That’s what it feels like after you’ve put words on paper.
The story is there waiting to be written, I know where it’s coming from, I know where I want it to go, but the words are not working.
I read it once, yuk, I read it twice, it’s begging me to press the delete button.
Now!
This is how it looks:
My life was going nowhere. If I took a step back and took a good, long, hard look at it, what could I say was the one defining moment?
There was no defining moment.
I’d bounced around schools till the day I decided I was not cut out to learn anything more, or perhaps the teachers had given up trying to impart knowledge. Whatever the reason, I dropped out of college and drifted. Seasonal laborer, farmhand, factory worker, night watchman.
At least now I had a uniform and looked like I’d made something of myself.
Until I went home.
My parents were distinctly disappointed I was not married with children.
My overachieving brother always said I was a loser, and would never make anything of myself.
My ultra successful sister, married into a very wealthy family, had the regulation 2.4 children and lived in the lap of luxury, mostly pretended I didn’t exist, didn’t invite me to the wedding, and I had yet to meet the husband and children. I guess she was ashamed of me.
This year I was avoiding going home.
This year I volunteered to work the holidays.
Yep, time to walk away and do something entirely different, like wrapping Christmas presents, my second favorite job to mowing the lawn. Maybe if I contrive an accident with the lawnmower …
Back in front of the page, some hours later, an idea pops into my head. The story continues:
It was 3 a.m. and it was like standing on the exact epicenter of the South Pole. I’d just stepped from the warehouse into the car park.
The car was covered in snow. The weather was clear now, but more snow was coming.
A white Christmas? That’s all I needed. I hoped I remembered to put the antifreeze in my radiator this time.
As I approached my car, the light went on in an SUV parked next to my car. The door opened and what looked to be a woman was getting out of the car.
“Graham?”
It was a voice I was familiar with, though I hadn’t heard it for a long time.
My ultra successful sister, Penelope. She was leaning against her car door, and from what I could see, she didn’t look too well.
“What do you want?”
“Help.”
My help, I was the last person to help her or anyone for that matter. But curiosity got the better of me. “Why?”
“Because my husband is trying to kill me.”
With that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.
To be honest, it needs some more thought. IT’s got the makings of a story, but the MC shouldn’t come across as a hopeless case, he just needs to be, in part, a victim of circumstances, some of which he has to own.
But, as they say, anything on paper is better than nothing on paper. Tomorrow, or the next day, I will edit and rewrite and see what happens.
A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.
A single event where it could be said Ben was in the wrong place at the wrong time.
Who was this man? Why was she having dinner with him?
A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.
A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.
After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.
From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.
To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.
But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.
That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.
It’s basically been in the mill since 1990, and was finally completed as Walthenson’s first case, ‘A Case of Working with the Jones Brothers’.
He has now embarked on his second adventure, as yet untitled, but the latest episode can be found here:
I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.
But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it. Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.
Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life. I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breath life into beguiling women and dangerous men alike.
Oreti Village, Pukawa Bay, North Island, New Zeland
On the southern tip of Lake Taupo
Our first morning there, a Saturday. Winter. Cold. And a beautiful sunrise.
This was taken from the balcony, overlooking the lake.
The sun is just creeping up over the horizon
It gradually gets lighter, and then the sun breaks free of the low cloud
It lights up the balcony
And the trees just beyond, a cascade of colorful ferns.
It looks like it’s going to be a fine day, our first for this trip, and we will be heading to the mountains to see snow, for the first time for two of our granddaughters.
This is not a treatise, but a tongue in cheek, discussion on how to write short stories. Suffice to say this is not the definitive way of doing it, just mine. It works for me – it might not work for you.
…
You’ve got the place, now you want the who.
My main characters are quite often me.
Not the real me, because I’m boring. No, those characters are what I would like to be, that imaginary superhuman that can do everything.
Until, of course, reality sets in, and the bullets start flying. When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.
Hang on, that never happens except in superman comics.
What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.
So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.
In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration. I once spent and afternoon at a railway station just observing people. Even now, I make observations, some of which are true, and others, wildly off course.
I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice. I was lucky, I got more than 75% correct.
Other characters in my stories I have met along the way.
Like a piano player in a restaurant. It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there. The man has charisma, but sadly no talent for the instrument.
Like an aunt I met only twice in a lifetime, and who left a lasting impression. Severe, angry looking, speaking a language I didn’t understand, even though it was English. It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper. And, no, she didn’t have a sense of humour or time for silly little boys.
Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.
I can only hope I wasn’t.
Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect. I’ve always wanted to be like him, but unfortunately, it was not in the genes.
Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate. We all have one of these banks.
50 photographs, 50 stories, of which there is one of the 50 below.
They all start with –
A picture paints … well, as many words as you like. For instance:
And, the story:
Have you ever watched your hopes and dreams simply just fly away?
Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, i came to the airport to see the plane leave. Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.
But no matter what I thought or felt, we had both come to the right decision. She needed the opportunity to spread her wings. It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.
She was in a rut. Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level, that she, the youngest of the group would get the position.
It was something that had been weighing down of her for the last three months, and if noticed it, the late nights, the moodiness, sometimes a flash of temper. I knew she had one, no one could have such red hair and not, but she had always kept it in check.
And, then there was us, together, and after seven years, it felt like we were going nowhere. Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication. It hadn’t been an issue, well, not until her last promotion, and the fact she had to entertain more, and frankly I felt like an embarrassment to her.
So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock. We both acknowledged we needed to talk, but it never seemed the right time.
It was then she said she had quit her job and found a new one. Starting the following Monday.
Ok, that took me by surprise, not so much that it something I sort of guessed might happen, but that she would just blurt it out.
I think that right then, at that moment, I could feel her frustration with everything around her.
What surprised her was my reaction. None.
I simply asked where who, and when.
A world-class newspaper, in New York, and she had to be there in a week.
A week.
It was all the time I had left with her.
I remember I just shrugged and asked if the planned weekend away was off.
She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.
Is that all you want to know?
I did, yes, but we had lost that intimacy we used to have when she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker but I still had a brain, was what I overheard her tell a friend once.
There’s not much to ask, I said. You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place, and the politics that go with it, and is still an ally.
Her immediate superior and instrumental in her getting the position, but unlike some men in his position he had not taken advantage of a situation like some men would. And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.
One of the very few happily married men in that organisation, so I heard.
So, she said, you’re not just a pretty face.
Par for the course for a cabinet maker whose university degree is in psychology. It doesn’t take rocket science to see what was happening to you. I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.
Yes, our relationship had a use by date, and it was in the next few days.
I was thinking, she said, that you might come with me, you can make cabinets anywhere.
I could, but I think the real problem wasn’t just the job. It was everything around her and going with her, that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.
Then the only question left was, what do we do now?
Go shopping for suitcases. Bags to pack, and places to go.
Getting on the roller coaster is easy. On the beginning, it’s a slow easy ride, followed by the slow climb to the top. It’s much like some relationships, they start out easy, they require a little work to get to the next level, follows by the adrenaline rush when it all comes together.
What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.
Our roller coaster had just come or of the final turn and we were braking so that it stops at the station.
There was no question of going with her to New York. Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back. After a few months in t the new job the last thing shed want was a reminder of what she left behind. New friends new life.
We packed her bags, three out everything she didn’t want, a free trips to the op shop with stiff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.
Her friends would be seeing her off at the airport, and that’s when I told her I was not coming, that moment the taxi arrived to take her away forever. I remember standing there, watching the taxi go. It was going to be, and was, as hard as it was to watch the plane leave.
So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.
Already that morning there’s been 6 different types of plane depart, and I could hear another winding up its engines for take-off.
People coming, people going.
Maybe I would go to New York in a couple of months, not to see her, but just see what the attraction was. Or maybe I would drop in, just to see how she was.
As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.
Let’s forget about the what and the who and the when for the moment, and figure out the location.
After all, we couldn’t make a movie unless we have somewhere to shoot it. Those places are called locations, and before a film begins someone has to go out and find locations.
Sometimes it’s easy, because you know where the story is based.
New York, London, Singapore, Moscow.
It’s more likely it will be somewhere you’ve been, or where you live.
I live in Brisbane, in Australia. Not a lot of people overseas know of it. Oddly enough before I moved here over 30 years ago, it was just a name on a map.
But the point is, now that I’m here I could write a story based in Brisbane. Or as easily, in Melbourne, where I also used to live.
Or I could select a place I’ve travelled to, perhaps not once, but a few times, and each time taking photographs and notes about that place, thinking one day I could used it as a location.
I have, and I do. It’s one of the reasons why I like to travel. I’m always on the lookout for someplace new.
Several of my books are based in New York, several in London, and various parts of the story find the characters in places like Paris, Rome, Florence, Tuscany, Hong Kong, Singapore, and Moscow.
Then, sometimes when my knowledge is lacking in some of the finer points of the city, Google maps, and Google itself are there to fill in the gaps. I have virtually driven down streets in London, especially near Kew Gardens and in Knightsbridge, checking locations.
Suffice to say, I know some parts of London like the back of my hand, and recently, before COVID, visited and did a spot check just to be sure.
With COVID 19 causing havoc with travel plans, virtual travel is all I can do at present.
Then there’s building, like houses, apartments, any sort of building which may require some knowledge.
I guess what I’m saying is that there’s more to locations than just saying something is there, it had to fit the area. Yes, the story is a work of fiction, but sometimes it’s better to have an idea of what’s there, or readers will be disappointed.
Especially if they live in that city, town, village, house or tent.
I actually use the real estate advertisements in a city of town where I want to have a house, because it gives you a map, exterior views, how to get there, and best of all what it looks like inside.
Still can’t afford that $12,000,000 apartment in New York, but the views, there were to die for.
But I, as always, digress…
Now it’s starting to sound like a lot of hard work.
It is.
Even if you go down the ‘pantser’ road, there’s still lot of research to be done.
This is not a treatise, but a tongue in cheek, discussion on how to write short stories. Suffice to say this is not the definitive way of doing it, just mine. It works for me – it might not work for you.
There are two methods of writing, planning, sometimes meticulous planning, or flying by the seat of your pants, or being called a ‘pantser’.
The first has it all planned out before they start writing, from beginning to end, knowing what the end result will be. The second, well, we like to write and see where it takes us.
I like to think I fly by the seat of my pants, you know, like the reader who takes up the story and starts reading, not having a clue where it’s going to go. I prefer that blissful ignorance, of course, until I run out of ideas, roughly the equivalent of hitting a brick wall
Or that common enemy all writers have, the dreaded ‘writers block’.
I’ve tried both methods.
Each work, but in the case of the ‘planner’, you need to know where it’s going to start what’s going to happen in the middle and have the end firmly planted in your mind.
Not much good if a rotten character is making you angry and you want to kill him off, and in the most excruciatingly painful manner.
Flying blind gives you a little more creativeness and be able to go around a corner and see what’s there. It also allows for those complete changes of direction you come up with in the shower, the place that is a fertile ground for new ideas just when you’re running out of them.
But it can sometimes play havoc with word counts and if you’re trying to fit into 2,000 words, 5,000 words, or a lot less, taking the story where it wants to go is not a good idea, and sadly, I tend to let stories run their course.
And sometimes I like the idea of writing three different endings, and then can’t choose which one I like the best.
So, role model I am not. I like writing, and when I’m in the ‘zone’ it’s like I’m in another world.
A relatively unassuming lane leads to what could be described as a grand hotel, called Waitomo Caves Hotel.
The original hotel was built in 1908, and it was later extended in 1928. Part of it is ‘Victorian’, based on an eastern Europe mountain chalet, and part of it is ‘Art Deco’, the concrete wing, and a feature, if it could be called that, is none of the four corners are the same.
Views from the balcony show part of the surrounding gardens
and the town of Waitomo in the distance.
In gloomy weather, it does look rather spooky, and I suspect there may be a ghost or two lurking somewhere in the buildings.
Thrills, Spills, and just a dash of Romance 