The cinema of my dreams – It continued in London – Episode 28

A new mission

When we reached the hotel, the countess was met by a man whom I deduced was her brother-in-law.  I stood back because I got the feeling that the meeting was not expected and that his arrival was a shock, rather than a surprise, and not a good one.

I didn’t see her again that night, her personal assistant coming over to advise an urgent matter had come up and the countess was needed elsewhere. 

Nor did I see the Rodby’s who it seemed were diverted from coming to the hotel.  Rodby called and apologised on the countess’s behalf and left it at that.  I went home in the chauffeur-driven car; a small consolation afforded for my participation.

I also got the impression that a certain wife got a bollocking for interfering in matters that were not her concern.  She may have thought so, given their close relationship, she could ‘help’, but European families preferred to sort their own problems out in very definitive styles, something we did quite understand.

I doubted I would have been able to help.  That phrase, ‘lifelong enemy’ told me that another woman had eyes for the count, and her snafu was unexpected and unwanted.  The question was, did it have anything to do with the count’s death.  It was a stretch, but Rodby would not have made that small concession if she did not think either of us could be any assistance.

When I got home, I had a few drinks and put it all out of my mind.

Three days later I was sitting in the basement briefing room, after being taken down by Rodby and introduced to what he described as the two best researchers in the organisation.

Anthony Bird, and Alessia Lombardi.

And as a complete, but pleasant surprise, sitting at the other end of the table, looking as her cell phone, Cecilia.  Was her starring role over? Or was working for Rodby her day job?

She heard me come in, looked up, nodded, and then went back to her phone.  Rodby didn’t stay.  Nor had he mentioned at any time, from the moment I arrived outside his office, what this was about.

I sat next to her at the end of the table.

When Rodby left, she said, “We meet again.”

“For a retiree, it seems odd, unless you’ve also retired.”

“I tried.  A starring role wasn’t a good enough excuse.  Good thing they finished filming my scenes.”

“Can I expect to see it soon?”

“It was a pilot.  It’ll probably finish up on the cutting room floor.”

We looked at the two standing up at the front of the room, glaring at us.

Anothony said, “If you are finished?”

She threw her phone on the table and looked at him.  I shrugged.

“I suppose it’s too much to want this to be a guide to setting up a retirement plan.”

I guess not.

A photograph of the countess suddenly came up on the screen on the wall.  Anthony was starting the show, “You will know this woman as Countess Heidi von Burkhardt.  She is nominally the head of the international Burkehardt bank, with headquarters in Geneva, and principal branches in Berlin, Rome, Paris, Vienna, and a few other places.”

“A banker.  I must have missed that.  She doesn’t look like a banker.”

“She isn’t, she inherited the bank from her husband.”

Another photo appeared on the screen; a man I thought looked like a terrorist in an expensive suit.  He continued, “Alessandro Burkehardt, her late husband’s brother.  Claims he should own and run the bank, that it’s a family company that’s the purview of the male line of the Burkehardt family.  Actually, he wants everything she has, and then kick to the kerb for want of a better expression.”

Nice man.  He must be the lifelong enemy she had referred to.  Looking at him, he was not a man I would willingly challenge to a duel.

“I don’t think we’re here to discuss family squabbles.  Money will do that, but it’s not in our purview to settle those scores, is it?”

No answer.  Perhaps Rodby didn’t have anything else going on like a megalomanic trying to take over the world this week.

“Bear with us, it gets better.”

Another photo flashed up on the screen, that of a woman about the same age as the countess.

“Vittoria Romano.  Alessandro Burkehardt’s current squeeze and a very nasty piece of work.  She had already tried to kill the countess twice in twenty years.”

Beautiful but very deadly. 

Another photograph came up on the screen, the same woman, but in a photo with three others, two women, the countess, and Mrs Rodby.  And a teenager.  A girl that looked very much like…”

“Wasn’t that your ex back in Venice, what’s her name yes, Juliet Ambrose?”

Long before she became the disgraced doctor.  Long before any of them had become the old ladies there were now.

“This photograph was taken the week before the countess’s wedding.  The girl, as you say, has the name Juliet, but she, we now believe, was the illegitimate daughter of Vittoria Romano, and the Count.  It’s a very tangled web.

The words ‘lifelong enemy’ came back to me again.

Vittoria.  She had his baby, expected him to marry her, didn’t and like any other normal jilted lover, tried to kill the replacement.

“So just the normal complicated Italian aristocratic family secrets fuelling an equally normal feud.”

“Which you two are going to uncomplicate.  But first, you must find the countess.  She has, as far as we’re aware, not left the country, and hasn’t been seen since she left the hotel shortly after coming home from the Opera.  You were there, I believe.”

“I escorted her to the hotel, and when we arrived, she was intercepted by someone who looked a lot like Alessandro Burkhardt.”

“Most likely Fabio Burkehardt.  He had an altercation with the check-in staff over a lost booking, and shortly after that, she checked out.  A half hour later the surveillance team lost her.  We have her last known location and direction she was heading.”

Alessia came down with two folders and gave one to me and one to Cecilia.

“Everything we have on the relatives, those in the country at the moment, possible locations she could be staying, or being held, and background on the family’s issues.  There’s a list of properties overseas where she may have gone, but we have no active record of her leaving.”

“Planes or ferries are not the only means,” I said.  “Does she or any one of the family own a yacht?”

“She does, but it’s moored at Antibes.  It hasn’t moved for over a month.

“I’m assuming Alfie is out there and will be the go-between?”

“Yes.  Oh, and one more thing.  There’s a bit of an urgency to this because if the countess is not in Geneva in five days’ time to sign the transfer documents, passing complete ownership of everything the Count possessed, she forfeits it to the eldest brother.”

“Doesn’t point a finger at him at all does it,” Cecilia muttered.

Anthony switched off the projector and put all the papers into a folder.  “The clock’s ticking.  Daily reports to the Chief are mandatory.”

© Charles Heath 2023

Motive, means, and opportunity – Motive

I’m working on a novella which may boringly be called “Motive, Means and Opportunity” where I will present a chunk of information from which you if you want to, can become the armchair detective.

Here’s the first part, the so-called Motive

So, here’s the thing…

I said it.  Not once, in the heat of the moment, but more than once, to several different people.  I wanted James Burgman dead.

Why?

Because I knew he was the man sleeping with my wife, Wendy.

I’d long suspected she was having an affair, you know the signs, not where you expect her to be, making excuses where none were necessary if she was doing what she said she was, and disappearing for hours without an explanation.

And I knew James Burgman was an old boyfriend, a discovery that was made quite by accident.  In fact, I followed her one night, not because I was suspicious, but worried for her safety.

That was where I saw her meet him with more than just a friendly handshake.

I had to say it made me feel gutted.

But would I kill him?

It was not worth the problems it would cause me to do so, and, when push came to shove, neither of them were worth it.  I knew, even if he was out of the way, she would not stay with me. 

That train had left the station about a year ago when our only son had been killed in a senseless road accident.

© Charles Heath 2019-2023

“The Document” – the editor’s final draft – Day 6

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

You see, this commitment to revising so many words a day becomes a little like a pressure cooker.

Having a plan is one thing, getting it done is another, but to keep going, now, there’s the thing.

Like this morning, sitting in front of the computer, knowing only five minutes before sitting down what I wanted to write about. A new twist in the tale.

Then the phone rings.

Up from the table, over to the phone, answer it.

A nuisance call, someone saying I had an accident when I didn’t, a new group of scammers trying to leverage money out of me. On top of the telecommunication scammers, and the endless charities looking for donations.

Distractions.

I sit down again, but my mind has switched off.

The words are gone.

Breakfast is looking good.

“The Document” – the editor’s final draft – Day 6

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

You see, this commitment to revising so many words a day becomes a little like a pressure cooker.

Having a plan is one thing, getting it done is another, but to keep going, now, there’s the thing.

Like this morning, sitting in front of the computer, knowing only five minutes before sitting down what I wanted to write about. A new twist in the tale.

Then the phone rings.

Up from the table, over to the phone, answer it.

A nuisance call, someone saying I had an accident when I didn’t, a new group of scammers trying to leverage money out of me. On top of the telecommunication scammers, and the endless charities looking for donations.

Distractions.

I sit down again, but my mind has switched off.

The words are gone.

Breakfast is looking good.

The cinema of my dreams – It continued in London – Episode 23

What’s the Opera got to do with it?

I had hoped never to see Rodby again, and yet here I was in that oppressively warm wood polish-smelling office of his, sitting uncomfortably opposite him, a very large and clear desk between us.

In all the time I’d known him, and those visits to his office, there had never been anything on it.  Not even a phone.

The last time I was in this position, to inform him of my retirement, I’d been reluctant to put the resignation envelope on the pristine surface.

Significantly, it was a month to the day after I left Larry’s mother’s house in Sorrento.

The day after I went with Cecilia to her audition, and she smashed it, getting the role from a rather astonished casting director, and director.  He was calling it a possible break-out performance, in a whole different language that I didn’t understand.

That same night I found Juliet dining alone in the hotel restaurant and told her the good news, but her brother had already called her.  We had dinner, and it could have been more, but there was that Cecilia thing in the back of her mind so we parted as friends.

And at a loose end, Venice no longer hold any significance for me, I moved back to London.

I should have gone to Paris.  There, it would have been harder for Alfie to find me.

He had been giving me the ‘come back’ look, one that I had taken a long time to learn how to ignore.

Seeing he wasn’t making any impact, he said, “They found Larry.”

An enigmatic statement.  Who found Larry?

“The Italian police recovered the body, in a little-used area of Lake Como.  No signs of physical damage, not shot or stabbed, but apparently, he died of natural causes.  We’re still waiting for a definitive coroner’s report.  You never really elaborated on what happened at his mother’s house.”

My report was short and lacked detail, more notable for what I didn’t say rather than what I did.

“Nothing to tell.  Brenda just told him his days of running the organization were over, she and Jaime Meyers had collaboratively taken over, and things would be different.  I notice several other hard-line criminals have been taken off the streets since, so Inspector Crowley’s arrangement with her is working.  A win-win situation.  And you don’t have to deal with Larry anymore.”

“That’s the problem.  If something is too good to be true, it generally is. I have to wonder what has replaced him.”

“I’m retired sir.  No longer interested.  Why am I here?”

I could see he had more, possibly to pique my interest, but just shrugged.

“Nothing of any importance.  I thought you might want to know what happened to Larry.  And Martha wants me to go to the opera tonight and she specifically asked me to ask you, and as you know she does not take no for an answer.”

I shrugged.  He was right about his wife, a force of nature to be reckoned with.  I had met her several times, and she had been intrigued with Violetta and had been devastated when she learned of her death.

“Then I guess I’d better dust off the monkey suit.”

“Good.  I’ll text you where and when and send a driver to pick you up.”

© Charles Heath 2022

“The Document” – the editor’s final draft – Day 3

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

So, finally, the plan is working

The story is progressing and I can see, for the moment, that the story is heading in the right direction.

Of course, in saying that, it might just jinx the project.

There was a small moment of hesitation though, one of those, perhaps this might be a ‘better way moment’ that caused a brief stoppage while I considered the consequences. Then of course I make that fatal change that will have consequences later on.

Then I just added another sticky note to the four hundred others lining the monitor and nearby shelves and went back to work.

Who needs a good memory when you’ve got a hundred pads of stick notes just waiting to be used.

Got to get those 1,667 words revised.

“The Document” – the editor’s final draft – Day 3

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

So, finally, the plan is working

The story is progressing and I can see, for the moment, that the story is heading in the right direction.

Of course, in saying that, it might just jinx the project.

There was a small moment of hesitation though, one of those, perhaps this might be a ‘better way moment’ that caused a brief stoppage while I considered the consequences. Then of course I make that fatal change that will have consequences later on.

Then I just added another sticky note to the four hundred others lining the monitor and nearby shelves and went back to work.

Who needs a good memory when you’ve got a hundred pads of stick notes just waiting to be used.

Got to get those 1,667 words revised.

“The Document” – the editor’s final draft – Day 2

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so, it begins…

At last, a chance to get words on paper

Planning is fine but it’s not much good if you are up against a deadline. I’ve given myself 30 days to get this done, using the methodology I use for NaNoWriMo.

(Picture me shaking my head right here!)

I know where this story is going to end up, that isn’t going to change, but some elements of it might. That’s the ramifications of yesterday’s tangent.

I guess writing a story is always a fluid situation, but it’s not a first for me.

I’m generally a fly-by-the-seat of my pants writer so let’s see where this takes me.

For now, it’s back to the pen and paper.

I haven’t edited my quota of words for today yet.

“The Document” – the editor’s final draft – Day 2

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so, it begins…

At last, a chance to get words on paper

Planning is fine but it’s not much good if you are up against a deadline. I’ve given myself 30 days to get this done, using the methodology I use for NaNoWriMo.

(Picture me shaking my head right here!)

I know where this story is going to end up, that isn’t going to change, but some elements of it might. That’s the ramifications of yesterday’s tangent.

I guess writing a story is always a fluid situation, but it’s not a first for me.

I’m generally a fly-by-the-seat of my pants writer so let’s see where this takes me.

For now, it’s back to the pen and paper.

I haven’t edited my quota of words for today yet.

“Opposites Attract” – The Editor’s first draft  – Day 30

This book was the effort put into the last NaNoWriMo November 2023 exercise. I have now picked it back up, and working on a more polished first draft for the Editor.

The end or is it the beginning.

It’s always fun to get to the end of the story.

This one, at times almost wrote itself because the elements were such a joy to write.

It started in a dance, two people who knew deep down they were in love with each other, they just either didn’t want to acknowledge it or didn’t think it was possible the other would ever see it.

How many of us sometimes look wistfully at the one we love and know it will never happen?

I’ve been there, and I know that feeling.

And then, when it is recognised, in a mad moment of realisation, you go from not having it to having it and not wanting to mess it up or wanting it to end.

Love is one of those emotions that is very hard to understand, or control, or manage, and as it is often said, the heart does what it wants to do and you sometimes have to go along for the ride.

And sometimes put yourself out there and be damned to the consequences.

It’s going to hurt, one way or another, and we can only hope it’s a good hurt and not a bad one.

But will it help to go from relatively poor to very, very rich?

That of course is another story.