The cinema of my dreams – I always wanted to write a war story – Episode 9

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

 

They always come for you just before dawn.

I could hear the words being spoken by Sergeant Major during lesson one of torture training.  Not us giving it to them, but them giving it to us.  Why?  For some reason at that hour of the morning, you were still asleep, or half asleep, and totally unprepared.

So, lesson number one, if you found yourself in that situation, waiting, you needed to prepare.

Easy to say, not so easy to do.  He then went on to outline the methods to employ when faced with an imminent interrogation.  The problem was, he also told us the methods that would be employed, and that was basically terrifying.  I saw men stronger than me wilting at the thought.

And, right there, sitting in that cold cell, it was not only the cold that was making me shiver.

I wasn’t a brave man.  I think sometimes I might classify myself as stupid, and with a devil may care attitude, to life and other situations; in war, every day could be your last, but I’d always considered it would be a bomb or a bullet.

Something instant, with no time to go through an agonising process of extreme pain, before dying.  Everything that went against the purpose of torture.

But not today.

I heard the sound of a key turning in a lock, in a door that was at the other end of the passage, the sound of the captors coming.

For me?  Or for someone else?

Was it selfish of me to want it to be someone else?

The door swung open with a groan, it had been oiled, but the rust was still thick enough to impede progress.  I was glad of it, it gave me time to compose myself.  I think by then I had convinced myself it was time.   Wallace wasn’t happy I was still alive, and I suspect Johansson had stopped Jackerby killing me for him because I had useful information.

That usefulness would end if I didn’t co-operate.

I could hear the boots on cobbles coming towards my cell, then felt, rather than saw the guards.

I stood and took several steps back from the door.  I could see one of the guards had a gun, trained on me, ready to shoot if I tried anything, flattered that someone thought I might try to resist or escape.  I had given it some thought, weighed the possibilities, and the odds were I’d be shot before I got 10 yards.

“Don’t try anything or you will be shot.”  Surprisingly unaccented English, but an unsurprising threat.  

A different guard, standing back from the door, key in hand, and in the light so that I could see him.  Why?  This one didn’t look German, and he was someone I hadn’t seen before, obviously one of the new arrivals.

Jackerby’s handpicked torture squad?

The door was unlocked and swung outwards, held onto by the man who issued the threat.

The other guard had stepped back two paces.  “Follow him.  I’ll be right behind.  Don’t try anything.”

He didn’t have to add anything to that command.  He was seven inches taller and 60 pounds plus heavier than I was.  Implied message understood.

I followed the guard in front.

© Charles Heath 2019

A photograph from the inspirational bin – 2

It’s the obvious items in the photograph that you see first, or that your eyes go to first.

The ocean, the beach, the buildings. You can see a shopping mall with MacDonald’s sign above it.

Yes, it’s late afternoon, and you can see long shadows of the buildings.

So, if I asked you what did you see in this photo, what would your reply be?

From a thriller writer or murder mystery writer’s point of view, it’s what you don’t necessarily see.

So, for the purposes of the story, the opening line for the world-weary detective, handing the photo to his partner, “What’s is it you can’t see in this photo?”

A partner that hadn’t been on the job very long, in from the suburbs, and had seen little more than break and enters car theft, and school kids hi-jinks.

“What am I supposed to be looking for?”

“You want to be a detective, or be looking for old ladies cats?”

His partner takes the photo in hand and looks at it again.  There has to be a reason why the old man had given it to him, or perhaps there wasn’t and he was just playing with him again.

No, he thought, there has to be something…

And then he saw it, quite by accident.  A hand, a gun, and following the line of fire, at the end, what looked like someone in the bushes.

In a photo taken from a higher floor of the building over the road, looking down on what was supposed to be a rooftop recreational area.

Only there had been no report of a missing person or a gunshot wound in the last seven days.

“When was it taken?”

“Two days ago?”

“And no reports of a shooting, or a body?”

“No.  And yet the person who took this swears he saw a body, but by the time he came back, there was nothing.”

The detective handed his partner a second photo.  Time-stamped five minutes later.  With no gun and no body.

What will happen next?

Searching for locations: Queenstown Gardens, Queenstown, New Zealand

Queenstown Gardens are not far from the center of Queenstown.  They are just down the hill from where we usually stay at Queenstown Mews.

More often than not we approach the Gardens from the lakeside during our morning walk from the apartment to the coffee shop.  You can walk alongside the lake, or walk through the Gardens, which, whether in summer or winter, is a very picturesque walk.

There’s a bowling club, and I’m afraid I will never be that sort of person to take it up (not enough patience) and an Ice Arena, where, in winter I have heard players practicing ice hockey.

I’m sure, at times, ice skating can also be done.

There is a stone bridge to walk across, and in Autumn/Winter the trees can add a splash of color.

There is a large water feature with fountain, and plenty of seating around the edge of the lake, to sit and absorb the tranquility, or to have a picnic.

There are ducks in the pond

and out of the pond

and plenty of grassed areas with flower beds which are more colorful in summer.  I have also seen the lawns covered in snow, and the fir trees that line the lake side of the gardens hang heavy with icicles.

The cinema of my dreams – I always wanted to write a war story – Episode 7

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

 

If it had been Jackerby in charge and not Johansson, I had no doubt I’d be at the end of a firing squad now.

Jackerby was not Army, nor a man of honour.  His gait, his manner gave him away, despite the fact he was out of his usual uniform.  I suspect now I had been taken care of, that would change, and we’d get to see his true colours.

After leaving the hall, I was escorted downstairs to the cellar, and where I knew there were a number of rooms with iron gated fronts, places I suspected, in olden days, enemies of the castle were held, enslaved or executed in these cells.

There were several male prisoners is the first two cells, awaiting their fate, one which would not include escaping to the other side, but perhaps something a lot worse than death.

At the end, there was another corridor, and several smaller cells, where second from the end, I was roughly shoved by one of the guards.  He was going to add the butt of his rifle to the back of my head for good measure, but Jackerby stopped him.

I was sure it wasn’t out of respect for Johansson.  It appeared that Johansson needed me for something else.

After the door closed I yelled out, “All the rooms upstairs filled?”

“Yes.  It’s high season.”  So Jackerby had a semblance of a sense of humour.

 

The room, if it could be called that, had a camp stretcher, a seat, and a bucket.  The light came from a burning torch out in the corridor, an interesting touch that electricity had not made it down this far.

The floor was cobbled, and, like the walls, damp.  There was an overbearing odour of mustiness in the room.

It was also cold, so these cells must be located not only under the old castle but underground.  That meant centuries of history, and probably a ghost or two.  I was sure terrible things had happened, down in these cells, not just back then but also recently.

Outside the wall, I could hear the sound of running water, so the back wall must border onto the stream.  And there must be a gap, or hole somewhere for the sound to reach me, but it was too dark to see.

When night fell, it was going to be a lot worse; the light wouldn’t be affected, but it was going to get a lot colder.  As it was the torchlight from the passage barely made an impact, and it took a few minutes for my eyes to adjust.  And I was sure there were rats, just waiting for the dark to come out to play.

I moved the seat to beside the door and sat down, trying to make myself comfortable, in a position where I might hear them coming if they came back.

Then a voice quite near, said, “What are you here for?”

 

© Charles Heath 2019

“Trouble in Store” – Short stories my way:  Jack, the girl, and the shopkeeper

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves the Jack, the girl, and the shopkeeper

 

Jack exchanged a look with the shopkeeper, who in return gave him a slight shrug as if to say he had no idea what this was about.

He could see the girl was not strung out on drugs; if she was it would be a good bet both would be shot or dead by now.  She was just the unfortunate partner of a boy who was on drugs and had found herself in a dangerous position.

Beth, his wife, had told him she didn’t like nor trust the shopkeeper and that her friend in the same apartment block had told her he had been seen selling drugs to youths who hung around just before he closed.  She had warned him it would not be safe, but he had ignored her.

It was a bit late to tell her she was right.

He took a half step towards the door, judging the distance and time it would take to open the door and get out.

Too far, and he would be too slow, his reward for running; a bullet in the back.

Perhaps another half step when she wasn’t looking.

 

The shopkeeper changed his expression to one more placatory, and said quietly to the girl, “Look, this is not this chap’s problem.”  He nodded in the direction of the customer.  “I’m sure he’d rather not be here, and you would glad of one less distraction.”

He could see she was wavering.  She was not holding the gun so steadily, and the longer this dragged on, the more nervous and unpredictable she would become.

And in the longer game, the customer would sing his praises no matter what happened if he could get him out of the shop alive and well.

This could still be a win-win situation.

 

The girl looked at Jack.  The shopkeeper was right.  If he wasn’t here this could be over. 

But there was another problem.  It didn’t look like Simmo was in any shape to getaway.  In fact, this was looking more like a suicide mission.

She waved the gun in his direction.  ‘Get out now, before I change my mind.’

As the gun turned to the shopkeeper, Jack wasn’t going to wait to be asked twice and started sidling towards the door.

 

© Charles Heath 2016-2020

Is there something wrong?

I asked myself that question when about 1000 odd words into a current short story, one that I continue to go back to, but found an initial reluctance to write, and now seems to be difficult to continue.

Is the reason because I don’t feel like writing, that I’ve written myself into a corner, the story isn’t flowing, or there’s something else I’d rather be doing…

Like, scouring the internet…

Working on writing some blog posts, like this one…

Checking my email…

Checking my other blogs to see how many people have viewed my recent posts,

Or just puddle with anything other than what I should be doing.

The thing is, I know where most of the stories are going, it’s just a matter of sitting down, picking up the threads, and writing. Certainly, I could be working on one or another right now.

But, something is nagging at me.

I thought it was that I wanted to write another Being Inspired piece, having the photo I wanted to use for inspiration in my head. I sat down this morning and started it, and got seven or eight paragraphs done, and then it was time to go down to breakfast.

Attention diverted.

I could have written more after breakfast, but that seemed to segue into a chat over coffee that ran into lunch. It’s odd how it seems there is so much to talk about.

Then it’s been one excuse after another that has kept me from picking up that story and running with it. I could do it now, but that reluctance remains.

Perhaps tomorrow.

For now, I’m going to work on some crosswords and see if that doesn’t inspire me, and if it doesn’t I could always have an early night.

It’s the same every time we go away, on the run all day doing touristy stuff, making notes for later on, on the run, and then getting back to the room exhausted. After all, there is so much to see and do.

Maybe I’ll just reflect on today and worry about it tomorrow, except…

We have an equally hectic day planned.

Maybe I’ll get that holiday from writing after all.

A photograph from the inspirational bin – 1

We think of tropical Queensland having pristine white beaches and azure sparkling seas.

Not necessarily so.

This used to be a mangrove swamp.

Perhaps this is what happens when you mess with the natural environment, you’re left with something that’s not very nice.

There’s no beach, no sand, and sometimes not a very pleasant odor.

We can imagine what this might have looked like before man turned up to urbanize the area. In the background, there is an inlet and on either side lush vegetation.

It must have looked very inviting once upon a time. Now the shoreline is completely built on, the vegetation that was once there completely cleared, and the inlet leads to a marina.

Perhaps the story here might be about greedy destructive property developers who care not for anything but profits.  But in their quest to destroy, there is always someone else aiding and abetting, someone in government.

But what if there was an even darker secret hiding just below the surface, and about to be uncovered.  How far would someone go to preserve that secret?

 

The cinema of my dreams – I always wanted to write a war story – Episode 7

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

 

If it had been Jackerby in charge and not Johansson, I had no doubt I’d be at the end of a firing squad now.

Jackerby was not Army, nor a man of honour.  His gait, his manner gave him away, despite the fact he was out of his usual uniform.  I suspect now I had been taken care of, that would change, and we’d get to see his true colours.

After leaving the hall, I was escorted downstairs to the cellar, and where I knew there were a number of rooms with iron gated fronts, places I suspected, in olden days, enemies of the castle were held, enslaved or executed in these cells.

There were several male prisoners is the first two cells, awaiting their fate, one which would not include escaping to the other side, but perhaps something a lot worse than death.

At the end, there was another corridor, and several smaller cells, where second from the end, I was roughly shoved by one of the guards.  He was going to add the butt of his rifle to the back of my head for good measure, but Jackerby stopped him.

I was sure it wasn’t out of respect for Johansson.  It appeared that Johansson needed me for something else.

After the door closed I yelled out, “All the rooms upstairs filled?”

“Yes.  It’s high season.”  So Jackerby had a semblance of a sense of humour.

 

The room, if it could be called that, had a camp stretcher, a seat, and a bucket.  The light came from a burning torch out in the corridor, an interesting touch that electricity had not made it down this far.

The floor was cobbled, and, like the walls, damp.  There was an overbearing odour of mustiness in the room.

It was also cold, so these cells must be located not only under the old castle but underground.  That meant centuries of history, and probably a ghost or two.  I was sure terrible things had happened, down in these cells, not just back then but also recently.

Outside the wall, I could hear the sound of running water, so the back wall must border onto the stream.  And there must be a gap, or hole somewhere for the sound to reach me, but it was too dark to see.

When night fell, it was going to be a lot worse; the light wouldn’t be affected, but it was going to get a lot colder.  As it was the torchlight from the passage barely made an impact, and it took a few minutes for my eyes to adjust.  And I was sure there were rats, just waiting for the dark to come out to play.

I moved the seat to beside the door and sat down, trying to make myself comfortable, in a position where I might hear them coming if they came back.

Then a voice quite near, said, “What are you here for?”

 

© Charles Heath 2019

Writing stories can be fun

There is more going on on the story front, and just to keep my mind active, or tortured, as the case may be, there are a number of other stories I’m working on.

In particular, there is the story with the description, what happens after an action-packed start.

Quite a lot. In the third section of the story, after being shot out of the sky, interrogated, flown into northern Nigeria, and then crossed into the Democratic Republic of the Congo, to search search for two men being held to ransom, our players finally made it home.

Previous attempts to rescue them had failed, this one had to succeed. It’s a matter of dealing with local militias who are tricky to deal with and then get out of the country after affecting the rescue.

At times, while writing it, looking at a map and using google earth to see what it is like, I felt like I was there looking down the barrel of a gun, and then, in the helter-skelter of getting to the evacuation point, I’m sure my heart rate had lifted considerably, particularly when the battered DC3 was about to be shot at with air to air missiles.

Just imagine this …

A DC3 versus a very maneuverable helicopter. I was on the edge of my seat.

Next is the surveillance story where nothing is as it seems, which in the espionage business is nothing unusual. Nor is the fact you cannot trust anyone.

It starts out as a routine surveillance operation until a shop front explodes a moment or two after the target passes it. In the ensuing mayhem, the target reappears, now in fear of his life, and our main character tracks him to an alley where he is murdered before his eyes.

Soon after the two men whom our main character is working for appearing and start asking questions that make our main character think that they had perpetrated a hit on him, and decides that something is not right.

From there, the deeper he probes, the more interesting the characters and developments. Who was the target? What was he doing that got him killed? What does he have that everyone wants?

I’m about to start on the next phase of this story…

Then there is what I call comic light relief, the writing of stories inspired by photographs I’ve taken. Some, however, have exceeded the 1,000-word limit that I’ve set, only because I want to explore the story more, and some are spread over a number of stories.

The first book of stories, 1 to 50 are to be published soon. Currently, I’m working on number 148 of the third volume of stories, but number 88 is my favorite so far, simply because it involves a starship.

 

 

In a word: Story

All of us writers know what this is, the sort of combination of words that all come together as a story.  A tale about anything whether it is true or just plain fiction.

A story can be long, or it can be short.  It could be a magazine or newspaper article, it could be what a child tells his or her mother or father when they get into trouble.

Come to think of it, I think that’s where I got an interest in writing stories because as a child I was always in trouble.

Of course, if you are telling certain types of stories,, then it’s bound to be a lie.  And made even worse if it is gossip!

That story might even be my interpretation of events, and as it happens, it’s possible no two stories are the same, especially if I and others had witnessed the same event.

This is not to be confused with the other version, storey, which is a single level in a building, one that might have thirty or more stories.

And, just to add to the confusion, living in Brisbane in Australia we have the Storey Bridge.