365 Days of Writing, 2026 – 216

Day 216 – Writing Exercise

I remember the days when our town was like a sleepy hollow surrounded by prairies and mountains. 

We had everything we needed, and the town grew at the pace that matched the natural population growth.  It was quite literally that sort of town where everyone knew everyone else.

The Murphys ran the sheriff’s department, the Watersons were mayors or civic officers, the Ravellers ran the bank, and Blacks started as the blacksmith and now took care of the farm machinery and engineering.  We were, for all intents and purposes, self-sufficient.

Then, little by little, that autonomy started to disappear.  The fast food outlets came; a shopping mall was built, and then realtors came and built estates, claiming our town was just the place to live, away from the city rat race.

Then times changed, and the economy failed, and people found themselves struggling.  It was not just us; it was everywhere.

That’s when the Montgomerys came.

My father was conservative, not exactly against change, just change that radically affected his way of life.  He and a few others opposed the mall, the resort being built on the old Anderson ranch, and the radical redesigns of the main street.

He had watched the fast food places turn the children away from the people food, the new hotels turn the people into gamblers and drinkers, and the out-of-towners who were moving into the new estates increase the crime rate.
.
And the new people brought the drug scourge.

In five years the sheriff’s office had gone from a shop front with the sheriff and two deputies to ten deputies and three detectives, and a modern two-story building with a compound and jail space for twenty.

In those same five years, the original families that built our town started leaving.

My father deplored what was happening, even more so when there was nothing he could do about it.  Our Sunday family gathering had turned into a gathering of the so-called founding fathers, dwindling rapidly.

Most had either died out or sold out.  And in the case of my generation, with the advent of the internet and the ease of getting information, most have left to seek their fortune in the big cities, tempted by the fortunes that could be made.

He also resisted the buyout offers of his land, now very prime real estate, and held up a multi-million-dollar new resort being developed by the Montomery Corporation run by Archibald Montgomery.

A self-made man, he was quite literally larger than life.  No one knew why he left New York, only that he landed in our town by mistake and took a shine to it.

His foothold started with building a castle on the old Herbertson ranch, the first of the old guard to sell out.  From there he regaled the old founders with parties and then offers, buying up properties for cents on the dollar, legally and sometimes not.

He went from hero to monster in the blink of an eye.  About the same time, it was realised he had bought half the town and surrounding farms.  And with that sort of influence, he all but owned the mayor and the sheriff.

Then there was Archie Montgomery junior.

I finished high school with him, the eldest son, and the heir apparent.  He believed he owned the town, and everything else, and everyone was his slave to do his bidding.

Those who didn’t found themselves on the wrong end of the stick.

That’s how the Thompsons, my family, became the thorn in the side that neither the father nor the prodigal son wanted or needed.

And both were the subject of conversation at lunch.

I looked around the tables at the twenty-two members left from the founding fathers group.  The latest casualty: the town sheriff for the last 20 years, just getting voted out and replaced by one of Montgomery’s acolytes.

He was glad to retire, just not about who replaced him.  The mayor, or ex-mayor, was sitting next to him, having been deposed on the same election day.  Politically, the wind had shifted, and the representatives in Congress that had protected us for so long had been swept away, replaced by, well, my father had an expression that wasn’t repeatable.

Montgomery had finally won, as he said he would.

Jacob Waterson, sixth-generation resident, the last of a long line of town mayors, was sad.  He had seen what was happening, and like the rest of us, could do nothing about it.

“It’s time we all just left and left them to it.  We can only hold out so long.  I mean, if torching the Franz property was a message, then who will be next?”

Old man Franz had refused to sell.  Then suddenly his place burned down with him in it, and the investigation came back that old man Franz had basically caused the fire himself.  Old wiring and out-of-date appliances.  He had been warned.

The thing is, he had the wiring replaced.  He just didn’t tell those who needed to know except us.  It was like he knew what was going to happen.

“That fire was not caused by an electrical fault.”

The ex-sheriff was adamant and was checking the crime scene himself.  No one in the county was interested, a measure of how far Montgomery’s influence had reached.

“That would be me, I’m guessing,” my father said.  “Those hundred head of missing cattle turned up on the other side of the country, sold to a meat processor, with our brand overstamped.  It was very cleverly done, almost unnoticeable.”

I’d seen the photos sent by the meat works when they noticed an irregularity.  Too late to stop the slaughter.  Too late to do anything about it.

“It’s time.  We’re retiring in Florida.  We got just enough to buy a condo and spend a few years cruising.  Take the offer and get out, Jake.”

The sheriff was still recovering from an ambush attack that left his deputy dead and him a hospital case.  He would have gone back to work if he was fit, but then he lost the election.

The campaign to depose him was very dirty.  Politics was threaded through even the minor elections, and that was driving the politicised landscape, a problem we never had before the developers and new arrivals.

Pity.

I guess it was time for all of us to retire.

The conversation focussed on who was next, not what we could do about it, and I think that was the measure of our impotence.  There was just not enough of us to make a change.

That’s when a lone voice at the table spoke, my sister Marianne. “They haven’t won; they were never going to win.” 

An odd ethereal silence fell over the room.

“In a sense they have,” our father said.

“Not where it matters, as they will soon discover.”

“What do you mean?” Her mother looked worried.  Marianne had suffered a bad few months recently with the Montgomery juniors’ bullying.

The daughter was as bad as the son.

“I put a curse on the whole family “

That was something else about Marianne that had worried me.  A week or two ago I had accidentally walked in on her and four of her friends sitting inside a pentagram chanting what sounded like Latin.

Several books around them had what were supposedly spells, one she said would bring down hellfire and damnation on the Montgomeries.

Wishful thinking, I’d said, but if it made her feel better…

“Yes, dear,” her mother said.  She was going to, as she had in the face of increasing agitation, just ignore it as a phase.

Then added her two cents’ worth to the conversation, “Perhaps it’s time we moved on.  Nothing lasts forever, as much as we hoped it would.”

I was sure a few of those sitting around the table hoped the curse would work.

The silence lasted about another minute and a half before Harvey, one of the ranch hands, came bursting into the room and went over to our father.  I heard him mutter in his ear, “There’s a fire in the town, it’s bad.”

Several of the men around the table were volunteer firefighters, surprised they hadn’t got the callout.

In a matter of seconds, Marianne and I were the only two left in the room. I would have joined the exodus, but I suspected there was more to this curse thing.

She had a curious, if not demonic, expression.

“What did you do?”  A very bad feeling came over me.

“We ensured that Montgomery will never forget that despite his blind faith in his invincibility, he is as vulnerable as anyone else.  Wealth and power cannot prevent the inevitability of moral justice.”

Now she was scaring me.  Her conversations were scathing at best, every sentence starting or ending with a like or but.

She stood.  “Come.”  She held out her hand towards me.  “Let us go and witness the very essence of retribution.”

I found it impossible to resist the invitation. 

Perhaps she was a witch.

A crowd had gathered.  Deputies had put up a tape line to keep them back.

As we got close, we could see the smoke billowing into the air, and on the breeze, that acrid aroma of the smoke.

The fire was in the library, attached to City Hall, old sandstone buildings built at the turn of the last century, but they were a fire hazard, so much wood and paper.

Flames were coming out of the windows and the roof.  Three fire engines were fighting a losing battle, fire hoses snaking in all directions and men running, dressed in fireproof suits and breathing apparatus.

As we took up a position between two of the new families, their kids more interested in the fire trucks than the fire, we were joined by several of her friends, the girls who had been with her in the pentagram.

None spoke, but I got the feeling they knew something about what was happening.

Then we all heard a shout, coming from outside the front entrance to the library, where a firefighter in full protective gear stumbled out the doorway. “There are people inside. I heard the screams; there’s nothing we could do.  It’s horrible.”

He collapsed, and two other firefighters came over and helped him over to the ambulance.

I knew then that it had to be a member or members of the Montgomery family.  How they got in there, why they were in there, if they were in there, was a question more than just me would be asking.

Especially if they died in that fire.

And whether it was proven that the fire was not from natural causes and was started by someone.

I looked at my sister.  Her expression was unreadable, the sort of expressionless face one would expect from a poker player.  Her friends were not so good at hiding their feelings.

“You called this retribution,” I said quietly beside her.

I watched two suited firemen go into the building, and the come back out just as flames leapt through the door after them.

It was followed by a heavy cracking sound, and I think that was the roof crashing down.

No one was going to be saved, whoever was in there.

“God answered our prayers.  The Montgomerys are a scourge on the landscape.  If it was them, then it’s good riddance.  I’ve seen enough.”  She looked at the other girls.  “Let’s go to the church and pray for their souls “

It was two days before the fire died out and the investigators went in.  It took a week after that for a partial report to be leaked to the townsfolk.

Apparently my sister’s only fault was that she had cursed the family, and everyone knew she was not a witch, so she was taking credit for something she hadn’t done.

The problem was, there wasn’t anyone who could be found in the residue, as it had been expected they’d find bones or partial bones.

The firefighters had sworn he heard cries for help behind the wall of flames.

The thing is, they couldn’t find anyone, missing or otherwise, in the wreckage.  But missing people there were: the whole Montgomery family.

Their cars were missing, and key possessions were missing, and their bank accounts were emptied.  There was just no reason why they should leave now.

The thing is, people who had been aligned with the Montgonerys took a step back and then decided they were no longer aligned with them, and came to the former mayor and asked him to reinvent the town, back to the way it was.

No, we didn’t exactly get our town back; we had gone down a path there was no coming back from.  We just had to live with it, and keep going.

And for a while it was good.

Then rumours circulated that the Montgomerys had died in the fire, all of them.  Despite reports that the Montgomeries had been seen in the next County the day after the fire was extinguished.

Nothing made sense, and it became town folklore.

Until…

I was sitting in the lawyers’ office; the one overlooking the park outside city hall.  The one they had renovated after that eventful fire sixty years ago, almost to the day.

Robert Penthaven, son of the son of the man who tended my father’s affairs, had called me and said there were details about my sister’s passing that needed clearing up.

The last time I had to sit in the chair was after my father died and my sister and I inherited the ranch.  She wasn’t interested, having long moved away, but retained her interest in it. 

I thought it was to formalise the passing of her interest to me.  I was passing mine to my son, who thankfully wanted to be a rancher and not relocate to the city.

I’d waited almost a half hour and thought I’d nodded off because, as softly as he tried to close the door it woke me with a start.

“Sorry,” he said, dropping into the more comfortable chair behind the desk.  “Simple things take much longer these days.”

He opened a drawer in the desk and pulled out a file, a quite thick file.  An envelope was clipped to the cover.  He unclipped it and slid it across the table.  “For you, after she died.”

“Words from the grave.”

“Or grave words, maybe.  She was a curious one, your sister.  I never quite knew when she was joking or when she wasn’t.”

“Did she tell you she was a witch?”

“Among other things.  She once said she was the keeper of secrets, and one in particular, one that she said she would take to the grave.  We are all a bit like that; things happen, and we wish to forget.  Perhaps that letter might shed some light.”

“Or tell me it’s time to stand on my own two feet.  Older siblings are like that.”

I picked up the envelope and held it in my hand.  One sheet, three at the most.  The question was whether I wanted to read it.

I shrugged and opened it.  Robert stood.  “I’ll be outside if you need me.”  He went out and closed the door behind him.

I unfolded the sheets.  Two.  Written in her spidery writing, almost illegible.  She had wanted to be a doctor and settled for nurse practitioner. 

She would have made a great doctor.

Kyle,

There are beginnings, there are endings, and all the rest is the consequences of life.

Sometimes it is not the life you wanted, but simply the life you get according to your choices.

I never knew what I really wanted, but it wasn’t to be raped by Archie Montgomery.  Nor did any of my friends.  We became The Five, who could have become victims.

We did not.

We decided to rid the world of a problem.

This is not a confession.  We did not sin against natural justice.  A thoroughly bad person was tried in God’s eyes and received the punishment he was due.

He burned in hell.

The shame of it was that his family tried to save him, and died in vain.  It was not what we wanted; we had nothing to do with their deaths, and had they left well alone, they would have lived.

I can’t say they’re in a better place.

I can’t say we ended up in a better place, but as far as I’m concerned, I have atoned for my sins.

He never hurt another girl.

That family never hurt another soul.

Our town did not miss them, as they did not miss The Five.  It was no longer our town. 

If they ever pull down the library and dig new foundations, they will find them, all seven.  Let’s hope that it’s not in your lifetime.  It won’t be in mine, or the rest of The Five. 

We have all moved on, hopefully to a better place.

Keep the secret or not, it’s up to you, but I suspect that age-old statement ‘let sleeping dogs lie’ might be appropriate here.

May your life be happy and content.  The ranch is yours to leave to Kyle Junior, as it should be.

Meg.

I think I sat there staring at the pages without seeing them, feeling the tears running down my cheeks, now understanding the enigma my sister had become.

If she had told me that fateful night we were standing outside the burning library, I would not have believed her, and I don’t think I did now.  There was a long list of those who wanted all of the dead.  It would be easy to claim responsibility now when I couldn’t cross-examine her.

But what’s done is done. 

The sleeping dogs would lie.

©  Charles Heath  2026

Top 5 sights on the road less travelled – Santiago

Discover Santiago’s Hidden Treasures: 5 Off-the-Beaten-Path Adventures

Santiago, Chile’s vibrant capital, is often associated with its iconic landmarks like Cerro San Cristóbal and the Central Cathedral. But for travellers eager to uncover the city’s soul, there’s a world of hidden gems waiting to be explored. Let’s venture beyond the guidebooks and dive into Santiago’s lesser-known treasures that promise unforgettable experiences. Grab your sense of curiosity and join us on this journey!


1. Barrio Lastarria: A Cultural Escape

Tucked just north of downtown, Barrio Lastarria is a bohemian enclave where cobblestone streets, ivy-clad buildings, and creative energy reign. This neighbourhood is a haven for artists, intellectuals, and foodies. Stroll through its tree-lined avenues to discover cozy cafés, indie bookstores, and art galleries like Galería Gabriela Mistral. Don’t miss the Cine Lastarria, a beloved 19th-century cinema that hosts independent films and cultural events. For lunch, try El Rincón de Mafalda, a charming parrilla where locals gather for juicy empanadas and artisanal wines. Weekends are best spent exploring its bustling outdoor markets and hidden patios that buzz with live music.


Visit the heart of Santiago, see the Metropolitan Cathedral, the Presidential Palace (La Moneda), and soak in the atmosphere with street performers at the main square, Plaza de Armas. Historic Downtown Santiago, centred around the lively Plaza de Armas, is Chile’s historical heart, featuring iconic buildings like the Metropolitan Cathedral, Central Post Office, and National History Museum, all surrounding the leafy square with its monuments, street performers, and vibrant local atmosphere, offering a perfect starting point for exploring the city’s rich heritage and culture. Visitors can enjoy free entry to the square and surrounding museums, observe local life, and easily access it via the Metro.


3. Mapocho Valley: A Modern Cultural Oasis

Once an industrial hub, the Mapocho Valley has been transformed into Santiago’s hippest cultural destination. Home to the Gabriela Mistral Park, this riverside haven offers jogging trails, art installations, and the striking Biomuseo, a modern art space with rotating exhibitions. Nearby, the Pabellón 5 hosts innovative food and craft fairs, while the Museo del Banco Central showcases Chilean art and history. Arrive in the evening to witness the glow of the Mapocho Wharf, a perfect spot to sip a chicha morada (purple corn drink) and watch the city skyline shimmer.


4. Mercado de las Pulgas: Time-Travel at the Flea Market

Every Saturday and Sunday, the Mercado de las Pulgas (Flea Market) resurrects Santiago’s colonial past in the Mansión Villarrica. Spread over 30 blocks, this open-air bazaar is a treasure hunt for antiques, handicrafts, and vintage clothing. Haggling is part of the fun—pick up a handwoven poncho or a pre-Columbian artifact at stalls owned by passionate vendors. The surrounding Parque Forestal is perfect for a post-shopping stroll, where street performers and food trucks add to the lively atmosphere.


5. Fundo Balmaceda: A Botanical Sanctuary

Tucked away in the leafy suburb of Ñuñoa, Fundo Balmaceda is a hidden garden paradise. This historic estate features lush botanical gardens, tranquil ponds, and a small museum of pre-Columbian art. It’s a peaceful retreat from the city’s hustle, where you can picnic, bird-watch, or simply lose yourself in the beauty of over 1,500 species of plants. The best part? Admission is free, and the site’s blend of nature and history makes it a local favourite. Tip: Visit during the day (it’s closed at night) and bring a camera for those Insta-worthy moments.


Local Tips for the Best Experience

  • Getting Around: Use Santiago’s efficient metro system or bike-share program (Bicentenario) to reach these spots.
  • Timing: Plan your visits around local events—check out the Santiago a Mil theatre festival or Ciclo del Terror horror film season for added flair.
  • Safety: Stay in well-populated areas, especially in neighbourhoods like Barrio Lastarria and La Vega Central.

Conclusion: Santiago Beyond the Surface
Santiago’s magic isn’t just in its skyline or its museums—it’s in the whispered stories of its hidden corners. From the depths of the catacombs to the blooms of Fundo Balmaceda, these experiences offer a deeper connection to Chile’s heritage and creativity. So, step off the main road; the most rewarding adventures lie where few tourists tread. ¡Buen viaje!


Final Note: Ready to explore? Share your favourite hidden spots in Santiago in the comments—let’s keep the road less travelled ever-evolving! 🌿

Top 5 sights on the road less travelled – Lima

Beyond the Typical Tourist Trail: 5 Unmissable, Off‑the‑Beaten‑Path Experiences in Lima

Lima—the City of Kings—is famous for its bustling historic centre, world‑renowned gastronomy, and the dramatic cliffs of Miraflores that gaze out over the Pacific. Yet, once you’ve sampled ceviche at a top‑rated restaurant and snapped a selfie at the Plaza de Armas, you’ll quickly realise there’s a whole hidden side to Peru’s capital that most guidebooks barely mention.

If you’re the kind of traveller who loves to wander where the crowds don’t, here are five carefully curated experiences that will let you see Lima through a local’s eyes, without missing out on comfort or safety.


1. Wander the Colorful Streets of Barranco’s “Paseo de los Artistas”

Why it’s special

Barranco is Lima’s bohemian heart, but most visitors stick to the main promenade and the famous Bridge of Sighs. A short walk inland leads you to a tucked‑away lane known as Paseo de los Artistas—a vibrant corridor of murals, independent galleries, and tiny ateliers where emerging Peruvian artists showcase everything from street‑art stencils to avant‑garde sculpture.

What to do

ActivityDetails
Mural huntingFollow the “Graffiti Trail” map (available at the Casa de la Literatura kiosk). Look for the giant “Cumbia de los Andes” piece by local legend Javier “Javi” Lira.
Mini‑workshopMany studios host free 30‑minute workshops—try your hand at pintura al óleo or corte de papel on Tuesdays at 4 p.m.
Coffee breakSlip into Café San Isidro (the tiny café with the green door) for a cup of café pasado made with beans roasted right in the neighbourhood.

Insider tip

If you’re there on a Saturday evening, the lane transforms into an impromptu open‑mic night. Bring a notebook and join the impromptu poetry circle.


2. Take a Morning Kayak on the Rimac River – “Río Verde”

Why it’s special

The Rimac River is usually known as a bustling waterway that runs past the historic centre. Few tourists realise that upstream, the river widens into a calm, emerald‑tinted stretch called Río Verde, flanked by a thin ribbon of mangrove forest. Small eco‑tour operators run guided kayak tours that reveal a different ecological face of Lima.

What to do

  • Early start – Depart from the Club de Regatas dock at 7 a.m. to avoid city traffic and catch the mist rolling off the water.
  • Spot wildlife – Look for the elusive cormorán (cormorant) nesting on the mangroves, and keep an eye out for tiny river otters (nutrias).
  • Picnic on the bank – Guides provide a traditional juane (rice‑stuffed banana leaf parcel) and a thermos of mate de coca for a post‑paddle snack.

Practicalities

  • Cost: US $35 per person (includes kayak, helmet, guide, and snack).
  • Skill level: Beginner‑friendly; paddles are stable, and guides are fluent in English and Spanish.

3. Explore the Pre‑Colonial Ruins of Pachacamac – A Hidden Archaeological Gem

Why it’s special

While many travellers flock to the grand ruins of Huaca Pucllana in Miraflores, the Pachacamac complex, located 30 km south of Lima, remains relatively quiet. This sacred site predates the Inca and was a major pilgrimage destination for the coastal cultures of pre‑Columbian Peru.

What to do

  • Guided tour – Book a small‑group tour (max 8 people) with Arqueología Viva to learn about the Ica and Nazca influences on the temple architecture.
  • Sunset ceremony – If you can stay until dusk, the site’s open terrace offers a spectacular view of the Pacific horizon, where local Aymara priests sometimes perform a traditional papa (offering) ritual.
  • Museum visit – The on‑site museum houses ceramic fragments and a reconstructed temple model that provides context to the ruins.

Travel note

Take the coastal highway (Panamericana Sur) and exit at the Pachacamac sign. Parking is free, and the entrance fee is modest (S/ 5).


4. Savour a Secret “Peruvian Street Food Tour” in the Cercado de Lima

Why it’s special

Most culinary tours focus on upscale restaurants in Miraflores or the famed Mercado de Surquillo. Yet the historic district’s narrow alleys hide a culinary underworld of anticuchospicarones, and cuy chactado served from modest, family‑run stalls.

What to do

DishWhere to find it
Anticuchos de corazón (grilled beef heart)Anticuchería El Buen Sazón on Calle San Martín (open only after 9 p.m.).
Picarones (sweet potato doughnuts)Dulcería La Senda in the Plaza de la Merced, served with chancaca syrup.
Cuy chactado (crispy guinea pig)Puesto del Cuy near the San Cristóbal market; the vendor will slice it open in front of you.
Chicha de jora (fermented corn drink)Small chichería behind the Casa de la Literatura, offering a tasting flight of 3 varieties.

How to join

The Lima Food Explorers collective runs a 4‑hour “Night Bites” tour every Thursday and Saturday, starting at 8 p.m. The price is US $25 per person, which includes a drink and a short cooking demo.

Safety tip

Stick to stalls that display a clean cooking area and have a visible Vigilancia Sanitaria (health inspection) sticker.


5. Unwind at Parque de la Reserva – The Secret Water Garden

Why it’s special

Everyone knows the Magic Water Circuit (Circuito Mágico del Agua), but few realise that behind the main show lies a quiet, Japanese‑inspired water garden that opens only during the early morning and late evening hours. Designed by renowned landscape architect Mario Lara, the garden features a series of koi ponds, stone lanterns, and a hidden bamboo grove.

What to do

  • Morning meditation – Arrive at 6:30 a.m. for a free, 15‑minute guided meditation session led by a local yoga instructor (check the park’s Facebook page for the schedule).
  • Photography walk – The soft morning light creates ethereal reflections; the garden’s shōji screens make a perfect backdrop for portrait shots.
  • Evening lantern release – On Fridays, the park hosts a community lantern‑lighting ceremony at 9 p.m., where you can write a wish on a biodegradable paper lantern and set it afloat on the central pond.

Practicalities

  • Entrance: Free (the Magic Circuit costs for the evening show).
  • Access: The garden is located behind the main fountain pavilion; look for signs pointing to “Jardín Secreto”.

How to Fit All Five Into a Long Weekend

DayMorningAfternoonEvening
FridayKayak at Río Verde (7 a.m.)Explore Pachacamac ruins (2 p.m.)Magic Water Circuit (8 p.m.)
SaturdaySecret Food Tour in Cercado (10 a.m.)Barranco’s Paseo de los Artistas (2 p.m.)Lantern ceremony at Parque de la Reserva (9 p.m.)
SundayRelaxed brunch in Barranco + optional mini‑workshopFree time for shopping or museum visitEarly flight or onward travel

If you have only one day, start with the kayak, then hop to Barrio Barranco for lunch, and finish with the secret garden at Parque de la Reserva.


Final Thoughts

Lima’s mainstream attractions are undeniably worth seeing, but the city’s true soul shines brightest in its quieter corners. From paddling on a serene river to tasting street‑food secrets that have survived centuries, these five off‑the‑beaten‑path experiences will give you a richer, more authentic connection to Peru’s coastal capital.

Pack comfortable shoes, a reusable water bottle, and an appetite for adventure—Lima’s hidden gems are waiting.

Ready to wander? Share your own lesser‑known Lima discoveries in the comments below, and let’s keep the conversation going!

365 Days of Writing, 2026 – 216

Day 216 – Writing Exercise

I remember the days when our town was like a sleepy hollow surrounded by prairies and mountains. 

We had everything we needed, and the town grew at the pace that matched the natural population growth.  It was quite literally that sort of town where everyone knew everyone else.

The Murphys ran the sheriff’s department, the Watersons were mayors or civic officers, the Ravellers ran the bank, and Blacks started as the blacksmith and now took care of the farm machinery and engineering.  We were, for all intents and purposes, self-sufficient.

Then, little by little, that autonomy started to disappear.  The fast food outlets came; a shopping mall was built, and then realtors came and built estates, claiming our town was just the place to live, away from the city rat race.

Then times changed, and the economy failed, and people found themselves struggling.  It was not just us; it was everywhere.

That’s when the Montgomerys came.

My father was conservative, not exactly against change, just change that radically affected his way of life.  He and a few others opposed the mall, the resort being built on the old Anderson ranch, and the radical redesigns of the main street.

He had watched the fast food places turn the children away from the people food, the new hotels turn the people into gamblers and drinkers, and the out-of-towners who were moving into the new estates increase the crime rate.
.
And the new people brought the drug scourge.

In five years the sheriff’s office had gone from a shop front with the sheriff and two deputies to ten deputies and three detectives, and a modern two-story building with a compound and jail space for twenty.

In those same five years, the original families that built our town started leaving.

My father deplored what was happening, even more so when there was nothing he could do about it.  Our Sunday family gathering had turned into a gathering of the so-called founding fathers, dwindling rapidly.

Most had either died out or sold out.  And in the case of my generation, with the advent of the internet and the ease of getting information, most have left to seek their fortune in the big cities, tempted by the fortunes that could be made.

He also resisted the buyout offers of his land, now very prime real estate, and held up a multi-million-dollar new resort being developed by the Montomery Corporation run by Archibald Montgomery.

A self-made man, he was quite literally larger than life.  No one knew why he left New York, only that he landed in our town by mistake and took a shine to it.

His foothold started with building a castle on the old Herbertson ranch, the first of the old guard to sell out.  From there he regaled the old founders with parties and then offers, buying up properties for cents on the dollar, legally and sometimes not.

He went from hero to monster in the blink of an eye.  About the same time, it was realised he had bought half the town and surrounding farms.  And with that sort of influence, he all but owned the mayor and the sheriff.

Then there was Archie Montgomery junior.

I finished high school with him, the eldest son, and the heir apparent.  He believed he owned the town, and everything else, and everyone was his slave to do his bidding.

Those who didn’t found themselves on the wrong end of the stick.

That’s how the Thompsons, my family, became the thorn in the side that neither the father nor the prodigal son wanted or needed.

And both were the subject of conversation at lunch.

I looked around the tables at the twenty-two members left from the founding fathers group.  The latest casualty: the town sheriff for the last 20 years, just getting voted out and replaced by one of Montgomery’s acolytes.

He was glad to retire, just not about who replaced him.  The mayor, or ex-mayor, was sitting next to him, having been deposed on the same election day.  Politically, the wind had shifted, and the representatives in Congress that had protected us for so long had been swept away, replaced by, well, my father had an expression that wasn’t repeatable.

Montgomery had finally won, as he said he would.

Jacob Waterson, sixth-generation resident, the last of a long line of town mayors, was sad.  He had seen what was happening, and like the rest of us, could do nothing about it.

“It’s time we all just left and left them to it.  We can only hold out so long.  I mean, if torching the Franz property was a message, then who will be next?”

Old man Franz had refused to sell.  Then suddenly his place burned down with him in it, and the investigation came back that old man Franz had basically caused the fire himself.  Old wiring and out-of-date appliances.  He had been warned.

The thing is, he had the wiring replaced.  He just didn’t tell those who needed to know except us.  It was like he knew what was going to happen.

“That fire was not caused by an electrical fault.”

The ex-sheriff was adamant and was checking the crime scene himself.  No one in the county was interested, a measure of how far Montgomery’s influence had reached.

“That would be me, I’m guessing,” my father said.  “Those hundred head of missing cattle turned up on the other side of the country, sold to a meat processor, with our brand overstamped.  It was very cleverly done, almost unnoticeable.”

I’d seen the photos sent by the meat works when they noticed an irregularity.  Too late to stop the slaughter.  Too late to do anything about it.

“It’s time.  We’re retiring in Florida.  We got just enough to buy a condo and spend a few years cruising.  Take the offer and get out, Jake.”

The sheriff was still recovering from an ambush attack that left his deputy dead and him a hospital case.  He would have gone back to work if he was fit, but then he lost the election.

The campaign to depose him was very dirty.  Politics was threaded through even the minor elections, and that was driving the politicised landscape, a problem we never had before the developers and new arrivals.

Pity.

I guess it was time for all of us to retire.

The conversation focussed on who was next, not what we could do about it, and I think that was the measure of our impotence.  There was just not enough of us to make a change.

That’s when a lone voice at the table spoke, my sister Marianne. “They haven’t won; they were never going to win.” 

An odd ethereal silence fell over the room.

“In a sense they have,” our father said.

“Not where it matters, as they will soon discover.”

“What do you mean?” Her mother looked worried.  Marianne had suffered a bad few months recently with the Montgomery juniors’ bullying.

The daughter was as bad as the son.

“I put a curse on the whole family “

That was something else about Marianne that had worried me.  A week or two ago I had accidentally walked in on her and four of her friends sitting inside a pentagram chanting what sounded like Latin.

Several books around them had what were supposedly spells, one she said would bring down hellfire and damnation on the Montgomeries.

Wishful thinking, I’d said, but if it made her feel better…

“Yes, dear,” her mother said.  She was going to, as she had in the face of increasing agitation, just ignore it as a phase.

Then added her two cents’ worth to the conversation, “Perhaps it’s time we moved on.  Nothing lasts forever, as much as we hoped it would.”

I was sure a few of those sitting around the table hoped the curse would work.

The silence lasted about another minute and a half before Harvey, one of the ranch hands, came bursting into the room and went over to our father.  I heard him mutter in his ear, “There’s a fire in the town, it’s bad.”

Several of the men around the table were volunteer firefighters, surprised they hadn’t got the callout.

In a matter of seconds, Marianne and I were the only two left in the room. I would have joined the exodus, but I suspected there was more to this curse thing.

She had a curious, if not demonic, expression.

“What did you do?”  A very bad feeling came over me.

“We ensured that Montgomery will never forget that despite his blind faith in his invincibility, he is as vulnerable as anyone else.  Wealth and power cannot prevent the inevitability of moral justice.”

Now she was scaring me.  Her conversations were scathing at best, every sentence starting or ending with a like or but.

She stood.  “Come.”  She held out her hand towards me.  “Let us go and witness the very essence of retribution.”

I found it impossible to resist the invitation. 

Perhaps she was a witch.

A crowd had gathered.  Deputies had put up a tape line to keep them back.

As we got close, we could see the smoke billowing into the air, and on the breeze, that acrid aroma of the smoke.

The fire was in the library, attached to City Hall, old sandstone buildings built at the turn of the last century, but they were a fire hazard, so much wood and paper.

Flames were coming out of the windows and the roof.  Three fire engines were fighting a losing battle, fire hoses snaking in all directions and men running, dressed in fireproof suits and breathing apparatus.

As we took up a position between two of the new families, their kids more interested in the fire trucks than the fire, we were joined by several of her friends, the girls who had been with her in the pentagram.

None spoke, but I got the feeling they knew something about what was happening.

Then we all heard a shout, coming from outside the front entrance to the library, where a firefighter in full protective gear stumbled out the doorway. “There are people inside. I heard the screams; there’s nothing we could do.  It’s horrible.”

He collapsed, and two other firefighters came over and helped him over to the ambulance.

I knew then that it had to be a member or members of the Montgomery family.  How they got in there, why they were in there, if they were in there, was a question more than just me would be asking.

Especially if they died in that fire.

And whether it was proven that the fire was not from natural causes and was started by someone.

I looked at my sister.  Her expression was unreadable, the sort of expressionless face one would expect from a poker player.  Her friends were not so good at hiding their feelings.

“You called this retribution,” I said quietly beside her.

I watched two suited firemen go into the building, and the come back out just as flames leapt through the door after them.

It was followed by a heavy cracking sound, and I think that was the roof crashing down.

No one was going to be saved, whoever was in there.

“God answered our prayers.  The Montgomerys are a scourge on the landscape.  If it was them, then it’s good riddance.  I’ve seen enough.”  She looked at the other girls.  “Let’s go to the church and pray for their souls “

It was two days before the fire died out and the investigators went in.  It took a week after that for a partial report to be leaked to the townsfolk.

Apparently my sister’s only fault was that she had cursed the family, and everyone knew she was not a witch, so she was taking credit for something she hadn’t done.

The problem was, there wasn’t anyone who could be found in the residue, as it had been expected they’d find bones or partial bones.

The firefighters had sworn he heard cries for help behind the wall of flames.

The thing is, they couldn’t find anyone, missing or otherwise, in the wreckage.  But missing people there were: the whole Montgomery family.

Their cars were missing, and key possessions were missing, and their bank accounts were emptied.  There was just no reason why they should leave now.

The thing is, people who had been aligned with the Montgonerys took a step back and then decided they were no longer aligned with them, and came to the former mayor and asked him to reinvent the town, back to the way it was.

No, we didn’t exactly get our town back; we had gone down a path there was no coming back from.  We just had to live with it, and keep going.

And for a while it was good.

Then rumours circulated that the Montgomerys had died in the fire, all of them.  Despite reports that the Montgomeries had been seen in the next County the day after the fire was extinguished.

Nothing made sense, and it became town folklore.

Until…

I was sitting in the lawyers’ office; the one overlooking the park outside city hall.  The one they had renovated after that eventful fire sixty years ago, almost to the day.

Robert Penthaven, son of the son of the man who tended my father’s affairs, had called me and said there were details about my sister’s passing that needed clearing up.

The last time I had to sit in the chair was after my father died and my sister and I inherited the ranch.  She wasn’t interested, having long moved away, but retained her interest in it. 

I thought it was to formalise the passing of her interest to me.  I was passing mine to my son, who thankfully wanted to be a rancher and not relocate to the city.

I’d waited almost a half hour and thought I’d nodded off because, as softly as he tried to close the door it woke me with a start.

“Sorry,” he said, dropping into the more comfortable chair behind the desk.  “Simple things take much longer these days.”

He opened a drawer in the desk and pulled out a file, a quite thick file.  An envelope was clipped to the cover.  He unclipped it and slid it across the table.  “For you, after she died.”

“Words from the grave.”

“Or grave words, maybe.  She was a curious one, your sister.  I never quite knew when she was joking or when she wasn’t.”

“Did she tell you she was a witch?”

“Among other things.  She once said she was the keeper of secrets, and one in particular, one that she said she would take to the grave.  We are all a bit like that; things happen, and we wish to forget.  Perhaps that letter might shed some light.”

“Or tell me it’s time to stand on my own two feet.  Older siblings are like that.”

I picked up the envelope and held it in my hand.  One sheet, three at the most.  The question was whether I wanted to read it.

I shrugged and opened it.  Robert stood.  “I’ll be outside if you need me.”  He went out and closed the door behind him.

I unfolded the sheets.  Two.  Written in her spidery writing, almost illegible.  She had wanted to be a doctor and settled for nurse practitioner. 

She would have made a great doctor.

Kyle,

There are beginnings, there are endings, and all the rest is the consequences of life.

Sometimes it is not the life you wanted, but simply the life you get according to your choices.

I never knew what I really wanted, but it wasn’t to be raped by Archie Montgomery.  Nor did any of my friends.  We became The Five, who could have become victims.

We did not.

We decided to rid the world of a problem.

This is not a confession.  We did not sin against natural justice.  A thoroughly bad person was tried in God’s eyes and received the punishment he was due.

He burned in hell.

The shame of it was that his family tried to save him, and died in vain.  It was not what we wanted; we had nothing to do with their deaths, and had they left well alone, they would have lived.

I can’t say they’re in a better place.

I can’t say we ended up in a better place, but as far as I’m concerned, I have atoned for my sins.

He never hurt another girl.

That family never hurt another soul.

Our town did not miss them, as they did not miss The Five.  It was no longer our town. 

If they ever pull down the library and dig new foundations, they will find them, all seven.  Let’s hope that it’s not in your lifetime.  It won’t be in mine, or the rest of The Five. 

We have all moved on, hopefully to a better place.

Keep the secret or not, it’s up to you, but I suspect that age-old statement ‘let sleeping dogs lie’ might be appropriate here.

May your life be happy and content.  The ranch is yours to leave to Kyle Junior, as it should be.

Meg.

I think I sat there staring at the pages without seeing them, feeling the tears running down my cheeks, now understanding the enigma my sister had become.

If she had told me that fateful night we were standing outside the burning library, I would not have believed her, and I don’t think I did now.  There was a long list of those who wanted all of the dead.  It would be easy to claim responsibility now when I couldn’t cross-examine her.

But what’s done is done. 

The sleeping dogs would lie.

©  Charles Heath  2026

What I learned about writing: “Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”

For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.


1. Novels: The Power of Precision and Dissecting the Human Condition

Didion’s novels—Run, RiverPlay It as It LaysA Book of Common PrayerThe Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world.
Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.


2. Screenplays: Visual Storytelling and the Art of Compression

Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy.
Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.


3. Essays and Journalism: The Alchemy of Observation and Truth-Telling

Joan Didion’s nonfiction—collected in volumes like The White AlbumSlouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?

  • The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
  • The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
  • Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.

4. Beyond Technique: Embracing Didion’s Curiosity and Courage

Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.


Conclusion: Let the Questions Be the Point

Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?

In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.

So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.

365 Days of Writing, 2026 – 215

Day 215 – Too many adjectives?

Kill Your Darlings: Why Simple, Strong Words Beat Over-Adjectifying Every Time

We’ve all been there. You’re writing a blog post, a novel, or even a professional email, and you look at a sentence like this:

“The large, menacing, ferocious hound ran quickly across the damp, muddy, desolate field.”

It sounds descriptive, right? But to an experienced reader or an SEO expert looking at user engagement, it actually reads like linguistic clutter. It feels heavy, breathless, and—ironically—weak.

Many writers fall into the trap of believing that the more adjectives they use, the better their writing will become. Surely, adding more descriptors paints a clearer picture?

In reality, trying to use too many adjectives is often a symptom of weak writing. As the old saying goes: Simple, strong words are best—and you should avoid any words that leave people reaching for a dictionary.

Here is why less is almost always more when it comes to adjectives, and how you can transform your writing by embracing simplicity and strength.


The Adjective Trap: Why We Over-Decorate

Why do we do it? Why do we stack adjectives like cordwood?

  1. The Fear of Being Boring: We worry that without modifiers, our writing will sound dry and academic.
  2. The “Show, Don’t Tell” Shortcut: Instead of describing how a character feels through action, we slap an emotion word in front of them (e.g., “the deeply depressed, profoundly sad man”).
  3. The Myth of Granularity: We think precision requires length. We assume that saying “a glistening, shimmering, multifaceted diamond” is more effective than just saying “a diamond.”

The truth? Adjectives are the makeup of writing. A little bit highlights the natural features, but caking it on makes everything look fake, muddy, and overdone.


3 Reasons Why Too Many Adjectives Kill Your Writing

1. They Slow Down the Reader’s Momentum

Good writing has rhythm. It flows like a river, pulling the reader effortlessly downstream. Piling on adjectives acts like dropping boulders into that river. Every extra modifier forces the reader’s brain to pause, process, and adjust the mental image.

Compare these two sentences:

  • Over-adjectified: “The ancient, crumbling, dilapidated, forgotten wooden cabin stood alone.” (Exhausting.)
  • Simple and strong: “The ruin stood alone.” or “The rotting cabin stood alone.” (Punchy and immediate.)

2. They Weaken the Noun

Your nouns and verbs should be doing the heavy lifting. When you rely on adjectives to create impact, you rob your primary words of their power.

Instead of writing “a very large, towering hill,” use “a mountain.” Instead of writing “walked very quietly and stealthily,” use “prowled.”

By choosing a stronger noun or verb in the first place, you eliminate the need for adjectives entirely.

3. Obscure Words Alienate Your Audience

Another common pitfall when trying to “elevate” writing is using overly complex, high-register adjectives that most people don’t use in everyday conversation. Words like pusillanimouslugubrious, or perspicacious.

Unless you are writing for an academic journal, using obscure words doesn’t make you look smart—it makes you hard to read. If a reader has to stop and look up the definition of a word, you’ve broken their immersion. Clear communication always trumps vocabulary flexing. If people have trouble understanding the meaning of your words, they will simply click away.


How to Write with Simplicity and Strength

If you want to clean up your prose, boost your readability, and keep your readers hooked, adopt these three copywriting rules today:

Rule 1: One Adjective is a Maximum, Zero is Often Better

Before you publish a sentence, look at every noun. Does it have two or three adjectives attached to it? Delete at least half of them. Challenge yourself to find the exact right noun instead of modifying a weak one.

Rule 2: Audit Your Adverbs and Adjectives

Run your drafts through a readability checker or read them out loud. If you find yourself using filler modifiers like veryreallytrulyquite, or extremely, hit the backspace key. These words are crutches. They signal that the adjective (or verb) that follows isn’t strong enough on its own.

Rule 3: Write for the 8th-Grade Level (Even for Professionals)

Simplicity is not the same as dumbing down. The greatest writers in history—Ernest Hemingway, Stephen King, Maya Angelou—used remarkably simple language. Hemingway’s prose is famous for its punchy, unadorned strength. Write so that a general audience can grasp your meaning instantly, effortlessly, and with maximum emotional resonance.


The Bottom Line

Great writing isn’t about how many impressive words you can cram into a paragraph; it’s about how clearly you can transmit an idea from your brain to the reader’s.

The next time you’re tempted to write “a profoundly complex, deeply fascinating, intricately detailed problem,” stop. Take a breath.

Delete the makeup. Trust your nouns. Use simple, strong words—and let your ideas speak for themselves.

Top 5 sights on the road less travelled – Lima

Beyond the Typical Tourist Trail: 5 Unmissable, Off‑the‑Beaten‑Path Experiences in Lima

Lima—the City of Kings—is famous for its bustling historic centre, world‑renowned gastronomy, and the dramatic cliffs of Miraflores that gaze out over the Pacific. Yet, once you’ve sampled ceviche at a top‑rated restaurant and snapped a selfie at the Plaza de Armas, you’ll quickly realise there’s a whole hidden side to Peru’s capital that most guidebooks barely mention.

If you’re the kind of traveller who loves to wander where the crowds don’t, here are five carefully curated experiences that will let you see Lima through a local’s eyes, without missing out on comfort or safety.


1. Wander the Colorful Streets of Barranco’s “Paseo de los Artistas”

Why it’s special

Barranco is Lima’s bohemian heart, but most visitors stick to the main promenade and the famous Bridge of Sighs. A short walk inland leads you to a tucked‑away lane known as Paseo de los Artistas—a vibrant corridor of murals, independent galleries, and tiny ateliers where emerging Peruvian artists showcase everything from street‑art stencils to avant‑garde sculpture.

What to do

ActivityDetails
Mural huntingFollow the “Graffiti Trail” map (available at the Casa de la Literatura kiosk). Look for the giant “Cumbia de los Andes” piece by local legend Javier “Javi” Lira.
Mini‑workshopMany studios host free 30‑minute workshops—try your hand at pintura al óleo or corte de papel on Tuesdays at 4 p.m.
Coffee breakSlip into Café San Isidro (the tiny café with the green door) for a cup of café pasado made with beans roasted right in the neighbourhood.

Insider tip

If you’re there on a Saturday evening, the lane transforms into an impromptu open‑mic night. Bring a notebook and join the impromptu poetry circle.


2. Take a Morning Kayak on the Rimac River – “Río Verde”

Why it’s special

The Rimac River is usually known as a bustling waterway that runs past the historic centre. Few tourists realise that upstream, the river widens into a calm, emerald‑tinted stretch called Río Verde, flanked by a thin ribbon of mangrove forest. Small eco‑tour operators run guided kayak tours that reveal a different ecological face of Lima.

What to do

  • Early start – Depart from the Club de Regatas dock at 7 a.m. to avoid city traffic and catch the mist rolling off the water.
  • Spot wildlife – Look for the elusive cormorán (cormorant) nesting on the mangroves, and keep an eye out for tiny river otters (nutrias).
  • Picnic on the bank – Guides provide a traditional juane (rice‑stuffed banana leaf parcel) and a thermos of mate de coca for a post‑paddle snack.

Practicalities

  • Cost: US $35 per person (includes kayak, helmet, guide, and snack).
  • Skill level: Beginner‑friendly; paddles are stable, and guides are fluent in English and Spanish.

3. Explore the Pre‑Colonial Ruins of Pachacamac – A Hidden Archaeological Gem

Why it’s special

While many travellers flock to the grand ruins of Huaca Pucllana in Miraflores, the Pachacamac complex, located 30 km south of Lima, remains relatively quiet. This sacred site predates the Inca and was a major pilgrimage destination for the coastal cultures of pre‑Columbian Peru.

What to do

  • Guided tour – Book a small‑group tour (max 8 people) with Arqueología Viva to learn about the Ica and Nazca influences on the temple architecture.
  • Sunset ceremony – If you can stay until dusk, the site’s open terrace offers a spectacular view of the Pacific horizon, where local Aymara priests sometimes perform a traditional papa (offering) ritual.
  • Museum visit – The on‑site museum houses ceramic fragments and a reconstructed temple model that provides context to the ruins.

Travel note

Take the coastal highway (Panamericana Sur) and exit at the Pachacamac sign. Parking is free, and the entrance fee is modest (S/ 5).


4. Savour a Secret “Peruvian Street Food Tour” in the Cercado de Lima

Why it’s special

Most culinary tours focus on upscale restaurants in Miraflores or the famed Mercado de Surquillo. Yet the historic district’s narrow alleys hide a culinary underworld of anticuchospicarones, and cuy chactado served from modest, family‑run stalls.

What to do

DishWhere to find it
Anticuchos de corazón (grilled beef heart)Anticuchería El Buen Sazón on Calle San Martín (open only after 9 p.m.).
Picarones (sweet potato doughnuts)Dulcería La Senda in the Plaza de la Merced, served with chancaca syrup.
Cuy chactado (crispy guinea pig)Puesto del Cuy near the San Cristóbal market; the vendor will slice it open in front of you.
Chicha de jora (fermented corn drink)Small chichería behind the Casa de la Literatura, offering a tasting flight of 3 varieties.

How to join

The Lima Food Explorers collective runs a 4‑hour “Night Bites” tour every Thursday and Saturday, starting at 8 p.m. The price is US $25 per person, which includes a drink and a short cooking demo.

Safety tip

Stick to stalls that display a clean cooking area and have a visible Vigilancia Sanitaria (health inspection) sticker.


5. Unwind at Parque de la Reserva – The Secret Water Garden

Why it’s special

Everyone knows the Magic Water Circuit (Circuito Mágico del Agua), but few realise that behind the main show lies a quiet, Japanese‑inspired water garden that opens only during the early morning and late evening hours. Designed by renowned landscape architect Mario Lara, the garden features a series of koi ponds, stone lanterns, and a hidden bamboo grove.

What to do

  • Morning meditation – Arrive at 6:30 a.m. for a free, 15‑minute guided meditation session led by a local yoga instructor (check the park’s Facebook page for the schedule).
  • Photography walk – The soft morning light creates ethereal reflections; the garden’s shōji screens make a perfect backdrop for portrait shots.
  • Evening lantern release – On Fridays, the park hosts a community lantern‑lighting ceremony at 9 p.m., where you can write a wish on a biodegradable paper lantern and set it afloat on the central pond.

Practicalities

  • Entrance: Free (the Magic Circuit costs for the evening show).
  • Access: The garden is located behind the main fountain pavilion; look for signs pointing to “Jardín Secreto”.

How to Fit All Five Into a Long Weekend

DayMorningAfternoonEvening
FridayKayak at Río Verde (7 a.m.)Explore Pachacamac ruins (2 p.m.)Magic Water Circuit (8 p.m.)
SaturdaySecret Food Tour in Cercado (10 a.m.)Barranco’s Paseo de los Artistas (2 p.m.)Lantern ceremony at Parque de la Reserva (9 p.m.)
SundayRelaxed brunch in Barranco + optional mini‑workshopFree time for shopping or museum visitEarly flight or onward travel

If you have only one day, start with the kayak, then hop to Barrio Barranco for lunch, and finish with the secret garden at Parque de la Reserva.


Final Thoughts

Lima’s mainstream attractions are undeniably worth seeing, but the city’s true soul shines brightest in its quieter corners. From paddling on a serene river to tasting street‑food secrets that have survived centuries, these five off‑the‑beaten‑path experiences will give you a richer, more authentic connection to Peru’s coastal capital.

Pack comfortable shoes, a reusable water bottle, and an appetite for adventure—Lima’s hidden gems are waiting.

Ready to wander? Share your own lesser‑known Lima discoveries in the comments below, and let’s keep the conversation going!

Top 5 sights on the road less travelled – Bogotá

Discovering Bogotá’s Hidden Gems: 5 Off-the-Beaten-Path Experiences

Bogotá, Colombia’s vibrant capital, is often synonymous with iconic landmarks like Plaza de Bolívar or the towering Monserrate. But beyond the well-trodden tourist trails lies a city rich with untold stories, cultural treasures, and serene escapes that reveal a more authentic side of Colombia. If you’re ready to venture beyond the usual sights, here are five unique experiences that will deepen your connection to Bogotá and its soul.


1. Museo del Chocio: A Private Museum with Heart

Tucked away in a quiet neighbourhood, the Museo del Chocio (also known as the Soul of a Curious Mind) is a one-of-a-kind hidden gem. Founded by Arturo Chocio, a Colombian engineer turned obsessive collector, this intimate museum houses over 70,000 items spanning 11,000 years of human history—pottery, tools, art, and even Egyptian sarcophagi. It’s a labyrinth of wonder for history buffs and collectors’ curious minds, with personal artifacts displayed in a former house. Entry is donation-based, and the museum’s quirky charm offers a rare, personal journey through global cultures.
Tip: Visit on a weekday to enjoy the exhibits in peaceful seclusion.


2. Parque Tunal: A Green Oasis with Literary Roots

While many flock to the bustling Parque 93, Parque Tunal is a lesser-known sanctuary where locals unwind. This sprawling park, home to pre-Columbian sculptures and a hidden library, is the perfect spot for a leisurely afternoon. The lush gardens and shaded benches invite reflection, while the Biblioteca Virgilio Bernal—a modern library offering books and events—adds a cultural twist.
Tip: Don’t miss the park’s Mirador del Tunal, a hilltop viewpoint offering panoramic city views, especially magical at sunset.


3. Quinta de Bolívar: Step into History at Simón Bolívar’s Home

For a deeper dive into Colombia’s independence story, visit Quinta de Bolívar, the historic home of Simón Bolívar. This preserved country house in San Antonio offers a glimpse into the life of the “Libertador,” with original furniture, mementos, and a beautiful garden. The museum’s child-friendly exhibits and workshops make it ideal for families, while the serene setting is perfect for a picnic.
Tip: Combine your visit with a stop at Cafetería La Quinta, a cozy café serving traditional Colombian pastries.


4. La Nuestra de la Asunción: A Cultural Hub in Transition

Once a colonial convent, La Nuestra de la Asunción has evolved into a vibrant arts and community centre. Housed in a restored 19th-century convent, this space hosts rotating art exhibitions, theatre performances, and culinary workshops that celebrate local traditions. The fusion of history and modern creativity here is inspiring, and the nearby Galería del Barco adds a contemporary art flair.
Tip: Check the venue’s calendar for weekend workshops—try your hand at making arepas or Colombian coffee.


5. San Agustín Street Art Trail: A Kaleidoscope of Colour

While La Candelaria is famous for its colonial architecture, the San Agustín neighbourhood is a canvas for Bogotá’s vibrant street art scene. Wander through alleys adorned with murals by local and international artists, often infused with social and political commentary. The community’s blend of art, hip cafés, and eclectic shops gives it a bohemian vibe.
Tip: Grab a coffee at La Casita del Tio, a beloved spot in the area, and let the murals guide your stroll.


Conclusion: Embrace Bogotá’s Layers

Bogotá is a city of contrasts—where history, nature, and modern creativity collide. By exploring these lesser-known treasures, you’ll uncover a side of the city that locals cherish, one that speaks to resilience, passion, and community. So, trade the crowded queues for quiet pathways, and let Bogotá surprise you with its hidden magic. After all, the best travel stories are born from the detours we take.

What off-the-grid gem will you discover next? 🌿

365 Days of Writing, 2026 – 215

Day 215 – Too many adjectives?

Kill Your Darlings: Why Simple, Strong Words Beat Over-Adjectifying Every Time

We’ve all been there. You’re writing a blog post, a novel, or even a professional email, and you look at a sentence like this:

“The large, menacing, ferocious hound ran quickly across the damp, muddy, desolate field.”

It sounds descriptive, right? But to an experienced reader or an SEO expert looking at user engagement, it actually reads like linguistic clutter. It feels heavy, breathless, and—ironically—weak.

Many writers fall into the trap of believing that the more adjectives they use, the better their writing will become. Surely, adding more descriptors paints a clearer picture?

In reality, trying to use too many adjectives is often a symptom of weak writing. As the old saying goes: Simple, strong words are best—and you should avoid any words that leave people reaching for a dictionary.

Here is why less is almost always more when it comes to adjectives, and how you can transform your writing by embracing simplicity and strength.


The Adjective Trap: Why We Over-Decorate

Why do we do it? Why do we stack adjectives like cordwood?

  1. The Fear of Being Boring: We worry that without modifiers, our writing will sound dry and academic.
  2. The “Show, Don’t Tell” Shortcut: Instead of describing how a character feels through action, we slap an emotion word in front of them (e.g., “the deeply depressed, profoundly sad man”).
  3. The Myth of Granularity: We think precision requires length. We assume that saying “a glistening, shimmering, multifaceted diamond” is more effective than just saying “a diamond.”

The truth? Adjectives are the makeup of writing. A little bit highlights the natural features, but caking it on makes everything look fake, muddy, and overdone.


3 Reasons Why Too Many Adjectives Kill Your Writing

1. They Slow Down the Reader’s Momentum

Good writing has rhythm. It flows like a river, pulling the reader effortlessly downstream. Piling on adjectives acts like dropping boulders into that river. Every extra modifier forces the reader’s brain to pause, process, and adjust the mental image.

Compare these two sentences:

  • Over-adjectified: “The ancient, crumbling, dilapidated, forgotten wooden cabin stood alone.” (Exhausting.)
  • Simple and strong: “The ruin stood alone.” or “The rotting cabin stood alone.” (Punchy and immediate.)

2. They Weaken the Noun

Your nouns and verbs should be doing the heavy lifting. When you rely on adjectives to create impact, you rob your primary words of their power.

Instead of writing “a very large, towering hill,” use “a mountain.” Instead of writing “walked very quietly and stealthily,” use “prowled.”

By choosing a stronger noun or verb in the first place, you eliminate the need for adjectives entirely.

3. Obscure Words Alienate Your Audience

Another common pitfall when trying to “elevate” writing is using overly complex, high-register adjectives that most people don’t use in everyday conversation. Words like pusillanimouslugubrious, or perspicacious.

Unless you are writing for an academic journal, using obscure words doesn’t make you look smart—it makes you hard to read. If a reader has to stop and look up the definition of a word, you’ve broken their immersion. Clear communication always trumps vocabulary flexing. If people have trouble understanding the meaning of your words, they will simply click away.


How to Write with Simplicity and Strength

If you want to clean up your prose, boost your readability, and keep your readers hooked, adopt these three copywriting rules today:

Rule 1: One Adjective is a Maximum, Zero is Often Better

Before you publish a sentence, look at every noun. Does it have two or three adjectives attached to it? Delete at least half of them. Challenge yourself to find the exact right noun instead of modifying a weak one.

Rule 2: Audit Your Adverbs and Adjectives

Run your drafts through a readability checker or read them out loud. If you find yourself using filler modifiers like veryreallytrulyquite, or extremely, hit the backspace key. These words are crutches. They signal that the adjective (or verb) that follows isn’t strong enough on its own.

Rule 3: Write for the 8th-Grade Level (Even for Professionals)

Simplicity is not the same as dumbing down. The greatest writers in history—Ernest Hemingway, Stephen King, Maya Angelou—used remarkably simple language. Hemingway’s prose is famous for its punchy, unadorned strength. Write so that a general audience can grasp your meaning instantly, effortlessly, and with maximum emotional resonance.


The Bottom Line

Great writing isn’t about how many impressive words you can cram into a paragraph; it’s about how clearly you can transmit an idea from your brain to the reader’s.

The next time you’re tempted to write “a profoundly complex, deeply fascinating, intricately detailed problem,” stop. Take a breath.

Delete the makeup. Trust your nouns. Use simple, strong words—and let your ideas speak for themselves.

What I learned about writing: The Gift of Creating Life with Words: Innate Talent, Learned Skill, or a Bit of Both?

“Words are, in my not-so-humble opinion, the most powerful tool we have ever created.” – J.K. Rowling

When a story sweeps us off our feet, a poem makes our hearts ache, or a speech moves a crowd to tears, we instinctively label the author a “gifted” or “talented” writer. It feels as if they possess a mysterious, almost magical ability to conjure whole worlds from thin air.

But is the art of breathing life into language something you’re born with, or can anyone learn to wield it with equal flair? In this post, we’ll explore the science and the folklore behind writing excellence, dissect the myths of the “born writer,” and lay out practical pathways for anyone who wants to transform words into living, breathing experiences.


1. The Allure of the “Natural Talent” Narrative

1.1. Why We Romanticise the Gifted Writer

  • Heroic storytelling – Just as societies celebrate prodigies in music, sport, and mathematics, literature loves its “genius” figures (Shakespeare, Hemingway, Toni Morrison).
  • Cognitive bias – The availability heuristic makes us recall the few celebrated authors, overlooking the countless writers who arrived at greatness through deliberate practice.
  • Cultural mythos – The Romantic era glorified the solitary muse, cementing the idea that true art springs from a mystical well within.

1.2. What Research Really Says

Neuroscientists have mapped the brain activity of skilled writers, and the findings are enlightening:

Brain RegionRole in WritingWhat the Data Shows
Broca’s areaSyntax, grammarHighly active in both novice and expert writers, suggesting that basic language processing is universal.
Prefrontal cortexPlanning, organisationShows increased connectivity in seasoned writers, indicating that strategic thinking can be honed.
Default mode network (DMN)Imagination, mind‑wanderingStronger activation correlates with creative ideation, but DMN activity can be cultivated through practices like free‑writing.

The takeaway? There are no “magic” brain circuits that only a few possess. The same neural hardware is available to everyone; the difference lies in how it’s trained, wired, and used over time.


2. The Science of Skill Acquisition

2.1. Deliberate Practice—The Engine of Mastery

Psychologist K. Anders Ericsson introduced the concept of deliberate practice: intentional, feedback‑rich, and just beyond your current ability. In writing, this translates to:

  • Targeted exercises (e.g., “write a scene using only dialogue” or “describe a setting in 100 words”).
  • Immediate feedback from peers, mentors, or software tools.
  • Iterative revision—the willingness to rewrite, re‑structure, and re‑think.

2.2. The 10,000‑Hour Rule—A Misinterpretation

Gladwell popularised the idea that 10,000 hours leads to mastery. While practice matters, the quality of those hours matters far more. A novice who writes 10,000 bland sentences won’t rival a diligent writer who spends 2,000 hours on focused storytelling drills.

2.3. Neuroplasticity—Your Brain Can Rewire

Every time you craft a sentence, you’re forging new synaptic pathways. Studies in adult neuroplasticity demonstrate that consistent writing practice enlarges language‑related brain regions and improves narrative comprehension. In short: You can literally rewire yourself to be a better writer.


3. The Role of Reading: The Unsung Curriculum

“If you want to write, write, and if you want to read, read.” – C. S. Lewis

Reading is the foundational apprenticeship for any writer. Here’s why:

AspectHow Reading HelpsPractical Tip
VocabularyExposure to varied diction builds lexical richness.Keep a “word‑bank” notebook; add a new, striking word each week.
StructureMimic a paragraph in the style of your favourite author, then rewrite it in your voice.After each book, outline its structure in 5–7 bullet points.
VoiceUnderstanding expectations lets you subvert or honour them intelligently.Analysing plot arcs, pacing, and chapter organisation reveals the scaffolding behind stories.
Genre ConventionsUnderstanding expectations lets you subvert or honor them intelligently.Read at least three classic works in any genre you plan to write.

In other words—reading is the silent teacher that precedes formal instruction.


4. Teaching the Craft: What Formal Education (and Informal Mentorship) Offers

4.1. What Writing Courses Actually Teach

  1. Fundamentals of Storytelling – Hero’s journey, three‑act structure, conflict types.
  2. Tools of the Trade – Dialogue tags, sensory description, active vs. passive voice.
  3. Revision Strategies – Macro‑editing (plot, pacing) vs. micro‑editing (sentence flow, grammar).
  4. Critique Techniques – Giving and receiving constructive feedback without ego.

4.2. Mentorship vs. Classroom

  • Mentorship—Personalised, often informal. One‑on‑one feedback accelerates growth because it’s tailored to your specific blind spots.
  • Workshops—Group environments foster diverse perspectives, exposing you to styles you’d never encounter alone.

4.3. Digital Resources: The New‑Age Writing Academy

  • Online courses (MasterClass, Coursera, edX) – Structured curricula from bestselling authors.
  • Writing communities (r/WritingPrompts, Scribophile, Critique Circle) – Peer review loops.
  • AI‑assisted tools (Grammarly, ProWritingAid, ChatGPT) – Real‑time suggestions for grammar, style, and even plot brainstorming.

5. Practical Steps to Turn “Potential” into “Prose”

Below is a 12‑week sprint that anyone can follow, regardless of background. Think of it as a bootcamp for the “gift of creating life with words.”

WeekFocusAction ItemTime Commitment
1ObservationKeep a daily 5‑minute “sensory log” of what you see, hear, smell.5 min/day
2Micro‑StorytellingWrite 100‑word flash fiction using only one sense.15 min/day
3Dialogue DrillTranscribe a real conversation, then rewrite it to reveal subtext.30 min total
4Structural MappingOutline the plot of your favourite novel in three acts.1 hour
5Voice ExplorationImitate a paragraph from three different authors; then rewrite it in your own voice.45 min
6Feedback LoopShare a 1,000‑word piece with a peer group; receive and integrate feedback.2 hours
7Revision MasteryTake a piece you wrote in Week 2 and perform a macro‑edit (plot, pacing).1 hour
8Genre Deep DiveRead a classic in a new genre; write a 500‑word piece that follows its conventions.2 hours reading + 1 hour writing
9Narrative TensionWrite a scene where the stakes are revealed only through action, not exposition.1 hour
10Mentor SessionArrange a 30‑minute call with a more experienced writer (could be via a forum).30 min
11Polish & PublishEdit a short story for submission to a literary journal or online platform.2 hours
12ReflectionWrite a 500‑word essay on how your writing has changed over the program.30 min

Consistency beats intensity. Even 15 minutes a day, if focused, yields measurable improvement.


6. Common Myths Debunked

MythReality
“You’re either born a writer or you’re not.”Writing is a skill that can be systematically improved, much like learning a musical instrument.
“Good writers don’t need to edit.”Even the most celebrated authors (e.g., Stephen King) claim they spend 90 % of their time editing.
“Inspiration is magical and uncontrollable.”While moments of inspiration happen, they are often the byproduct of sustained preparation.
“Only formal education matters.”Self‑directed learning, reading, and community critique often produce equally adept writers.

7. The Bottom Line: Talent Meets Training

The truth lies somewhere in the middle:

  • Innate predispositions—such as a keen sense of observation, empathy, or an early love for language—can give a head start.
  • Deliberate practice—the daily grind of writing, reading, revising, and seeking feedback—turns that potential into proficiency.
  • Guided instruction—whether through a university course, an online tutorial, or a mentorship—provides the scaffolding that accelerates growth.

So, the “gift of creating life with words” isn’t a static, hereditary trait; it’s a dynamic, learnable craft that flourishes when curiosity meets discipline.


8. Takeaway Action: Your First Step Right Now

  1. Grab a notebook (or open a note‑app).
  2. Set a timer for five minutes and write whatever you see out the window, without judging.
  3. Repeat tomorrow, adding one new sensory detail.

In just a week, you’ll have a mini-catalogue of lived experience to draw upon—one of the most valuable reservoirs any writer can own.