The story behind the story – Echoes from the Past

The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus, the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all rewrites, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally, it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Year’s, and it was an experience I’ll never forget.

One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live.”

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy man with few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule and begins a relationship?

But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here:  https://amzn.to/2CYKxu4

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What I learned about writing – Inspiration can strike you anywhere, even on a bus…

It’s amazing how quickly you discover the imperfections of road makers.

As odd as that sounds, a recent trip on a bus, actually earlier today in fact, got me thinking about just how bad some of our roads really are.

Why?  Because an idea just came to mind and I have a note-taking app on my phone…

But, as you know, it’s difficult at the best of times to get your fingers to move over the keyboard except…

As any writer will tell you, that half an hour or so on the trip to work or home is just waiting for a few lines to be written on your phone or on your tablet.  I venture to suggest a laptop computer just might be a little difficult, and prone to stray eyes from the people sitting or standing near you.

And the tightness of the space available to you.  I know, I’ve tried.

Of course, the alternative is a pen and a notepad, not a large one, but adequate.  First, the pen had run out of ink or was on its last three words, so take a pencil, but make sure it’s not one where the lead can break easily.  Then try writing on a bus.  Ugh!

But, if you’re not in the mood to research, I did a little of that too, by the way, the desire to write is tempered by the movement of the bus and your ability to type coherent words on a small keyboard in a very large, rocking, metal thing.

I have to say I have a large streak of jealousy for those people who can hammer out large texts to their friends while riding the bus, and in the most awkward of conditions, using both thumbs, and carrying 26 bags of groceries and dry cleaning, as well as having a full-on political discussion with the person sitting/standing next to them.

Even when the bus hits a pothole, it does a sudden lurch that sends the unsuspecting sprawling.

With my interactive word completer turned on, it is astonishing what words finish up in my small attempt at writing as my fingers fail to find the right letters and create what can only be described as the ramblings of a madman.

Perhaps I might have better luck tomorrow.

Or better still, the idea will wait until I get off the bus.

365 Days of writing, 2026 – My Second Story 17

More about my second novel

There’s a certain air of inevitability in the air that the bad guys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

It’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants; it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practised monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, the money and the lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world in which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel, eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

Searching for locations: The Pagoda Forest, near Zhengzhou City, Henan Province, China

The pagoda forest

After another exhausting walk, by now the heat was beginning to take its toll on everyone, we arrived at the pagoda forest.

A little history first:

The pagoda forest is located west of the Shaolin Temple and the foot of a hill.  As the largest pagoda forest in China, it covers approximately 20,000 square meters and has about 230 pagodas build from the Tang Dynasty (618-907) to the Qing Dynasty (1644-1911).

Each pagoda is the tomb of an eminent monk from the Shaolin Temple.  Graceful and exquisite, they belong to different eras and constructed in different styles.  The first pagoda was thought to be built in 791.

It is now a world heritage site.

No, it’s not a forest with trees it’s a collection of over 200 pagodas, each a tribute to a head monk at the temple and it goes back a long time.  The tribute can have one, three, five, or a maximum of seven layers.  The ashes of the individual are buried under the base of the pagoda.

The size, height, and story of the pagoda indicate its accomplishments, prestige, merits, and virtues. Each pagoda was carved with the exact date of construction and brief inscriptions and has its own style with various shapes such as a polygonal, cylindrical, vase, conical and monolithic.

This is one of the more recently constructed pagodas

There are pagodas for eminent foreign monks also in the forest.

From there we get a ride back on the back of a large electric wagon

to the front entrance courtyard where drinks and ice creams can be bought, and a visit to the all-important happy place.

Then it’s back to the hotel.

365 Days of writing, 2026 – My Second Story 17

More about my second novel

There’s a certain air of inevitability in the air that the bad guys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

It’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants; it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practised monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, the money and the lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world in which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel, eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

What I learned about writing – Pet Subjects, or, in other words, writing about what you know.

You will often read in the advice people tend to give budding writers, a section called ‘write about what you know’. It generally follows a rather ambiguous statement that says ‘everyone has one book in them’ and there’s an audience out there if you write about your pet subject.

That assumes we all have a pet subject, you know, something we know all this stuff about, stuff that no one else would care about. Except for other people like us.

But…

Here’s the problem: You have to write it in a way that it is interesting, and if your pet subject is ‘the erosion of sandstone over 20,000 years’, I think you are not going to find a large audience, and your book, though interesting to you, will not necessarily become an instant bestseller.

Not unless you turn it into a thriller where it’s just a passing reference, or a means of escape from the bad guys just before you blow them to smithereens.

Except…

There is a market for every type of book; you just have to do the research and find out exactly what part of your specialist knowledge the intended audience wants.

I could write about mining phosphate on the Pacific Islands at the beginning of the 1900s, which to me was fascinating, but it only appealed to those who were familiar with it. What I was told, however, was that if I wrote a sweeping Gone With The Wind type saga written around the Islands, the minung, the people and the events spanning sixty odd years, I would have a best seller on my hands.

I took their advice, and figured in the end it was going to take three volumes, much like R F Delderfield’s “A Horseman Riding By”, and got as far as almost finishing the first volume, coming in at about 1,300 pages.

That was forty years ago, and I haven’t written a word since.

It will eventually be finished, but there is always something else to do, like my latest pet project, the family history.

365 Days of writing, 2026 – 121

Day 121 – Distractions

Beyond the Blinking Cursor: How Writers Tame Distraction (and Why It’s Not Always Bad)

We’ve all been there: you sit down with a fresh pot of coffee, a clear idea, and your laptop. Ten minutes later, you’re knee-deep in a Wikipedia thread about 14th-century agriculture or scrolling through a reel of sourdough baking tips.

Writing is a singular act of focus in a world designed to fragment it. For a writer, distraction is the ultimate antagonist. But as we navigate the digital age, the way we handle these interruptions isn’t just about “willpower”—it’s about strategy.

Here is how professional writers build a fortress around their focus, and the surprising reason why some distractions might actually be a good thing.

1. The Sound of Silence (literally)

While some writers swear by lo-fi beats or cinematic scores, music can often become a “productive distraction”—something that feels like work atmosphere but actually competes for your linguistic brainpower.

The Strategy: When the prose gets tough, turn off the music. Silence forces you to hear the rhythm of your own sentences. If you can’t stand total silence, try brown noise or a simple fan. By removing the melodic pull of a song, you allow your internal narrator to take centre stage.

2. Cutting the Digital Cord

The internet is a writer’s greatest tool and their worst enemy. How many times has “checking a single fact” turned into an hour of aimless browsing?

The Strategy: Disconnect from the internet. Whether you use an app blocker like Freedom or simply flip the Wi-Fi toggle to ‘off,’ creating an offline sanctuary is a game-changer. If you realise you need to look something up, simply write [RESEARCH THIS] in brackets and keep moving. Stay in the flow of the story; the facts can wait for the editing phase.

3. Out of Sight, Out of Mind

The smartphone is the world’s most advanced distraction machine. Even having it face-down on your desk has been shown to reduce cognitive capacity because a small part of your brain is constantly “noticing” it.

The Strategy: Silence or hide your phone. Put it in another room or inside a desk drawer. By adding a physical barrier between yourself and those red notification bubbles, you reduce the “frictional cost” of staying focused. If you can’t see it, your brain eventually stops craving the hit of dopamine it provides.

4. Working Against the Clock

The fear of a long, gruelling writing session is often what leads us to seek distractions. If we think we have to write for five hours, we’ll do anything to escape.

The Strategy: Set a timer for breaks. Techniques like the Pomodoro Method (25 minutes of work, 5 minutes of rest) turn writing into a sprint rather than a marathon. When you know a break is coming in exactly 12 minutes, you’re more likely to push through a difficult paragraph rather than giving up.


Can Distraction Actually Be Beneficial?

It sounds counterintuitive, but not all distractions are created equal. There is a concept in psychology called “incubation.”

When you hit a wall—a plot hole you can’t fill or a transition that feels clunky—staring at the screen often makes it worse. This is where a controlled distraction becomes beneficial.

By stepping away to do something “low-leakage” (like washing the dishes, taking a walk, or staring out the window), you allow your subconscious to work on the problem. The “Aha!” moment rarely happens while staring at a cursor; it happens when you’re distracted enough to let your mind wander, but not so distracted (by social media or email) that your brain is overwhelmed.

The Bottom Line

Managing distraction isn’t about becoming a robot; it’s about setting boundaries. By silencing the noise, disconnecting from the web, and using timers to structure your day, you create the space necessary for deep work.

And when the words won’t come? Lean into a constructive distraction. Walk away, let your mind drift, and trust that the story is still writing itself in the background.

How do you handle the urge to scroll when you should be writing? Let us know your favourite focus hacks in the comments below!

First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of writing, 2026 – 121

Day 121 – Distractions

Beyond the Blinking Cursor: How Writers Tame Distraction (and Why It’s Not Always Bad)

We’ve all been there: you sit down with a fresh pot of coffee, a clear idea, and your laptop. Ten minutes later, you’re knee-deep in a Wikipedia thread about 14th-century agriculture or scrolling through a reel of sourdough baking tips.

Writing is a singular act of focus in a world designed to fragment it. For a writer, distraction is the ultimate antagonist. But as we navigate the digital age, the way we handle these interruptions isn’t just about “willpower”—it’s about strategy.

Here is how professional writers build a fortress around their focus, and the surprising reason why some distractions might actually be a good thing.

1. The Sound of Silence (literally)

While some writers swear by lo-fi beats or cinematic scores, music can often become a “productive distraction”—something that feels like work atmosphere but actually competes for your linguistic brainpower.

The Strategy: When the prose gets tough, turn off the music. Silence forces you to hear the rhythm of your own sentences. If you can’t stand total silence, try brown noise or a simple fan. By removing the melodic pull of a song, you allow your internal narrator to take centre stage.

2. Cutting the Digital Cord

The internet is a writer’s greatest tool and their worst enemy. How many times has “checking a single fact” turned into an hour of aimless browsing?

The Strategy: Disconnect from the internet. Whether you use an app blocker like Freedom or simply flip the Wi-Fi toggle to ‘off,’ creating an offline sanctuary is a game-changer. If you realise you need to look something up, simply write [RESEARCH THIS] in brackets and keep moving. Stay in the flow of the story; the facts can wait for the editing phase.

3. Out of Sight, Out of Mind

The smartphone is the world’s most advanced distraction machine. Even having it face-down on your desk has been shown to reduce cognitive capacity because a small part of your brain is constantly “noticing” it.

The Strategy: Silence or hide your phone. Put it in another room or inside a desk drawer. By adding a physical barrier between yourself and those red notification bubbles, you reduce the “frictional cost” of staying focused. If you can’t see it, your brain eventually stops craving the hit of dopamine it provides.

4. Working Against the Clock

The fear of a long, gruelling writing session is often what leads us to seek distractions. If we think we have to write for five hours, we’ll do anything to escape.

The Strategy: Set a timer for breaks. Techniques like the Pomodoro Method (25 minutes of work, 5 minutes of rest) turn writing into a sprint rather than a marathon. When you know a break is coming in exactly 12 minutes, you’re more likely to push through a difficult paragraph rather than giving up.


Can Distraction Actually Be Beneficial?

It sounds counterintuitive, but not all distractions are created equal. There is a concept in psychology called “incubation.”

When you hit a wall—a plot hole you can’t fill or a transition that feels clunky—staring at the screen often makes it worse. This is where a controlled distraction becomes beneficial.

By stepping away to do something “low-leakage” (like washing the dishes, taking a walk, or staring out the window), you allow your subconscious to work on the problem. The “Aha!” moment rarely happens while staring at a cursor; it happens when you’re distracted enough to let your mind wander, but not so distracted (by social media or email) that your brain is overwhelmed.

The Bottom Line

Managing distraction isn’t about becoming a robot; it’s about setting boundaries. By silencing the noise, disconnecting from the web, and using timers to structure your day, you create the space necessary for deep work.

And when the words won’t come? Lean into a constructive distraction. Walk away, let your mind drift, and trust that the story is still writing itself in the background.

How do you handle the urge to scroll when you should be writing? Let us know your favourite focus hacks in the comments below!

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025