Tag: short story

OMG, it’s Friday again

Someone, many years ago, told me that once you turned 65 the weeks just flew, you know, like when a day was a long time, days will seem like hours, weeks like days, and years, well, it’s like watching the time clock on a time machine.

That last week went really fast.

But…

I finally knuckled down and got some work done on the multitude of writing projects I’ve got going on.

I’ve recently been working on a story I’ve been calling ‘The helicopter story that’s been keeping me awake’, that got to the fifteenth episode, the end of what I now call part one, and as of the sixteenth episode is now under the ubiquitous title of ‘What happens after an action-packed start’.

Now written through to episode thirty, it starts on the third part and the climax of the story, and I may call it ‘What happens when you’re sent on a fool’s errand’.

The story will have three parts and will become a novella.  The title, “Under the Cover of Darkness”, and Part 1 is called “Crash Landing”.  More news on the other parts soon.

It has also become part of my “Cineman of my dreams” series, under the subtitle of ‘I never wanted to go to Africa.”

Another that I have been calling ‘I Always Wanted to go on a Treasure Hunt” was a whimsical idea that cropped up because I was stuck on an aeroplane, where the initial idea was formed, then home where it was a hot afternoon, and it reminded me of a desert island, just where you’d expect to find treasure.

Of course, the treasure isn’t on an island, it’s somewhere on the Florida coast, and there’s an intrepid adventurer who had the ‘real’ map, sought after by a variety of bad people.

It’s now rounded out into ninety one episodes, and nothing like what I originally envisaged.

It too is one of the ‘Cinema of my dreams’ series, subtitled, naturally, ‘I always wanted to go on a treasure hunt.

Last week I even began drawing up the treasure map, after all, you can’t have a treasure hunt without a map, can you?

Then there’s my war story, without a title.  That might not happen until it is finished.  It has forty-seven episodes so far, but we’re heading towards the end quite quickly.

It’s in WW2, and the Germans are about to discover all is not going their way.

Another of the ‘Cinema of my dreams’ series, it is subtitled ‘I always wanted to write a war story’.

There is a fourth story, under the title “Was it just another surveillance job’ that has surprisingly found a new life, and I’m having fun trying to work out the lies from the truth, except in the spy business, no one ever really knows which is which, do they?

It has fifty-two episodes and is also heading towards a conclusion.

There’s a fifth, a story that started out being fuelled by screenshots of planets in Skymap, that blossomed into my take on space travel and meeting alien races out on the edge of the galaxy.  Fifty-one episodes on, it’s a miracle they haven’t been blasted out of the sky.

Stay tuned for another progress report.

“Trouble in Store” – Short stories my way: Adding more to the second part

The story fleshed out for the second section, discussed in Point of View

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer, and the other man, a customer scared shitless.

The poor bastard was not the only one scared. 

It was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.

What had happened?

The shopkeeper laughed at them and  told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won.  No more arguments, the shopkeeper was getting the stuff when the customer burst into the shop.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

Her mother said she would never amount to anything, and here she was with a drug addict coming apart because she had been cut off from her money and could no longer pay for his supply, which had led them to this inevitable ending.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

 

If Alphonse had thought his day was going to get any better after the delivery disaster earlier that day, he was wrong.

If he thought he could maintain his real business and his under the counter business with no one finding out, in that he was wrong too.  He’s know, inevitably, some useless punk would come and do exactly what Simmo was doing.

It might have been salvageable before the customer came in the door, but now it was not.  The customer had heard the words, and given him ‘the look’.  A drug addict telling the cops he was a dealer, it was his word against an  unreliable addict, but this local chap, he had that air of respectability the cops would listen too.

Damn.

But he had to try and salvage the situation, there was a lot of money involved, and other people depending on him.  He looked at the boy, on the floor, then  the girl.

“Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d  prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Now, that remedy was off the table.

Now he had to deal with the fallout, especially if the girl started talking.

 

 

 

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way: Revisiting the first section

First drafts are always a little messy.  The words spill out onto the page, and it’s rare that any or all of them are perfect.  Sometimes you get lucky, but most of the time you don’t.

That’s why there’s revision, or by the more dreaded name, editing.

Editing conjures up a lot of different images in my mind, from completely re-writing, to cutting the mss down in size.  Or where you discover the main character’s name has changed from Bill to Fred after a bad night.

Usually, though, as stories progress, they go through a number of rewrites, and sometimes because of what follows.  It depends on how long a period the story is written.  Some of mine take days, others quite a lot longer.

This is the rewrite of the first section of the short story I’m undertaking, adding some new details:

 

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the beads of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered, and then did as he was told.  She was in the unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.”

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language, Jack thought, was not her own, she had been to a better class of school, a good girl going through a bad boy phase. Caught in a situation she was not equipped to deal with.

 

© Charles Heath 2016-2020

“Trouble in Store” – Short Stories my way: The end of the story

The stage is set for the big finale, though I’m not quite sure how ‘big’ it’s going to be.

Jack is ready to go having been given the green light by the girl with the gun.  It seems collateral damage is not on the agenda for her, though he does admit to himself she is between that proverbial rock and a hard place.

The storekeeper still has a plan, shaky at best, to regain hold of the situation, once the customer is out of the shop.  Nervy or not, he doesn’t think she had the capability to pull the trigger.  He knows what sort of person it takes to do that, and she isn’t one of them.

The policewoman is not sure what to expect but thinks that surprise is on her side, and whatever is going on, she will be able to resolve it.  She has her weapon drawn and ready to use.  She had yet to shoot anyone with it

The girl is at the point of no return, that point where she had nothing left to lose.  Anything she had before was gone, destroyed by the choices she’d made.  No one ever handed out a manual on how you should live your life, or provide a list of people you should avoid, and her father’s prophetic words the last time they men came home with a thud, ‘your life is defined by the choices you make’.

She was not going to jail so it was going to be death or glory.

 

Now read on:

 

Jack had heard there were moments where, in a split second, your whole life flashes before your eyes.  He did, and what he saw he didn’t like.

But, then, neither was he very happy about the fact he was nearly out the door before the policewoman on the other side crashed into him and sent him sprawling to the floor.

That was about the same fraction of a second he heard the gun go off, twice, or so he thought and knew he was a dead man, waiting for the bullet.

Another fraction of a second passed as the policewoman tried to unravel the mess they’d become, and at that moment in time felt the tugging at his sleeve and then, as if in slow motion, the sound of the glass door disintegrating behind him.

 

Annalisa was quite prepared to let the customer go.

She kept one eye on the shopkeeper and one on the customer, sidling towards the door.  The gun was ready to shoot the first person who made a wrong move.

Or so she told herself.  It was getting heavy in her hand, she was shaking almost uncontrollably now, and was getting more and more frightened of the consequences.  She didn’t think, if she aimed, she could hit the side of a barn let alone a person standing ten feet away from her.

The customer reached the door.

At exactly the moment he put his hand 0on the door handle to open the door, another person was pushing the door, trying to make their way in.

With force.

She saw the blue cap, guess it was the police, though she hadn’t heard the siren, but also guessed the shopkeeper might have a silent alarm.

Damn.

A single shot, instantly in the direction of the door, not necessarily aimed at the two people now collapsing to the floor in a tangled mess, but at the door itself.

The impact, yet another guess, might shatter the glass and make it easier to escape.

After one more job.

The hell with Simmo.  He’d dragged her down the rabbit hole far enough.  Simmo knew her first name, that she had rich parents, but nothing else.  Besides, he was in such bad shape she didn’t think he’d recover.

The shopkeeper had no idea who she was, it was the first time she’d been to his shop, and now, after a few weeks with Simmo, not ever her mother would recognize her.

She swiveled the gun and aimed it at the shopkeeper and pulled the trigger.,  One less dealer in the city was good news not bad.

She saw it hit, not exactly where, but it caused him to twist and start falling to the ground, at the same time letting out a very loud scream.  Panic or anger?

She wasn’t waiting to find out.

A last glance at Simmo, now down for the count, she ran for the door, past the two on the floor, what she could now see was a policewoman with her weapon drawn, but unable to use it.

She crashed through the remainder of the glass shards put into the street and ran.

In the distance she could hear a police car coming, siren blaring.  A warning if there was ever one to run harder, up the road, down an alley, out into another street, then down into the subway.

Gone.

 

It took fifteen seconds to disentangle herself from the customer, pushing him away, and getting to her feet, weapon aimed.

At nothing but air.

The girl had gone, and then she had the vague recollection of a shadow passing her as she was facing the other way getting to her feet.

And running out the door.

Five more valuable seconds as her brain processed this piece of information before it issued the command to go out the door and see which way she went.

Another ten seconds to get out the door, and see the police car coming from the same direction she had earlier, screeching to a halt outside the shop, a car door opening, and an officer getting out.

Margaret was guessing at the driver to drive down the road where she guessed the girl had run, managing to yell breathlessly at the office getting out, “She’s gone that way,” and pointing.

The officer relayed the message and closed the door as the car sped off.

“What happened?”

“Shots fired by a woman, more a girl, in the process of a robbery.”

She ran back inside the officer following.

The customer had moved to a corner and was standing, testing his limbs, with an expression that said he was amazed he was still alive.

“Over behind the counter.  She shopkeeper.  He was standing there.”

The policeman rounded the end of the counter and looked down.  “He’s here.  It’s not looking good.”

Margaret didn’t hear him.  She was calling an ambulance.

 

Next:  Perhaps some editing

 

© Charles Heath 2016-2020

 

“Trouble in Store” – Short stories my way: Actions have consequences

It’s time for the policewoman to arrive.

There is such a thing as pure dumb luck.

If she did not walk through the door when she did then Jack would have walked away.

From the policewoman’s perspective:

 

She crossed the street from the corner instead of remaining on the same side of the street as she did every other night.  When she reached the other sidewalk, she was about 20 yards from the nearest window of the store.

As she crossed, she got a better view of the three people in the store and noticed the woman, or girl, was acting oddly as if she had something in her hand, and, from time to time looked down beside her.

A yard or two from the window she stopped, took a deep breath, and then moved slowly, getting a better view of the scene with each step.

Then she saw the gun in the girl’s hand, and the two men, the shopkeeper and a customer facing her, hands up.

It was a convenience store robbery in progress.

She reached for her radio, but it wasn’t there.  She was off duty.  Instead, she withdrew, and called the station on her mobile phone, and reported the robbery.  The officer at the end of the phone said a car would be there in five minutes.

In five minutes there could be dead bodies.

She had to do something, and reached into her bag and pulled out a gun.  Not her service weapon, but one she carried in case of personal danger.

 

Guns are dangerous weapons in the hands of professional and amateur alike.  You would expect a professional who has trained to use a gun to not have a problem but consider what might happen in exceptional circumstances.

People freeze under pressure.  Alternately, some shoot first and ask questions later.

We have an edgy and frightened girl with a loaded gun, one bullet or thirteen in a magazine, it doesn’t matter.  It only takes one bullet to kill someone.

Then there’s the trigger pressure, light or heavy, the recoil after the shot and whether it causes the bullet to go into or above the intended target, especially if the person has never used a gun.

The policewoman, with training, will need two hands to take the shot, but in getting into the shop she will need one to open the door, and then be briefly distracted before using that hand to steady the other.

It will take a lifetime, even if it is only a few seconds.

Actions have consequences:

 

The policewoman crouched below the window shelf line so the girl wouldn’t see her, and made it to the door before straightening.  She was in dark clothes so the chances were the girl would not see her against the dark street backdrop.

Her hand was on the door handle about to push it inwards when she could feel in being yanked hard from the other side, and the momentum and surprise of it caused her to lose balance and crash into the man who was trying to get out.

What the hell…

A second or two later both were on the floor in a tangled mess, her gun hand caught underneath her, and a glance in the direction of the girl with the gun told her the situation had gone from bad to worse.

The girl had swung the gun around and aimed it at her and squeezed the trigger twice.

The two bangs in the small room were almost deafening and definitely disorientating.

Behind her, the glass door disintegrated when the bullet hit it.

Neither she nor the man beside her had been hit.

Yet.

She felt a kick in the back and the tickling of glass then broke free as the man she’d run into rolled out of the way.

Quickly on her feet, she saw the girl had gone, and wasted precious seconds getting up off the floor, then out the door to find she had disappeared.

She could hear a siren in the distance.  They’d find her.

 

If the policewoman had not picked that precise moment to enter the shop, maybe the man would have got away.

Maybe.

If he’d been aware of the fact he was allowed to leave.

He was lucky not to be shot.

Yet there were two shots, and we know at least one of them broke the door’s glass panel.

 

Next – the epilog

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

The refinement of an old idea

I write about spies, washed out, worn out, or thrown out.

It’s always in the back of my mind, sometimes fuelled by a piece in the paper that has a sense of conspiracy about it, and from there, an idea starts turning into words that need to find their way to paper.

Then, if that’s the extent of the first draft, sometimes it goes into the ‘I will come back to this later’ folder and, sometimes, it’s gone and forgotten.

Until I wake up suddenly in the middle of the night, an old story with a new idea fills my head, and I have to get it down.

Then, it will bother me over the next few days, until I give it the attention it’s calling out for.  This will often lead to more writing, but planning leading to a synopsis.

The first sentence of a novel is always the hardest. Like I guess many others, I sit and ponder what I’m going to write, whether it will be relevant, whether it will pull the reader into my world, and cause them to read on.

And that’s the objective, to capture the reader’s imagination and want to see what’s going to happen next.

The problem is, we have to set the scene.

Or do we?

Do we need to cover the who, what, where, and when criteria in that first sentence? Can we just start with the edge of the seat suspense, like,

 

The first bullet hit the concrete wall about six inches above my head with a resounding thwack that scared the living daylights out of me. The second, sent on its way within a fraction of a second of the first found its mark, the edge of my shoulder, slicing through the material, and creasing skin and flesh. There was blood and then panic.

Milliseconds later my brain registered the near-miss and sent the instruction: get down you idiot.

I hit the ground just as another bullet slammed into the concrete where my head had just been.

 

It can use some more work, less commas, perhaps shorter, sharper sentences to convey the urgency and danger.

Perhaps we could paint a picture of the main character.

He tentatively has the name of Jackson Galworthy. He has always aspired to be a ‘secret agent’ or ‘spy’ and but through luck more than anything else, he was given his opportunity. The problem is he failed his first test and failure means washing out of the program.

What had ‘they’ said? When the shit hits the fan, you need to be calm, cool, and collected. He’d been anything but.

Maybe we’ll flesh the character out as we go along.

OK, I just had another thought for an opening,

 

Light snow was still falling, past the stage where each flake dissolved as it hit the ground, and now starting to gather in white patches.

It was cold, very cold, and even with the three layers I still shivered.

What surprised me was the silence, but, of course, it was a graveyard beside an ancient church, and everyone who had attended the funeral service had left.

It was a short service for the few that came, and a shorter burial. No one seemed keen to hang around, not with the evening darkness and the snow setting in.

I stood, not far from the filled grave looking at it, but not looking at it. Was I expecting it’s occupant to rise again? Was I expecting forgiveness? I certainly didn’t deserve it.

The truth is, I was responsible for this person’s death, making a mistake a more seasoned professional might not, and the reason why I was shown the door. I had been given very simple instructions; protect this man at all costs.

It was going to be a simple extraction, go in, get the target, and get out before anyone noticed.

A pity then I was the only one who got that memo.

 

It’s a start, but with the TV going on in the background, Chester complaining about something, and the weeds in the yard are getting higher, there’s too much else going to consider this even a start.

It’s an idea.  Perhaps I can expand on it later.

 

© Charles Heath 2020

 

That notion that I could be organised…

Well, toss that baby out with the bathwater.

It’s something that I have never been able to get a handle on, and I seem to stagger from one day to the next without getting anything done.  I guess I’m one of those freeform sorts of people and I guess it goes with the star sign, Gemini.

Over the years many people tried, some with limited success, others completely failing.

I’ve created outlines and created chapters as sections, and scenes within chapters, as best I could.   Once upon a time, I used to teach Microsoft Project, and having this application on hand, I used this to create a timeline, using ‘slack’ time to make up for my inability to keep to a schedule.

This is like taking a sledgehammer to a tack.

Just the time to set it up took longer than it would to just sit down and write the blasted novel.

But, I’m a fly by the seat of my pants writer.  The book starts, often with a start and a finish, and the rest fills itself in, not necessarily in the order of final events.  Of course, this means some backwards revision from time to time, but I get there in the end.

Perhaps a little longer than it should but at least I don’t get halfway and suddenly decide on going in a different direction because I’ve suddenly got writers’ block.  That doesn’t happen.  It usually plays out as the start of another story, and then I mull over the changes necessary to get the original story back on track.

Yes, I’ve been to those time management courses with the books and diaries to seem to want you to time manage your life.  it works to a certain extent, but you live your like inside another type of book.

Nor do I work well with deadlines.

But oddly enough most of the jobs I’ve had over the years have involved time management of one sort or another and I have survived.

Now, in retirement, I really need something to organize my days so something gets done.  As a writer allocating 12 midnight to 2am for writing doesn’t seem to be a good idea.

Unfortunately, it is the best time for me to write.

Anyone else out there with the same problem, and if so what was your answer to the getting stuff done?

“The Price of Fame”, A Short Story

I looked at the invitation, a feeling of dread coming over me.  It was not entirely unexpected but like a great many things that had suddenly come into my life, it caused equal measures of fear and excitement.

The gold edging and the perfect script displaying my name in the exact centre of the envelope made it almost unique.  Very few people ever received such an invitation.

I held it in my hand for a longer than necessary, then put it down on the desk carefully, as if it would explode if I dropped it.

My first instinct, driven by fear, was not to accept.

But, fear or not, there was no question of me not attending.  Circumstances had painted me into a corner; I’d agreed to go a long time ago when I thought there was no chance it would come to pass.

Way back then, I had been compared to the aspiring painter in an attic having to die before I made any sort of impression.  In those days people thought it amusing.  I thought it was amusing.  Kirsty, in particular, had thought it was as impossible as I had.

Now it was not amusing.  Not even remotely.

My life was once quiet, peaceful, sedate, even boring.  That didn’t mean I lacked imagination, it was just not out on display for everyone to see.  Inspired by reading endless books, I had the capacity to transport myself into another world, divorced from reality, where my boring existence became whatever I wanted it to be.

It was also instrumental in bringing Kirsty into my life.  In reality, I thought she’d never take a second look at me, let alone a first.  So I pretended to be someone else.  Original, witty, charming, underneath more scared than I’d ever known.

And yet she knew, she’d always known and didn’t care.

As we spent more time together, she discovered I liked to write, not finish anything, just start, write a hundred pages, then lose interest.  Like everything I did.  Start, and never finish.

Why not?  It would never be published.  It would never succeed.

So she bribed me.  If I didn’t finish my first book and send it away, I couldn’t marry her.  It didn’t matter if it was rejected, all I had to do was finish a book, and send it.

The thought of marrying her had not entered my mind, because I hadn’t thought she would.  Incentive enough, I picked out one of the unfinished manuscripts and humoured her.  She read bits of it, not saying a word.  Sometimes she’d put a note or two on the manuscript, her equivalent to sweet nothings, and with it I gained inner confidence in my own ability, not only to write but in many other aspects of my life.

When it was finished, it was Kirsty who sent it off.  She read it, packaged it, addressed it, and sent it before I had a chance to change her mind.  Once gone, I heaved a huge sigh of relief.  It was done. That was, as far as I was concerned, the end of it.

It was not possible that one letter could change a person’s life so dramatically.  I came home to the all-knowing smile, and mischievous whimsicality that had always suggested trouble.

Trouble indeed!

My book was accepted.  With a cheque called an advance.  For more money than I knew what to do with.

This was followed not long after by publication.  And a dramatic change to my life, one I didn’t want.  To become a public person, to face an enormous number of people, people I didn’t know.

I went back to being scared.

Kirsty smiled at me and told me how wonderful I looked in my monkey suit.  Why couldn’t I go in jeans and a dress shirt?  All the best actors in Hollywood did it.

“This is not Hollywood.  You’re not an actor.”  It was a simple, practical, answer.

The hell I wasn’t.  I could act sick, dying, fake a heart attack, anything.  “What am I going to say?”

“You could talk about books.”  Quiet, efficient, oozing the confidence I didn’t feel.

She didn’t fuss.  She took it in her stride.  She dressed in her usual simple elegance, in a manner that made me love to be seen with her.  I couldn’t tie my tie, so she did it for me.  She straightened my jacket because I couldn’t do that either.  Nerves.  Can’t live with them, can’t live without them.  Or was that a reference to wives, or mistresses, or something else?

The palms of my hands were sweating.  Meatball hands, I thought, the sort of palms that betrayed the pretenders.  Me, I was the pretender.  My neck felt too large for the shirt.  Beads of sweat formed on my brow.  Where was a sponge when you needed one?

“I can’t do this.”

“You can.”

We hadn’t even left the hotel yet.

“How long before the execution.”

She looked at me with her whimsical smile.  “Long enough for me to give you a hard time.”

I lost count of the number of times I had to go to the bathroom, for one thing, or another.  Nerves I said.  Perhaps a dozen Valium or something similar.  Did I have any?  Had she hidden them?  Why did she keep smiling?

In the car, I looked at my watch at least a dozen times.  I couldn’t breathe.  It was too hot, too cold.  She held my hand, and it served best to stop the trembling that had set in.  Why did I agree to this?  Why?

We were greeted by the Events Manager, who was polite and genuinely interested.  He took us inside where he introduced the interviewer, another woman who oozed confidence and charm, who went over the format and generally tried to set me at ease.

I didn’t let Kirsty’s hand go.  Not yet.  She was my lifeline, the umbilical cord.  When it was severed, I knew I was going to die.

Bathroom?  Where was the bathroom?  Hell, five minutes to go, and I felt like passing out.  No, Kirsty couldn’t come in.  Comb my hair.  Straighten my tie, no it was straight.  Maybe I could hide in here?  I looked around.  No, maybe not.

Time.

The cue man was standing beside me, hand gently on my back.  He knew the score.  He knew I would turn and run the first chance I got.  Kirsty was on the other side, smiling.  Did she know too?

Then the announcement, my cue to walk on.

The gentle shove, the bright lights, the deafening applause, the seemingly endless walk to the chair, dear God, would I make it without tripping over?

How many times had I made this trip?  I stood, facing the audience, waved, then sat.  It was the fifteenth.  You’d think I’d learned by now.

There was nothing to it.

© Charles Heath 2016-2022

The cinema of my dreams – Was it just another surveillance job – Episode 28

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

It was rather an anti-climax to see the cat, Herman, come slinking out of the bedroom, down the passage, and then stop just at the edge of the room to look at the visitors.

He must have been hiding in her room all this time, and when he’d heard the door close, he thought it was safe to come out.

Jan saw him and held out her hand, “Come on, Herman, you’re safe now.”

He didn’t seem to agree and sat down just back of that invisible line in the sand that he wasn’t, yet going to step over.

But he did meow a few times, just to let us know he wasn’t pleased.

“Now that you’ve seen the cat, what were you thinking might be of significance?”

“I don’t know.  The fact he considered the cat his might have been significant in some way.”

Herman was back on his paws and taking tentative steps towards Jan.  Each time he stopped, he looked sideways at me, waiting.  Perhaps he thought I might attack him.  It would be the other way around.

“Doesn’t trust me, does he?”

He took a step back at the sound of my voice.

“Don’t listen to him Herman, you’re safe here with me.”

He looked at her, the same expression on his face he gave me.  Talk about the original poker face.  I doubt anyone could guess what he was thinking.  

A few more steps, then about a yard away he stopped again and sat.  He then spent the next few minutes looking at me.  Was this a test to see who blinked first?  I knew who would win that contest.  Not me.

Jan moved slightly and he jumped, and moved back several steps, looking warily at us both now.

“We’re not going to win him over, are we?”

“Maybe, maybe not.  There are a bowl and some food in the other room.  Put some in the bowl and bring it to me.”

Ah, the way to a cat’s heart is through his stomach.  I think the only thing relevant to that statement was that he was male.  I did as she asked, and handed her the bowl, and resumed my position, far enough away for him not to consider me a threat.

He watched me leave the room and return again, and I think he recognized the bowl, and that we were about to trick him into submission.

She put the bowl down next to her and patted the floor.

“It’s your favorite, Herman.”

Yes, head movements, and was he sniffing to see if he could recognize what was in the bowl?  Maybe he was hungry after being hidden away.  Would starvation overcome a fear of strangers?

A minute later we had the answer.  He was hungry and tentatively came over before smelling what was in the bowl before starting to eat.

Jan patted him.

“Works every time,” she said.

Both of us realized at the same time that Herman had a collar, slightly lost in the fur.  And she had the same idea as I did, that the collar might be significant.

She removed it as gently as she could without startling him, and then looked at it, around the outside, and then on the inside, and a sudden change of expression told me she found something.

“VS P4 L324.  What do you think that means?” she asked?

“Whatever it is, it’s a reminder that’s significant to O’Connell, or it is a message to someone if anything happened to him.  I expect that might mean it was a message to you.  You shared the cat so, clearly, he thought at some point in time you would look.”

“If he was expecting me to decipher it, then he must have seen something in me that I can’t.”

“You would work it out in time.  The point is if he hid that in plain sight, believing that if anyone came, they would take no notice of the car, then what else might he have hidden.  Does the cat have a bed?

“Not at his place, he used to sleep at the end of his bed.  But I put out an old blanket.”

How did she know the cat slept on the end of O’Connell’s bed?  I wasn’t going to ask, but if they were more than just friends, perhaps he had confided some details of what he was doing.

“In your room?”

“In the spare room where you found the food.”

I went back to the room found the blanked tossed in a corner, put there by the person who searched her flat no doubt, because I couldn’t see the cat doing it, not unless he was extremely bad-tempered and had super cat powers to move objects multiple times heavier than he was.

I picked it up and immediately had cat hair on my clothes.  Good thing then I wasn’t allergic to cats.

Then, I had a feeling someone was watching me.  I was right, Herman had come back to see what I was doing.

“Just straightening it out for you,” I said.

The death stare didn’t change.  He just stood there looking at me.  Or was he looking through me at something else, like a ghost?  It was slightly un-nerving.

I felt around the edges and suddenly, in the middle of one side, where the manufacturer’s label was, it felt like something was under it.  On closer examination, I could see the stitching had been removed for several inches in length and then crudely sewn it back together.  Inside what would be a pouch, I could feel something under the material, and with a little more twisting I thought it might be a tag.

I’d seen a pair of scissors in the kitchen and came back to get them.  Jan was busy trying to position the wet part of the towel over her head.  After I’d finished with the blanket, I would fetch her some Panadol.

I gently cut the crude stitches and then wriggled the item out.  It was a card with a number on it, 324.  That was all that was printed on the card.  Not what it was, who it belonged to, or what it represented.  I went back into the room where the cat was now sitting on her leg.

“There was a card sewn into the blanket.  It has the number 324 on it.  That would make it…”

“… a check for a post box, or safety deposit box, or a storage locker.”

Not exactly what I was going to say, but close enough.

Then she said, “It’s the same number on the collar.  L324.  Locker 324.  Somewhere defined by VS and P4.”

“Do you have a computer?”

“Not here.  Do you?”

“No.”

“Then I’ll go into the office and use one of theirs.  I assume you can do the same?”

I could, but I wasn’t quite sure what or who would be waiting for me,, now that I knew I couldn’t trust Nobbin.

“To be honest, I don’t think it’s safe for me.  It’s probably better if I don’t, not until I can find out who is who.”

Either of the two, Nobbin or Severin could be on the wrong side, maybe even both of them.  I was surprised that Severin didn’t drag me off when he came for Maury.  Perhaps I was still useful to him in the field as a second-string to finding the USB.

I helped her to stand.  

“No time like the present.  I’ll let you know what I find if anything.  Are you going to stay here?” she asked.  

“No.  Severin knows about this place and might come back.  We’re done here.  I’ll make sure the cat gets out.  I don’t think you should come back here unless you have to.”

“Then I’ll see you at the hotel.”

© Charles Heath 2020