What I learned about writing – The unexpected detour

The Unexpected Detour: Trading Familiar Fame for Fresh Inspiration

We are creatures of habit, especially when those habits have led to success. When we find our niche—that specific genre, that particular skill set, that familiar market where our reputation is solid—we settle in. We build our brand around it, we become known for it, and we reap the rewards of what I like to call “pout fame”—the reputation we tirelessly poured ourselves into earning.

But what happens when the GPS suddenly recalculates? What happens when a project falls through, a client demands a skill you rarely use, or a personal experience shoves you, politely or otherwise, onto an entirely different path?

The detour is mandatory. The question is: do you treat it as a road bump or a reconnaissance mission?


The Comfort (and Constraint) of the Known Road

For a professional writer, artist, or entrepreneur, the familiarity of the known path is powerful. If you are the established authority on historical fiction, stepping sideways to write a children’s book feels like a monumental risk or, worse, a waste of time. If you’re a renowned brand strategist, taking a temporary gig managing a local community centre seems completely off-brand.

We cling to our niche because it represents safety, predictability, and income. We fear that if we take our focus off the main product, the audience will forget us, or worse, perceive us as unfocused.

The irony is that this commitment to the familiar eventually becomes the most fertile ground for creative drought. When you do the same thing in the same way for too long, the machine might keep moving, but the spark fades. You are solving the same problems, using the same mental muscles, and drawing from the same well of inspiration.

This is precisely why the unintentional interlude is a gift.

The Power of the Accidental Assignment

The unexpected detour forces you to use different muscles. It is a creative palette cleanser.

Perhaps you, known for gritty memoirs, suddenly find yourself ghostwriting a guide on sustainable gardening. Perhaps your expertise in complex data architecture leads you to a temporary volunteer role organising a major arts festival. These interludes are not your core business, so the pressure is different, the stakes feel lower, and that pressure release is key to unlocking new thought patterns.

When you are led down another path, two crucial things happen:

1. You Gain New Data Sets

Every experience, especially those outside our comfort zone, feeds the creative core. The language you learn while writing about gardening might provide the perfect metaphor for a struggling relationship in your next memoir. The logistical problem-solving required for the arts festival might provide a brilliant structural framework for your next white paper.

The inspiration you gain from the detour is often fuel for your established genre—just in a subtler, richer form. It’s not about abandoning your genre; it’s about making your genre deeper.

2. You Break the Creative Feedback Loop

Our brains love efficient pathways. When we write in a genre (or work in a field) for years, we develop grooves. The unintentional interlude yanks the needle out of the groove. It forces you to think like a beginner again, look up new terminology, and engage with a world that doesn’t operate by your established rules. This struggle is where innovation resides.

The Crossroad: Take It or Take a Holiday?

The core question remains: When this unexpected inspiration strikes, do you embrace it completely, or is the detour simply a sign that you need a vacation?

Often, we frame creative exploration as a necessary rest. We believe that if we aren’t focusing on our ‘main thing,’ we must be taking a holiday. But this is a false dichotomy.

The Creative Detour is a Form of Necessary Rest.

If the unexpected path genuinely energises you, if it sparks ideas and makes you feel excited about the act of creating again, take it.

This is not a distraction; it is an investment in creative renewal. The mistake is equating productive time only with the activities that directly generated your “pout fame.” The new path might not lead to immediate income in your usual stream, but it will prevent the greater cost: burnout and creative stagnation.

If the detour feels like a chore, if it drains you, or if the new inspiration feels thin and forced—then you need a holiday. You need genuine downtime, silence, and recovery.

The differentiator is always energy. Does this unexpected road drain your reserves or replenish them?

Permission to Deviate

The most successful creators rarely stay tethered to a single, narrow output. They allow themselves to be influenced by the tangential, the accidental, and the unfamiliar. They treat their career not as a single railway line, but as a vast, interconnected landscape.

So, the next time life or work pushes you onto an unpaved road—whether you were led willingly or otherwise—don’t resist the scenery. Don’t immediately try to navigate back to the familiar highway just because it’s faster.

Look out the window. Collect the data. Listen to the new language.

The greatest inspiration for your next masterpiece might not be found in the genre you dominate, but in the unintentional interlude that showed you the world through brand new eyes. Take the inspiration. The holiday can wait until the tank is actually empty.

365 Days of writing, 2026 – My Second Story 27

More about my second novel

It sounds like it’s a start on the blurb…

Like any book that is the second in a series, there is that inevitable question – What am I going to write about now?

You’re fighting off the, everyone had at least one book in them, and sitting down staring at that blank page because maybe your character has found the woman of his dreams, and there’s no need to chase anymore.

Who said Zoe had any interest in settling down?

She has missed getting out there and doing a job she is good at.

But rather than have her hunting people down, I thought it would be better if she were the one being hunted.

The thing is, she had managed to make more than one enemy over the years. And given the bounty, it brings old foes and fellow assassins out of the woodwork and into her path.

And a few people she had left behind, intentionally or otherwise.

But, the least expected, armed with a pair of dogged private detectives, is her newest friend, and want-to-be boyfriend.

She should have realised that he was not going to go away like he was supposed to.

But, here’s the thing…

People on both sides are looking for her, each with very different reasons, but all have the same intention…

Revenge.

Top 5 sights on the road less travelled – Crete

Crete is a large island with many stunning locations that are far from the main tourist crowds. To help you on your road less travelled, here are five “next best” places and activities offering unique and authentic Cretan experiences.


1. Loutro: The Car-Free Seaside Village

Loutro is one of Crete’s most idyllic hidden gems, tucked away on the southwest coast. It is famously accessible only by boat or on foot, ensuring its protected, tranquil, and car-free atmosphere.

  • What makes it “Road Less Travelled”: The inability to drive directly to the village makes it a natural barrier to mass tourism. It feels like a remote, car-free island escape.
  • Activity: Relax on the small pebble beach, swim in the turquoise waters of the Libyan Sea, or use it as a base to hike to nearby coastal attractions.

2. Sarakina Gorge: The Hidden Canyon

While Samaria Gorge is famous and crowded, the Sarakina Gorge (sometimes called Sarantapichos Gorge) offers a shorter, equally stunning, and much less-trafficked hiking adventure in southeastern Crete, near the village of Mithi.

  • What makes it “Road Less Travelled”: It’s often overlooked by tourists heading to the larger, better-known gorges, offering a raw, untouched hiking experience.
  • Activity: Hike through the narrow canyon. Be prepared for a challenging trek that involves crossing the riverbed and may require wading through water in some sections, depending on the season.

3. Xerokampos: The Unspoilt Beaches of the East

Located on the far eastern coast of Crete, Xerokampos is a small, quiet settlement known for its collection of unspoilt, undeveloped beaches. The drive there is winding and remote, contributing to its solitude.

  • What makes it “Road Less Travelled”: Its remote location requires a dedicated drive on mountain roads, meaning few constructions and a distinct lack of crowds, even during high season.
  • Activity: Enjoy pristine sand and crystal-clear waters on a truly secluded beach day. The landscape is unique, with mountains dropping down to the sea.

4. The Abandoned Village of Aradaina: An Atmospheric Ghost Town

Near the Sfakia region in western Crete, the village of Aradaina was deserted in 1948 following a tragic family vendetta. Today, it stands as an atmospheric ghost town overlooking the dramatic Aradena Gorge.

  • What makes it “Road Less Travelled”: It is a haunting historical site, not a resort or commercial centre, offering a quiet, slightly eerie, and historically rich stop.
  • Activity: Stroll through the narrow paths and empty stone houses to experience the region’s complex history. You can access it via a long metal bridge that spans the canyon.

5. Agrotouristic Village of Vamos: Authentic Cultural Immersion

The traditional village of Vamos, 25km southeast of Chania, is a pioneer in eco-tourism. A collective of locals has committed to preserving its authentic character and offering traditional experiences.

  • What makes it “Road Less Travelled”: This is a chance to move beyond sightseeing and participate in the local, daily life of the island.
  • Activity: Stay in a preserved old mansion, take part in local activities like making bread in a wood-fired oven, picking olives, or learning to prepare raki, the local pomace brandy.

Top 5 sights on the road less travelled – Malta

That’s a fantastic way to explore Malta! While the island nation is small, it hides numerous incredible spots away from the main tourist crowds.

Here are five places and activities off the well-trodden path in Malta and Gozo:

1. The Three Cities (Vittoriosa, Senglea, and Cospicua)

While not exactly “unknown,” the Three Cities are often overshadowed by Valletta and Mdina, making them a more authentic and less crowded alternative.

  • Vittoriosa (Birgu): As the oldest of the three, it was the first home of the Knights of St. John in Malta. Wander its narrow, ancient streets, and visit Fort St. Angelo for stunning views across the Grand Harbour back to Valletta.
  • Senglea (L-Isla): Walk through the charming backstreets and find your way to the Gardjola Gardens for one of the most iconic views of Valletta. The watchtower here has an eye and ear carved into its stone, symbolising vigilance.

2. Wied il-Għasri (Gozo)

For a secluded and unique swimming spot, head to the island of Gozo to find this hidden gem.

  • The Place: Wied il-Għasri is a spectacular sea gorge, or “fjord,” with crystal-clear turquoise waters. It cuts inland between dramatic cliffs, ending in a tiny pebbly beach.
  • The Activity: It’s perfect for a quiet swim, snorkelling, or simply enjoying the serenity away from the more crowded beaches. For the adventurous, you can rent a kayak to paddle through the gorge and out into the open sea.

3. Coral Lagoon (Malta)

The Coral Lagoon, also known as the Bilblija Cave, is a stunning natural sea cave located in the north of the main island, near Armier.

  • The Place: It’s an open-air cave with a large hole in the roof, allowing light to pour into the azure water below. The opening to the sea is small, making the lagoon feel like a massive, natural swimming pool.
  • The Activity: You can carefully climb down into the water for a unique swim. Many locals also use the surrounding cliff face as a jumping-off point. It requires a short hike to reach and is best visited on a calm day.

4. Il-Majjistral Nature and History Park (Malta)

If you’re looking for a dedicated nature escape, this park on the northwestern coast offers beautiful hiking trails, historical sites, and untouched coastlines.

  • The Place: The park stretches along the coast from Golden Bay up to Popeye Village. It’s Malta’s only natural park, protecting the area’s geology, archaeology, and ecology.
  • The Activity: Go for a walk or hike to explore the rural landscape, see the clay cliffs, and discover abandoned military and historical structures. It offers views that are completely different from the fortified cities and coastal resorts.

5. Ta’ Ċenċ Cliffs (Gozo)

While the Dingli Cliffs on the main island of Malta are famous for sunsets, the Ta’ Ċenċ Cliffs on Gozo offer a similar dramatic clifftop experience with far fewer people.

  • The Place: Located on the southern coast of Gozo, these cliffs are less accessible by major roads, ensuring a peaceful experience. The area is also a designated bird sanctuary.
  • The Activity: Take a sunset stroll along the top of the cliffs. The vast, uninterrupted views of the Mediterranean Sea are breathtaking, and it’s a perfect spot for nature photography or a picnic. You can also hike along the coastal path toward Xlendi or Mgarr Ix-Xini.

365 Days of writing, 2026 – My Second Story 27

More about my second novel

It sounds like it’s a start on the blurb…

Like any book that is the second in a series, there is that inevitable question – What am I going to write about now?

You’re fighting off the, everyone had at least one book in them, and sitting down staring at that blank page because maybe your character has found the woman of his dreams, and there’s no need to chase anymore.

Who said Zoe had any interest in settling down?

She has missed getting out there and doing a job she is good at.

But rather than have her hunting people down, I thought it would be better if she were the one being hunted.

The thing is, she had managed to make more than one enemy over the years. And given the bounty, it brings old foes and fellow assassins out of the woodwork and into her path.

And a few people she had left behind, intentionally or otherwise.

But, the least expected, armed with a pair of dogged private detectives, is her newest friend, and want-to-be boyfriend.

She should have realised that he was not going to go away like he was supposed to.

But, here’s the thing…

People on both sides are looking for her, each with very different reasons, but all have the same intention…

Revenge.

“The Things we do for Love”, the story behind the story

This story has been ongoing since I was seventeen, and just to let you know, I’m 72 this year.

Yes, it’s taken a long time to get it done.

Why, you might ask.

Well, I never gave it much interest because I started writing it after a small incident when I was 17, and working as a book packer for a book distributor in Melbourne

At the end of my first year, at Christmas, the employer had a Christmas party, and that year, it was at a venue in St Kilda.

I wasn’t going to go because at that age, I was an ordinary boy who was very introverted and basically scared of his own shadow and terrified by girls.

Back then, I would cross the street to avoid them

Also, other members of the staff in the shipping department were rough and ready types who were not backwards in telling me what happened, and being naive, perhaps they knew I’d be either shocked or intrigued.

I was both adamant I wasn’t coming and then got roped in on a dare.

Damn!

So, back then, in the early 70s, people looked the other way when it came to drinking, and of course, Dutch courage always takes away the concerns, especially when normally you wouldn’t do half the stuff you wouldn’t in a million years

I made it to the end, not as drunk and stupid as I thought I might be, and St Kilda being a salacious place if you knew where to look, my new friends decided to give me a surprise.

It didn’t take long to realise these men were ‘men about town’ as they kept saying, and we went on an odyssey.  Yes, those backstreet brothels where one could, I was told, have anything they could imagine.

Let me tell you, large quantities of alcohol and imagination were a very bad mix.

So, the odyssey in ‘The things we do’ was based on that, and then the encounter with Diana. Well, let’s just say I learned a great deal about girls that night.

Firstly, not all girls are nasty and spiteful, which seemed to be the case whenever I met one. There was a way to approach, greet, talk to, and behave.

It was also true that I could have had anything I wanted, but I decided what was in my imagination could stay there.  She was amused that all I wanted was to talk, but it was my money, and I could spend it how I liked.

And like any 17-year-old naive fool, I fell in love with her and had all these foolish notions.  Months later, I went back, but she had moved on, to where no one was saying or knew.

Needless to say, I was heartbroken and had to get over that first loss, which, like any 17-year-old, was like the end of the world.

But it was the best hour I’d ever spent in my life and would remain so until I met the woman I have been married to for the last 48 years.

As Henry, he was in part based on a rebel, the son of rich parents who despised them and their wealth, and he used to regale anyone who would listen about how they had messed up his life

If only I’d come from such a background!

And yes, I was only a run away from climbing up the stairs to get on board a ship, acting as a purser.

I worked for a shipping company and they gave their junior staff members an opportunity to spend a year at sea working as a purser on a cargo ship that sailed between Melbourne, Sydney and Hobart in Australia.

One of the other junior staff members’ turn came, and I would visit him on board when he would tell me stories about life on board, the officers, the crew, and other events. These stories, which sounded incredible to someone so impressionable, were a delight to hear.

Alas, by that time, I had tired of office work and moved on to be a tradesman at the place where my father worked.

It proved to be the right move, as that is where I met my wife.  Diana had been right; love would find me when I least expected it.

lovecoverfinal1

What I learned about writing – The happy ending debate

The Happy Ending Debate: Is It All About Where You Stop the Story?

We’ve all been there. Lost in a book, glued to a screen, investing our emotions in characters and their journeys. As the story nears its end, a quiet hope stirs within us: Please, let them be happy. We crave resolution, comfort, and the satisfaction of knowing that, in this fictional world at least, good triumphs and love prevails.

But should every story culminate in a neat, tidy, and unequivocally happy ending? And more profoundly, is the ‘happiness’ of an ending simply a matter of where the author chooses to draw the final curtain?

The Allure of the Sunny Conclusion

There’s no denying the power and appeal of a happy ending. They offer:

  • Escapism: Life is often messy and unpredictable. Stories with joyous resolutions provide a much-needed mental break, a reminder that things can turn out well.
  • Hope: They validate our belief in perseverance, the triumph of good over evil, and the idea that our own struggles might eventually lead to brighter days.
  • Satisfaction: A happy ending can feel like a reward for the emotional investment we’ve made, a pleasant closure to a captivating experience.

From classic fairy tales to blockbuster rom-coms, these endings serve a vital purpose, leaving us with a warm feeling and a sense that balance has been restored.

The Unflinching Gaze of Reality

However, limiting all narratives to happy conclusions would be a disservice to the vast spectrum of human experience. Sometimes, stories need to:

  • Reflect Reality: Life isn’t always fair, and not every conflict resolves harmoniously. Stories that acknowledge pain, loss, and unresolved tension can be incredibly powerful and resonant.
  • Provoke Thought: Tragic or ambiguous endings often linger longer in the mind, prompting deeper reflection on themes, choices, and consequences.
  • Offer Catharsis: Witnessing a character’s journey through suffering, even if it doesn’t end happily, can be a form of emotional release and understanding for the audience.
  • Teach and Warn: Some stories serve as cautionary tales or explorations of the darker sides of humanity, and a happy ending would undermine their core message.

Think of literary classics, historical dramas, or poignant independent films – their power often lies in their refusal to sugarcoat the human condition.

The Art of the Final Frame: Where Do You Stop?

This brings us to the most intriguing part of the debate: Is a happy ending simply a matter of narrative framing?

Consider this: Is a character’s failure truly the end, or is it merely the lowest point before a potential rise? Is a bittersweet goodbye truly sad, or is it a necessary step towards individual growth and new beginnings?

  • Life is Continuous: In reality, our stories don’t stop. A “happy ending” might just be a moment of respite before the next challenge, and a “tragic ending” could be the catalyst for profound change in others.
  • The Power of Hope: An ending doesn’t have to be happy to be hopeful. A character might face immense loss, but the final scene could show them finding a glimmer of purpose, taking a first step towards healing, or inspiring others to carry on. This isn’t happiness in the traditional sense, but it offers forward momentum.
  • The Reader’s Imagination: Sometimes, an author intentionally leaves an ending open, trusting the audience to imagine what comes next. What feels unresolved to one person might feel like an invitation for possibility to another. The “end” of the story is merely where the author stops narrating; the characters’ lives, in our minds, continue.
  • Satisfying vs. Happy: A story can have a satisfying ending without being strictly happy. It can be satisfying because it feels earned, logical, and true to the characters and themes, even if it’s painful or melancholic.

Crafting the Right Conclusion

Ultimately, whether a story should have a happy ending isn’t a universal rule, but a deliberate choice. It depends on:

  • The Genre: Rom-coms and fairytales thrive on happiness; noir and tragedies demand a different tone.
  • The Story’s Purpose: Is it meant to uplift, entertain, challenge, or reflect?
  • The Characters’ Journeys: Does a happy ending feel organic and earned, or forced and unrealistic, given what the characters have endured and become?

So, should every story have a happy ending? Probably not. But should every story offer some form of resolution, be it hopeful, cathartic, or thought-provoking? Absolutely.

The true magic lies in the storyteller’s ability to know precisely where to stop, leaving us not necessarily with boundless joy, but with a feeling that the journey was complete, meaningful, and true – even if the sun isn’t shining quite so brightly in that final frame.


What do you think? Do you prefer happy endings, or do you find more satisfaction in realistic or even tragic conclusions? Share your thoughts in the comments below!

365 Days of writing, 2026 – 184

Day 184 – Show, don’t tell

The Art of the Landscape: What Thomas Hardy Taught Ursula K. Le Guin About “Showing, Not Telling”

Every writer has heard the golden rule: “Show, don’t tell.”

It is the advice that launches a thousand creative writing workshops, yet it remains one of the most misunderstood concepts in literature. Does it mean you can never state an emotion? Does it mean your prose must be purely cinematic?

To find the true essence of this rule, we can look to a master of the craft, Ursula K. Le Guin. In her legendary essays on writing, Le Guin often pointed to a specific, masterful example of environmental storytelling: the opening chapter of Thomas Hardy’s The Return of the Native.

Here is how Hardy uses the landscape of Egdon Heath to redefine what it meant to “show” an entire world before a single character ever speaks.


The Trap of “Telling”

When beginners are told to “show,” they often interpret it as a directive to describe every micro-movement—“She clenched her fist, her knuckles turning white, showing her anger.”

While this is “showing,” it is literal and often clunky. True “showing” is about atmosphere, mood, and implication. It is about placing the reader in a space where they can feel the truth of the situation without being lectured by the author.

The Lesson from Egdon Heath

In the first chapter of The Return of the Native, Thomas Hardy does something radical. He doesn’t introduce a hero, a villain, or a dialogue-driven incident. Instead, he introduces the heath itself.

As Ursula K. Le Guin noted in her workshops, Hardy treats Egdon Heath not as a backdrop, but as a living, breathing participant in the story. He writes:

“The place became full of a watchful intentness now; for when other things sank brooding to sleep the heath appeared slowly to awake and listen.”

Hardy is doing something extraordinary here. He is “showing” the reader the tone of the entire novel before the plot begins. He doesn’t tell us, “The setting is oppressive, ancient, and indifferent to human suffering.” Instead, he describes the heath as a creature that “awaits” and “listens.”

Why Le Guin Admired This Approach

Le Guin championed this passage because it teaches writers that environment is character.

By spending pages describing the soil, the colours of the heath, the shadows, and the way the light dies over the horizon, Hardy creates a sense of foreboding. He shows the reader that the human lives within this book will be small, fragile, and ultimately at the mercy of this vast, prehistoric landscape.

If Hardy had simply told us, “The story takes place in a lonely, haunting part of England where people struggle against nature,” the reader would have accepted it as a fact. But by showing it—by making the heath look, act, and “feel”—the reader experiences that loneliness in their own bones.

Three Ways to Apply the “Hardy-Le Guin” Method

If you want to move beyond the surface-level interpretation of “show, don’t tell,” try these three strategies:

1. Use the Setting to Establish Stakes

Don’t just have your characters walk through a room. Have the room reflect the state of the story. If a marriage is failing, show the dust on the mantle or the way the light doesn’t quite reach the chairs. Make your setting a reflection of your underlying themes.

2. Let the Landscape “Listen”

Hardy gave the heath a sense of “watchful intentness.” What is your setting doing? Is the city you are writing in hostile? Does the forest feel like it’s holding its breath? Giving your setting semi-sentient traits can anchor your reader in the mood of the piece instantly.

3. Trust the Reader’s Intelligence

Hardy didn’t need to summarise the history of Egdon Heath. He trusted the reader to pick up the vibe of the place through the sensory language he used. When you write, pull back on the adjectives and lean into the gestures of your environment.

The Takeaway

“Show, don’t tell” isn’t about avoiding exposition; it’s about making your exposition experiential.

As Ursula K. Le Guin taught, the best writers don’t just dump information on the reader. They build a world so tactile and evocative that the “meaning” of the story is felt long before it is understood. Take a page from Hardy: ignore the plot for a moment, look at the world you’ve built, and ask yourself—is my setting just a stage, or is it alive?

Top 5 sights on the road less travelled – Malta

That’s a fantastic way to explore Malta! While the island nation is small, it hides numerous incredible spots away from the main tourist crowds.

Here are five places and activities off the well-trodden path in Malta and Gozo:

1. The Three Cities (Vittoriosa, Senglea, and Cospicua)

While not exactly “unknown,” the Three Cities are often overshadowed by Valletta and Mdina, making them a more authentic and less crowded alternative.

  • Vittoriosa (Birgu): As the oldest of the three, it was the first home of the Knights of St. John in Malta. Wander its narrow, ancient streets, and visit Fort St. Angelo for stunning views across the Grand Harbour back to Valletta.
  • Senglea (L-Isla): Walk through the charming backstreets and find your way to the Gardjola Gardens for one of the most iconic views of Valletta. The watchtower here has an eye and ear carved into its stone, symbolising vigilance.

2. Wied il-Għasri (Gozo)

For a secluded and unique swimming spot, head to the island of Gozo to find this hidden gem.

  • The Place: Wied il-Għasri is a spectacular sea gorge, or “fjord,” with crystal-clear turquoise waters. It cuts inland between dramatic cliffs, ending in a tiny pebbly beach.
  • The Activity: It’s perfect for a quiet swim, snorkelling, or simply enjoying the serenity away from the more crowded beaches. For the adventurous, you can rent a kayak to paddle through the gorge and out into the open sea.

3. Coral Lagoon (Malta)

The Coral Lagoon, also known as the Bilblija Cave, is a stunning natural sea cave located in the north of the main island, near Armier.

  • The Place: It’s an open-air cave with a large hole in the roof, allowing light to pour into the azure water below. The opening to the sea is small, making the lagoon feel like a massive, natural swimming pool.
  • The Activity: You can carefully climb down into the water for a unique swim. Many locals also use the surrounding cliff face as a jumping-off point. It requires a short hike to reach and is best visited on a calm day.

4. Il-Majjistral Nature and History Park (Malta)

If you’re looking for a dedicated nature escape, this park on the northwestern coast offers beautiful hiking trails, historical sites, and untouched coastlines.

  • The Place: The park stretches along the coast from Golden Bay up to Popeye Village. It’s Malta’s only natural park, protecting the area’s geology, archaeology, and ecology.
  • The Activity: Go for a walk or hike to explore the rural landscape, see the clay cliffs, and discover abandoned military and historical structures. It offers views that are completely different from the fortified cities and coastal resorts.

5. Ta’ Ċenċ Cliffs (Gozo)

While the Dingli Cliffs on the main island of Malta are famous for sunsets, the Ta’ Ċenċ Cliffs on Gozo offer a similar dramatic clifftop experience with far fewer people.

  • The Place: Located on the southern coast of Gozo, these cliffs are less accessible by major roads, ensuring a peaceful experience. The area is also a designated bird sanctuary.
  • The Activity: Take a sunset stroll along the top of the cliffs. The vast, uninterrupted views of the Mediterranean Sea are breathtaking, and it’s a perfect spot for nature photography or a picnic. You can also hike along the coastal path toward Xlendi or Mgarr Ix-Xini.

Top 5 sights on the road less travelled – Sicily

That’s an excellent choice! While the major sites like Taormina and the Valley of the Temples are stunning, Sicily’s true soul often lies in its quieter villages, ancient ruins, and dramatic nature reserves.

Here are five places or activities to explore on the road less travelled in Sicily:

1. Cycle and Swim the Egadi Islands (Favignana/Levanzo)

  • What it is: A small archipelago off the western coast near Trapani. Favignana is the largest and most accessible, and Levanzo is even smaller and more remote.
  • Why it’s less travelled: While popular with Italian vacationers, they remain largely car-free (especially Levanzo), promoting a slow, relaxed pace of travel that’s rare on the mainland.
  • Activity: Rent a bicycle upon arriving at Favignana’s port and spend the day cycling to the gorgeous turquoise coves like Cala Rossa and Cala Azzurra. On Levanzo, you can hike to the prehistoric Grotta del Genovese cave, featuring ancient Paleolithic rock carvings.

2. Explore the Labyrinthine Town of Erice

  • What it is: A beautifully preserved medieval hilltop town perched 750 meters above sea level, overlooking the city of Trapani and the western coast.
  • Why it’s less travelled: Many tourists bypass it for coastal towns. It’s famous for its atmospheric, narrow, cobbled streets and the frequent, dramatic mist that engulfs the town, making it feel completely isolated and otherworldly.
  • Activity: Wander the maze-like stone streets, visit the Norman Castello di Venere (Castle of Venus) built on the site of an ancient temple, and taste the famous local almond pastries from the historic Pasticceria Maria Grammatico.

3. Hike or Canyon the Gole dell’Alcantara

  • What it is: A spectacular series of gorges and canyons carved by the cold Alcantara River, located on the northern slopes of Mount Etna. The walls are made of dark, columnar basalt lava rock.
  • Why it’s less travelled: This is a nature and adventure destination that requires active participation, pulling visitors away from the historic towns.
  • Activity: Walk along the floor of the icy river (wetsuits/boots are highly recommended in the cooler months and often available for rent) or descend into the gorge for a dramatic, up-close view of the unique vertical lava formations.

4. Visit the Carved Cave Village of Sperlinga

  • What it is: A truly remote medieval village in the mountainous heart of Sicily, dominated by a Norman castle carved directly into the rock. The town’s name, Sperlinga, comes from the Greek word for “cave.”
  • Why it’s less travelled: Located deep in the rugged Sicilian interior, it is far from major tourist routes. It offers an incredible look at ancient rural life.
  • Activity: Explore the castle with its massive staircase carved from a single piece of rock, and wander through the small network of ancient cave dwellings (grottos) below the main structure that once housed the peasant community.

5. Discover the Hidden Baroque of Scicli

  • What it is: One of the spectacular Baroque towns of the Val di Noto (a UNESCO area), but significantly quieter and less visited than its neighbours, Noto and Ragusa Ibla.
  • Why it’s less travelled: It feels genuinely lived-in and has fewer large hotels, offering a relaxed and authentic glimpse of Sicilian life. It’s built into the cliffs of a canyon, giving it a unique layered appearance.
  • Activity: Stroll the main street, Via Francesco Mormino Penna, admire the honey-colored Baroque palaces and churches, and climb the hill to the top of San Matteo for a panoramic view of the town nestled in the valley.