Writing a book in 365 days – FD1

Free Day 1

What about my novel?

amind all these exercises, writing tasks, and learning the mechanics of writing, the title of this year-long odyssey is in the title, ‘writing a novel in 365 days’.

Well, 18 or so days have passed and where are we?

Nowhere.

But….

I have written three pieces and any of the three could become contenders for the next international best-selling book.

Never say never.

So, I have to decide on the genre. Well, that’s easy, espionage. I look up at my shelves and I can see at least six authors’ novels staring me in the face, and between them over a hundred stories.

I should get started reading, to see what it is that makes them eminently readable.

Oh, been there and done that. in fact, of a library of around three thousand books of various genres, I have read over three-quarters of them.

That includes the classics, like Dickens, Hemingway, Tolstoy and my hero Alistair Maclean.

So, where do I start…

An unassuming main protagonist, the quintessential spy who looks like anything but what he is. He’s a loner, doesn’t trust anyone, and works alone, though perhaps it’s time to throw him a partner and tell him the world is changing and not for the better.

He needs a handler who is old, crusty, never wrong, dresses impeccably, doesn’t have a life, works in a dusty dungeon, and is very, very ruthless.

Will it be a choice of saving the day or saving the girl?

Is he invincible or vulnerable?

Does he have a whiny mother, demanding girlfriend, odd friends, and even odder work colleagues?

Does he talk the talk, talk in riddles, or multi-syllable words that no one can make sense of?

And what is his real job?

Talk more on my next free day.

Writing a book in 365 days – 17

Day 17

Today’s topic is Words of Wisdom.

Can you find the words to describe what you think fiction means to you? Or even what it is for a particular novel?

One opinion, Russian, is that it’s aesthetic bliss. To me, most works by Russian writers tend to go on and on and on. Fyodor Dostoevsky is a case in point. I grant you that if you can sit through the novel, which is very good, your opinion might be a little different. Not so much Aleksandr Solzhenitsyn and some of his works.

In my younger days of reading when a large book never fazed me, a thousand plus pages (And Quietly Flows The Don – War and Peace) to a few hundred (One Day in the Life of Ivan Denisovich) to mid-range five hundred pages (Doctor Zhivago) they all could tend to be tedious, though I have to say Doctor Zhivago as a book was fascinating, the film by David Lean, captivating, and the stage play, boring beyond words.

That is to say once you for past the Russians, there were British authors like Charles Dickens who could get up to that magic number of pages, and whose works could reach that lofty thousand. They were however perhaps more interesting, and most having been made into mini series for television, far more interesting as a spectacle than in reading the book.

And, of course, there is Jane Austen. Need I say more.

But there are times when you pick up a book and start reading the first page, and then stop. It tells a budding author that on the one hand it’s not going to be your genre, and on the other, that the opinion of the book is in the eye of the beholder.

Writing a book in 365 days – 17

Day 17

Today’s topic is Words of Wisdom.

Can you find the words to describe what you think fiction means to you? Or even what it is for a particular novel?

One opinion, Russian, is that it’s aesthetic bliss. To me, most works by Russian writers tend to go on and on and on. Fyodor Dostoevsky is a case in point. I grant you that if you can sit through the novel, which is very good, your opinion might be a little different. Not so much Aleksandr Solzhenitsyn and some of his works.

In my younger days of reading when a large book never fazed me, a thousand plus pages (And Quietly Flows The Don – War and Peace) to a few hundred (One Day in the Life of Ivan Denisovich) to mid-range five hundred pages (Doctor Zhivago) they all could tend to be tedious, though I have to say Doctor Zhivago as a book was fascinating, the film by David Lean, captivating, and the stage play, boring beyond words.

That is to say once you for past the Russians, there were British authors like Charles Dickens who could get up to that magic number of pages, and whose works could reach that lofty thousand. They were however perhaps more interesting, and most having been made into mini series for television, far more interesting as a spectacle than in reading the book.

And, of course, there is Jane Austen. Need I say more.

But there are times when you pick up a book and start reading the first page, and then stop. It tells a budding author that on the one hand it’s not going to be your genre, and on the other, that the opinion of the book is in the eye of the beholder.

Writing a book in 365 days – 16

Day 16

Today we have a writing exercise – at last.

The theme, nothing like anything that will fit the outline of the story I have in mind, but maybe I can use a little poetic licence.

It is: “I never liked rain, so I moved to the desert. The clouds followed.”

Metaphorically speaking, and not literally the clouds followed, or I would be feeling like Charlie Brown who says it always rains on the unloved, which to him was a daily occurrence.

So…

A friend of mine once said if I did not like the rain, move to the desert. I never quite understood what that meant until I saw my name in the newspaper and a not-too-flattering profile.

Then, when I spoke to him a few days after reading the profile, he said, “You can run but you can’t hide.”

OK, enough with the metaphors.

When pressed he told me that going to another town no matter how remote from the last did not guarantee me anonymity, not when I used my real name, and fabricated the rest. Not too many white lies, but just enough.

Of course, he said, it was the internet, that juggernaut of information, good and bad, that follows us everywhere and destroys a good person and extols a criminal.

I tried to tell everyone that what was written about me was wrong, a distortion of the facts, but it seemed people wanted to believe what they wanted to believe, not what was true. I had done nothing wrong. People had lied to save themselves and when you throw mud, some of it sticks. Even when it’s proved beyond a shadow of a doubt that it was lies.

And, like all good newspapers, never let the truth get in the way of a good story.

The pity of it was the journalist who wrote the story was someone I cared about, and not without reason decided to do a check on the new guy who moved into town and seemed too good to be true. I realised that was the case the moment she said it.

I also knew that whatever relationship we may have had was over.

It taught me a valuable lesson and one that took nearly six months in a remote cabin in the wilderness to rectify.

I changed my name, changed everything. I had read a dozen different spy novels and followed the guide to changing who I was. Finding a small place in the middle of nowhere that had a graveyard with someone my age who had died in their first year. Started with a birth certificate, and went from there, until I had a whole new identity.

And then, and only then, did I come out of hiding, remembering the cardinal rule, keep to myself, do not entertain having a relationship, and at the top of the list, don’t date a journalist.

©  Charles Heath  2025

Writing a book in 365 days – 15

Day 15

Set yourself a reading list, and don’t limit yourself to the sort of genre of books that you wish to write. But, I have to admit I’m guilty of not necessarily reading everything because there are genres that I do not like.

But, for the purposes of this exercise, what you are looking for are:

  • Descriptions of locations, the methods by which the author conveys the setting, whether, dark, light, eerie, scary, dripping with menace, or inspiring fear. A dark room can be just a dark room, but it can be so much more.
  • Descriptions of people. If anyone who witnessed a crime was asked to describe the guilty, ten different people would give ten different descriptions and unless there was a distinguishing factor like he only had one arm, it might describe a quarter to half the population. Your job is to see how others do it and refine it for your characterisations.
  • Conversation. We all have conversations but when it comes to writing them down and making them sound plausible, that’s another story. Conversation is the hardest part of this writing thing, or at least I think so.
  • Writing style. You will eventually get your own, but to begin with, it might be a little strange. Reading many similar-themed or genre books will give you some idea of what the publisher’s editors are looking for.

You will have to read quite a few, I have a library with about 3,000 books, having accumulated them over 50 years. And I think I have learned a thing or two from reading nearly all of them.

Writing a book in 365 days – 15

Day 15

Set yourself a reading list, and don’t limit yourself to the sort of genre of books that you wish to write. But, I have to admit I’m guilty of not necessarily reading everything because there are genres that I do not like.

But, for the purposes of this exercise, what you are looking for are:

  • Descriptions of locations, the methods by which the author conveys the setting, whether, dark, light, eerie, scary, dripping with menace, or inspiring fear. A dark room can be just a dark room, but it can be so much more.
  • Descriptions of people. If anyone who witnessed a crime was asked to describe the guilty, ten different people would give ten different descriptions and unless there was a distinguishing factor like he only had one arm, it might describe a quarter to half the population. Your job is to see how others do it and refine it for your characterisations.
  • Conversation. We all have conversations but when it comes to writing them down and making them sound plausible, that’s another story. Conversation is the hardest part of this writing thing, or at least I think so.
  • Writing style. You will eventually get your own, but to begin with, it might be a little strange. Reading many similar-themed or genre books will give you some idea of what the publisher’s editors are looking for.

You will have to read quite a few, I have a library with about 3,000 books, having accumulated them over 50 years. And I think I have learned a thing or two from reading nearly all of them.

Writing a book in 365 days – 14

Day 14

Writing is nothing more than a guided dream. So says Jorge Luis Borges in Doctor Brodies report.

Wow! If only I could guide my dreams.

They are a mess at the best of times and always end before I get to the good part.

That’s why I am writing a series called The Cinema of My Dreams. I lie awake at night staring at the ceiling, and instead of seeing darkness, I see the plots of my stories playing out. They never go where I want them to, but that’s because life doesn’t always play ball.

It’s the way my stories are written, an episode at a time, and not fully knowing what’s going to happen, as I write. i am writing like I’m the reader, hanging on every word, leaping from cliffhanger to cliffhanger.

Admittedly it can be nerve wracking especially when an idea for the next episode doesn’t materialise, but I get there. Inspiration sometimes comes from anywhere at any time.

But most people like to have a plan, and that to me, means you know every aspect of the story before you write it. I don’t like that because it would take too like to create the outline.

Writing a book in 365 days – 14

Day 14

Writing is nothing more than a guided dream. So says Jorge Luis Borges in Doctor Brodies report.

Wow! If only I could guide my dreams.

They are a mess at the best of times and always end before I get to the good part.

That’s why I am writing a series called The Cinema of My Dreams. I lie awake at night staring at the ceiling, and instead of seeing darkness, I see the plots of my stories playing out. They never go where I want them to, but that’s because life doesn’t always play ball.

It’s the way my stories are written, an episode at a time, and not fully knowing what’s going to happen, as I write. i am writing like I’m the reader, hanging on every word, leaping from cliffhanger to cliffhanger.

Admittedly it can be nerve wracking especially when an idea for the next episode doesn’t materialise, but I get there. Inspiration sometimes comes from anywhere at any time.

But most people like to have a plan, and that to me, means you know every aspect of the story before you write it. I don’t like that because it would take too like to create the outline.

Writing a book in 365 days – 13

Day 13

The bible, believe it or not, is just a collection of stories handed down over the years, from one language to the next, ending up in English so we English-speaking people could read it.

But, originally, these stories were told by people, not written down and read out, not for a long time when someone thought it would be a good idea to get them down before they were lost in the mists of time.

It’s not unlike the stories we tell our children about those who came before them, of what we knew about them, and sometimes a few embellishments to make them sound larger than life. I mean, who wants to have boring relatives?

Coming from another angle, when writing a story, sometimes it’s a good idea to read it out aloud. That will tell you if there are any problems. The first time I did this, I had to ask myself what I was thinking … people didn’t talk like that!

Now I get the text-to-voice feature working on the words, which is just as good. It tries to interpret the badly and wrongly spelled words. AI is good but not that good.

Then, if you write a good enough story, you can hold readings in bookstores and libraries, and not have storage looks cast in your direction when something is not quite right.

Everybody’s a critic, yes?

Writing a book in 365 days – 13

Day 13

The bible, believe it or not, is just a collection of stories handed down over the years, from one language to the next, ending up in English so we English-speaking people could read it.

But, originally, these stories were told by people, not written down and read out, not for a long time when someone thought it would be a good idea to get them down before they were lost in the mists of time.

It’s not unlike the stories we tell our children about those who came before them, of what we knew about them, and sometimes a few embellishments to make them sound larger than life. I mean, who wants to have boring relatives?

Coming from another angle, when writing a story, sometimes it’s a good idea to read it out aloud. That will tell you if there are any problems. The first time I did this, I had to ask myself what I was thinking … people didn’t talk like that!

Now I get the text-to-voice feature working on the words, which is just as good. It tries to interpret the badly and wrongly spelled words. AI is good but not that good.

Then, if you write a good enough story, you can hold readings in bookstores and libraries, and not have storage looks cast in your direction when something is not quite right.

Everybody’s a critic, yes?