“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

© Charles Heath 2016-2021

Sayings: Irons in the fire

There is an expression you hear a lot, here, there, and everywhere when referring to someone who is very busy, ‘oh, he has a lot of irons in the fire’.

These days we use it as an analogy not to have too many things on the go at the same time, and, in the end, none of them will be finished properly, or finished at all.

There are two old-time literal meanings that can apply to this analogy, the first being that in laundries, they used to have their irons in the fire, warming so that clothes could be ironed. Having too many meant sometimes one would be left too long, and end up scorching the clothes being ironed.

Hopefully, that didn’t happen to a very expensive dress!

The second meaning came from a blacksmith’s foundry where he had iron bars in the fire, heating up so that they could be worked on. Having too many in the fire at once sometimes meant that one became overheated, and ruined.

Conversely, having too many pieces of iron in the fire might cause the fire to be too cool to heat any of the metal bars.

These days, a lot of people need to have a lot of projects on the go at once, in the hope that one or more might suddenly become a winner.

Sadly, that doesn’t happen very often.

And, no, buying a lot of lottery tickets hoping one will win, that is not very likely either.

Sayings: Flogging a dead horse

This wouldn’t be so apt if it didn’t bring back a raft of bad memories, those days I used to go to the races, and back all of the wrong horses.

I had a knack, you see, of picking horses that fell over, or came dead last.

Perhaps that’s another of those sayings, dead last, with a very obvious meaning.  Dead!  Last!

But…

In the modern vernacular, flogging a dead horse is like spending further time on something in which the outcome is already classed as a complete waste of time.

However…

Back in the old days, the dead horse referred to the first month’s wages when working aboard a ship, usually paid for before you stepped on board the ship.  At the end of the first month, the theoretical dead horse was tossed overboard symbolically, and thereafter you were paid.

It still didn’t make sense to me that someone would tell me I was flogging a dead horse, until I realized, one day, the lesson to be learned was never to get paid in advance.

 

Taking the headlines and conjuring up the plot of a novel

What do you make of this lot:

What happened at a Russian missile site?  This is also tinged with nuclear fallout.

The US is consulting with allies in Asia about missile sites.  Nothing more inflammatory to a country like China, with whom relations are deteriorating at a rapid rate of knots.

Investors rush to buy bonds.  OK, that’s short term bonds not long term bonds, and that, of course, caused an inverted curve, or a preclusion to a recession.

Gold and silver investment is booming, and in times past, this could be a precursor to war.

China has a huge fishing fleet in the South China Sea.  Why, no one knows.

China is also planning naval exercises in the same area.  Are they flexing muscles or sending a warning?

They’ve also had problems in Hong Kong, but it didn’t escalate into what happened at Tiananmen Square.  But, bottom line, Hong Kong is not a place to go to or stop over any more because of a constant threat of being arrested.  I’m certainly never going there again, which is a shame because it was my second favorite Asian city after Singapore.

And, of course, there’s another flashpoint in Kashmir, which everyone seems to have an opinion, but that had been simmering for a long, long time, and probably will for years to come.

And as for the former world power, the UK, they have got past Brexit, or have they?

So, from a thriller writer’s perspective, it means that if Russia is rearming, the US is trying to pre-empt missile strikes from China, or anything is simmering in North Korea which currently doesn’t seem to be the case, it seems the savvier investors have a notion the world might be on the brink of war, and the US might be in the middle of it all.

The US appears:

  • to be in a trade war with China, or perhaps a war of words
  • are selling billions worth of arms to Taiwan, a red rag to a bull if there was ever one
  • are offering to help out in Kashmir
  • are sending ships to the South China sea to show the ‘flag’
  • are standing back and watching North Korea launch missiles
  • are emphatically denying there will be a recession, at least at home

Can we get a plot line out of all this?

Title:  Flashpoint

Synopsis:

A leaked report on a Russian missile base suggests a recent ‘mishap’ with disarming ‘old nuclear missiles’, was more than just routine issue, and a flyover by satellite shows there are more sinister and unexplainable operations in play.

Meanwhile, the arrival of a Russian nuclear specialist and a group of Chinese scientists in North Korea is quickly followed by several missile tests a week later.  Are the North Koreans, with the help of the Chinese, looking to arm their missiles with Russian nuclear warheads?

The CIA has sent two of their best operatives to find out what is really going on, one, Sam Stockton, borne of Russian parents, and who has yet to exorcise his demons from the last failed mission, and the other, Elizabeth Chen, a North Korean expert who is coming out of retirement for this particular delicate assignment.

Will they discover the truth before the world descends into a nuclear holocaust?

How could that possibly happen… – A short story

I had hoped by the time I was promoted to assistant manager it might mean something other than long hours and an increase in pay.

It didn’t.

But unlike others who had taken the job, and eventually become jaded and left, I stayed. Something I realized that others seemed to either ignore or just didn’t understand, this was a company that rewarded loyalty.

It was why there were quite a few who had served 30 years or more. They might not reach the top job, but they certainly well looked after.

I had a long way to go, having been there only 8 years, and according to some, on a fast track. I was not sure how I would describe this so-called ‘fast track’ other than being in the right place at the right time and making a judicial selection.

When it was my turn to be promoted, I had a choice of a plum department, or one most of my contemporaries had passed over. At the time, the words of my previous manager sprang to mind, that being a manager for the most sought after department or the least sought after, came with exactly the same privileges.

And, he was right. I took the least sought after, much to their disdain and disapproval. One year on, that disapproval had turned almost to envy; that was when the Assistant Managers were granted a new privilege, tea, and lunch in the executive dining room.

“So, what’s it like?” John asked, when our group met on a Friday night, this the first after the privilege was granted.

He had been one of the three, including me, who had the opportunity to take the role. Both he and Alistair had both declined, prepared to wait for a more prestigious department. It hadn’t happened to them yet.

“The same as the staff dining room, only smaller. Except, I guess, the waitstaff and butler. They come and serve you when you have to go to them in the staff room. They’re the same staff, by the way, except for the butler.”

I could see the awe, or was it envy, in their eyes. “but it’s not that great. The Assistant Managers all sit at one end of the table, and we’re not part of the main group, so no sharing of information I’m afraid. And the meals are the same, just served on fancier crockery.”

“Then nothing to write home about?” Will was one of those who they also thought to be on a ‘fast track’. I was still trying to see how my ‘fast track’ was actually that fast.

“Put it this way, the extra pay doesn’t offset the long hours because you get overtime, I don’t, so on a good week, you’d all be earning more than me. Without responsibility, if anything goes wrong. I think that’s why Assistant Managers were created, to take the blame when anything goes wrong.”

That had been the hardest pill to swallow. Until I got the role, I hadn’t realized what it really involved. Nor had the others, and it was not something we could whinge about. My first-day introductory speech from Tomkins, my Manager, was all about taking responsibility, and how I was there to make his life easier. It was a speech he made a few times because he’d been Manager for the last 16 years, much the same as the others, and promotion if ever, would come when they died.

And Manager’s rarely died, because of their Assistant Managers.

“How old is Tomkins now?” Bert, a relative newcomer to our group, asked. He was still in the ‘in awe’ phase.

“About the same as Father Time,” I said. “But the reality is, no one knows, except perhaps for the personnel manager.” O looked over at Wally, the Personnel Department’s Assistant Manager. “Any chance of you telling us?”

“No. You know I can’t.”

“But you know?” I asked.

“Of course, but you know the rules. That’s confidential information. Not like what you are the custodian of, information everyone needs.”

Which, of course, was true. Communication and Secretarial Services had no secrets, except for twice a year when the company Bord of Directors met, and we were responsible for all the documents used at their meetings. Then, and only then, was I privy to all the secrets, including promotions. And be asked ‘What’s happening?’.

“Just be content to know that he’s as old as the hills, as most of them. It seems to me that one of the pre-requisites for managership is that you have been employed here for 30 years.”

Not all, though, I’d noticed, but there wasn’t one under the age of fifty.

And so it would go, the Friday night lament, those ‘in’ the executive, and those who were not quite there yet.
It seemed prophetic, in a sense, that we had been talking about Mangers and their ages. By a quirk of fate, some weeks before, that I learned of Tomkins’s currents state of health via a call on his office phone. At the time he was out, where, he had not told me, but by his the I believed it was something serious, so serious he didn’t want me, or anyone else, to know about it.

That phone call was from his wife, Eleanor, whom I’d met on a number of occasions when she came to take him home from work. I liked her, and couldn’t help but notice she was his exact opposite, Tomkins, silent and at times morose, and Eleanor, the life of the party. I could imagine her being a handful in her younger days, and it was a stark reminder of that old saying ‘opposites attract’.

She was concerned and asked me if he had returned from the specialist. I simply said he had but was elsewhere, and promised to get him to call her when he returned. Then I made a quick call around to see where he was and found that he was in Personnel. I left an innocuous message on his desk, and then let my imagination run wild.

At least for a day or so, the time it took for me to realize that it was probably nothing, the lethargy he’d been showing, gone.

I’d put it out of my mind until my cell phone rang, and it was from the Personnel Manager. On a Sunday, no less. In the few seconds before I answered it, I’d made the assumption that Tomkins’s secretive visits to the specialist meant he needed time off for a routine operation.

Greetings over, O’Reilly, the Personnel Manager, cut straight to the chase, “For your personal information, and not to be repeated, Tomkins will be out of action for about two months, and as that is longer than the standard period, you will become Acting Manager. We’ll talk more about this Tuesday morning.” Monday was a holiday.

All Assistant Managers knew the rules. Any absence of a manager for longer than a month, promotion to Acting Manager. Anything less, you sat in the office, but no change in title. There was one more rule, that in the event of the death of a manager, the assistant manager was immediately promoted to Manager. This had only happened once before. 70 years ago. If a manager retired, then the position of Manager was thrown open to anyone in the organization.

It was an intriguing moment in time.

Tuesday came, and as usual, I went into the office, with only one thought in mind, let the staff in the department know what was happening, of course, the moment I was given the approval to do so by Personnel.

Not a minute after I sat down, the phone rang. I picked it up, gave my name and greeting. It was met with a rather excitable voice of the Assistant Manager, Personnel, “I just got word from on high, you’ve been promoted to manager. How could that possibly happen…”

Then a moment later, as realization set in, “Unless…”

—-

© Charles Heath 2020-2021

The refinement of an old idea

I write about spies, washed out, worn out, or thrown out.

It’s always in the back of my mind, sometimes fuelled by a piece in the paper that has a sense of conspiracy about it, and from there, an idea starts turning into words that need to find their way to paper.

Then, if that’s the extent of the first draft, sometimes it goes into the ‘I will come back to this later’ folder and, sometimes, it’s gone and forgotten.

Until I wake up suddenly in the middle of the night, an old story with a new idea fills my head, and I have to get it down.

Then, it will bother me over the next few days, until I give it the attention it’s calling out for.  This will often lead to more writing, but planning leading to a synopsis.

The first sentence of a novel is always the hardest. Like I guess many others, I sit and ponder what I’m going to write, whether it will be relevant, whether it will pull the reader into my world, and cause them to read on.

And that’s the objective, to capture the reader’s imagination and want to see what’s going to happen next.

The problem is, we have to set the scene.

Or do we?

Do we need to cover the who, what, where, and when criteria in that first sentence? Can we just start with the edge of the seat suspense, like,

 

The first bullet hit the concrete wall about six inches above my head with a resounding thwack that scared the living daylights out of me. The second, sent on its way within a fraction of a second of the first found its mark, the edge of my shoulder, slicing through the material, and creasing skin and flesh. There was blood and then panic.

Milliseconds later my brain registered the near-miss and sent the instruction: get down you idiot.

I hit the ground just as another bullet slammed into the concrete where my head had just been.

 

It can use some more work, less commas, perhaps shorter, sharper sentences to convey the urgency and danger.

Perhaps we could paint a picture of the main character.

He tentatively has the name of Jackson Galworthy. He has always aspired to be a ‘secret agent’ or ‘spy’ and but through luck more than anything else, he was given his opportunity. The problem is he failed his first test and failure means washing out of the program.

What had ‘they’ said? When the shit hits the fan, you need to be calm, cool, and collected. He’d been anything but.

Maybe we’ll flesh the character out as we go along.

OK, I just had another thought for an opening,

 

Light snow was still falling, past the stage where each flake dissolved as it hit the ground, and now starting to gather in white patches.

It was cold, very cold, and even with the three layers I still shivered.

What surprised me was the silence, but, of course, it was a graveyard beside an ancient church, and everyone who had attended the funeral service had left.

It was a short service for the few that came, and a shorter burial. No one seemed keen to hang around, not with the evening darkness and the snow setting in.

I stood, not far from the filled grave looking at it, but not looking at it. Was I expecting it’s occupant to rise again? Was I expecting forgiveness? I certainly didn’t deserve it.

The truth is, I was responsible for this person’s death, making a mistake a more seasoned professional might not, and the reason why I was shown the door. I had been given very simple instructions; protect this man at all costs.

It was going to be a simple extraction, go in, get the target, and get out before anyone noticed.

A pity then I was the only one who got that memo.

 

It’s a start, but with the TV going on in the background, Chester complaining about something, and the weeds in the yard are getting higher, there’s too much else going to consider this even a start.

It’s an idea.  Perhaps I can expand on it later.

 

© Charles Heath 2020

 

There seems to be something missing…

It seems the closer I get to the end of a story, the harder it becomes.

In this case, it is not the first draft, but more like the fifth.  The first is to correct any continuity errors and hidden clues that, when the reader gets to the end, it’s not a case of ‘how the hell did that happen’.

The second and quite possibly the third is to correct all the grammatical and spelling errors.

The fourth is to read it as a reader and to find anything that may have slipped through the first three passes.  You would be amazed, at this point, how many grammatical errors there can be, and even a wrong spelling or two.  Sometimes it seems the eyes see what they assume is right when it is glaringly wrong.

Sometimes there isn’t the fifth reading.  On those very rare occasions when there isn’t, it is when I am satisfied with what I’ve written, but this doesn’t happen too often, because, after the fourth reading, I let it rest, and let it stew in my mind.  If it doesn’t fade away after a week or two, it means there’s something wrong.

Hence the fifth reading.

So, here we are, and there is something not quite right, and it needed a few more pages earlier on to reinforce what comes later, and I get this done.  Now, the conclusion is sounding more plausible, but there’s going to be one less death because I can see, somewhere in a dark and murky future, this person is going to return at an entirely unexpected moment.

Whether it’s to save the day, or something a lot, lot worse, I won’t know until the idea in the back of my mind becomes words on paper.

Maybe next year.

There seems to be something missing…

It seems the closer I get to the end of a story, the harder it becomes.

In this case, it is not the first draft, but more like the fifth.  The first is to correct any continuity errors and hidden clues that, when the reader gets to the end, it’s not a case of ‘how the hell did that happen’.

The second and quite possibly the third is to correct all the grammatical and spelling errors.

The fourth is to read it as a reader and to find anything that may have slipped through the first three passes.  You would be amazed, at this point, how many grammatical errors there can be, and even a wrong spelling or two.  Sometimes it seems the eyes see what they assume is right when it is glaringly wrong.

Sometimes there isn’t the fifth reading.  On those very rare occasions when there isn’t, it is when I am satisfied with what I’ve written, but this doesn’t happen too often, because, after the fourth reading, I let it rest, and let it stew in my mind.  If it doesn’t fade away after a week or two, it means there’s something wrong.

Hence the fifth reading.

So, here we are, and there is something not quite right, and it needed a few more pages earlier on to reinforce what comes later, and I get this done.  Now, the conclusion is sounding more plausible, but there’s going to be one less death because I can see, somewhere in a dark and murky future, this person is going to return at an entirely unexpected moment.

Whether it’s to save the day, or something a lot, lot worse, I won’t know until the idea in the back of my mind becomes words on paper.

Maybe next year.

Writing about writing a book – Day 21 continues

I’m still working on Bill’s backstory, and how he got mixed up in the war, and as a general background to his situation, and life before Davenport.

This is still in his own words:

 

But whether we were stupid or naive, or completely mad, we were all eager to get into battle, filled with the sort of hate only Army propaganda films could fill you with.  They were our enemy, and they deserved to concede or die.

A fresh face in a hardened platoon, I was eager to get on with it.  They looked knowingly, having seen it all before.  No idea of the reality, and no time to tell us.  Have a few beers to celebrate, and then, the next morning, go out on patrol.  No problem.

There was camaraderie, but it was subdued.  We walked single file, the seasoned campaigners in front and at the rear, treading carefully, demanding quiet, and a general cautiousness.  In the middle of nowhere, where only the sound of rain, or the animals and birds for company, we were naive enough to think this was going to be a doddle.

Then it happened, six hours out, and just before we reached a small clearing.  I thought to myself it was odd there should be such a clear space with jungle all around it.  There must be a reason.

There was.

We had walked into an ambush, and everyone hit the ground.  I was bringing up the rear with another soldier, a veteran not much older than myself whose name was Scotty, a little farther back from the main group.  Bullets sprayed the undergrowth, pinging off trees and leaves.  I buried my face in the dirt, praying I would not die on my first patrol.

We became separated from the others, lying in a hollow, with no idea how far away help was.  He was muttering to himself.  “God, I hate this.  You can never see the bastards.  They’re out there, but you can never bloody well see them.”  Then he crawled up the embankment, gun first.

He let off a few rounds, causing a return of machine-gun fire, spattering the dirt at the top.  Next thing I knew he was sliding down the hill with half his face shot away.  Dead.  I threw up there and then.  What an initiation.

Then one of the enemy soldiers came over the hill to check on his ‘kill’.  I saw him at the same time he saw me and aimed my gun and shot.  It was instinct more than anything else, and I hadn’t stopped to think of the consequences.  He fell down, finishing up next to me, staring at me from black, lifeless eyes. 

Dead. 

I’ll never forget those lifeless eyes.  I just got up and ran, making it back to the rest of the group without getting hit.  No one could explain how I made it safely through the hail of gunfire, from our side and theirs.

Back in the camp later, the veterans remarked on how unlucky Scotty was and how lucky I was to shoot one of the enemies, and not be killed myself.  They all thought it was worth a celebration.

Before we went out the next day to do it all again.

I spent the night vomiting, unable to sleep, haunted look on his face, one I finally realized that reflected complete astonishment.

 

There will be more, as the story develops.

 

© Charles Heath 2016-2020

I’d like to write a political thriller

But, I don’t understand politics.

The question is, do you really have to?

I mean all you have to do is read the papers and read between the lines. It doesn’t take much imagination to find something worth writing about

For instance,

How could it possibly happen that a leader of a very powerful country become a spy for another?

It doesn’t seem plausible, but is it possible?

It depends I’m guessing, on power and wealth, well, perhaps not so much the power, but it is true that money and wealth are great motivators.

How could it happen when the leader is in the public eye nearly all of the time? And even if that leader has closed-door conversations, which is doubtful he would be on his own, the red not really be an opportunity to sell out to the other side.

Even an exchange of gifts, like apartments or a dacha, wouldn’t be enough of an incentive, well, not for me anyway. But a clear path to investment in a rival country, maybe.

Perhaps then rather than becoming a spy, the leader could adopt a policy of appeasement.

We have history to tell us how well that works, and the fact giving concessions to another county only emboldens it to take advantage of apparent weakness, and then, hey presto, we have another war.

So…

What do we really have?

A lot of speculation and conjecture. It’s easy to construe what might be the truth from a set of circumstances and behavioral patterns of the individuals involved.

It could be likened to two cats circling each other in a cage before the fight begins.

The waters can be muddied by a constant stream of incendiary tweets which fire the readers’ imagination, all intended as a smoke screen, or feelers to see which was the wind is blowing.

Is that leader masterful and clever or is he a naive fool?

My political thriller might have a working title of,

‘Which Way Does The Wind Blow’

I don’t usually have a title for any of the books until after the first draft, or sometimes something might spring out as it’s being written.

But, for now, let’s sit back and see which way the wind is blowing.