Tag: Story

Motive, means, and opportunity – Opportunity

I’m working on a novella which may boringly be called “Motive, Means and Opportunity” where I will present a chunk of information from which you if you want to, can become the armchair detective.

Here’s the third part, the Opportunity

 

Where was I last night between 9pm and 3am?

Not with my wife, Wendy. She had gone out before 6 pm, about the time is got home from work. No, she didn’t really say where she was going, or if she did, given the list of the past, I didn’t believe her.

Where was I?

Home, alone.

Could anyone corroborate that?

Sadly no.  Isn’t that always the way, though?

But, the car I was driving was a company car. It had a GPS and tracking system, part of so-called security measures put in by the company I worked for, but in reality there to check after hours use.

The GPS would show I never left home.  Using the car, that is.

The only other car had been taken by Wendy so the reality was, I hadn’t left home. The other car, the off-road vehicle was in the workshop, still waiting to be repaired. It was the car out son had been killed in, and neither of us had the heart to do anything with it.

But…

Apparently, I had a visitor.

James Burgman had been seen outside my house at 10:30 pm, his car had been found two blocks away in the car park, away from the street, and he was found dead, shot by a gun that used 9mm bullets, at 4:45 am the next morning.

No. I had not been seen leaving the house, but it had been ascertained that it was possible to leave and not be seen, if I tried hard enough.

I hadn’t and had no reason to, but that didn’t seem to matter.

Sitting in the interview room, purportedly to help the police in their enquiries, Detective John Sanderson had detailed quite succinctly how I had a motive, the means, and opportunity.

Little else mattered, and particularly the fact I didn’t do it. It was only a matter of time before the gun was found.

So, there I sat in the station, waiting for a series of test results to come back, mainly gunshot residue on me and on my clothes, not just those I was wearing, but everything I owned.

In the end, there was nothing. They couldn’t prove I left home, or that I shot him. Not then. I was advised not to leave the city, that I was a person of interest.

When I asked either my wife, Wendy, had been subjected to the same interrogation, the atmosphere changed, and Sanderson had rounded on me quite savagely.

“Her innocence is not in question. In fact, you would not be here if it wasn’t for her statement. She honestly believes you shot him out of pure jealousy, and, quite frankly Mr Winters, so do I, and it will only be a matter of time before I find the evidence to convict you.  Now, get out of my sight.”

 

© Charles Heath 2019

Motive, means, and opportunity – Means

I’m working on a novella which may boringly be called “Motive, Means and Opportunity” where I will present a chunk of information from which you if you want to, can become the armchair detective.

Here’s the second part, the so-called Means

 

Everyone knew I had a gun.  It was locked away in a safe that was not in an obvious position in the dressing room at home.

Several years ago our neighbourhood had been subjected to several breaking and several people had been injured, prompting the rest of us to seriously consider getting protection.

I got a Glock 19, 9 mm along with several of my neighbours and then both Wendy and I got lessons so we knew how to use it properly, and avoid shooting either each other or in our feet.

The thing is, there had only been that one round of breaking, and since the gun was put away on the safe about eighteen months ago, it had not seen the light of day since.

Or so I thought.

When asked to check if it was still there, it wasn’t, much to my surprise.

Equally, to my surprise, the bullet that killed James Burgman was a nine millimetre.  Was that a coincidence, I didn’t think so.

 

© Charles Heath 2019

Motive, means, and opportunity – Motive

I’m working on a novella which may boringly be called “Motive, Means and Opportunity” where I will present a chunk of information from which you if you want to, can become the armchair detective.

Here’s the first part, the so-called Motive

So, here’s the thing…

I said it.  Not once, in the heat of the moment, but more than once, to several different people.  I wanted James Burgman dead.

Why?

Because I knew he was the man sleeping with my wife, Wendy.

I’d long suspected she was having an affair, you know the signs, not where you expect her to be, making excuses where none were necessary if she was doing what she said she was, and disappearing for hours without an explanation.

And I knew James Burgman was an old boyfriend, a discovery that was made quite by accident.  In fact, I followed her one night, not because I was suspicious, but worried for her safety.

That was where I saw her meet him with more than just a friendly handshake.

I had to say it made me feel gutted.

But would I kill him?

It was not worth the problems it would cause me to do so, and, when push came to shove, neither of them were worth it.  I knew, even if he was out of the way, she would not stay with me. 

That train had left the station about a year ago when our only son had been killed in a senseless road accident.

© Charles Heath 2019-2023

A score to settle – The Second Editor’s draft – Day 25

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

A writer has to be all people, and, sometimes that can be a difficult remit.

To start with, I know what it’s like to travel, stay, and work in remote, sometimes primitive, locations. Getting there is sometimes a laborious task, battling the weather, the people, and the authorities.

It can be scary at best and terrifying at worst.

And it can be lonely with tenuous links to those back home.

Now, supplant that with the fact you are in that place on false pretences. You now have to channel all of the above and find a degree of both bravado and confidence, which most times, in reality, you don’t have.

Easy, you say, to write about, because you’re not really there, so you can be whatever you want, do whatever you want.

The problem is, it still has to be believable.

So we’re starting with a character that has a job to do, preferably to be on his own so he doesn’t have to be responsible for anyone he’s working with and can use any or all means available to get the job done.

Still not a difficult portrayal.

Quite often there’s no need to complicate the character by adding a background life, which might mean that he has a wife, which is unlikely if he is an agent provocateur, a girlfriend, which is also unlikely, because as a lover, he doesn’t need the distraction or the problem of keeping secrets, which, because of his job, would be a necessity.

But…

Time to add a complication.

His boss sends an assistant, or partner, one that he’s not told about.

And is a woman.

Suddenly his dynamic changes completely, and we need to have some character analysis, like his attitude to partners, and attitude towards women.

The problem is, how the reader is going to perceive this characterization, and that’s where the job becomes harder because on one hand, you want him to be the epitome of the new age man, and on the other, the hard-nosed agent that has no time for building relationships, and particularly because that person is female.

It’s going to be an interesting dynamic, and now that I have thought about, enough to write this, I can see some elements of his character will need to change.

Needless to say, she is going to be a strong female character, so more about her tomorrow.

A score to settle – The Second Editor’s draft – Day 25

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

A writer has to be all people, and, sometimes that can be a difficult remit.

To start with, I know what it’s like to travel, stay, and work in remote, sometimes primitive, locations. Getting there is sometimes a laborious task, battling the weather, the people, and the authorities.

It can be scary at best and terrifying at worst.

And it can be lonely with tenuous links to those back home.

Now, supplant that with the fact you are in that place on false pretences. You now have to channel all of the above and find a degree of both bravado and confidence, which most times, in reality, you don’t have.

Easy, you say, to write about, because you’re not really there, so you can be whatever you want, do whatever you want.

The problem is, it still has to be believable.

So we’re starting with a character that has a job to do, preferably to be on his own so he doesn’t have to be responsible for anyone he’s working with and can use any or all means available to get the job done.

Still not a difficult portrayal.

Quite often there’s no need to complicate the character by adding a background life, which might mean that he has a wife, which is unlikely if he is an agent provocateur, a girlfriend, which is also unlikely, because as a lover, he doesn’t need the distraction or the problem of keeping secrets, which, because of his job, would be a necessity.

But…

Time to add a complication.

His boss sends an assistant, or partner, one that he’s not told about.

And is a woman.

Suddenly his dynamic changes completely, and we need to have some character analysis, like his attitude to partners, and attitude towards women.

The problem is, how the reader is going to perceive this characterization, and that’s where the job becomes harder because on one hand, you want him to be the epitome of the new age man, and on the other, the hard-nosed agent that has no time for building relationships, and particularly because that person is female.

It’s going to be an interesting dynamic, and now that I have thought about, enough to write this, I can see some elements of his character will need to change.

Needless to say, she is going to be a strong female character, so more about her tomorrow.

Short story writing: Don’t try this at home – Part 5

This is not meant to be a treatise on short story writing.  Far be it for me to advise anyone on the subject.  I prefer to say how it is that I do it so you can learn all of the pitfalls in one go.

Now, there’s this thing called continuity, but it covers a whole range of writing sins, most of which I eventually get caught out.  Films sometimes miss a few items, like back in the roman days, there are plane trails in the sky, in a 1920’s period piece, there’s a mobile phone sitting on a desk.

Like one minute the hero has a gun, and the next he’s fighting for his life with a knife, and, hey presto, there’s that gun again.  The error might not be that big but you can’t pull out a weapon you don’t have or wasn’t there in the first place.

Similarly, the hero pulls out a mobile phone, but there’s only one problem, it’s 1980, and there are no mobile phones.  Our problem might be that we are so used to doing and using certain things that we might forget, for a minute or two, that were not available in the past.

The same goes for the fashion of the day.

And my all-time favourite, getting the right make and model of car.

Oh, and just for good measure, back in the old days they used acoustic couplers to attach to phones via a serial port to dial-up not a server, but a BBS, Bulletin Board Service, at a rate of 300 baud, or a little while later, 1,200 baud.

There was no internet in general use.  If you wanted to call the office when out, use a telephone box.  Or carrier pigeon.

And the use of language, there’s a lot of stuff relevant today that was not used back then, and there was a lot of stuff back then that isn’t tolerated now.  Some of it might be hard to get your head around.  It isn’t for me, because I can remember the 1970s and 1980s, but I’m not too sure about allowing some of what happened then to creep into my work.

So, you get the picture.  Try to use the past as the past, or leave it in the past.

Unless it’s a book about time travel, then all bets are off.

Short Story Writing: Don’t try this at home – Part 4

This is not meant to be a treatise on short story writing.  Far be it for me to advise anyone on the subject.  I prefer to say how it is that I do it so you can learn all of the pitfalls in one go.

I find inspiration in the most unlikely places.

Shopping malls are great, there is so many things going on, so many different types of people, there’s often enough to fill a journal.

Driving on the roads, you get to see some of the most amazing stunt driving, and it’s not even being filmed, it’s just playing out before your very eyes.

Waiting in hospitals, waiting for doctors, accountants, dentists, friends, hanging around coffee shops, cafes, bistros, restaurants, the list is endless.

But the best source, newspapers, and the more obscure the headline the better, and then just let your imagination run free, like:

Four deaths, four mysteries, all homeless.

This poses a few interesting scenarios, such as, were they homeless or were they made to look like they’re homeless.  Are they connected in any way?

The point is, far from the original story that simply covers four seemingly random murders, a writer can turn this into a thriller very easily.

It could follow a similar headline in another country where three headlines could be found, say, in London, where a man is found dead in an abandoned building, a week after he died, with no obvious signs of how he died.

A woman is killed in what seems from the outset an accident involving two cars, where, after three days, the driver of the second vehicle just simply disappears.

A man is reported missing after not reporting for work when he was supposed to return from a vacation in Germany.

Where an obscure piece says that a man was found at the bottom of a mountain, presumed to have fallen in a climbing accident.

It’s all in the joining of the dots.

 

Searching for locations: Castello di Monterinaldi, Tuscany, Italy

As part of a day tour by Very Tuscany Tours, we came to this quiet corner of Tuscany to have a look at an Italian winery, especially the Sangiovese grapes, and the Chianti produced here.

And what better way to sample the wine than to have a long leisurely lunch with matched wines.  A very, very long lunch.

But first, a wander through the gardens to hone the appetite:

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And a photo I recognize from many taken of the same building:

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Then a tour of the wine cellar:

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Then on to the most incredible and exquisite lunch and wine we have had.  It was the highlight of our stay in Tuscany.  Of course, we had our own private dining room:

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And time to study the paintings and prints on the walls while we finished with coffee and a dessert wine.

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And of course, more wine, just so we could remember the occasion.

In a word: Light

Yes, I see the lighthouse, what’s it doing all the way out there?  The thing is, these places are sometimes so remote, I start thinking I should rent one for 6 months and then, without any distractions, I’ll get the blasted book finished.

Until there’s a shipwreck, of course!

Light is of course light, duh.  Turn on the switch and let there be light.

Hang on, didn’t someone else say that, millennia ago?  Someone famous?  It’s on the tip of my tongue.

No! It’s not cyanide…

So, whilst we need it to see everything, it has another meaning…

My, that’s a light load your carrying today, which means not very heavy.

Or, that’s a light-coloured jumper, which means pale.

Oh, and did you light the fire?

And, after you light the fire, do you light out to a safe haven in light traffic because really it was arson, and you got a light sentence the last time enabling you to do it again.

If you are trying to rob someone, then it was a kilo light.

And after a long hard struggle, did you light upon the correct answer?

This is not to be confused with another similar word, lite.

It seems this is only used for describing low-calorie drinks and food, such as lite beer, which seems to me to be a lazy way of not using light

Still, there’s not much other use of the word except as a suffix -lite, but then you’d have to mention -lyte as well.

The message here – just use the damn word light and be done with it.

 

Lost and Found, a short story

I had once said that Grand Central Station, in New York, was large enough you could get lost in it. Especially if you were from out of town.

I know, I was from out of town, and though I didn’t quite get lost, back then I had to ask directions to go where I needed to.

It was also an awe-inspiring place, and whenever I had a spare moment, usually at lunchtime, I would go there and just soak in the atmosphere. It was large enough to make a list of places to visit, or find, or get a photograph from some of the more obscure places.

Today, I was just there to work off a temper. Things had gone badly at work, and even though I hadn’t done anything wrong, I still felt bad about it.

I came in the 42nd street entrance and went up to the balcony that overlooked the main concourse. A steady stream of people was coming and going, most purposefully, a few were loitering, and several police officers were attempting to move on a vagrant. It was not the first time.

But one person caught my eye, a young woman who had made a circuit of the hall, looked at nearly every destination board, and appeared to be confused. It was the same as I had felt when I first arrived.

Perhaps I could help.

The problem was, a man approaching a woman from out of left field would have a very creepy vibe to it, so it was probably best left alone.

Another half-hour of watching the world go by, I had finally got past the bad mood and headed back to work. I did a wide sweep of the main concourse, perhaps more for the exercise than anything else, and had reached the clock in the centre of the concourse when someone turned suddenly, and I crashed into them.

Not badly, like ending up on the floor, but enough for a minor jolt. Of course, it was my fault because I was in another world at that particular moment.

“Oh, I am sorry.” A woman’s voice, very apologetic.

I was momentarily annoyed, then, when I saw who it was, it passed. It was the lost woman I’d seen earlier.

“No. Not your fault, but mine entirely. I have a habit of wandering around with my mind elsewhere.”

Was it fate that we should meet like this?

I noticed she was looking around, much the same as she had before.

“Can I help you?”

“Perhaps you can. There’s supposed to be a bar that dates back to the prohibition era here somewhere. Campbell’s Apartment, or something like that. I was going to ask…”

“Sure. It’s not that hard to find if you know where it is. I’ll take you.”

It made for a good story, especially when I related it to the grandchildren, because the punch line was, “and that’s how I met your grandmother.”

 

© Charles Heath 2020