The Novelist’s Secret: We’re Just As Curious As You Are
We all know the feeling. It’s midnight, the house is dark, and you are gripping the latest thriller, utterly unable to put it down. Your heart pounds, palms sweat, and the only certainty in the universe is the desperate need to know: Will the hero survive?
This is the glorious, undeniable suspense of the reader. We assume this thrill is exclusive to us—the consumers of the story.
But what if I told you that, sitting across the desk, hunched over a lukewarm cup of coffee and a blinking cursor, the person crafting the plot is often experiencing the very same, stomach-dropping curiosity?
The prevailing image of the novelist is that of an omniscient deity, a master architect meticulously placing every brick, knowing how the structure must inevitably fall. While some writers certainly embody this role—the celebrated “plotters”—the deepest, most resonant stories often emerge when the creator surrenders control and becomes, quite simply, the hero’s most dedicated and most anxious first reader.
The suspense of a novel is not only in the reader but also in the novelist, who is equally curious about what will happen to the hero. This is the great secret of discovery writing: The story is not written; it is uncovered.
The Myth of the Master Plan
For those who write by “discovery” (often affectionately termed “pantsers,” because they write by the seat of their pants), the process is less like following a blueprint and more like exploring a vast, uncharted cave. You have a flashlight (your protagonist’s core motivation) and a general direction, but you have no idea if the path ahead leads to a treasure chamber or a sudden, terrifying drop.
When a writer starts a story this way, the suspense is inherent in every word. Every time the protagonist is confronted with a choice, the author holds their breath, asking:
Will he take the risk, or play it safe?
Will she finally tell the truth, even though it ruins everything?
Is this conflict a dead end, or a pivot point?
This is not simple intellectual curiosity; it is a genuine, existential stake in the outcome. The novelist is betting their time, their craft, and the integrity of the entire manuscript on the hero making an organic, believable next move—a move the novelist themselves must wait to witness.
When Characters Take the Wheel
The moment a character truly comes alive is the moment they cease being a puppet for the writer’s agenda and become an autonomous force.
This is the thrilling, terrifying point of no return for the author. The character stops doing what the outline demands and starts doing what they would logically do, given their history, flaws, and desires.
Many authors describe this sensation. Characters rebel. They refuse to fall in love with the intended partner. They walked out of the room when they were supposed to deliver a crucial monologue. They exhibit an inconvenient, but utterly truthful, streak of self-sabotage that the author never planned.
When this happens, the novelist’s job shifts from creator to witness. We are no longer designing the journey; we are scrambling to keep up, racing down the page just to see how our heroes will resolve the mess they’ve just made.
This is the purest form of writerly suspense. We are tied to the narrative not just by obligation, but by a sudden, intense fear for our creation. Will this impulsive decision ruin the story? Or will it, astonishingly, unlock the one perfect plot twist we never saw coming?
The Unique Burden of the Author’s Suspense
The reader’s suspense is passive; it is the anticipation of consumption. The author’s suspense, however, is active; it is the anxiety of creation and execution.
An author’s curiosity isn’t just about what happens, but about how they are going to manage to write it convincingly.
If the hero is trapped in a burning building, the reader wonders: How will he get out?
The novelist wonders: How will he get out, and can I write that scene with enough detail, tension, and structural integrity that the whole book doesn’t collapse at this crucial moment?
The novelist’s curiosity is perpetually interwoven with the demands of craft. We are curious about the outcome, but we are also desperately curious about our own ability to deliver that outcome flawlessly. We are thrilled by the uncertainty, but burdened by the knowledge that we are responsible for making that uncertainty pay off.
The Beautiful Surrender
To create genuine suspense for the reader, the writer must first allow themselves to feel it. The greatest narratives are not those where the author is in total control, but those where the author has surrendered enough control to be genuinely surprised.
If the author already knows every character beat, every twist, and every final line, the writing process can become mechanical and stale—and that flatness will invariably translate to the finished page.
The writer who is slightly nervous, slightly unsure, and deeply invested in the fate of their protagonist is the writer who is pouring genuine, fresh energy into the text.
So the next time you are lost in a book, turning pages in a fever pitch of excitement, remember the person who wrote it. They may have been turning those internal pages just as quickly, hoping, fearing, and discovering the story right alongside you.
This shared curiosity—this simultaneous suspense binding creator and consumer—is perhaps the purest magic of the human-authored novel. It is the moment we realise that writing is not the act of manufacturing an inevitability, but the wondrous challenge of documenting a life that insists on being lived.
Thrills, Spills, and just a dash of Romance 