not.  I wanted you to come back with me so we could continue working on our relationship.  I agree there are problems, but it’s nothing we can’t resolve if we try.”

I had been trying.  “It’s too soon for both of us, Susan.  I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”

She frowned at me.  “As you wish.”  She took an envelope out of her bag and put it on the table.  “When you are ready, it’s an open ticket home.  Please make it sooner rather than later.  Despite what you think of me, I have missed you, and I have no intention of ending it between us.”

That said, she glared at me for a minute, shook her head, then walked to the car.  I watched her get in and the car drive slowly away.

No kiss, no touch, no looking back. 

© Charles Heath 2018-2025

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Top 5 sights on the road less travelled – Bratislava

Beyond the Castle: 5 Offbeat Adventures in Bratislava You Won’t Find on Every Postcard

Bratislava. The name itself conjures images of a charming Old Town, the majestic castle perched above the Danube, and perhaps a quirky statue or two. And while these icons are undeniably wonderful, there’s a whole other side to Slovakia’s capital waiting to be discovered – a side that reveals the city’s true character, its rich history, and its vibrant local life, far from the well-trodden tourist paths.

If you’re ready to peel back the layers and experience Bratislava like a true explorer, here are five “road less travelled” adventures that promise unique memories and a deeper connection to this captivating city.


1. Ascend to Slavin Memorial: History, Views, and Serenity

While Bratislava Castle offers fantastic views, for a truly poignant and panoramic experience, head to Slavin Memorial. This colossal war memorial and cemetery honours the Soviet soldiers who fell liberating Bratislava during World War II. It’s a powerful, solemn place, but also one offering some of the most breathtaking, unobstructed views of the city, the Danube, and even the distant Austrian Alps.

Why it’s less travelled: Many tourists stick to the immediate Old Town. Slavin requires a short, scenic bus ride or a determined uphill walk, making it feel like a discovered secret.

What to expect: A grand staircase leading to an obelisk crowned with a triumphant soldier statue. Spend time walking among the graves, decorated with red stars, and then simply soak in the epic vista. It’s a place for reflection and stunning photography, especially at sunset.

How to get there: Take a local bus (such as number 203 or 207) from Hodžovo námestie (Presidential Palace) or take a taxi/ride-sharing service.


2. Explore the Small Carpathian Wine Route: A Taste of Local Tradition

Did you know Bratislava is the gateway to a historic wine region? Just a short drive or train ride from the city lies the Small Carpathian Wine Route (Malokarpatská Vínna Cesta), a picturesque trail dotted with charming winemaking villages like Pezinok and Modra. This region has been producing wine for centuries, and it’s a delightful escape from urban life.

Why it’s less travelled: While some tour operators offer trips, many independent travellers miss this authentic experience, opting for day trips to neighbouring capitals instead.

What to expect: Hop on a local train to Pezinok or Modra, and wander through their quaint streets. Look for traditional wine cellars (“vínne pivnice”) offering tastings of local varietals like Grüner Veltliner, Frankovka Modrá (Blaufränkisch), and Müller-Thurgau. Many wineries offer delicious regional snacks to accompany your tasting. If visiting in autumn, look out for the “burčiak,” a partially fermented young wine – a local delicacy!

How to get there: Take a regional train from Bratislava Hlavná Stanica (Main Station) to Pezinok or Modra. The journey takes around 20-30 minutes.


3. Discover the Danubiana Meulensteen Art Museum: Art on the Water

For a dose of contemporary art in an utterly unique setting, make your way to the Danubiana Meulensteen Art Museum. Located on a peninsula in the Danube River, about 15km south of Bratislava, this modern art gallery is a masterpiece in itself, offering stunning architecture, thought-provoking exhibitions, and incredible river views.

Why it’s less travelled: Its location outside the immediate city centre means it’s often overlooked by visitors with limited time.

What to expect: A captivating journey through modern and contemporary art, primarily by Slovak and international artists. The museum’s design allows natural light to flood the spaces, and the outdoor sculpture park, with its whimsical pieces set against the river backdrop, is a joy to explore. You can even enjoy a coffee with a view from their café.

How to get there: The most scenic (and recommended) way is by a special tourist boat that departs from Fajnorovo nábrežie near the Old Town (check seasonal schedules). Alternatively, take a local bus (number 90) from Nový Most (UFO Bridge) or a taxi/ride-sharing service.


4. Hike to Kamzík TV Tower & Koliba: Nature, Adventure, and Views

Escape the city hustle and immerse yourself in nature by heading up to the forested hills of Koliba, home to the iconic Kamzík TV Tower. This area is a beloved recreational spot for locals, offering hiking trails, a bobsled track, and, of course, the observation deck of the TV tower for breathtaking panoramic views.

Why it’s less travelled: Many tourists don’t realise such an extensive green space, complete with a TV tower offering great views, is so accessible from the city.

What to expect: Take the historic Kamzík cable car (Železná studnička – Koliba) up the hill, or hike one of the many well-marked trails. Once at the top, you can ascend the TV tower for 360-degree vistas (there’s also a rotating restaurant at the top if you’re feeling fancy!). In winter, it’s a popular spot for sledding, and in warmer months, you’ll find families picnicking and enjoying the fresh air.

How to get there: Take tram number 3 or 9 to the “Železná studnička” stop, then walk or take the cable car up to Koliba. Alternatively, bus number 203 or 207 will get you closer to the TV Tower area.


5. Dive into Local Life at Miletičova Tržnica (Market): A Sensory Feast

For an authentic slice of everyday Bratislava life, head to Miletičova Tržnica, the city’s largest outdoor and indoor market. This isn’t a quaint artisan market; it’s a bustling, vibrant hub where locals come to buy fresh produce, clothes, household goods, and indulge in hearty Slovak street food.

Why it’s less travelled: It’s located outside the immediate city centre in a residential area, away from the typical tourist routes.

What to expect: A kaleidoscope of sights, sounds, and smells! Browse stalls overflowing with seasonal fruits, vegetables, cheeses, and smoked meats. Discover quirky fashion, electronics, and souvenirs. But the real highlight is the food: grab a langoš (fried dough with garlic, cheese, and sour cream), a pecené kura (roasted chicken), or a classic halušky (potato dumplings) from one of the many unassuming food stands. It’s an affordable and delicious way to sample local flavours.

How to get there: Take a tram (e.g., number 8 or 9) or bus (e.g., number 50 or 53) to the “Miletičova” stop.


Bratislava is a city that rewards those who dare to venture beyond the obvious. These five experiences offer a taste of its diverse history, natural beauty, artistic spirit, and authentic local charm. So, next time you find yourself in Slovakia’s captivating capital, step off the well-worn path and create your own unique Bratislava story. You won’t regret it!

Writing a book in 365 days – 310

Day 310

Don’t preach, discover the truth

The Writer’s Quest: Not Preaching, But Discovering Truth

Milan Kundera, the literary titan behind “The Unbearable Lightness of Being,” posited a profound idea about the writer’s role: “To be a writer does not mean to preach the truth, it means to discover the truth.” This statement, seemingly simple, carries immense weight. It shifts our perception of literature from a didactic tool, a podium from which to dispense wisdom, to a more intricate, exploratory, and frankly, more human endeavor.

Think about the writers we truly admire. Are they the ones who confidently declare absolutes, who arrive with ready-made answers to life’s complex questions? Or are they the ones who delve into the murky depths of human experience, who ask the uncomfortable questions, who present us with characters grappling with dilemmas, whose narratives leave us with more to ponder than to accept? Kundera’s assertion points squarely to the latter.

The Perils of Preaching:

When a writer aims to “preach the truth,” they often fall into the trap of pronouncements and dogma. This can lead to a literature that feels rigid, self-righteous, and ultimately, less engaging. The reader, instead of being invited into a shared exploration, is positioned as a passive recipient, expected to nod in agreement. This approach can alienate, rather than connect, because it presumes a singular, universally applicable truth, which, as any honest observer of life knows, is a rare commodity.

Furthermore, the act of preaching implies certainty. But life, in its most compelling and resonant forms, is rarely certain. It’s a tapestry woven with doubt, ambiguity, and the constant negotiation between conflicting desires and circumstances. A writer who preaches a singular truth risks flattening this rich complexity, presenting a sanitized and incomplete version of reality.

The Power of Discovery:

Kundera’s alternative, “to discover the truth,” is an invitation to a journey. It acknowledges that truth is not a static object to be unearthed and displayed, but a fluid, multifaceted entity that can be approached from myriad angles. The writer, in this paradigm, becomes an explorer, venturing into the uncharted territories of the human psyche, societal structures, and the very fabric of existence.

This discovery process is inherently collaborative. The writer offers a map, a collection of observations, a series of carefully crafted questions, and the reader embarks alongside them. Through the act of reading, we engage with the writer’s discoveries, testing them against our own experiences, questioning them, and in doing so, forming our own understanding, our own truths.

What This Discovery Looks Like in Practice:

  • Embracing Ambiguity: Great literature often thrives on ambiguity. Characters are rarely all good or all bad. Situations are rarely clear-cut. The writer, through their art, allows these shades of gray to exist, inviting us to grapple with the moral and emotional complexities they represent. Think of the moral quandaries faced by characters in Dostoevsky or the existential struggles in Camus.
  • Asking Profound Questions: Instead of providing answers, the writer poses questions that resonate deeply. They might explore the nature of love, the weight of memory, the impact of power, or the search for meaning. These questions, presented through narrative and character, become prompts for our own introspection.
  • Illuminating the Human Condition: By focusing on the often-mundane yet profound experiences of individuals, writers can illuminate universal truths about what it means to be human. The act of observing and articulating these experiences, with honesty and nuance, is a form of discovery.
  • Challenging Assumptions: Effective writers don’t just reflect the world; they interrogate it. They use their stories to challenge our preconceived notions, to reveal hidden biases, and to offer fresh perspectives that might otherwise remain unseen.

In essence, Kundera’s statement liberates the writer. It frees them from the burden of certainty and empowers them to embrace the messy, beautiful, and often bewildering process of understanding. It reminds us that the true magic of literature lies not in being told what to believe, but in being guided to discover it for ourselves, thread by intricate thread, word by evocative word. And in that shared act of discovery, we find a deeper, more authentic connection to the stories we read and to each other.

NANOWRIMO – November 2025 – Day 22

The Third Son of a Duke

Finally, our protagonist is travelling first class back to England.  He thinks to himself that if the ship is torpedoed, he might have a better chance at survival, but there is that thing about women and children first, so it’s a moot point.

A casualty of war seems his inevitable lot.

There are doctors and nurses on board, and he mentions he travelled out with a particular young lady and asks if they know her.  Only too well, and well, he does wish in the end that he didn’t ask.

It is not surprising, though, because Louise is a kind, gentle, but apparently fun-loving soul given the right circumstances, and he is, in a way, glad that she survived the voyage and found a way to be useful. And fortunately, perhaps, not married or in a serious relationship with a young doctor.

He would never be able to compete with that.

It’s a fascinating run, from Fremantle to Colombo, all the while wondering if there is a German ship out there waiting for them.

There is not.

Coaling in Aden, and then through the Red Sea, familiar territory, and heat, which he is almost accustomed to through his first stint on the way out, and then a year in outback Queensland.

No one believes him when he tells them he was cattle mustering.

They do, however, take his title seriously, and no one will call him David.

1915 words, for a total of 34945 words.

Writing a book in 365 days – 309

Day 309

When words become more than words

From Page to Panorama: Weaving Mythopoetic Grandeur into the Fabric of Reality

We’ve all experienced it. That moment when a skilled author transports us, not just to a place, but into a feeling, a scent, a visceral understanding of something utterly foreign yet strangely resonant. It’s the magic of descriptive writing, the alchemical process of turning mere words into sensory experiences. But what happens when we take those finely honed fictional tools and turn them towards the canvas of our own reality? What happens when we begin to weave the mythopoetic grandeur, usually reserved for fantastical realms, into the mundane fabric of everyday life?

This is where the truly transformative power emerges. It’s not about escaping reality, but about re-enchanting it. It’s about recognising that the same imaginative muscles that conjured dragons and epic quests can, with a shift in perspective, illuminate the epic within the ordinary.

The Foundation: The Art of Observational Detail

Before we can imbue our reality with mythopoetic grandeur, we must first become masters of observation. Fictional writers are meticulous. They don’t just say a character is sad; they describe the slump of their shoulders, the way their eyes lose their sparkle, the quiet tremor in their voice. They don’t just say a forest is dark; they paint a picture of gnarled branches like skeletal fingers, shafts of light like ethereal swords, the damp, earthy scent of decay and rebirth.

Applying this to real life means waking up our senses. It means noticing the way the morning light bleeds across the linoleum of your kitchen, transforming it into a pool of molten gold. It’s observing the intricate, almost alien architecture of a spiderweb glistening with dew, a delicate, ephemeral fortress. It’s listening to the symphony of a city at dusk – the distant siren a mournful lament, the laughter of children a fleeting melody, the rumble of traffic a subterranean dragon stirring.

The Alchemy: Infusing Significance and Symbolism

Once we have our raw observational material, the next step is the alchemical process of infusing it with meaning. This is where the “mythopoetic” truly takes hold. We move beyond simple description to interpretation, imbuing our observations with layers of significance and symbolism, much like ancient storytellers did.

  • The Mundane Becomes Mythic: A walk to the grocery store isn’t just an errand. It can be a pilgrimage through the daily labyrinth, a quest for sustenance that echoes the ancient hunts. The cashier, with their practised smile, could be a guardian of provisions, a dispenser of earthly blessings.
  • The Everyday Becomes Archetypal: The familiar faces we encounter can be viewed through the lens of archetypes. The wise elder at the park bench might embody the archetype of the Sage. The boisterous teenager could be the Rebel, challenging the established order with youthful energy.
  • The Emotional Landscape Gains Depth: Sadness isn’t just a feeling; it’s a “gathering storm,” a “heavy cloak,” a “deep well of unspoken grief.” Joy isn’t just happiness; it’s a “sunburst,” a “lightness of being,” a “song rising from the soul.”

The Grandeur: Elevating the Narrative of Our Lives

The ultimate goal is to elevate the narrative of our own lives, to recognise the inherent grandeur that often lies dormant beneath the surface of routine. This doesn’t mean fabricating events or pretending our challenges aren’t real. Instead, it’s about framing them within a larger, more resonant context.

Consider a difficult conversation. Instead of simply recalling the angry words, we can describe the “clash of wills,” the “stalemate of emotions,” the “fragile truce that followed.” A moment of quiet contemplation isn’t just zoning out; it’s “diving into the depths of the inner sea,” “listening to the whispers of the subconscious.”

Why Does This Matter?

Turning fictional descriptive skills to the rendering of real life in mythopoetic grandeur is more than just a creative exercise. It’s a way to:

  • Deepen our appreciation for life: By seeing the extraordinary in the ordinary, we cultivate a richer, more vibrant experience of our existence.
  • Foster resilience: Framing challenges as epic struggles or tests of character can empower us to face them with greater courage and determination.
  • Connect with something larger than ourselves: Mythopoetic language often taps into universal themes of creation, struggle, love, and loss, fostering a sense of belonging to something ancient and profound.
  • Communicate more effectively and evocatively: Whether in personal writing, artistic expression, or even everyday conversation, this elevated language can captivate and resonate with others.

The world around us is a vast, intricate tapestry, already rich with potential for wonder and awe. By learning to wield the tools of fictional description with conscious intent, we can begin to see the mythopoetic grandeur woven into the very fabric of our reality. We can stop being passive observers and become active, imaginative narrators of our own magnificent lives. So, open your eyes, awaken your senses, and start painting the world in hues of myth and legend. The grandest stories, after all, are often the ones happening right under our noses.

Top 5 sights on the road less travelled – Bratislava

Beyond the Castle: 5 Offbeat Adventures in Bratislava You Won’t Find on Every Postcard

Bratislava. The name itself conjures images of a charming Old Town, the majestic castle perched above the Danube, and perhaps a quirky statue or two. And while these icons are undeniably wonderful, there’s a whole other side to Slovakia’s capital waiting to be discovered – a side that reveals the city’s true character, its rich history, and its vibrant local life, far from the well-trodden tourist paths.

If you’re ready to peel back the layers and experience Bratislava like a true explorer, here are five “road less travelled” adventures that promise unique memories and a deeper connection to this captivating city.


1. Ascend to Slavin Memorial: History, Views, and Serenity

While Bratislava Castle offers fantastic views, for a truly poignant and panoramic experience, head to Slavin Memorial. This colossal war memorial and cemetery honours the Soviet soldiers who fell liberating Bratislava during World War II. It’s a powerful, solemn place, but also one offering some of the most breathtaking, unobstructed views of the city, the Danube, and even the distant Austrian Alps.

Why it’s less travelled: Many tourists stick to the immediate Old Town. Slavin requires a short, scenic bus ride or a determined uphill walk, making it feel like a discovered secret.

What to expect: A grand staircase leading to an obelisk crowned with a triumphant soldier statue. Spend time walking among the graves, decorated with red stars, and then simply soak in the epic vista. It’s a place for reflection and stunning photography, especially at sunset.

How to get there: Take a local bus (such as number 203 or 207) from Hodžovo námestie (Presidential Palace) or take a taxi/ride-sharing service.


2. Explore the Small Carpathian Wine Route: A Taste of Local Tradition

Did you know Bratislava is the gateway to a historic wine region? Just a short drive or train ride from the city lies the Small Carpathian Wine Route (Malokarpatská Vínna Cesta), a picturesque trail dotted with charming winemaking villages like Pezinok and Modra. This region has been producing wine for centuries, and it’s a delightful escape from urban life.

Why it’s less travelled: While some tour operators offer trips, many independent travellers miss this authentic experience, opting for day trips to neighbouring capitals instead.

What to expect: Hop on a local train to Pezinok or Modra, and wander through their quaint streets. Look for traditional wine cellars (“vínne pivnice”) offering tastings of local varietals like Grüner Veltliner, Frankovka Modrá (Blaufränkisch), and Müller-Thurgau. Many wineries offer delicious regional snacks to accompany your tasting. If visiting in autumn, look out for the “burčiak,” a partially fermented young wine – a local delicacy!

How to get there: Take a regional train from Bratislava Hlavná Stanica (Main Station) to Pezinok or Modra. The journey takes around 20-30 minutes.


3. Discover the Danubiana Meulensteen Art Museum: Art on the Water

For a dose of contemporary art in an utterly unique setting, make your way to the Danubiana Meulensteen Art Museum. Located on a peninsula in the Danube River, about 15km south of Bratislava, this modern art gallery is a masterpiece in itself, offering stunning architecture, thought-provoking exhibitions, and incredible river views.

Why it’s less travelled: Its location outside the immediate city centre means it’s often overlooked by visitors with limited time.

What to expect: A captivating journey through modern and contemporary art, primarily by Slovak and international artists. The museum’s design allows natural light to flood the spaces, and the outdoor sculpture park, with its whimsical pieces set against the river backdrop, is a joy to explore. You can even enjoy a coffee with a view from their café.

How to get there: The most scenic (and recommended) way is by a special tourist boat that departs from Fajnorovo nábrežie near the Old Town (check seasonal schedules). Alternatively, take a local bus (number 90) from Nový Most (UFO Bridge) or a taxi/ride-sharing service.


4. Hike to Kamzík TV Tower & Koliba: Nature, Adventure, and Views

Escape the city hustle and immerse yourself in nature by heading up to the forested hills of Koliba, home to the iconic Kamzík TV Tower. This area is a beloved recreational spot for locals, offering hiking trails, a bobsled track, and, of course, the observation deck of the TV tower for breathtaking panoramic views.

Why it’s less travelled: Many tourists don’t realise such an extensive green space, complete with a TV tower offering great views, is so accessible from the city.

What to expect: Take the historic Kamzík cable car (Železná studnička – Koliba) up the hill, or hike one of the many well-marked trails. Once at the top, you can ascend the TV tower for 360-degree vistas (there’s also a rotating restaurant at the top if you’re feeling fancy!). In winter, it’s a popular spot for sledding, and in warmer months, you’ll find families picnicking and enjoying the fresh air.

How to get there: Take tram number 3 or 9 to the “Železná studnička” stop, then walk or take the cable car up to Koliba. Alternatively, bus number 203 or 207 will get you closer to the TV Tower area.


5. Dive into Local Life at Miletičova Tržnica (Market): A Sensory Feast

For an authentic slice of everyday Bratislava life, head to Miletičova Tržnica, the city’s largest outdoor and indoor market. This isn’t a quaint artisan market; it’s a bustling, vibrant hub where locals come to buy fresh produce, clothes, household goods, and indulge in hearty Slovak street food.

Why it’s less travelled: It’s located outside the immediate city centre in a residential area, away from the typical tourist routes.

What to expect: A kaleidoscope of sights, sounds, and smells! Browse stalls overflowing with seasonal fruits, vegetables, cheeses, and smoked meats. Discover quirky fashion, electronics, and souvenirs. But the real highlight is the food: grab a langoš (fried dough with garlic, cheese, and sour cream), a pecené kura (roasted chicken), or a classic halušky (potato dumplings) from one of the many unassuming food stands. It’s an affordable and delicious way to sample local flavours.

How to get there: Take a tram (e.g., number 8 or 9) or bus (e.g., number 50 or 53) to the “Miletičova” stop.


Bratislava is a city that rewards those who dare to venture beyond the obvious. These five experiences offer a taste of its diverse history, natural beauty, artistic spirit, and authentic local charm. So, next time you find yourself in Slovakia’s captivating capital, step off the well-worn path and create your own unique Bratislava story. You won’t regret it!

Top 5 sights on the road less travelled – Prague

Prague Beyond the Crowds: Five Distinctive Gems for a Serene Escape

Prague. The very name conjures images of fairytale castles, winding cobblestone streets, and the timeless beauty of a city steeped in history. It’s truly magical – but that magic often comes with a hefty dose of crowds, especially in peak season.

If you’re dreaming of experiencing Prague’s unique charm without the elbow-to-elbow shuffling, you’re in luck! The Golden City holds countless hidden treasures that are just as distinctive, beautiful, and rich in history as their more famous counterparts, yet remain wonderfully uncrowded.

As a seasoned traveller and admirer of Prague, I’ve curated a list of five visitor attractions that offer a distinctive experience, breathtaking beauty, and, most importantly, a peaceful retreat from the madding crowds.


1. Vyšehrad: Prague’s Ancient Citadel with Panoramic Views

Often overshadowed by Prague Castle, Vyšehrad is older, equally significant, and immensely more tranquil. Perched on a dramatic rock overlooking the Vltava River, this historic fort and castle complex offers a captivating journey through Czech history, mythology, and art.

Why it’s distinctive:

  • Historical Significance: Believed to be the original seat of the Czech princes before Prague Castle.
  • St. Peter and Paul Basilica: A stunning neo-Gothic church with intricate frescoes and a peaceful atmosphere.
  • Slavín Cemetery: The final resting place of many famous Czech artists, writers, and composers (Dvořák, Smetana, and Mucha), featuring elaborate and beautiful tombstones.
  • Panoramic Views: Breathtaking vistas of the Vltava River, Prague Castle, and the entire city.
  • Rotunda of St. Martin: Prague’s oldest surviving Romanesque rotunda.

Why it’s not crowded: It’s slightly outside the immediate city centre, requiring a short tram or metro ride, which deters many casual tourists. Those who make the effort are rewarded with space, serenity, and discovery.


2. Strahov Monastery Library: A Baroque Masterpiece of Knowledge

Tucked away near Prague Castle, the Strahov Monastery Library is a truly awe-inspiring sight that feels like stepping into another world. While part of a larger monastery that sees some visitors, the library itself often requires pre-booked tours or specific entry, which naturally limits crowd size, allowing for a more intimate viewing experience.

Why it’s distinctive:

  • Philosophical Hall & Theological Hall: Two magnificent Baroque halls housing over 200,000 volumes.
  • Stunning Frescoes: Intricate ceiling frescoes depicting the history of mankind and the pursuit of knowledge.
  • Historical Globes & Curiosities: A collection of ancient globes, natural history specimens, and other fascinating artifacts.
  • Architectural Grandeur: The sheer scale and ornamentation of the halls are breathtaking.

Why it’s not crowded: Its location, slightly up a hill from Prague Castle (though easily walkable), and its specific entry requirements mean it’s not a place for a quick glance. Those who visit are genuinely interested in its unique beauty and history.


3. Wallenstein Garden (Valdštejnská Zahrada): Baroque Splendor in Malá Strana

Just a stone’s throw from the bustling Malá Strana (Lesser Town) square, the Wallenstein Garden is a Baroque masterpiece that often gets overlooked. Belonging to the Wallenstein Palace (home to the Czech Senate), this meticulously maintained garden is a tranquil oasis.

Why it’s distinctive:

  • Manicured Lawns & Hedges: Perfect geometric designs characteristic of Baroque gardens.
  • Exquisite Statues: Bronze sculptures by Adriaen de Vries, depicting mythological figures.
  • The Salla Terrena: A grand triple arch loggia adorned with frescoes, hosting concerts in summer.
  • Artificial Grotto (Grotta): A fantastical, stalactite-lined cave structure that’s utterly unique.
  • Peacocks: Elegant white peacocks roam freely, adding to the garden’s enchanting atmosphere.

Why it’s not crowded: It’s a bit hidden from the main tourist routes, and while many walk past the palace, fewer venture into the garden’s entrance. It’s often free to enter, making it an incredible value for such beauty. (Check seasonal opening times, as it’s typically closed in winter).


4. Vrtba Garden (Vrtbovská Zahrada): A Hidden Terraced Gem

Considered one of Prague’s most beautiful Baroque gardens, the Vrtba Garden is a true hidden gem, tucked away behind a modest archway in Malá Strana. This terraced garden ascends steeply, offering increasingly spectacular views as you climb.

Why it’s distinctive:

  • Intimate Baroque Design: Smaller and more secluded than Wallenstein, with a romantic, secret garden feel.
  • Terraced Levels: Each level reveals new perspectives, fountains, statues, and intricate floral arrangements.
  • Stunning Views: From the top terrace, you get a unique, close-up vista of Prague Castle, St. Nicholas Church, and the red rooftops of Malá Strana.
  • Rich Sculpture & Frescoes: Adorned with works by Matthias Braun and frescoes by Reiner.

Why it’s not crowded: Its rather unassuming entrance on Karmelitská Street means it’s easily missed. There’s a small entrance fee, which further deters casual visitors, ensuring a peaceful and exclusive experience for those who seek it out. (Another seasonal garden, typically closed in winter).


5. Letná Park (Letenské Sady): Iconic Views and Local Vibe

While popular with locals, Letná Park rarely sees the kind of tourist throngs that flood the Charles Bridge. This expansive park stretches along a plateau on the left bank of the Vltava River, offering some of the most iconic panoramic views of Prague.

Why it’s distinctive:

  • The Metronome: Standing on the former site of a gigantic Stalin monument, Prague’s giant metronome is a symbol of passing time and offers a fantastic photo op.
  • Beer Garden: A beloved spot, particularly in warmer months, where you can enjoy a Czech beer with an unparalleled backdrop of the city’s bridges and Old Town.
  • Skate Park & Open Spaces: Popular with skateboarders and locals enjoying a stroll, picnic, or simply relaxing.
  • Breathtaking Vistas: Arguably the best spot to capture the iconic shot of all of Prague’s bridges spanning the Vltava.

Why it’s not crowded: It’s a park designed for space and relaxation, so even with many people, it rarely feels cramped. It requires a bit of an uphill walk (or a short tram ride) from the river, which means it’s a destination rather than a stop on a crowded route.


Embark on a Prague adventure that’s truly yours. By venturing slightly off the most beaten path, you’ll discover a Prague that’s just as magnificent, but far more serene. You’ll not only see distinctive features but also gain a deeper connection to the city’s enduring charm, away from the hustle and bustle.

Have you discovered any other uncrowded Prague gems? Share your favourites in the comments below!

Writing a book in 365 days – 309

Day 309

When words become more than words

From Page to Panorama: Weaving Mythopoetic Grandeur into the Fabric of Reality

We’ve all experienced it. That moment when a skilled author transports us, not just to a place, but into a feeling, a scent, a visceral understanding of something utterly foreign yet strangely resonant. It’s the magic of descriptive writing, the alchemical process of turning mere words into sensory experiences. But what happens when we take those finely honed fictional tools and turn them towards the canvas of our own reality? What happens when we begin to weave the mythopoetic grandeur, usually reserved for fantastical realms, into the mundane fabric of everyday life?

This is where the truly transformative power emerges. It’s not about escaping reality, but about re-enchanting it. It’s about recognising that the same imaginative muscles that conjured dragons and epic quests can, with a shift in perspective, illuminate the epic within the ordinary.

The Foundation: The Art of Observational Detail

Before we can imbue our reality with mythopoetic grandeur, we must first become masters of observation. Fictional writers are meticulous. They don’t just say a character is sad; they describe the slump of their shoulders, the way their eyes lose their sparkle, the quiet tremor in their voice. They don’t just say a forest is dark; they paint a picture of gnarled branches like skeletal fingers, shafts of light like ethereal swords, the damp, earthy scent of decay and rebirth.

Applying this to real life means waking up our senses. It means noticing the way the morning light bleeds across the linoleum of your kitchen, transforming it into a pool of molten gold. It’s observing the intricate, almost alien architecture of a spiderweb glistening with dew, a delicate, ephemeral fortress. It’s listening to the symphony of a city at dusk – the distant siren a mournful lament, the laughter of children a fleeting melody, the rumble of traffic a subterranean dragon stirring.

The Alchemy: Infusing Significance and Symbolism

Once we have our raw observational material, the next step is the alchemical process of infusing it with meaning. This is where the “mythopoetic” truly takes hold. We move beyond simple description to interpretation, imbuing our observations with layers of significance and symbolism, much like ancient storytellers did.

  • The Mundane Becomes Mythic: A walk to the grocery store isn’t just an errand. It can be a pilgrimage through the daily labyrinth, a quest for sustenance that echoes the ancient hunts. The cashier, with their practised smile, could be a guardian of provisions, a dispenser of earthly blessings.
  • The Everyday Becomes Archetypal: The familiar faces we encounter can be viewed through the lens of archetypes. The wise elder at the park bench might embody the archetype of the Sage. The boisterous teenager could be the Rebel, challenging the established order with youthful energy.
  • The Emotional Landscape Gains Depth: Sadness isn’t just a feeling; it’s a “gathering storm,” a “heavy cloak,” a “deep well of unspoken grief.” Joy isn’t just happiness; it’s a “sunburst,” a “lightness of being,” a “song rising from the soul.”

The Grandeur: Elevating the Narrative of Our Lives

The ultimate goal is to elevate the narrative of our own lives, to recognise the inherent grandeur that often lies dormant beneath the surface of routine. This doesn’t mean fabricating events or pretending our challenges aren’t real. Instead, it’s about framing them within a larger, more resonant context.

Consider a difficult conversation. Instead of simply recalling the angry words, we can describe the “clash of wills,” the “stalemate of emotions,” the “fragile truce that followed.” A moment of quiet contemplation isn’t just zoning out; it’s “diving into the depths of the inner sea,” “listening to the whispers of the subconscious.”

Why Does This Matter?

Turning fictional descriptive skills to the rendering of real life in mythopoetic grandeur is more than just a creative exercise. It’s a way to:

  • Deepen our appreciation for life: By seeing the extraordinary in the ordinary, we cultivate a richer, more vibrant experience of our existence.
  • Foster resilience: Framing challenges as epic struggles or tests of character can empower us to face them with greater courage and determination.
  • Connect with something larger than ourselves: Mythopoetic language often taps into universal themes of creation, struggle, love, and loss, fostering a sense of belonging to something ancient and profound.
  • Communicate more effectively and evocatively: Whether in personal writing, artistic expression, or even everyday conversation, this elevated language can captivate and resonate with others.

The world around us is a vast, intricate tapestry, already rich with potential for wonder and awe. By learning to wield the tools of fictional description with conscious intent, we can begin to see the mythopoetic grandeur woven into the very fabric of our reality. We can stop being passive observers and become active, imaginative narrators of our own magnificent lives. So, open your eyes, awaken your senses, and start painting the world in hues of myth and legend. The grandest stories, after all, are often the ones happening right under our noses.

NANOWRIMO – November 2025 – Day 21

The Third Son of a Duke

I’ve been researching the Melbourne of March 1915, and I was basically gobsmacked.

How can you live in a city for almost half your life and know absolutely nothing about it?

Why wasn’t any of this taught to us in school?  The joke of that is that I know every king and queen of England from William the Conqueror.  I could tell you more than three Australian prime ministers, or state premiers, from when Australia was born, which, by a miracle, I do know, 1901.

As for Victoria, no idea when it became a state, no idea how it was populated beyond a gold rush in the mid-1800s, and barely anything about the Ballarat goldfields and the revolt by the miners.

My great-great-great-grandfather emigrated from England to a place called Harrow in Victoria, a place I’ve never heard of until I started tracing my ancestors, said to be the first town in Victoria.

Since my grandmother features in this story, it is around the time she meets my great-grandfather and her husband-to-be in 1914/1915 in a place called Bairnsdale, a place my father used to mention but not with the fondness a child who was born and brought up there would.

What in hell’s name happened there?

Not our problem in this story, it is just the periphery, or what I think might have happened that interests us, but only as outsiders looking in.

We have a ship to catch. And hi ho hi ho it’s off to war we go!

1750 words, for a total of 33030 words.

Writing a book in 365 days – 308

Day 308

Writing exercise

By the time I learned what she was saying, it was too late.

It was difficult to remember when the first signs of our relationship, if it could be called that, had started to disintegrate.

Thinking about it, there was no clear point, just a series of random events that most people would simply write off as ‘well, it just wasn’t going to work’.

Which was odd because until that indefinable moment in time, it had.

Perhaps it was the impossible odds.

Perhaps it was the way we met.

Perhaps the randomness wasn’t random at all.

Because when you switched perspectives and took the view that the whole thing had been a set-up from start to finish, it all made sense.

In a very disturbing way.

The insistent knocking on my door was not the best start to the day.  It had been a late night, and little too much to eat and drink and in a semi intoxicated state, it was hard to resist the temptation of letting Marianne stay.

Protocol dictated that it could not happen.

It was a long story, but having the secrets I had, even with the impregnable safe, no one was allowed to stay beyond a certain hour of the night.

Any other night when I didn’t have classified documents, not a problem.

I groaned, rolled over, and then it started again.

I climbed out and shook off the drowsiness, and headed for the door.  A look at the screen showed it was Marianne back, and agitated.

It was a state I’d never seen her in before.

Warning bells on the back of my head were going off.  Training told me that this could be a problem and that she had been compromised simply by being associated with me.

Some people knew who I really was, what my work was, and if that was the case, this was a level one problem

I put the code into my phone and sent it.

Just in case.

Then I opened the door.  “Marianne.”

“Phillip.  I need to see you?”

“You saw me last night and early this morning.  I’m neither up nor presentable.”

“Seriously?”

“We have had this discussion.  There are times when I am on call and I cannot have other people in the place.”

I had given her the standards spiel on the nature of my work and the confidentiality that surrounded it, and she had always understood.

Except this was beginning to be one of those instances of her subtly changing.

“Confidential information.  Yes.  But you are not in conversation with anyone.”

“I could be at any minute.  I can’t be seen shooing you out.  I would be severely reprimanded, even fired if it came to that.  Can it wait another hour or two?  I’m sorry.  I have to follow protocol.”

“Even at the possible expense of your relationships with others?”

I’d explained this too.  There was no choice, no matter what I felt.  I’d made a commitment.

“At this point in time, unfortunately, yes.”

I didn’t want to go down this path, but it seemed like the culmination of drifting apart.

She shrugged.  “I’m sorry then.”

I felt rather than heard a movement behind me, and then nothing. 

When I woke head hurt. 

Very badly.

While the details were fuzzy, I knew I had been hit from behind, that Marianne had diverted my attention while an accomplice had gained entry to my flat from the rear.

It was the building’s one weak spot.

Now I was in a dark space, smelling of damp and age, and I was lying on a bed of stacked newspapers, unbound.  Neither did I have a gag, so it was somewhere no one would ever hear me yell for help.

It didn’t stop me, but all there was in response was an echo.

If my eyes had adjusted to the darkness, then they could be working or not.  There was always light coming from somewhere, but not right at the moment.

That being the case, I had no idea how big the room was or whether anyone else was in it with me.  Or who it was that had put me, other than one unassailable fact; Marianne had helped them.

One fact of what could be many that I had overlooked, something that all people in the first throes of a relationship tended to do, unless of course you were suspicious of everyone and everything.

I should have been, but I naively wanted to believe in her.  Echoing in my head were those fateful words, If it’s too good to be true, it generally isn’t.

I cast my mind back to when I first met Marianne and realised it was too good to be true.  The chances of us being in the same place at the same time…

And then, cursing myself for being a creature of habit, for ignoring basic rules, and I had only myself to blame.

Was anything we had real?

“I’m sorry.” 

Marianne’s words ran over and over in my head.

Why would she say that?  It was certainly in a contrite tone, like she had meant it, which was odd if she was part of the kidnap team.

I opened my eyes and found that there was a crack in the ceiling where light was trying to get through, and that it was turning the inky blackness into an opaque blur.

There were no distinguishable objects, but it whiled away the time trying to identify them.  A sofa, a table, a chair, and what looked like a person, though it could be a mannequin.

It could be anything.

Until it moved slightly, or was that just my imagination?

Until there was a groan, and the figure rolled sideways and looked up. 

Marianne.

Perhaps it was wrong.

“I’m sorry.  I tried to warn you.  You obviously didn’t get the subtext.”

Of course, it had been in the back of my mind, amongst all the other jumbled and mixed messages I’d received and ignored.  She had tried to warn me in some peculiar manner that took too long for me to understand.

“Not that clever, I’m afraid.  It’s the bane of people who are clever in their field of study and totally stupid when it comes to people.”

“Maybe, maybe not.  Did you send the level one protocol?”

Who was she?  How did she know about that?

“Yes.  Pounding on the door like that, and ignoring my request…”

“Good.  It won’t be long now.”

“What?”

“Rest.  No more talking.”

Who was this person?  How did she know so much about me and or anything to do with me?  I thought everything about me and the project I was working on was top secret.

I had questions, but she seemed insistent.

I dozed off, waking to the sound of three explosions, or perhaps something else.  There were muffled voices overhead, indistinct.

Marianne had moved slightly, hearing them too.

Them silence.

A few minutes later, there was the sound of a key in a lock, then the careful turning of the door know, followed by two people covered head to foot bursting in and ready to shoot anything that moved.

One checked the room now flooded in light, then said, “Clear.”

Two paramedics came in, one to me, the other to Marianne.  She had been bound, the ties were cut, and she was dragged to her feet, and the first two in the room took her away.  I managed to sit up and answer a few questions.  Fuzzy but not disoriented.  There had been time for the drugs to wear off.

Then my boss came in, a scowl on her face, but then she always had a scowl.

The paramedic reported, “Drugged but no physical harm.”

“Good.  Give us the room.”

He nodded, packed the kit bag and left.

She glared at me.  “Caught the people trying to crack your safe.  Caught the kidnappers.  Still haven’t got who organised it, but he or she knows we’re onto them now.”

“You knew?”

“We had an inkling, nothing positive until Marianne was approached.”

“She is one of your people?”

“Someone we could trust, yes.  Left to your own devices, you would have been a prime honey trap target.  And it was a two birds with one stone operation.  You get a girlfriend, and we find who’s been leaking information in the department.  Getting a branch of a foreign intelligence group was a bonus.”

I felt like I was the biggest prize idiot on the planet.

She must have seen my look of bitter disappointment.

“Don’t worry.  She likes you, Phillip, though I can’t imagine why.  I’ve assigned her as your bodyguard for the duration of the project.  Just a heads up, she is an excellent shot, and our top agent in field interrogations.  I would try not to piss her off.  You’re lucky I’m not sending you back to training.  Now, off you go.”

She was waiting for me at the front door.

“Don’t look so downcast.  You could have got my sister.  I’m the nice one.”

I just shook my head.  Why hadn’t I taken that six-month assignment in Antarctica?

©  Charles Heath  2025