Tag: Thrillers

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

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An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019

Writing about writing a book – Day 18

It’s time to go back to working on Bill’s backstory now that we’ve filled in some of the gaps.

Like some TV shows and books, some of the action sometimes takes the form of flashbacks.

In Starburst, Bill has a complete backstory, of a time that he had mainly forced into the deep dark part of his memory, waiting for something or someone to trigger it.

This whole back story, from the moment he entered the war zone, to the moment his war ended, and those that participated throughout that time, will be in the form of flashbacks, the first of which is triggered by the painkiller Bill is given after being shot in the Aitcheson incident.

These flashbacks will not necessarily be in any sort of order, but I have been thinking about this part of the story and produced an outline of the sequences I will require, give or take.  There may be more, or less, depending on how the story progresses.

 

Part 1 – From arrival in the war zone to being assigned to Davenport’s squad

Being sent to, and the first patrol in Vietnam

Death and mayhem some months after sent to Vietnam

First meeting Barry in army mobile hospital

R and R in Saigon, with the first of the Vietnamese girls

Psychiatric help, time in the stockade

 

No soldier who trains for war, nor can they have a real idea what war is like, and certainly a war in the jungle, on the enemy’s terms.  Bill is like any other soldier, happy to go into service, but soon the reality, and death becomes apparent.

Endless rain, endless heat, endless and sometimes needless death, and a deep mistrust of those whom you are supposed to protect, start to work on the mind of a person young enough not to understand what is going on.

Then, when trying to blot out the memories of death, enemy and friend alike, something has to give.  Of course, the last place you want to end up in the stockade.

 

Part 2 – A lifeline, and a pass into the so-called Davenport Operation

Training as a spy?

Colonel, calling Bill into a briefing on the Davenport operation

Talking to the Commanding officer in Stockade, as a preliminary to Davenport service

 

Was Bill sent to the stockade because he committed an act of folly, or his incarceration a part of a much larger plan, a plan to have an inside man to report on Davenport?

It’s not the first time someone higher up the chain of command has had ideas of trying to find out what Davenport is doing, and where only rumors abound of his ‘interests’.  Agents had been sent in before, and those agents had disappeared.

Was Bill about to be the next, or was he just in the wrong place at the wrong time?

 

There is more, but I’m still working on it.

 

© Charles Heath 2015-2020

This is beginning to sound a lot like…

It’s odd how art sometimes imitates life, but it’s much, much worse when life imitates art.

I mean, in a sense, it’s good that life imitates Star Trek because we need lasers to ward off unfriendly aliens when they finally arrive, as well as having intergalactic warp speed vessels.

But it’s very, very bad when a contagion like COVID 19 pops up, and the scenario that follows is right out of the script for the movie Contagion.

Or Outbreak, not that any President would ever nuke a US City, which was the premise in that film.

Or follow along the lines of The Omega Man, where a virus turns everyone into a zombie-like creature, with the last surviving human finally running out of luck.

There’s been quite a few doomsday scenario films, the most interesting one involving walking plants (The Day of the Triffids) but scary as they might be, what’s happening now is equally scary.

And it had been predicted.

But, that’s not the worst of it.  Half the population wants to believe its no worse than a cold, that despite the ease in which it is transmitted, they will get it, and then it will magically disappear.

You know the drill, you get the disease once, you beat it, and you don’t get it again.

Maybe.  There are factual accounts of people getting it again, but they don’t know they have it, and of course, those people happily transmit it to a new group of people.  It doesn’t go away, you don’t beat it, it just lurks in cold dark corners, waiting to pounce.

It’s an insidious virus.

And if you recover, you might think you’ve recovered, but…

Lung scarring, loss of smell, migraines, memory loss, blood clots are just a few of the side effects.  Doctors are only just discovering this because someone is finally getting down to charting the course of the disease, and what happens after recovery.

Up till now, there hasn’t been time, everyone is too busy fighting it.

Perhaps, when I apply my thriller writing mind to all that I have read over the last few months, the real aim of the virus hasn’t materialized yet, that the aim of whoever invented it, if indeed it was invented, was not to seriously affect the 15 to 40-year-olds in this iteration, but the devil is in the future, say 30 years from now when a whole generation that had been consistently bombarded with conflicting information about the virus not being dangerous and that young people had no worries about getting it, suddenly find themselves dying of lung-related respiratory problems, blood clot induced heart attacks and aneurysms, or just forgotten who they are.

A whole generation!

It’s why you can speak to one person and they’ll tell you that you need masks, you need to isolate.  Of course, this is true, if that person is over 60, overweight and suffering from diabetes, or another debilitating disease.  These people make up a large percentage of the population.

It’s why if you speak to another person, under 50, they’ll tell you it’s nothing to worry about, and they will believe the misleading information that masks are un-necessary, if you get it, it’ll go away, some quack medicine with defeat it, even if the scientific tests say otherwise.  They’ve got better things to do than to worry about a silly invisible virus, like going to COVID 19 parties to see who the first person who contracts it is.

Can you see how good a novel this would make?

You would read it, and then put it down and think it could never happen here.

Like Contagion.

Like the Outbreak.

Like The Omega Man.

It couldn’t.

Could it?

 

“The Devil You Don’t”, be careful what you wish for

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John Pennington’s life is in the doldrums. Looking for new opportunities, prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favor for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favor’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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An excerpt from “The Things We Do For Love”

In the distance he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs, and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was about mid-twenties, slim, long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back on his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’s spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slight abrupt in manner, perhaps as a result of her question, and the manner in which she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought,  she had completely different ideas of what constituted a holiday than he, not that she had actually said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

 

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no possible way she could know than anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for very different reasons.

On discreet observance whilst they ate, she gained the impression his air of light-heartedness was forced and he had no sense of humor.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and rather incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, almost unbearably awkward.

 

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humor.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought, when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs. Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humor failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening had worn on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close up, didn’t hide the very pale, and tired look, or the sunken, dark ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner now over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet the compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

 

© Charles Heath 2015-2020

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Writing about writing a book – Day 17

There is more, and it has been forming in my mind overnight after I read, and re-read yesterday’s work.

 

This operation was led by two ex American army lieutenants who had served in the Vietnam war and afterward searching for lost comrades.  The Colonel told me they had spent a few years looking for lost POW’s held in camps just over the border in Cambodia or Laos and had a good track record in the jungle.  He trusted them and said I could too.

I thought it odd he felt the need to reassure me.

He said they’d had marginal success, but my own impression was that they were ex CIA, gone rogue, and were part of the burgeoning drug trade that had sprung up during and after the war had ended.   For all that, I had also begun to suspect the Colonel had sold out and we were more about protecting the criminals rather than trying to catch them, and for me, that unquestioning obedience he demanded was beginning to slip.

They also had the look of men who had spent their time sampling the product, and as such were treading a fine line between sanity and insanity.  Still, at first, they didn’t seem all that different to us.

Thoroughly soaked, we made the camp on schedule, planned the attack, and carried it out.  Only there was no one there, it was empty, and had been for some time.  I turned to question the two ‘experts’.

Pity then I hadn’t noticed his partner coming up from behind.  If I had, my situation may have been very, very, different.

 

When I woke up, it was not in a nice warm or comfortable bed.  It was a dirt floor.  I looked up and realized I was in a hut.  Daytime, very hot, with sharp, bright shards of light leaking through the cracks in the wall and around the doorway.

My head was hurting, as was just about every other part of me, but a cursory examination showed nothing was broken.  Yet.

It took only a moment for clarity to return, and the realization we were prisoners.  Survivors from the group, the only survivors.

The other occupant, a soldier whom I only knew by his first name, Barry, stirred, and then rolled over.

“Where are we?” he asked.

‘In a hut.”

“Where?”

“Your guess is as good as mine.”

He groaned, and then tried to sit up, only to slowly sink back down again.  Perhaps he had tried harder to escape and paid a heavier price.

“This is not looking good,” he said.

“No.”  An understatement, I thought, but to my knowledge, this was the first time I’d heard they took prisoners.  Usually, everyone was summarily executed, and the bodies set up as an example to others.

I heard the sound of boots on gravel coming towards the hut, then, in an instant, the harsh light coming in, temporarily blinding me as the door was yanked open.

When my eyes adjusted I saw two bulky men holding machine guns standing behind another, a short Chinese, with a very familiar face.

Where?  When?

Then I remembered.  A week ago, in Hong Kong, at a hastily arranged meeting between Davenport and the police who were supposed to be helping us with information on a smuggling group known to be operating in the Vietnam/Cambodia/Laos area.  He was the Chinese liaison, connected with the Government.

Apparently not.

This was bad.  Very, very bad.

“Mr. Chandler.  So nice of you to join us.  Colonel Davenport and I are so disappointed in you.”

 

© Charles Heath 2015-2020

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“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

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The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

 

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

 

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

 

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in May 2020.  It even has a cover.

 

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“Sunday in New York”, it’s a bumpy road to love

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

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