The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

 

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

 

“Trouble in Store” – Short stories my way:  Editing becomes re-writing (6)

I’ve been looking at the start again, and something about it is nagging at me.

The main character needs a little work, and the start doesn’t exactly grab by the lapels of your coat.

Not yet.

 

The fact that smoking might kill him yet was, at that moment, an understatement.   If he was honest, when he told Maisie he had given them up, it should have been the truth.

And if it had been, he would not be in the situation he was.  A lame excuse to go down to the corner shop, had him panicking about getting there before the shop closed at 11 p.m.

His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

A young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps the boy or her father’s souvenir, or more likely a stolen weapon, now pointing at him then Alphonse, then back to him.

Jack took another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, but his heart rate up to the point of cardiac arrest.  No point making a bad situation worse.

Pointing with the gun, she said, “Move closer to the counter where I can see you better.”

Everything but her hand was steady as a rock.  The only telltale signs of stress, the beads of perspiration on her brow and the slight tremor of her gun hand. 

It was 40 degrees Fahrenheit in the shop; almost mind-numbing.

Jack shivered and then did as he was told. 

A few seconds more for him to decide she was going to be unpredictable.

“What’s wrong with your friend?”  Jack tried the friendly approach after he’d taken the three steps sideways necessary to reach the counter.

The shopkeeper, Alphonse, who, Jack noted seemed to have aged another ten years in the last few months, spoke instead; “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and here to get some money for a fix.”

A simple hold up that had gone very wrong. 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground; he did, and he looked like he was going through the beginnings of withdrawal.

Oddly, though, when he first came in Jack had noticed a look pass between the shopkeeper and the girl.

 Then, as the tense silence reached an almost unbearable level, she said, “All you had to do was give us the stuff, and we wouldn’t be here, now.”  She was glaring back at Alphonse.  “You can still make this right.”

She used the word ‘stuff’ not money.  A flicker of memory jumped out of the depths on Jack’s mind, something discussed at the dinner table with their neighbors, something about the shop as a pick-up point for drugs.

The boy on the floor, he was not here for the money.

Jack thought he’d try another approach.  “Look, I don’t want trouble, and you don’t want trouble.  I’ll go, forget this ever happened.  You might want to do the same.  There’s nothing you can do for him now.”

The boy was intermittently writhing and moaning.  It looked to Jack like it might be more than just withdrawal.

The girl looked at the man on the ground, at the door, and back again, like she was thinking.  The gun, though, still moved between him and the shopkeeper.

Another assessment of the girl; she was completely out of place here, now.  It was evident she was from a better class of people, a different part of town.  Caught up in a downward spiral because of her acquaintance on the floor.

Caught in a situation she was not equipped to deal with.

 

© Charles Heath 2018-2020

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

“Trouble in Store” – Short stories my way:  Editing becomes re-writing (5)

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves the Jack, the girl, and the shopkeeper

 

Jack exchanged a look with the shopkeeper, who in return gave him a slight shrug as if to say he had no idea what this was about.

He could see the girl was not strung out on drugs; if she was it would be a good bet both would be shot or dead by now.  She was just the unfortunate partner of a boy who was on drugs and had found herself in a dangerous position.

Beth, his wife, had told him she didn’t like nor trust the shopkeeper and that her friend in the same apartment block had told her he had been seen selling drugs to youths who hung around just before he closed.  She had warned him it would not be safe, but he had ignored her.

It was a bit late to tell her she was right.

He took a half step towards the door, judging the distance and time it would take to open the door and get out.

Too far, and he would be too slow, his reward for running; a bullet in the back.

Perhaps another half step when she wasn’t looking.

 

The shopkeeper changed his expression to one more placatory, and said quietly to the girl, “Look, this is not this chap’s problem.”  He nodded in the direction of the customer.  “I’m sure he’d rather not be here, and you would glad of one less distraction.”

He could see she was wavering.  She was not holding the gun so steadily, and the longer this dragged on, the more nervous and unpredictable she would become.

And in the longer game, the customer would sing his praises no matter what happened if he could get him out of the shop alive and well.

This could still be a win-win situation.

 

The girl looked at Jack.  The shopkeeper was right.  If he wasn’t here this could be over. 

But there was another problem.  It didn’t look like Simmo was in any shape to getaway.  In fact, this was looking more like a suicide mission.

She waved the gun in his direction.  ‘Get out now, before I change my mind.’

As the gun turned to the shopkeeper, Jack wasn’t going to wait to be asked twice and started sidling towards the door.

 

© Charles Heath 2016-2020

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

“Trouble in Store” – Short stories my way:  Editing becomes re-writing (4)

I’ve been looking at the role of the [policewoman, and her interaction with the shop’s participants.

I’m still working on whether she needs more or less of an introduction, but, for the time being, this is what I’m going with:

 

It had been another long day at the office for Officer Margaret O’Donnell, or, out in the streets, coping with people who either didn’t know or didn’t care about the law.

People who couldn’t cross the road where there were crossings and lights to protect them, silly girls shoplifting on a dare, and boys who thought they were men and could walk on water.

The one they scraped of the road would never get to grow up, and his mother, well, she was not doing another call on a family to give them the bad news.

That was her day.

So far.

At the end of the day, she was glad to be getting home, putting her feet up, and forgetting about everything until the next morning when it would start all over again.

Coming around that last corner, the home stretch she called it, she was directly opposite the corner shop, usually closed at this hour of the night.  It was not.  The lights were still on.

She looked at her watch and saw it was ten minutes to midnight, and long past closing time.  She looked through the window, but from the other side of the road, she could only see three heads and little else.

Damn, she thought, I’m going to have to check it out. 

She was aware of the rumors, from her co-residents and also her colleagues down at the station, rumors she hoped were not true.

 

© Charles Heath 2016-2020

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019

An excerpt from “If Only” – a work in progress

Investigation of crimes don’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was very careful in not leaving any evidence behind, to the extent that the police could not rules out whether it was a male or a  female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective Inspector Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her Sargeant was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be a very bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2021

“Trouble in Store” – Short stories my way:  Editing becomes re-writing (3)

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves the shopkeeper`:

  

This wasn’t the shopkeeper’s first hold up.  In fact, over the years there had been a dozen.  But only one got reported to the police, and that was only because the robber was shot and killed.

He’d taken a bullet that night, too, which, from the police point of view, made him a concerned citizen simply defending himself.

The rest had been scared off by the double-barrel shotgun he kept under the counter for just such emergencies.

The young punk who came into the shop with his girlfriend had pulled out the pistol and told him if he reached for the shotgun he’d shoot him.  The kid looked unstable and he’d backed away.

When the kid collapsed, he should have gone for the shotgun, but instead, he thought he could get to the gun before the girl realized what was happened.  She wasn’t an addict and clearly looked like she was only along for the ride.  Her expression, when the kid pulled out the gun told him she’d known nothing about her partner’s true intentions.

But, he wasn’t fast enough, and she had the gun pointing at him before he’d got past the counter.

From one pair of unpredictable hands to another.

Like the girl, he was just as surprised when the customer burst in the door, just before closing time.

The situation might have been salvageable before the customer came in the door, getting the girl to go along with the robbery being about money, but there was no denying what the kid on the floor’s problem was.

Damn.

He had to try and salvage the situation simply because there was a lot of money involved, and other people depending on him.  He looked at the boy, on the floor, then the girl.

“Listen to me, young lady, you would be well advised to let this man go as he suggests.  And, please put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “No one’s going anywhere, so just shut the hell up and let me think.”

The storekeeper glanced over at the customer. 

He’d seen him come into the shop once or twice, probably lived in the neighborhood, the sort who’d make a reliable witness, either a lawyer or an accountant.  Not like most of the residents just beyond the fringe of respectability.

If only he hadn’t burst into the shop when he did.

 

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way:  Editing becomes re-writing (2)

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves Annalisa, and her boyfriend, Simmo:

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2016-2020