Writing a book in 365 days – 27

Day 27

Today it’s about writing English, the perfect words, the sentences, the paragraphs, the use and abuse of punctuation.

What is that we are supposed to start learning seriously in Grade 3 or 4 when we are 8 or 9 years old, and there are more interesting things to learn about.

Oh, and you start to write in ink, not those terrible biros that used to leak everywhere and smudge on the page, but a real pen, nib, and ink, with ink wells that an ink monitor would fill every Monday morning, and discover what the rodent children stuffed in them.

(Usually blotting paper).

I remember my first attempt was a disaster and the teacher sent me back to writing in pencil.

Then there were the words, adjectives, adverbs, nouns, verbs, subjects, predicates, etc.

That was four words too many.

Then there were commas, full stops, semicolons, colons, exclamation marks, question marks and other things that I think I have forgotten about.

Then there are all those words that are so confusing, they are spelt the same, spelt differently, but when pronounced are exactly the same to the ear. Blue, blew, so, sow, you get the idea.

I’m with Truman Capote, I do not practise what I preach!

That’s called writing style, and yes, I spell the words correctly, I review and correct any grammar errors, and then have an editor tell me it all runs like a well-oiled machine.

Writing a novel in 365 days – 25/26

Days 25 and 26

We have another writing exercise, this time a thousand words about a storm, a cat, and a disease, an interesting combination.

This is what I came up with:

Chester first alerted me to the situation. Animals seemed to have that sixth sense.

It was the usual Tuesday. I got up late after he jumped on the bed and started patting my head with his paw and using his loudest meow right near my ear.

He usually did that when he was hungry, but this was an hour earlier than usual.

Going from the bedroom to the kitchen, I noticed that it was darker than usual for this time of year, and Chester was following me, making strange sounds.

When I reached the kitchen, I went over to the floor-to-ceiling windows that lined the wall that overlooked the ocean, opened the blinds, and was met by a sight I’d never seen before.

Dark clouds stretched all the way to the horizon, and rain fell, a huge stream of whitish blue slowly coming towards us.

Below the cloud, hundreds, thousands of birds heading away from the clouds, the storm that was coming.

I turned on the radio and searched the stations until I found one that was broadcasting a weather report.
I had tried to get the television to work, but it was showing a notice that there was no signal.

That had never happened before.

Then I heard the announcer say, “People are advised to stay indoors and find a safe place. It is expected that in the next one and two hours, the coastal areas will be hit by hurricane-force winds and high seas. All those below 250 feet above sea level are requested to move to higher ground. There will be a list of alternative accommodation locations available.”

I didn’t believe what I was hearing. Chester meowed loudly, that same tortured sound he made when I was taking him to the vet for a check-up.

“I know,” I said. “We don’t have hurricanes. We’ve never had hurricanes ever.”

I heard a sudden buffeting, the wind picking up and blowing loose debris against the windows. Those windows were not going to withstand a hurricane.

“I think we’re going to have to leave.”

That statement was accompanied by a pounding on the door. Chester shrunk back. Was that an omen?

I went to the door and opened it. A fireman. “We’re directly in line with the incoming storm. This place will be a death trap. You have fifteen minutes to get anything you want to keep and get out. There’s a bus at the end of the street.”

I was going to ask a question, but he put his hand up. “Fourteen minutes. Don’t make me come back.” A severe look then he was gone.

I looked at Chester. He wasn’t happy, and neither was I. I had just taken possession of my new home three days ago, and now it looked like it might be my last.

“We have to go.”

Another guttural sound from him told me he was all of a sudden terrified, so terrified he came straight to me and almost jumped into my arms.

A second later, there was an explosion, and something hit the end window as it literally just exploded.

Time to go.

We made it to the bus, that exploding window impetus to forget about getting anything but the cat and what I had with me, and get out.

The bus didn’t wait the full fifteen minutes, but left as the last stragglers in sight ran to get on board, the last person, a teenage girl running to jump on the running board and get on before the door closed.

The wind had already reached us, and the fireman on board said the storm was moving faster than anyone anticipated.

For the last ten minutes, we sat in a traffic jam of buses heading to the underground bus station, the safest place for us to stay. People in cars were also trying to escape, but the winds had created obstacles on the road, and confusion and tempers were causing serious problems for those trying to run an orderly evacuation.

The last thing I saw before we went under was torrential rain and high winds buffeting a sign that just collapsed on a dozen cars.

For the next fourteen days, we lived in what I thought was a huge underground space, but when twenty-three thousand terrified individuals were thrown together, it was a living nightmare.

We were told that not one but a dozen storms started from the same confluence in the Atlantic Ocean, but nobody could explain why.

After the first night and the total disorganisation that came from having a calamity thrust on totally unprepared people with very little notice, and the sound of the endless e
What sounded like explosions, howling winds, and rain, combined with the relative calm of the next morning, made it no surprise that people wanted to leave.

They were told that was only the first. No one believed them and at the behest of one man who whipped everyone into a rebellion, led a group back out into the open. We didn’t know what was out there, well, we did, but we didn’t.

Most stayed. Several hours later, the wind and rain returned. Those who left never came back.

Others left at various intervals, particularly when it was calm. Some came back, and the rest didn’t. Those who came back didn’t speak. All of them were asked and speechless.

We asked the people running the shelter. They said they had no other communications except with the weather people. That’s how they knew more storms were coming.

And, after fourteen days, it was over. We woke to silence. The original twenty-three thousand had been reduced to fourteen.

Three things were clear.

The first, which might have started as a storm, didn’t end as a storm. Something else had happened, and those stultified people who’d left and returned almost empty shells of themselves had seen something they couldn’t explain or comprehend.

The second, starting from a few days ago. People were getting sick, really sick, and the hushed whispers said it was Ebola, but it was worse than that. It killed all the animals without exception.

Chester hadn’t stood a chance.

The third, while it was good to escape the confines of that underground labyrinth and away from the sick people, what was outside was far more unimaginable, even incomprehensible. Whatever the city had been before, it was no longer. It had been levelled, and all that remained was ashes, smoke, and death.

And something else. Several very large objects looked to me like spaceships. What those who went out and came back were trying to tell us was that we had been invaded by aliens from outer space.

The only question I had was who won?

©  Charles Heath  2025

Writing a novel in 365 days – 25/26

Days 25 and 26

We have another writing exercise, this time a thousand words about a storm, a cat, and a disease, an interesting combination.

This is what I came up with:

Chester first alerted me to the situation. Animals seemed to have that sixth sense.

It was the usual Tuesday. I got up late after he jumped on the bed and started patting my head with his paw and using his loudest meow right near my ear.

He usually did that when he was hungry, but this was an hour earlier than usual.

Going from the bedroom to the kitchen, I noticed that it was darker than usual for this time of year, and Chester was following me, making strange sounds.

When I reached the kitchen, I went over to the floor-to-ceiling windows that lined the wall that overlooked the ocean, opened the blinds, and was met by a sight I’d never seen before.

Dark clouds stretched all the way to the horizon, and rain fell, a huge stream of whitish blue slowly coming towards us.

Below the cloud, hundreds, thousands of birds heading away from the clouds, the storm that was coming.

I turned on the radio and searched the stations until I found one that was broadcasting a weather report.
I had tried to get the television to work, but it was showing a notice that there was no signal.

That had never happened before.

Then I heard the announcer say, “People are advised to stay indoors and find a safe place. It is expected that in the next one and two hours, the coastal areas will be hit by hurricane-force winds and high seas. All those below 250 feet above sea level are requested to move to higher ground. There will be a list of alternative accommodation locations available.”

I didn’t believe what I was hearing. Chester meowed loudly, that same tortured sound he made when I was taking him to the vet for a check-up.

“I know,” I said. “We don’t have hurricanes. We’ve never had hurricanes ever.”

I heard a sudden buffeting, the wind picking up and blowing loose debris against the windows. Those windows were not going to withstand a hurricane.

“I think we’re going to have to leave.”

That statement was accompanied by a pounding on the door. Chester shrunk back. Was that an omen?

I went to the door and opened it. A fireman. “We’re directly in line with the incoming storm. This place will be a death trap. You have fifteen minutes to get anything you want to keep and get out. There’s a bus at the end of the street.”

I was going to ask a question, but he put his hand up. “Fourteen minutes. Don’t make me come back.” A severe look then he was gone.

I looked at Chester. He wasn’t happy, and neither was I. I had just taken possession of my new home three days ago, and now it looked like it might be my last.

“We have to go.”

Another guttural sound from him told me he was all of a sudden terrified, so terrified he came straight to me and almost jumped into my arms.

A second later, there was an explosion, and something hit the end window as it literally just exploded.

Time to go.

We made it to the bus, that exploding window impetus to forget about getting anything but the cat and what I had with me, and get out.

The bus didn’t wait the full fifteen minutes, but left as the last stragglers in sight ran to get on board, the last person, a teenage girl running to jump on the running board and get on before the door closed.

The wind had already reached us, and the fireman on board said the storm was moving faster than anyone anticipated.

For the last ten minutes, we sat in a traffic jam of buses heading to the underground bus station, the safest place for us to stay. People in cars were also trying to escape, but the winds had created obstacles on the road, and confusion and tempers were causing serious problems for those trying to run an orderly evacuation.

The last thing I saw before we went under was torrential rain and high winds buffeting a sign that just collapsed on a dozen cars.

For the next fourteen days, we lived in what I thought was a huge underground space, but when twenty-three thousand terrified individuals were thrown together, it was a living nightmare.

We were told that not one but a dozen storms started from the same confluence in the Atlantic Ocean, but nobody could explain why.

After the first night and the total disorganisation that came from having a calamity thrust on totally unprepared people with very little notice, and the sound of the endless e
What sounded like explosions, howling winds, and rain, combined with the relative calm of the next morning, made it no surprise that people wanted to leave.

They were told that was only the first. No one believed them and at the behest of one man who whipped everyone into a rebellion, led a group back out into the open. We didn’t know what was out there, well, we did, but we didn’t.

Most stayed. Several hours later, the wind and rain returned. Those who left never came back.

Others left at various intervals, particularly when it was calm. Some came back, and the rest didn’t. Those who came back didn’t speak. All of them were asked and speechless.

We asked the people running the shelter. They said they had no other communications except with the weather people. That’s how they knew more storms were coming.

And, after fourteen days, it was over. We woke to silence. The original twenty-three thousand had been reduced to fourteen.

Three things were clear.

The first, which might have started as a storm, didn’t end as a storm. Something else had happened, and those stultified people who’d left and returned almost empty shells of themselves had seen something they couldn’t explain or comprehend.

The second, starting from a few days ago. People were getting sick, really sick, and the hushed whispers said it was Ebola, but it was worse than that. It killed all the animals without exception.

Chester hadn’t stood a chance.

The third, while it was good to escape the confines of that underground labyrinth and away from the sick people, what was outside was far more unimaginable, even incomprehensible. Whatever the city had been before, it was no longer. It had been levelled, and all that remained was ashes, smoke, and death.

And something else. Several very large objects looked to me like spaceships. What those who went out and came back were trying to tell us was that we had been invaded by aliens from outer space.

The only question I had was who won?

©  Charles Heath  2025

Writing a book in 365 days – my story – 2

My Story Part 2

What are my ideas for this story? I generally write spy stories or thrillers, so I’m thinking that I need to put together the typical James Bond start, where you are hanging on for dear life and not knowing where it’s going to end up.

I have one: waking up in a hotel room in the Middle East, a fan above our spy turning slowly, churning the already hot air in the room. It’s the sound of the blades turning so slowly, with a creak or groan somewhere in the revolution, that wakes him, soaked in sweat and with a horrible taste in his mouth.

The attempt to drain the bar below of cold bottled beer didn’t go so well. There’s a headache to go with that, and it was all he could manage to get to the small refrigerator where he’d put a half dozen bottles of Perrier water the afternoon before.

The first went down his throat very quickly. The second helped the two painkillers go down though for a moment it felt like they’d stuck in his throat. A monetary shudder as the pills started to dissolve.

A knock on the door has him instantly alert and hand on the gun under the pillow.

“Who is it?” He yells out, not exactly the done thing in a hotel, but the last seven days of endless heat had finally taken a toll.

And today was going to be no different. The gun slipped in his wet hand, a sign that he was not sure if he would make the shot without missing by a yard or two.

“Room service.”

“I didn’t order room service.”

Silence, and then an envelope was shoved under the door.

What happens next, you’ll have to wait till next week

©  Charles Heath  2025

Writing a book in 365 days – my story – 2

My Story Part 2

What are my ideas for this story? I generally write spy stories or thrillers, so I’m thinking that I need to put together the typical James Bond start, where you are hanging on for dear life and not knowing where it’s going to end up.

I have one: waking up in a hotel room in the Middle East, a fan above our spy turning slowly, churning the already hot air in the room. It’s the sound of the blades turning so slowly, with a creak or groan somewhere in the revolution, that wakes him, soaked in sweat and with a horrible taste in his mouth.

The attempt to drain the bar below of cold bottled beer didn’t go so well. There’s a headache to go with that, and it was all he could manage to get to the small refrigerator where he’d put a half dozen bottles of Perrier water the afternoon before.

The first went down his throat very quickly. The second helped the two painkillers go down though for a moment it felt like they’d stuck in his throat. A monetary shudder as the pills started to dissolve.

A knock on the door has him instantly alert and hand on the gun under the pillow.

“Who is it?” He yells out, not exactly the done thing in a hotel, but the last seven days of endless heat had finally taken a toll.

And today was going to be no different. The gun slipped in his wet hand, a sign that he was not sure if he would make the shot without missing by a yard or two.

“Room service.”

“I didn’t order room service.”

Silence, and then an envelope was shoved under the door.

What happens next, you’ll have to wait till next week

©  Charles Heath  2025

Writing a novel in 365 days – 24

Day 24

Today we’re talking about do’s and don’ts.

We’re not supposed to use cliches.

Well, long ago someone told me that, but I don’t think the message stuck because every now and then a cliche will appear.

Of course, the reason we don’t use them is that people generally will not know what they mean, and I dread to think what the translators must do when translating English to another language.

I mean, who doesn’t know what a wild goose chase is?

For those who don’t: “a foolish and hopeless search for or pursuit of something unattainable”.

Some might use it to describe their efforts to be published. I know, at times, that almost became my mantra until I discovered self-publishing.

Where it came from: In 1593, when discussing horsemanship, ‘a type of 16th-century horse race where everyone had to try to follow the erratic course of the lead horse like wild geese have to follow their leader in formation’.

I would have liked to have been there to see it.

By and large, they should not be used, and I only use them because they fit the character who is using them.

And, just the other day I was writing a short story which, it turns out, uses a number of metaphors or cliches for dramatic effect, and which are also explained

Writing a novel in 365 days – 24

Day 24

Today we’re talking about do’s and don’ts.

We’re not supposed to use cliches.

Well, long ago someone told me that, but I don’t think the message stuck because every now and then a cliche will appear.

Of course, the reason we don’t use them is that people generally will not know what they mean, and I dread to think what the translators must do when translating English to another language.

I mean, who doesn’t know what a wild goose chase is?

For those who don’t: “a foolish and hopeless search for or pursuit of something unattainable”.

Some might use it to describe their efforts to be published. I know, at times, that almost became my mantra until I discovered self-publishing.

Where it came from: In 1593, when discussing horsemanship, ‘a type of 16th-century horse race where everyone had to try to follow the erratic course of the lead horse like wild geese have to follow their leader in formation’.

I would have liked to have been there to see it.

By and large, they should not be used, and I only use them because they fit the character who is using them.

And, just the other day I was writing a short story which, it turns out, uses a number of metaphors or cliches for dramatic effect, and which are also explained

Writing a novel in 365 days – 23

Day 23

Today’s discussion is about the writer’s point of view.

This is different to the point of view, like writing in the first person.

I’m not sure as Rod Serling puts it, “The writer’s role is to menace the public’s conscience”.

Maybe if you’re going to intertwine the dilemma of climate change advancing upon us in a practical sense through the pages of a novel, though if you are well versed in what climate change is going to do, it might serve as a warning, and help slow it down.

It might also be used to highlight the very real effect of women being treated badly in a number of situations, at home, at work, and in general.

It might also highlight the very real problems that people in the United States are going to be subjected to in the wake of the ‘two genders’ proclamation. Knowing several transgender and non-binary people, it seems to me that it is an affront to their dignity. A story that highlights their plight might go a long way to educating others about their situation.

There are a great many themes, some of them controversial, that could and are aired from time to time, and it is a path you can go down, but a lot of research is required to get an accurate picture.

As someone who is closely associated with a transgender, and who has travelled the rollercoaster ride of discovering who they are, the discussions with psychiatrists and doctors, the ‘exercises’ that the subject undergoes, long before the operation to change gender, the surgery, the aftermath, and the reaction from those closer and not so close, I can say from experience that it is brutal and sometimes leaves the subject questioning everything.

It is not surprising then that the suicide rate of transgender people alone is one of the highest in the world.

Perhaps I will get around to writing that story sooner rather than later.

Writing a novel in 365 days – 23

Day 23

Today’s discussion is about the writer’s point of view.

This is different to the point of view, like writing in the first person.

I’m not sure as Rod Serling puts it, “The writer’s role is to menace the public’s conscience”.

Maybe if you’re going to intertwine the dilemma of climate change advancing upon us in a practical sense through the pages of a novel, though if you are well versed in what climate change is going to do, it might serve as a warning, and help slow it down.

It might also be used to highlight the very real effect of women being treated badly in a number of situations, at home, at work, and in general.

It might also highlight the very real problems that people in the United States are going to be subjected to in the wake of the ‘two genders’ proclamation. Knowing several transgender and non-binary people, it seems to me that it is an affront to their dignity. A story that highlights their plight might go a long way to educating others about their situation.

There are a great many themes, some of them controversial, that could and are aired from time to time, and it is a path you can go down, but a lot of research is required to get an accurate picture.

As someone who is closely associated with a transgender, and who has travelled the rollercoaster ride of discovering who they are, the discussions with psychiatrists and doctors, the ‘exercises’ that the subject undergoes, long before the operation to change gender, the surgery, the aftermath, and the reaction from those closer and not so close, I can say from experience that it is brutal and sometimes leaves the subject questioning everything.

It is not surprising then that the suicide rate of transgender people alone is one of the highest in the world.

Perhaps I will get around to writing that story sooner rather than later.

Writing a novel in 365 days – 22

Day 22

Today we’re discussing dialogue, and sometimes that’s the hardest part to write.

Making a conversation sound like a normal conversation is sometimes impossible because who can define normal? People speak in many different ways, with different accents, tones, and sometimes completely different words.

My grandchildren are sometimes completely incomprehensible because the modern vernacular is based on writing a text on a cell in which the squiggles used as words sometimes make no sense to me.

I have received messages that

I have not understood, or have on occasion suffered that new blight on our writing, the corrector, and some of my texts, well, people have got upset and I can understand why.

So, it may not be that in the story we are writing, and the characters we have decided to use, that we have an understanding of their language or manner of speaking. If we are using our own manner of speaking, it might not lend credence to the characters we’re looking for.

Or if you’re lucky and know someone who has the vernacular, then it’s good. If not, then our task would be to find and talk to people with that character’s voice. I have often spent lunch or dinner out just to listen to the people around me talking. I’m not interested in the content, though sometimes it can be quite interesting, but just the words and the way they are spoken.

Try it, you will be amazed at just how many different ways there are to speak the same word.

I was.