Tag: suspense

“Trouble in Store” – Short stories my way: Actions have consequences

It’s time for the policewoman to arrive.

There is such a thing as pure dumb luck.

If she did not walk through the door when she did then Jack would have walked away.

From the policewoman’s perspective:

 

She crossed the street from the corner instead of remaining on the same side of the street as she did every other night.  When she reached the other sidewalk, she was about 20 yards from the nearest window of the store.

As she crossed, she got a better view of the three people in the store and noticed the woman, or girl, was acting oddly as if she had something in her hand, and, from time to time looked down beside her.

A yard or two from the window she stopped, took a deep breath, and then moved slowly, getting a better view of the scene with each step.

Then she saw the gun in the girl’s hand, and the two men, the shopkeeper and a customer facing her, hands up.

It was a convenience store robbery in progress.

She reached for her radio, but it wasn’t there.  She was off duty.  Instead, she withdrew, and called the station on her mobile phone, and reported the robbery.  The officer at the end of the phone said a car would be there in five minutes.

In five minutes there could be dead bodies.

She had to do something, and reached into her bag and pulled out a gun.  Not her service weapon, but one she carried in case of personal danger.

 

Guns are dangerous weapons in the hands of professional and amateur alike.  You would expect a professional who has trained to use a gun to not have a problem but consider what might happen in exceptional circumstances.

People freeze under pressure.  Alternately, some shoot first and ask questions later.

We have an edgy and frightened girl with a loaded gun, one bullet or thirteen in a magazine, it doesn’t matter.  It only takes one bullet to kill someone.

Then there’s the trigger pressure, light or heavy, the recoil after the shot and whether it causes the bullet to go into or above the intended target, especially if the person has never used a gun.

The policewoman, with training, will need two hands to take the shot, but in getting into the shop she will need one to open the door, and then be briefly distracted before using that hand to steady the other.

It will take a lifetime, even if it is only a few seconds.

Actions have consequences:

 

The policewoman crouched below the window shelf line so the girl wouldn’t see her, and made it to the door before straightening.  She was in dark clothes so the chances were the girl would not see her against the dark street backdrop.

Her hand was on the door handle about to push it inwards when she could feel in being yanked hard from the other side, and the momentum and surprise of it caused her to lose balance and crash into the man who was trying to get out.

What the hell…

A second or two later both were on the floor in a tangled mess, her gun hand caught underneath her, and a glance in the direction of the girl with the gun told her the situation had gone from bad to worse.

The girl had swung the gun around and aimed it at her and squeezed the trigger twice.

The two bangs in the small room were almost deafening and definitely disorientating.

Behind her, the glass door disintegrated when the bullet hit it.

Neither she nor the man beside her had been hit.

Yet.

She felt a kick in the back and the tickling of glass then broke free as the man she’d run into rolled out of the way.

Quickly on her feet, she saw the girl had gone, and wasted precious seconds getting up off the floor, then out the door to find she had disappeared.

She could hear a siren in the distance.  They’d find her.

 

If the policewoman had not picked that precise moment to enter the shop, maybe the man would have got away.

Maybe.

If he’d been aware of the fact he was allowed to leave.

He was lucky not to be shot.

Yet there were two shots, and we know at least one of them broke the door’s glass panel.

 

Next – the epilog

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

Short Story Writing – Don’t try this at home! – Part 4

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

It continued in London – Episode 25

A small job, really?

…

Nothing Rodby did, didn’t have an ulterior motive, and as cynical as that sounded, I had to wonder what it was.

Rodby just didn’t understand I didn’t want to go back to that life of always looking over the shoulder.  Disappearing and reinventing myself with Violetta changed my life.

Now she was no longer there, it was like that cloak of invisibility had gone.  Rodby hadn’t said as much but I knew he was going to formally ask me to return to work, citing the reason I’d be better off doing something rather than dwelling on the past.

It was hard to dispute that fact.  I needed something to do.  Just existing even in a place like Venice was not living.  And finding someone else, well, I was not sure what Violetta might think, but I knew she would not want to see me like this.

I was not sure how going to the opera as a plus one was going to make a difference, and I was trying not to play down Martha’s invitation. She didn’t share her passions with just anybody, nor would she be a cohort in one of Rodby’s recruiting schemes.

He was not so circumspect

So, I dusted off the tuxedo one more time, even though I didn’t really feel in the mood for anything. Time had not made me a size too large or smaller, despite the good life I’d had over the last few years.  Italian cooking was hardly the manna dieters went to as a first choice, but then, I was not under so much pressure to stay fit.

This was in part due to the fact I didn’t forsake the fitness regime I had adopted for many years; I just didn’t go at it so hard, and it had served me well.  The suit still fitted.

The text from Rodby arrived about ten minutes before the car was due to pick me up outside the front door.  I was hoping I would not have to get a cab, expecting I would have to get myself to the Royal Opera house

When I reached the curb, the car was waiting, the chauffeur waiting to open the door for me.  My first impression, he was more a bodyguard than a chauffeur; I could just see the earpiece connecting him to an invisible army.

As the door opened, I could see there was another person in the car, and, at first sight, I thought it might be Martha, Rodby, who detested opera, somehow getting out of going, but it was not. 

It was another woman, very elegantly dressed about my age or perhaps a few years younger though she had managed to keep what must have been, in her younger days, devastating beauty.

A princess perhaps of a foreign country, she had that classical European look.  Martha knew a lot of different people, rich, poor, aristocratic, and others like me.

I climbed in and the chauffeur closed the door.

“Welcome, said the spider to the fly.”  She said it with just a hint of a smile, discernible in the light striking her just right from a streetlamp overhead.

“Rodby didn’t tell me there was another guest, so please forgive my momentary surprise.  My name is Evan Wallace, but no doubt you already knew that.”

“I did.  It was going to be my next question.  Rodby would be very annoyed if I picked up just any man off the street. I am Countess Heidi von Burkhardt, though I do not want you to use that title tonight.  I am, today, just Heidi.”

“Then just Heidi it will be.”

The car eased its way out into the traffic quietly and smoothly.  It was so quiet I could just hear the symphony playing in the background, one I’d heard before but could put a name to.  Just yet. It would come to me.

“Rodby failed to mention you would be coming to the opera.”

“He would.  Martha’s idea, she seems to have this soft spot for you, or at least that was the impression I got when she mentioned you might be coming, and I suspect she might also be dabbling in a little matchmaking.”

It wouldn’t be the first time.  She had tried finding someone for me after Violetta died, but I told her it would be too soon.  Perhaps she had assumed enough time had passed.

“There isn’t a Count?”

“There was, but he passed some months ago.  It would not have mattered though; we had an unusual and mutually agreeable arrangement.  I spent his money, and he did, well, whatever it is Counts do.  He didn’t tell me, and I didn’t ask, but I suspect it killed him in the end.”

“Did you love him?”  An odd question that had popped into my mind and was out before I could stop it.

“My.  Martha did warn me you could be direct; she called it refreshingly honest.”

“Sorry, sometimes the words come out before I consider whether they’re appropriate or not.  Just ignore that question “

“No.  It’s one I asked myself after his passing, and truth be told, I did. I had such romantic notions when I was young, that I was going to find a prince and marry him.  I didn’t find the prince, but I live in a castle, with turrets and towers and dungeons.  Just no dragons, except for the housekeeper.”

She shuddered. 

Cold or memories?

“You live there?”

“I did, I haven’t been back since Gustav died, but I will have to, some inheritance matters have come up, and I’ve been summoned to Bacharach to meet with the Rechtsanwalte.  Perhaps I’ll go after the opera, literally joy followed by pain.”

The car stopped and we arrived outside the Royal Opera house.  For a few seconds, the smile had disappeared, and it was replaced with a frown, no doubt brought on by the thought of facing the German legal system.

Then, as the door opened, she changed.

No one told me she was a celebrity and there would be limelight, flashing cameras, and a host of journalists.

© Charles Heath 2022

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 45

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

The shrill ring tone of my phone woke me.

And, for a moment I was in a state of panic because I’d woken in unfamiliar surroundings.  Until my eyes cleared and I realized I was still at Nadia’s.

And it was morning.

What the….

The phone was still ringing, and Nadia, lying on the bed beside me rolled over and said, sleepily, “Are you going to answer that?”

I picked up the phone off the bedside table and pressed the green button.  

I already knew it was Boggs.

“Don’t you know what time it is?”  It was nine, a respectable hour of the morning to call.  It was just that I was tired.

“Where are you?”

I could lie, or I could tell the truth.  I don’t think I should say at home because I suspect that was where Boggs was now.  And my mother would be there, wondering what happened to me.

“Out and about.  Nice day for some exercise.  Why?”

“Your mother is not happy you didn’t come home.  And I’m surprised.  Where were you?”

Good question.  One that needed time to consider, time I didn’t have.

“Surveillance.  I’ve been watching Alex and his friends.  It’s been a long night.  What do you want?”

“I was going to head down towards Kentville, check on the other river.  We need to drive down there.”

“Well, right now I’m busy, so it will have to wait until tomorrow morning.  Sorry.  I have a job to do, and then I have to get home before I go to work.”

“What was Alex up to?”

“Not over the phone.  I’ll tell you when I see you.  Come back home about lunchtime.”
I could tell by the silence he wasn’t happy. 

“OK.”  He hung up.

I glared at the phone and put it back on the table, then turned to look at Nadia.  First thing I noted, we were both still in the clothes we were wearing the previous night.

“What happened?”

“Nothing.”  A momentary look of disappointment crossed her face.  “You were tired and I told you to stay.”

“Nothing can happen, or I’ll become Vince fodder.”

“I wouldn’t tell him.”

“He’d find out.  He has walls as spies.”  I looked around the room looking for potential spy cameras or bug locations.

“He wouldn’t dare.”

I climbed off the bed and smoothed out my clothes.  It didn’t make much difference to the crumpled look.  “At least it looks like I’ve been on an all-night surveillance assignment.”

“What are you going to tell Boggs.”

“Nothing.  There’s nothing concrete to tell him yet, just that Alex is, like the rest of us, running around in circles.

Nadia remained on the bed, and even though she looked as messy as I did, hers was a far more alluring messy.  I could feel the pangs of a forbidden desire.  Time to go.

“Come back tonight.  We can go on a voyage of discovery, see the mall as you’ve never seen it before.”

“Sounds like a Discovery Channel documentary advert.”

She sat up then stood and teased the knots out of her hair.  It was the first time I’d seen it out.  It gave her a whole new, softer look.

“Is that a look of desire I see in your eyes, Smidge?”

And the whole moment was shot to pieces.

“Don’t call me that.  I’ll see you tonight, though I’m not sure why.”

I let myself out, after carefully checking to see if the way out was clear.  The last thing I wanted, or needed, was to tangle with Vince.

Or ending up letting the dream become reality.

 
© Charles Heath 2020

The cinema of my dreams – I never wanted to go to Africa – Episode 46

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

…

It took longer, as everything does when you’re in a hurry.
 
The plane was loaded, the fuel truck had just disconnected the final hose, and was leaving the field, and Davies was firing up the engines.
 
Everyone was on board and strapped in.  I gave my thanks to the Colonel and shut the door before joining Davies in the cockpit.
 
Looking at her cool, calm demeanor gave me confidence.  If anyone could get us out of here in one piece, she could.
 
I put the headphones on and put on the seat belt, just as she revved the engines, saw the wave from the ground crewman who removed the wheel chocks, and we started moving.
 
15 minutes to spare.  Would it be enough?
 
The Colonel had said that it was possible the helicopter might be one of those belonging to the air force and might have missiles that could shoot us down.  Not a good thought.  At the very least it would have a cannon, and if the bullets hit us, it could make an awful mess of the fuselage.
 
He didn’t have any good news though.
 
I was hoping it would just be a commercial helicopter with a couple of thugs with handguns shooting at us.
 
At the top of the runway, she didn’t waste time going to full throttle, and we started rumbling down the runway.  Unfortunately, the wind had changed and to take off we had to initially fly towards Congo airspace before turning towards our destination.
 
Then we lifted off and started gaining altitude.
 
Then I heard Davies mutter, “Fuck.”
 
Trouble.  I saw what elicited the curse.  The helicopter, heading towards us.
 
“Military,” she added.
 
Not that I had any idea what I was looking for, but it didn’t seem to have rockets, but it did have a cannon barrel under the fuselage.
 
“Brace yourself,” she said.  “We’re about to get on the roller coaster.”
 
Still climbing we were getting closer, and I could just see the cannon move.  If it was shooting rounds, they didn’t hit us, not from such a distance, but they were getting closer because we were still flying towards them.
 
Then, suddenly, she turned the planes to the right and down, a plunge so quick that my stomach was in my mouth.  I hate to think what it would be like for those in the back.
 
Aside from the fact my hearing was blocked by the headphones, I could still hear several mini-explosions coming from behind me.
 
Another curse, rather longer this time, from Davies and she twisted the plane back in the opposite direction, and heading around towards the airfield again, much lower down this time, with the helicopter in hot pursuit.
 
Now we couldn’t see it, but it would have a good view of our engines and tail.
 
If any of the bullets hit, we’d be in big trouble.
 
I was bracing myself for disaster.
 
Davies was coaxing the plane upwards, but it seemed sluggish.
 
Nothing happened.
 
“Gun’s jammed.” She said.  “If you don’t maintain your equipment…”
 
That statement was cut off by a huge explosion and turning as far as I could in my seat I just saw the remnants of a firewall, what was once a helicopter.
 
“Ground to air rocket.  The Colonel must have some interesting toys at his disposal.”  Davies sounded very relieved.
 
I started breathing again.
 
“Are we damaged?”  It was a valid question.  The plane seemed like it was flying awkwardly.
 
“I’d say so., Those explosions.  Cannon fire hitting the fuselage.  Probably took out some controls, or failing that, since there’s still maneuverability, probably just a few holes creating drag.”
 
She was a matter of fact like, but that was more because she was fighting the controls to keep us moving in the right direction.
 
Away from trouble.
 
“Go check it out,” she said.
 
At the head of the cabin, I saw the problem, a row of neat holes carved from one window through to halfway along the fuselage, going down.  We’d be lucky if one of the bullets hadn’t struck one of the wires that drove the flaps/
 
There was a hell of a noise from the air coming in through the holes.  
 
By the second window, slumped forward, was Shurl.  There was blood and blood spatter on the floor.  Monroe came up to me and yelled in my ear.
 
“Damned good flying, and only one casualty.  We were incredibly lucky.  Shurl wasn’t quick enough to get on the floor.  Other than that, we’re still in the air, and I’m guessing someone shot the helo down?”
 
“Ground to air missile.  Any sooner, that would have been us.  Try and sit back, rest, and enjoy the in-flight service.  Oh, and a prayer or two might help.”

© Charles Heath 2020-2021

It continued in London – Episode 24

What’s the Opera got to do with it?

…

I had hoped never to see Rodby again, and yet here I was in that oppressively warm wood polish-smelling office of his, sitting uncomfortably opposite him, a very large and clear desk between us.

In all the time I’d known him, and those visits to his office, there had never been anything on it.  Not even a phone.

The last time I was in this position, to inform him of my retirement, I’d been reluctant to put the resignation envelope on the pristine surface.

Significantly, it was a month to the day after I left Larry’s mother’s house in Sorrento.

The day after I went with Cecilia to her audition, and she smashed it, getting the role from a rather astonished casting director, and director.  He was calling it a possible break-out performance, in a whole different language that I didn’t understand.

That same night I found Juliet dining alone in the hotel restaurant and told her the good news, but her brother had already called her.  We had dinner, and it could have been more, but there was that Cecilia thing in the back of her mind so we parted as friends.

And at a loose end, Venice no longer hold any significance for me, I moved back to London.

I should have gone to Paris.  There, it would have been harder for Alfie to find me.

He had been giving me the ‘come back’ look, one that I had taken a long time to learn how to ignore.

Seeing he wasn’t making any impact, he said, “They found Larry.”

An enigmatic statement.  Who found Larry?

“The Italian police recovered the body, in a little-used area of Lake Como.  No signs of physical damage, not shot or stabbed, but apparently, he died of natural causes.  We’re still waiting for a definitive coroner’s report.  You never really elaborated on what happened at his mother’s house.”

My report was short and lacked detail, more notable for what I didn’t say rather than what I did.

“Nothing to tell.  Brenda just told him his days of running the organization were over, she and Jaime Meyers had collaboratively taken over, and things would be different.  I notice several other hard-line criminals have been taken off the streets since, so Inspector Crowley’s arrangement with her is working.  A win-win situation.  And you don’t have to deal with Larry anymore.”

“That’s the problem.  If something is too good to be true, it generally is. I have to wonder what has replaced him.”

“I’m retired sir.  No longer interested.  Why am I here?”

I could see he had more, possibly to pique my interest, but just shrugged.

“Nothing of any importance.  I thought you might want to know what happened to Larry.  And Martha wants me to go to the opera tonight and she specifically asked me to ask you, and as you know she does not take no for an answer.”

I shrugged.  He was right about his wife, a force of nature to be reckoned with.  I had met her several times, and she had been intrigued with Violetta and had been devastated when she learned of her death.

“Then I guess I’d better dust off the monkey suit.”

“Good.  I’ll text you where and when and send a driver to pick you up.”

© Charles Heath 2022

It all started in Venice – Episode 22

A very interesting dinner party

…

Larry saw them first, and from his stance, and expression, it looked to me like he had seen a ghost.

It was not a ghost, but two women, one easily identified as Cecilia in a khaki soldier uniform, with the sniper rifle over her shoulder, and another, and perhaps the more interesting of the two, Jaime.

I heard Larry mutter under his breath, “What the fuck is she doing here.”

Whilst I would not have used the same words, I did wonder why she was here.

They both stopped at the threshold of the patio.  Curiously, the only two people not fazed by either presence seemed to be Brenda and Larry’s mother.

“I see the gang’s all here.”  Jaime had a smile on her face like it was a party and she was late.  She looked at me.  “You can still surprise me.  It was a good thing I turned up late otherwise you’re friend here might have had a problem.”

“I had them covered,” Cecilia said, a little defiant.

A close inspection showed Cecilia was rather disheveled and sporting a few abrasions.  The question was who she had been scrapping with.

As I swiveled towards Larry, Jaime said, “the rest of your crew are feeling somewhat sorry for themselves, and, last I saw, are being taken away by the local police.”

Cecilia came over to stand next to me.

Larry asked, “What were you going to do with that weapon?”

“Shoot you if all else failed.  I had the shot.”

“Let me guess.  Jaime convinced you not to.”

“Only because she wants to do it herself.  Fine with me, because I hate shooting people.  Even scum like you.”

I was not sure if Larry was upset over being labeled scum, or if she had been prepared to shoot him.  I was still trying to understand what was happening.

Brenda looked in the mother’s direction, “Can you take the children into the other room.  We need some grownup time.”

Whilst none of them wanted to leave the room, curious at the turn of events, especially the son, they reluctantly joined the mother and went out of the room.

It took a minute, maybe a little longer to finally figure out the dynamic in the room.  There had been several, I wouldn’t call them furtive but knowing, looks between Brenda and Jaime, not as if they were foes, but friends.  The same could be said for Larry’s mother, and putting the pieces together I realized I had been used as a pawn in a plan to isolate Larry.

Although I didn’t think it was likely, it seemed to me that Jaime had made overtures to Larry rather than the other way around, gained his trust, got him to put his stuff in her warehouse, informed on him, and gotten herself raided so she had a degree of plausible deniability.  That would give her the opportunity to shift the blame to Larry, earning him a place on the most wanted list, and being out of the country at the time was a bonus.  Before all this, either Brenda or his mother had arranged for him to come and see her, thus effectively isolating him from his organization, and coincidentally more guilty.

So, what was the reason for me attending the interview, other than to reinforce Larry’s criminality, and use Rodby to fire up the local police?  How could she know about Rodby … unless, of course, she had been speaking to Larry’s mother to whom I let slip was interested in her son.

Then the timing of all this happening was of interest because they could all have moved on this ten years ago right after Trevor’s untimely death, but, I guess, they had to wait until the inheritance came due.  The death of Larry’s brother, and the upcoming distribution of his father’s assets, seemed to be the catalyst for what now appeared to be a bloodless coup.

And with Larry out of the way, it would all go the Brenda, or perhaps the mother.  The terms of the will would make very interesting reading.

The next question was whether Jaime was taking over, with the consent of both the mother and daughter-in-law?  Or was the daughter-in-law taking over from the incompetent son?  Or would they all be running the operation together?

The questions were piling up.

“I can see this situation is somewhat perplexing for both you and Larry,” Brenda said to me.

“I’ve just been reading between the lines, and if it is what I think it is, then it’s well played.”

“You have nothing to fear from us,” Jaime said.  “You, too, had a problem, and Christina wanted to do something for you after you helped her out of a tricky situation.  Things will be different from now on, and you might be interested to know I made arrangements with the Detective Inspector as you suggested.”

I was watching Larry the whole time and he was definitely at a loss, not quite comprehending what was happening simply because to him it would be incomprehensible that women were capable of doing anything.

Brenda added, “Larry has been staggering from disaster to disaster, but there is only so much one can put up with before something had to be done.  Jaime came to see me about a year ago and proposed a mutually advantageous merger, and that she would take care of Larry.  We let him think he was running things but really, he hasn’t had a say in the business for about six months now.   The old ways are no longer useful, violence only brings attention to our business, the attention we don’t need or want.  Sorry Larry, but you are surplus to requirements.”

Larry had, over the course of the last few minutes looked both astonished, angry, about to unleash a torrent of abuse, and appearing to think twice about it.  To be honest, I could not imagine what he was thinking.

But it did make his obsession of wanting to wreak vengeance on me a rather sorry footnote to a long and useless career in crime.  I could almost want to believe his wife had sidelined him out of pity, but a practical person would say it was out of self-preservation.  How he managed to keep out of jail was a minor miracle.

But it was true, he had been leading them down a very dangerous path, bringing unwanted attention to his own organization, and now, in the case of Jaime Meyers, others too.  What I saw now was a new brand of criminality, and it was going to be a lot harder to deal with.

“This is a joke, of course,” he finally said.  “Who put you up to it, tell me who it is, and I make him regret the day he was born.”

It was still inconceivable to him that Brenda could be smarter than him.

“And that, Larry, is exactly the reason you have to go.”  It was a statement delivered by Jaime in a manner that sent shivers down my spine.

To me, she said, “as much as I would like you to stay and get to know you better, I think it’s time you and your friend left.  The less you know about what happens next, the better for you.  Just be happy in the knowledge that your problem will be dealt with, swiftly and permanently.”

“Then I can go back to retirement?”

“Definitely.  I am sorry to hear about your recent loss.  You can tell Juliet when you see her that her brother has been released, and she is no longer obligated to Larry.  Tell her very few people get a second chance.”

“Indeed.” I looked at Cecilia.

“Let’s go.  I’ve got an audition for that mercenary role tomorrow, and I think I know exactly how I’m going to play it.”

“Then until we meet again,” I said to Jaime.

“That is not very likely.”

“In my experience, never say never.”

© Charles Heath 2022

Memories of the conversations with my cat – 71

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some months ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

This is Chester.

When I come down to the writing room he’s sitting on the table next to the keyboard.

I take this gesture to mean that he’s not trying to be confrontational.

He’d be sitting on the keyboard if that was his intention.

Or, perhaps he’s trying to lull me into a false sense of security.

I try to read his expression, forgetting that cats down have expressions, just a single look.

Contempt.

I sit down and we’re now eye to eye. Could it be that he is doesn’t like the idea of looking up at me? Might that almost suggest that I am the master and he is the cat?

Perhaps I’m just tired and writing too much into it. Maybe he just saw a mouse and wanted to get an overview of where it might have gone.

Plenty of hiding places in this office. Chester knows some off them himself because there are times when I can’t find him.

Then he deigns to speak. “I think it’s time you cleaned this room up.”

It seems it’s a universal request from everyone, grandchildren included.

“Sorry. Not sorry. I’m going for the grumpy grandfather’s study children are forbidden to enter look. Piles of books, shelves overloaded with more books, messy tables, and papers scattered everywhere. And nowhere to sit because seats are places to pile more stuff.”

He looks around.

“Done a good job of it then. How do you find anything?”

“I found you.”

“I wasn’t hiding.”

“Oh, I thought you were.”

I’m sure there was that imperceptible shake of the head in disdain, before he jumps down and leaves.

Dodged a bullet there. I was sure he was going to complain about his food … again!