Tag: Story

In a word: Clip

It was in the news, and seemed odd to me, that a word such as clip would have any significance beyond that of having a haircut, but apparently, it does.

Maybe they’re referring to the clip of ammunition for a gun?

But for us, a clip can be part of a haircut, letting the scissors loose.

And for those children who had a father who was a hard taskmaster, you would be familiar with a clip around the ears.  It can just as easily be used, say when a car clips another car when the driver loses control.

There’s a horse that runs at a fast clip, and can be anything for that matter that moves quickly.

It can be a spring-loaded device that holds all your papers together.  Or just about anything else for that matter.

You can clip an item from a newspaper, aptly known as a news clipping.

it can be a portion of a larger film or television programme, but to me, sometimes, when a series has a clip show, an episode where someone reminisces and we see clips from previous episodes.

And last but not least, clip the wings of those so-called high flyers at the office.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

Searching for locations: Queenstown Gardens, Queenstown, New Zealand

Queenstown Gardens are not far from the center of Queenstown.  They are just down the hill from where we usually stay at Queenstown Mews.

More often than not we approach the Gardens from the lakeside during our morning walk from the apartment to the coffee shop.  You can walk alongside the lake, or walk through the Gardens, which, whether in summer or winter, is a very picturesque walk.

There’s a bowling club, and I’m afraid I will never be that sort of person to take it up (not enough patience) and an Ice Arena, where, in winter I have heard players practicing ice hockey.

I’m sure, at times, ice skating can also be done.

There is a stone bridge to walk across, and in Autumn/Winter the trees can add a splash of color.

There is a large water feature with fountain, and plenty of seating around the edge of the lake, to sit and absorb the tranquility, or to have a picnic.

There are ducks in the pond

and out of the pond

and plenty of grassed areas with flower beds which are more colorful in summer.  I have also seen the lawns covered in snow, and the fir trees that line the lake side of the gardens hang heavy with icicles.

The refinement of an old idea

I write about spies, washed out, worn out, or thrown out.

It’s always in the back of my mind, sometimes fuelled by a piece in the paper that has a sense of conspiracy about it, and from there, an idea starts turning into words that need to find their way to paper.

Then, if that’s the extent of the first draft, sometimes it goes into the ‘I will come back to this later’ folder and, sometimes, it’s gone and forgotten.

Until I wake up suddenly in the middle of the night, an old story with a new idea fills my head, and I have to get it down.

Then, it will bother me over the next few days, until I give it the attention it’s calling out for.  This will often lead to more writing, but planning leading to a synopsis.

The first sentence of a novel is always the hardest. Like I guess many others, I sit and ponder what I’m going to write, whether it will be relevant, whether it will pull the reader into my world, and cause them to read on.

And that’s the objective, to capture the reader’s imagination and want to see what’s going to happen next.

The problem is, we have to set the scene.

Or do we?

Do we need to cover the who, what, where, and when criteria in that first sentence? Can we just start with the edge of the seat suspense, like,

 

The first bullet hit the concrete wall about six inches above my head with a resounding thwack that scared the living daylights out of me. The second, sent on its way within a fraction of a second of the first found its mark, the edge of my shoulder, slicing through the material, and creasing skin and flesh. There was blood and then panic.

Milliseconds later my brain registered the near-miss and sent the instruction: get down you idiot.

I hit the ground just as another bullet slammed into the concrete where my head had just been.

 

It can use some more work, less commas, perhaps shorter, sharper sentences to convey the urgency and danger.

Perhaps we could paint a picture of the main character.

He tentatively has the name of Jackson Galworthy. He has always aspired to be a ‘secret agent’ or ‘spy’ and but through luck more than anything else, he was given his opportunity. The problem is he failed his first test and failure means washing out of the program.

What had ‘they’ said? When the shit hits the fan, you need to be calm, cool, and collected. He’d been anything but.

Maybe we’ll flesh the character out as we go along.

OK, I just had another thought for an opening,

 

Light snow was still falling, past the stage where each flake dissolved as it hit the ground, and now starting to gather in white patches.

It was cold, very cold, and even with the three layers I still shivered.

What surprised me was the silence, but, of course, it was a graveyard beside an ancient church, and everyone who had attended the funeral service had left.

It was a short service for the few that came, and a shorter burial. No one seemed keen to hang around, not with the evening darkness and the snow setting in.

I stood, not far from the filled grave looking at it, but not looking at it. Was I expecting it’s occupant to rise again? Was I expecting forgiveness? I certainly didn’t deserve it.

The truth is, I was responsible for this person’s death, making a mistake a more seasoned professional might not, and the reason why I was shown the door. I had been given very simple instructions; protect this man at all costs.

It was going to be a simple extraction, go in, get the target, and get out before anyone noticed.

A pity then I was the only one who got that memo.

 

It’s a start, but with the TV going on in the background, Chester complaining about something, and the weeds in the yard are getting higher, there’s too much else going to consider this even a start.

It’s an idea.  Perhaps I can expand on it later.

 

© Charles Heath 2020

 

Curious children find a curiosity

I am constantly reminded of how curious grandchildren can be when they are not asking you what it was like to live with dinosaurs!

The second eldest who is a rather clever 13-year-old considers it interesting that I’m a writer, and having just met a ‘real’ author who came to visit them at school, asked me a few questions, some of which sounded like those that had been asked of my ‘real’ counterpart.

Like, “how old were you when you first wrote a story, and what was that story about?”

I didn’t think it was when I was at school, but sometime after that, and after a lot of reading.  Perhaps it had been one of those moments when a light bulb goes on in your head, and I said to myself, I can write these stories too.

Of course, that wasn’t an answer, so she asked again, when did I start writing?

That required a little thought, and there were several triggers that gave me a date, where I lived at the time, the fact I used my mother’s old portable typewriter, and the fact I had not been long out of school.  I was, in fact, about 17.  It was 45 years ago; I’ll let you do the math!

What was it about; that I couldn’t tell her, but I said I had rescued a lot of old scribbling of mine and put them in a box to look at later when I had the time.

I guess that time had arrived.

And, yes, there was the book, the individually typed pages, some with corrections, unfinished.

The pages were brown with age.

The story, well, I read the first few pages, and it seems I’d started down the thriller path then, the story so far, an agent comes ashore from a trawler to a bleak and isolated village, perhaps on the Scottish coast.

Then there was the inevitable next question; “What was the first story you read that put you on the path to wanting to become a writer”.

That was easy, Alistair Maclean’s HMS Ulysses.  I showed her a copy of the book.

That led to, “but this is about the British Royal Navy in World War 2…”

Perhaps I didn’t answer that correctly, it was after reading about a dozen of his novels, most of which were precursors to the modern-day thriller, perhaps more along the lines of action adventures.

The next question, understandably; “What was the first book you ever finished?”

That was The Starburst Conspiracy, the manuscript of which was in the box along with another completed novel, and quite a few short stories.

Back in those days, I remembered that I had sent some of my stories off to various publishers, and had entered a number of short story competitions, all to no avail.  And for a number of years, until I because to old, used to write and enter a novel in the Vogel novel competition but never made it to the shortlist.

It’s probably why I gave up writing for a number of years, until I worked for an interesting company who had a rich history of phosphate mining in the Pacific and being given permission to look into the archives, began writing what could only be described a saga, and by the time I’d left, it was over 1200 closely typed pages long.

I showed the bulky manuscript to her, but by this time her interest had moved to something else.

For me, however, it seemed there was a lot of unfinished business.

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

 

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

 

© Charles Heath 2018-2020

Searching for locations: Huka Falls, Taupo, New Zealand

Huka Falls is located in the Wairakei Tourist Park about five minutes north of Taupo on the north island of New Zealand.

2013-03-12 12.28.21

The Waikato River heading towards the gorge

2013-03-12 12.13.01

The water heading down the gorge, gathering pace

2013-03-12 12.20.02

until it crashes over the top of the waterfall at the rate of about 220,000 liters per second.  It also makes a very loud noise, so that when you are close to it, hearing anything but the falls is impossible.

Writers need to have many alter egos, don’t they?

I have often wondered just how much or how little of the author’s personality and experiences end up in a fictional character.

Have they climbed mountains,

Have they escaped from what is almost the inescapable,

Have they been shot, tortured, or worse,

Have they been dumped, or divorced,

Have they travelled to dangerous places, or got locked up in a foreign jail?

We research, read, and I guess experience some or all of the above on the way to getting the book written, but it’s perhaps an interesting fundamental question.

Who am I today?  Or, more to the point, who do I want to be today?

Or it can be a question, out of left field, in an interview; “Who are you?”

My initial reaction was to say, “I’m a writer.”  But that wasn’t the answer the interviewer is looking for.

Perhaps if she had asked, “Who are you when you’re writing your latest story?” it would make more sense.

Am I myself today?

Am I some fictional character an amalgam of a lot of other people?

Have I got someone definite in mind when I start writing the story?

The short answer might be, “I usually want to be someone other than what I am now.  It’s fiction.  I can be anyone or anything I want, provided, of course, I know the limitations of the character.”

“So,” she says, “what if you want to be a fireman?”

“I don’t want to be a fireman.”

“But if the story goes in the direction where you need a fireman…”

“What is this thing you have with firemen?”  I’m shaking my head.  How did we get off track?

“Just saying.”

“Then I’d have to research the role, but I’m not considering adding a fireman anytime soon.”

She sighs.  “Your loss.”

Moving on.

And there is that other very interesting question; “Who would you like to be if you could be someone else?”

A writer in that period between the wars, perhaps like an F Scott Fitzgerald or Ernest Hemingway, in Paris, or if it is a fictional character, Jay Gatsby.

He’s just the sort of person who is an enigma wrapped up in a mystery.

An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

 

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognize later in a lineup.  I stepped to the other side and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

At the next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave by the back door if it had one.

Just in case.

 

© Charles Heath 2015-2020

newechocover5rs