Tag: short story

The cinema of my dreams – I always wanted to write a war story – Episode 12

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

I had walked quite fast in my attempt to distance myself from our pursuers if they were, in fact, chasing me.  In doing so I had tried to make my escape as quiet as possible.

Now, between Jack and I, hiding in the undergrowth, the only noise I could hear was our laboured breathing, and mine in particular.  I hadn’t been expecting to be doing this sort of exercise when I signed on for the job.

Now, I think, exercise was going to become a priority.

If I made it back alive.

A crack and I saw Jack go very still, ears cocked, and looking in what was the direction of the sound.  He’d know, better than me, where the noise came from.

Another minute before I could hear muffled voices, then as if they had stepped into a room, I could hear them.

“So, you’re telling me you let him hit you?”

“I had to, for the sake of making it look good.  I was told he was no fool.” 

The voice of the man who had orchestrated my departure.  I shook my head, very disappointed in myself for not seeing through what could have been a very cunning plan.  It also explained why they hadn’t summarily shot me.  I could see Jackerby gloating over the cleverness of his plan.

So perhaps for a few moments there, I was a fool.  Not anymore.

“What do we do if we find him?”

“We’re not supposed to find him, remember.  You were at the same meeting, or was that your ghost I saw with me?”

“Observe and report back.”

“Exactly.”

The voices were very close, and I could hear their boots of the rocky path until they stopped.

“Which way?”

The voice sounded very close, in fact, I thought they were just on the other side of the undergrowth, but that couldn’t be right, I could see through it in places, and no one was standing on the other side.

Sound must travel very good in this part of the forest.

“Follow the main river.  He won’t be looking to deviate from his objective, which by now would be to find the other members of the resistance and organise his departure.”

“And leave alone what he saw?”

“There isn’t much he could do about it.  By the time he’s reported back to London, we will have found the underground members and eliminated any threat.”

“Aha, so he’s leading us to the resistance?”

“That’s the plan.”

“And it was your idea?”

“I do have my moments, thank you.  Now, let’s get on, or he’ll get too much of a start on us, and I don’t want to be the one to explain how we lost him to Jackerby in particular.”

A minute passed, then two before I heard the sound of boots receding.  Johansson, or maybe Jackerby, had correctly guessed I might know where the other resistance members were, and, after escaping, go straight to them.

Pity, I was going to disappoint them.

 

© Charles Heath 2019

The rainy day effect

I have to say that I prefer that time a month into Autumn (or as it is called in other parts of the world, Fall) when the temperatures become bearable, and often there is the soft patter of rain and it’s a calming effect.

It suits my mood and it helps me with my writing, those days when you don’t feel like going out, you just stare out the window contemplating nothing in particular.  These are days when it’s possible to write like you feel.

Melancholy, reflective.

Unlike a lot of people, I actually like the rain. The pattering of raindrops on the roof and on the leaves of the foliage outside the window, the droplets running down the glass of the windows.

It has a calming effect, a serenity about it, that with a fire burning in the background (and I mean a real fire with burning logs) and soft music, perhaps some gentle jazz, or a symphony (please, not the Pastoral Symphony, but maybe Vivaldi’s Four Seasons).

Moving closer to winter, it gets colder, but not that bone-chilling cold of minus 29 degrees Fahrenheit that Northern Hemisphere winters have) but the 16 degrees centigrade we have, along with the rain and the wind.

Different seasons have different winds.  Summer, they are strong and warm, Autumn, swirling and cool with that rustle through the leaves, Winter, hard and, well, not very cold as they are down south in places like Tasmania, and Spring, the gentle breeze with a hint of the coming summer.

On rare occasions, it can have the un-nerving effect, sort of like the wailing of a banshee.  Or a sort of humming sound as it blows through the electricity lines.

It reminds me of a set of allegories I read about a long time ago,

Winter – sad

Spring – hope

Summer – happy

Autumn – reflective

Perhaps it is a little early for me to be reflective because where I live, Autumn is just about over and Winter is coming.

But, of course, this year will be different.  Aside from the usual spate of colds and flu, we have a bigger problem, the possibility of an outbreak of COVID 19.

We may have won a short term victory but this is war, and as we all know, wars take years to win.

But in self-isolation, there is a silver lining.  I might get to write that trilogy I’ve always wanted to.

The cinema of my dreams – Was it just another surveillance job– Episode 8

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An interrogation and a revelation.

 

Debriefings were like interrogations, only friendlier.  We were trained to withstand interrogation, so it would be interesting to see how I reacted.   I had no doubt what some of the questions would be.

While I had a few minutes to myself, sitting down behind a bare metal table on a hard plastic and uncomfortable chair, with a warm cup of station house coffee, to consider the briefing.

Target, male, 6 foot 3 inches, 200 pounds, Caucasian, thought to be from either Russia or Bulgaria, but nothing to define his as such.  I had wondered, at the time, what that meant.  When I saw him in the alley I knew, then, what was meant, he looked the same as you or me.

No explanation for why he was under surveillance, but we did get a warning that he might be dangerous if he suspected he was being observed.  Right about that, given team casualties.

Main objective, who he met, talked to, and where he went, every place, every detail to be noted.  The unpredictable explosion threw the whole operation into chaos.

The door opened and a woman, middle-aged, conservatively dressed, walked in, closing it behind her.  She sat in the other chair opposite me.  She brought a file, thin, and put it in front of her on the table.

“Your name is Sam Jackson?”

“Yes.”

No introductions, nothing, just a start on the questions.  No nonsense, but I could see she was very, very angry.  With me, or those who had run a failed operation?

“How long have you been with us?”

“Eight months.”

She opened the file and glanced at the piece of paper on top.  A minute passed before she closed the file again.  “Closer to nine,” she said.

I said nothing.  I wasn’t counting the days.

“How many operations have you been on?”

“Six, including this one.”

“Who assigned you to this specific operation?”

“Couldn’t say.  I got the usual request via text message to attend a briefing at the midtown office.”

“What was the designated operation name?”

“Chancellery.”

For a brief second, there was a quizzical expression on her face, then it was gone.

“Who was running this operation?”

“Director Severin.”

A full three minutes of silence passed.  I thought she was looking at me, the sort of stare that would break a lesser man, but in the end, I think she was looking right through me.  I could not read her thoughts, but if I was to guess, they would be rather dark right now.

Then she spoke.

“You should know that there was no Chancellery on the books, and we certainly do not have a Director named Severin.”

 

© Charles Heath 2019

Trying to pick up the pieces

I can see how it is that a writer’s life is one that, at times, has to be shut off from the outside world.

It’s a bit hard to keep a stream of thoughts going when in one ear is some banal detective show, and in the other, a conversation that you have to keep up with.  I know how hard it is because I’ve tried doing three things at once, and failed miserably in all three.

So, out I slink to the writing room and start by re-reading the previous chapters, to get back into the plot.  I should remember where I am, and get straight to it, but the devil is in the detail.

Going back, quite often I revise, and a plotline is tweaked, and a whole new window is opened.  God, I wish I didn’t do that!

Then I get to the blank page, ready to go, and…

The phone rings.

Damn.  Damn.  Damn.

Phone answered, back to the blank page, no, it’s gone, got yo go back, blast, another revision, and back to the blank page.

Half an hour shot to pieces.

The phone rings again.

Blast scam callers.  I nearly rip the cord out of the wall.

All through this the cat just watches, and, is that a knowing smile?

It can’t be, I’ve just learned that cats can’t smile, or make any sort of face.

I’m sure his thoughts are not a vague or scrambled, or wrestling with the ploys of several stories on the go, getting locations right, getting characters to think and do their thing with a fair degree of continuity.

The cat’s world is one of which chair to lie on, where is that elusive mouse be it real or otherwise, and is this fool going to feed me, and please, please, don’t let it be the lasagna.  I am not that cat!

Unlike other professions, it’s a steady, sometimes frustrating, slog where you can’t just walk away, have a great time, and come back and pick up where you left off.  Stories have to be written from beginning to end, not a bit here and a bit there.

It’s a bit like running a marathon.  You are in a zone, the first few miles are the hardest, the middle is just getting the rhythm and breathing under control, and then you hope you get to the end because it can seem that you’ve been going forever and the end is never in sight.

But, when you reach the end, oh, isn’t the feeling one of pure joy and relief.

Sorry, not there yet.

And no comment is required from the cat gallery, thankyou!

 

“Trouble in Store” – Short stories my way: Actions have consequences

It’s time for the policewoman to arrive.

There is such a thing as pure dumb luck.

If she did not walk through the door when she did then Jack would have walked away.

From the policewoman’s perspective:

 

She crossed the street from the corner instead of remaining on the same side of the street as she did every other night.  When she reached the other sidewalk, she was about 20 yards from the nearest window of the store.

As she crossed, she got a better view of the three people in the store and noticed the woman, or girl, was acting oddly as if she had something in her hand, and, from time to time looked down beside her.

A yard or two from the window she stopped, took a deep breath, and then moved slowly, getting a better view of the scene with each step.

Then she saw the gun in the girl’s hand, and the two men, the shopkeeper and a customer facing her, hands up.

It was a convenience store robbery in progress.

She reached for her radio, but it wasn’t there.  She was off duty.  Instead, she withdrew, and called the station on her mobile phone, and reported the robbery.  The officer at the end of the phone said a car would be there in five minutes.

In five minutes there could be dead bodies.

She had to do something, and reached into her bag and pulled out a gun.  Not her service weapon, but one she carried in case of personal danger.

 

Guns are dangerous weapons in the hands of professional and amateur alike.  You would expect a professional who has trained to use a gun to not have a problem but consider what might happen in exceptional circumstances.

People freeze under pressure.  Alternately, some shoot first and ask questions later.

We have an edgy and frightened girl with a loaded gun, one bullet or thirteen in a magazine, it doesn’t matter.  It only takes one bullet to kill someone.

Then there’s the trigger pressure, light or heavy, the recoil after the shot and whether it causes the bullet to go into or above the intended target, especially if the person has never used a gun.

The policewoman, with training, will need two hands to take the shot, but in getting into the shop she will need one to open the door, and then be briefly distracted before using that hand to steady the other.

It will take a lifetime, even if it is only a few seconds.

Actions have consequences:

 

The policewoman crouched below the window shelf line so the girl wouldn’t see her, and made it to the door before straightening.  She was in dark clothes so the chances were the girl would not see her against the dark street backdrop.

Her hand was on the door handle about to push it inwards when she could feel in being yanked hard from the other side, and the momentum and surprise of it caused her to lose balance and crash into the man who was trying to get out.

What the hell…

A second or two later both were on the floor in a tangled mess, her gun hand caught underneath her, and a glance in the direction of the girl with the gun told her the situation had gone from bad to worse.

The girl had swung the gun around and aimed it at her and squeezed the trigger twice.

The two bangs in the small room were almost deafening and definitely disorientating.

Behind her, the glass door disintegrated when the bullet hit it.

Neither she nor the man beside her had been hit.

Yet.

She felt a kick in the back and the tickling of glass then broke free as the man she’d run into rolled out of the way.

Quickly on her feet, she saw the girl had gone, and wasted precious seconds getting up off the floor, then out the door to find she had disappeared.

She could hear a siren in the distance.  They’d find her.

 

If the policewoman had not picked that precise moment to enter the shop, maybe the man would have got away.

Maybe.

If he’d been aware of the fact he was allowed to leave.

He was lucky not to be shot.

Yet there were two shots, and we know at least one of them broke the door’s glass panel.

 

Next – the epilog

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

I think the asylum is beckoning

I’m sitting at my desk surrounded by any number of scraps of paper with more storylines, written excepts, parts of stories, and a number of chapters of a work in progress.

Does this happen to anyone else?

The business of writing requires a talent to keep focused on the one project, and silence all the other screaming voices in your head, pouring out their side of the story.

But it’s not working.

I try to be determined in my efforts to edit my current completed novel, after letting it ‘rest’ in my head for a few months.

I planned to have so time off, but all of those prisoners in my head started clamoring for my attention.  A story I started some time ago needs revising, another story I wrote last year of NANOWRIMO has come back to haunt me, and characters, well, they’re out in the waiting room, pacing up and down, ready to tell me their life stories.

Is the temporary cure coffee or wine?

Now I think I really do need a holiday

Or a trip to the asylum.  Thank God this is not the early 20th century, or I might never return.  And if it’s named Bellview, it would be just another story to be written.

The Author that went Bonkers!

Does it ever end?

 

 

 

What’s that coming out of left field?

Why is it ideas come at the least expected and most inconvenient time?

I thought I’d trained my thoughts to assemble when I was having a shower.

Then there’s that quiet spot down in the lounge, by the window, away from everything.  But now it seems that will not work all that well because the telephone rings regularly with scammers, threatening to cut off my internet, my telephone, just about every wire that comes into the house.

Don’t you hate that?

I wasn’t considering a new idea for yet another book; I have so many on the go already.  But, the sad truth is, you have no control over it.

When I sit down, listening to Ravel, or some other classical music, I close my eyes and drift along to the music, waiting for the imagination to kick in.

Can’t force it, can you?

But, five minutes to three, after a frantic call announcing yet another storm in a teacup, I’m racing out the door, setting the alarm, locking the door, and …

… bing …

The idea is there, out of left field, in front of me.

Good thing my phone is now a recording device enabling me to speak and drive and solve all manner of crises on the go.

Try and beast that superman, batman, spiderman…

From typewriters to computers to distraction

I first started writing by longhand, still do, in fact, then graduated to my mother’s portable typewriter, right down to the sticking keys and overused ribbon, then moved upwards into the electric world having a pair of IBM electric typewriters I bought from one of the places I worked as second-hand cast-offs.

Just remembering those days gives me the shudders, from the tangled ribbons and messy hands to using carbon paper, how many times before they were useless?

Then the age of the electric typewriter went the same way as the manual ones, simply because I could no longer buy ribbons for my IBM Selectric, so it, too, had to go the way of the dinosaurs.

It was a good thing, then, that computers and word processing software started at about the same time.   Word Perfect, to begin with, and then, in the early days of Windows, Word, and others.  Sometimes it was easier just to use the text editor, and for convenience, it’s often by choice to get ideas down, quick and dirty.

This was before the days of the internet, where you physically had to do something about finding inspiration.  And that, sometimes, was more difficult that it seems.  I do not have a writing room with large windows looking out on a rural or urban panorama.  The window looks onto a fence, and the house next door.

So much for my dream of owning a castle and having a writing room on the second or third level, with astonishing views.

Which leads me to today.  Enough with the reminiscing.  I have all the tools I need to get on with the job, but that isn’t enough to switch on the brain and start typing perfect prose.  I have to go in search of some inspiration.

It’s just that in that short distance, from, say, the couch where you were reading the latest blog posts in the WordPress reader, and the writer’s chair, your preparation for writing ends up getting confused at some of the blogger’s points because it’s hard to find anything relevant that backs up their assertions, or how things work for them.

I guess success form anyone’s standpoint, is what worked for them.  In relaying that to others, two things come to mind.  It worked for them, but in telling a million others, and they all take the same approach, no, sorry, it ain’t going to work no how.  The other, there’s usually a fee attached to gain the knowledge, and, yes, the same proviso applies.  If everyone does it, it ain’t going to work no how.

But, there you are, my attention has been distracted, and unless I’m about to indulge in writing a version of how to achieve success myself, which I haven’t so I’m not, I’m off track, with an out of balance mindset, and therefore unable to write.

Perhaps I should not read blog posts, but the newspapers.

Or not, because they all have an editorial policy that leans either and one way or another, which means their views are not necessarily unbiased.

I was a journalist once and hated the idea of having to toe the editorial line.  Or as luck would have it, never let the truth get in the way of a good story.  It lends to the theory that you can never quite believe anything the media tells you, which is a very sorry place to be when there are no external influences you can trust.

I’m coming around to thinking that it’s probably best left to the dark hours of the night when you would think all the distractions are behind you.  After all, isn’t that what daytime is for?

Except that’s when the ghosts come out to play.

I think.

Was that the lounge room door opening?

The cinema of my dreams – I never wanted to go to Africa – Episode 41

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

 

“That was far to bloody easy.”  I heard Monroe’s voice come over the radio, not long after we left the camp.

“It was a bit easier than I thought.  But I did make it quite clear if we didn’t all leave in one piece we’d reduce his camp to rubble with everyone in it.”

“He knows the territory.  Something’s waiting for us out here.”

Something indeed.

Back at the camp, not only had the commander’s men search for the hidden weapons, and, when everyone checked, were still there, they had also taken off the crates with the film equipment.  I was not sure what the commander was intending to do with the equipment, but what disappointed me was the fact we hadn’t taken the time to rescue the rocket launcher.

Now the commander had it.

If he bothered to search the crates properly.  I suspect he was yet to do so.  What we had rescued and successfully hidden were the C4 explosives and detonators.  They might come in useful at the airstrip.

Just before we reached the fork in the road, where we would be turning left to head towards the airfield, and surprisingly had not run into any of the commander’s men, we stopped and let Monroe and Shurl out to make a sweep towards the airstrip, not too far away.

I also called up Mobley to see how he was.

The Colonel answered.  “Everything is under control now.”

I didn’t like the sound of that.  “What happened?”

“The kidnappers send out a team to intercept us on the way to the airstrip.  It wasn’t a stretch to imagine they would know what we were planning because they’d know we would not be retracing out steps to Uganda.  Got them before they got a shot off.  I suspect there are Government troops at the airstrip, it’s too important to let anything happen to rich foreigners coming to see their wildlife reserve.  There are several troop carriers, and we’ve seen a few men on the outskirts patrolling.  There’s several at the gate if you could call it that.”

“Is there a plane there?”

“As it happens there is.  A grand old DC3.  It’s not a charter plane, so I’m guessing it belongs to an overentitled American big game hunter or the photographic variety.  At least I’m hoping that’s the case.”

“What do you recommend?”

“Not to storm the field.  You’re going to have to find another means of getting here, preferably without any fanfare.”

My first choice was to go in and get out, with as little firefight as possible, particularly in case they started shooting at the plane.  If I was reading between the lines properly, the Colonel was telling me there were more troops there than we could handle quickly and quietly.

“Very good.  Can you get sight on just how many troops are there, and if you can see who’s in charge?”

“Will try.”

Monroe had been standing next to me during the exchange.

“Three in place, two more on the perimeter, if we can cover as many as possible, you might be able to take the rest from the inside.”

Secreting the weapons again, maybe.  It was a possibility, but going in with hidden weapons, and then found by the guards at the gate, who would be more efficient and careful searchers than the kidnappers, it would create hostility and itchy trigger fingers.

“No.  We have to find some way of letting them feel as though they have complete control of the situation.  They know we’re coming; the commander would have told them.”  The only reason why he was still the cat who ate the canary.  He might even have told them he had some men waiting as the first line of defense.

The airstrip commander would then know we were armed and relatively dangerous.

It was time for yet another dangerous gambit.

I picked up the radio.  “Colonel?”

A second later, “Sergeant?”

“Whatever happens in the next twenty minutes or so, just ignore it.  It’s not much of a plan, but it will get us onto the field.”

“And then?”

“Hopefully some divine intervention.”

Monroe looked skeptical.  “You’re going to just drive up to the gate and surrender?”

“Not exactly.  It won’t be fait accompli until we reach the terminal, or hanger, or whatever the commander has set up as headquarters.  They’ll have most of our weapons, yes.  But they won’t have all of us.”

“No.  But they’ll know we have a sniper, so one of you are going to have to allow yourself to be captured, just to ease their minds.”

“Leaving one of us and Mobley and the Ugandans.  Can we trust them?”

“I hope so, otherwise this could go badly.  But, today, I’m an optimist.  We’ve got this far.”

Trying to show more confidence in the plan that I had.  It was always a worry when you had to trust people you didn’t know.  That had been the problem the last time.  At least this time we had managed to get the hostages.  It was always going to be a problem getting them out.

Monroe gave me one of her special, you’re a fool, looks.  “I hope you know what you’re doing.”  She then nodded in Shurl’s direction and they disappeared into the bush again.

I gestured to Davies to come over.

“Did you find out what sort of plane it is?”

“Hopefully.  The Colonel tells men there’s a DC3 off the airstrip.  I assume you can fly one.”

She smiled, the first time since this operation had started.  “Sure can.  I spent three summers putting one back together.  My dad has a sort of airplane museum.  A DC3, a DC4, and a Lancaster, a very sorry looking Lancaster at that.  Shouldn’t be a problem.”

“Then try to not get shot.”

“Do my very best not to.”

Once again, it was time to go.  Going into the unknown was getting to be the norm, but hopefully, this would be the last time.  I didn’t consider it wise to advise the hostages, they had their own problems to worry about.

 

© Charles Heath 2020