Tag: Reference

Books, books, and more books

If there is one thing I cannot resist is walking into a book store wherever it might be.

It usually elicits a groan from everyone I’m with because for them, watching grass grow is a more fascinating exercise.

But…

The best bookshops are the pop-up ones that appear in various shopping centres where there are empty spaces, and these have a wide variety of books for just $7 each.

And there are lots of bargains…

As you can see, I have been on a few bargain hunts lately and like any writer’s room, tucked away with the boxes of drinks, gardening equipment and everything else that just doesn’t fit in the house, are the piles of books awaiting being put into the shelves

As you can see, the shelves are almost full so it’s going to be an uphill battle to find spaces for them.

By the way, there are eight such book cases on the surrounding walls, as well as a new one, recently discarded from the lounge room, to house the reference books

Along with a few stuffed bears.

The job of putting books on shelves falls to the grandchildren, whom I am trying to convince that when they get older, they should too embrace the idea of having a reading room, which my writing room will also be when I eventually get to throw out the accumulation of years of discarded homewares.

Perhaps one day next year…

“Trouble in Store” – Short stories my way: Revisiting the first section

First drafts are always a little messy.  The words spill out onto the page, and it’s rare that any or all of them are perfect.  Sometimes you get lucky, but most of the time you don’t.

That’s why there’s revision, or by the more dreaded name, editing.

Editing conjures up a lot of different images in my mind, from completely re-writing, to cutting the mss down in size.  Or where you discover the main character’s name has changed from Bill to Fred after a bad night.

Usually, though, as stories progress, they go through a number of rewrites, and sometimes because of what follows.  It depends on how long a period the story is written.  Some of mine take days, others quite a lot longer.

This is the rewrite of the first section of the short story I’m undertaking, adding some new details:

 

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the beads of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered, and then did as he was told.  She was in the unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.”

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language, Jack thought, was not her own, she had been to a better class of school, a good girl going through a bad boy phase. Caught in a situation she was not equipped to deal with.

 

© Charles Heath 2016-2020

Searching for locations: Auckland, New Zealand – Another city that has a tower

Nearly every city has a high building, a tower, or a large Ferris wheel.

London had the London eye
Paris has the Eiffel tower
The Galata in Istanbul
The CN Tower in Toronto
The towers of San Gimignano
Pisa has a leaning tower

We’ve managed to see all of the above bar the Galata in Istanbul.  One day we might get there.

But, on this side of the world, there are two, the Sydney Tower, and the Sky Tower in Auckland, which we just visited recently.

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It’s not a tall tower, but it definitely gives great vies of Auckland, particularly to the north

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The mountain in the background at the top of the photo is of a volcano on Rangitoto Island.  When we were visiting, there were reports that it might become active again.

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To give a height perspective, it didn’t seem all that far down to the apartment building and gardens nearby.

“Trouble in Store” – Short Stories my way: The end of the story

The stage is set for the big finale, though I’m not quite sure how ‘big’ it’s going to be.

Jack is ready to go having been given the green light by the girl with the gun.  It seems collateral damage is not on the agenda for her, though he does admit to himself she is between that proverbial rock and a hard place.

The storekeeper still has a plan, shaky at best, to regain hold of the situation, once the customer is out of the shop.  Nervy or not, he doesn’t think she had the capability to pull the trigger.  He knows what sort of person it takes to do that, and she isn’t one of them.

The policewoman is not sure what to expect but thinks that surprise is on her side, and whatever is going on, she will be able to resolve it.  She has her weapon drawn and ready to use.  She had yet to shoot anyone with it

The girl is at the point of no return, that point where she had nothing left to lose.  Anything she had before was gone, destroyed by the choices she’d made.  No one ever handed out a manual on how you should live your life, or provide a list of people you should avoid, and her father’s prophetic words the last time they men came home with a thud, ‘your life is defined by the choices you make’.

She was not going to jail so it was going to be death or glory.

 

Now read on:

 

Jack had heard there were moments where, in a split second, your whole life flashes before your eyes.  He did, and what he saw he didn’t like.

But, then, neither was he very happy about the fact he was nearly out the door before the policewoman on the other side crashed into him and sent him sprawling to the floor.

That was about the same fraction of a second he heard the gun go off, twice, or so he thought and knew he was a dead man, waiting for the bullet.

Another fraction of a second passed as the policewoman tried to unravel the mess they’d become, and at that moment in time felt the tugging at his sleeve and then, as if in slow motion, the sound of the glass door disintegrating behind him.

 

Annalisa was quite prepared to let the customer go.

She kept one eye on the shopkeeper and one on the customer, sidling towards the door.  The gun was ready to shoot the first person who made a wrong move.

Or so she told herself.  It was getting heavy in her hand, she was shaking almost uncontrollably now, and was getting more and more frightened of the consequences.  She didn’t think, if she aimed, she could hit the side of a barn let alone a person standing ten feet away from her.

The customer reached the door.

At exactly the moment he put his hand 0on the door handle to open the door, another person was pushing the door, trying to make their way in.

With force.

She saw the blue cap, guess it was the police, though she hadn’t heard the siren, but also guessed the shopkeeper might have a silent alarm.

Damn.

A single shot, instantly in the direction of the door, not necessarily aimed at the two people now collapsing to the floor in a tangled mess, but at the door itself.

The impact, yet another guess, might shatter the glass and make it easier to escape.

After one more job.

The hell with Simmo.  He’d dragged her down the rabbit hole far enough.  Simmo knew her first name, that she had rich parents, but nothing else.  Besides, he was in such bad shape she didn’t think he’d recover.

The shopkeeper had no idea who she was, it was the first time she’d been to his shop, and now, after a few weeks with Simmo, not ever her mother would recognize her.

She swiveled the gun and aimed it at the shopkeeper and pulled the trigger.,  One less dealer in the city was good news not bad.

She saw it hit, not exactly where, but it caused him to twist and start falling to the ground, at the same time letting out a very loud scream.  Panic or anger?

She wasn’t waiting to find out.

A last glance at Simmo, now down for the count, she ran for the door, past the two on the floor, what she could now see was a policewoman with her weapon drawn, but unable to use it.

She crashed through the remainder of the glass shards put into the street and ran.

In the distance she could hear a police car coming, siren blaring.  A warning if there was ever one to run harder, up the road, down an alley, out into another street, then down into the subway.

Gone.

 

It took fifteen seconds to disentangle herself from the customer, pushing him away, and getting to her feet, weapon aimed.

At nothing but air.

The girl had gone, and then she had the vague recollection of a shadow passing her as she was facing the other way getting to her feet.

And running out the door.

Five more valuable seconds as her brain processed this piece of information before it issued the command to go out the door and see which way she went.

Another ten seconds to get out the door, and see the police car coming from the same direction she had earlier, screeching to a halt outside the shop, a car door opening, and an officer getting out.

Margaret was guessing at the driver to drive down the road where she guessed the girl had run, managing to yell breathlessly at the office getting out, “She’s gone that way,” and pointing.

The officer relayed the message and closed the door as the car sped off.

“What happened?”

“Shots fired by a woman, more a girl, in the process of a robbery.”

She ran back inside the officer following.

The customer had moved to a corner and was standing, testing his limbs, with an expression that said he was amazed he was still alive.

“Over behind the counter.  She shopkeeper.  He was standing there.”

The policeman rounded the end of the counter and looked down.  “He’s here.  It’s not looking good.”

Margaret didn’t hear him.  She was calling an ambulance.

 

Next:  Perhaps some editing

 

© Charles Heath 2016-2020

 

It’s not a writing room unless…

You have this incredible fully working to scale model of an Airbus A380 coming into land…

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This plane is over a meter long and has actually flown as a model aircraft, complete with remote control.

The thrust from the four engines was enough to almost blow the lounge room curtains off their hooks from 40 feet away … and it was a struggle to hold the plane down.

Now I can simulate tornados.

And, I have to say it’s rather awe-inspiring to look at it.

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For those who like the technical details:

The A380 is the largest EPO model you will ever see and with a wingspan of 1520mm and 4 x 56mm ducted fans it is sure to make an impression at any airfield!

Despite it’s size, the A380 is very light and economical to fly, only requiring a 3000mAh 3S battery.

This huge A380 (EPO) model aircraft comes 95% pre-built and includes a powerful 4 x 25A brushless EDF system and steerable nose wheel, just include your own Tx/Rx and battery.

Specs:

Length: 1410mm (55.51in)
Wing span: 1520mm (59.84in)
Flying weight: 1800g
Motor: 2826 Brushless outrunner (3200KV)
ESC: 4 x 25A
Servo: 9g * 5pcs
Battery: 3000~5000mAh 3S1P 45C~65C Lipoly Pack (Required)
EDF Diameter: 4 x 56mm

Short Story Writing – Don’t try this at home! – Part 6

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

Now, there’s this thing called continuity, but it covers a whole range of writing sins, most of which I eventually get caught out.  Films sometimes miss a few items, like back in the roman days, there are plane trails in the sky, in a 1920’s period piece, there’s a mobile phone sitting on a desk.

Like one minute the hero has a gun, and the next he’s fighting for his life with a knife, and, hey presto, there’s that gun again.  The error might not be that big but you can’t pull out a weapon you don’t have or wasn’t there in the first place.

Similarly, the hero pulls out a mobile phone, but there’s only one problem, it’s 1980, and there are no mobile phones.  Our problem might be that we are so used to doing and using certain things that we might forget, for a minute or two, that were not available in the past.

Then there’s places like hotels and restaurants, both of which change hands and close and reopen with a different owner like someone changes their socks.  There’s no substitute for checking, on the internet of course, whether a Hilton Hotel was in 6th Avenue, New York, in 1920.

The answer is no.  The first Hilton Hotel was in Waco in 1927.  The New York Hilton opened in 1963.

The same goes for the fashion of the day.

I’m no fashion guru, but I have to rely on Google once again to fill in the gaps.

And my all-time favourite, getting the right make and model of car.

Oh, and just for good measure, back in the old days they used acoustic couplers to attach to phones via a serial port to dial-up not a server, but a BBS, Bulletin Board Service, at a rate of 300 baud, or a little while later, 1,200 baud.

There was no internet in general use.  If you wanted to call the office when out, use a telephone box.  Or carrier pigeon.

And the use of language, there’s a lot of stuff relevant today that was not used back then, and there was a lot of stuff back then that isn’t tolerated now.  Some of it might be hard to get your head around. 

It isn’t for me, because I can remember the 1970s and 1980s, but I’m not too sure about allowing some of what happened then to creep into my work.

So, you get the picture.  Try to use the past as the past, or leave it in the past.

Unless it’s a book about time travel, then all bets are off.

In a word: Line (and there’s more)

There’s more to that word ‘line’, a lot more, making it more confusing, especially for those learning English as a second language.

I keep thinking how I could explain some of the sayings, but the fact is, it’s only my interpretation, which could possibly have nothing to do with its real meaning if it has one.

Such as,

Hook, line, and sinker

We would like to think that this is only used in a fishing depot, but while it is generally, there are other meanings, one of which is, a con artist has taken in a victim completely, or as the saying goes, hook, line, and sinker.

At the end of the line

Exactly what it t says though the connotations of this expression vary.

For me, the most common use is when you’re waiting, like for a table in a restaurant with a time-specific reservation, and you see people who arrive after you, getting a table before you, it’s like being continually sent to the end of the line.

Line ball decision

This is a little more obscure, but for me, it means the result could go either way, and it’s a matter of making a call. The problem is both decisions are right, and unfortunately, you’re the poor sod who has to decide.

It of course partners very well with you can’t please everyone all of the time.

These are the most difficult because one side is going to be aggrieved at the decision especially when it is supposed to be impartial and sometimes isn’t.

Get it over the line

This, of course, has many connotations in sport, particularly rugby when the aim is to get the ball over the try line.

But another more vicarious meaning might be from a senior salesman to a junior, get [the sale] over the line, i.e. get it signed sealed and delivered by any means possible by close of business.

Line of credit

A more straight forward use of the word, meaning the bank will extend credit up to a certain limit, but it’s generally quite large and can feel like its neverending.

Until you have to pay it back.

There’s more, but it can wait till another day.

Short Story Writing – Don’t try this at home! – Part 5

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

Now we have the where and the who.  What’s the story going to be about?

I find inspiration in the most unlikely places.

Shopping malls are great, there is so many things going on, so many different types of people, there’s often enough to fill a journal.

Driving on the roads, you get to see some of the most amazing stunt driving, and it’s not even being filmed, it’s just playing out before your very eyes.

Waiting in hospitals, waiting for doctors, accountants, dentists, friends, hanging around coffee shops, cafes, bistros, restaurants, hotels, the list is endless.

But often a reliable source, the media and newspapers in particular, and a frequent go to, and the more obscure the headline the better.  Then it’s simply a matter of letting your imagination run free, like:

Four deaths, four mysteries, all homeless.

This poses a few interesting scenarios, such as, were they homeless or were they made to look like they are homeless.  If they are genuinely homeless how did they die?  Are they connected in any way?

The point is, far from the original story that simply covers four seemingly random deaths, a writer can spin this into a thriller very easily.

It could follow a similar headline in another country where three headlines could be found, say, in London, where a man is found dead in an abandoned building, a week after he died, with no obvious signs of how he died.

A woman is killed in what seems, from the outset, an accident involving two cars, but the kicker is after three days, the driver of the second vehicle just simply disappears.

A man is reported missing after not reporting for work when he was supposed to return from a vacation in Germany.

And the third death, where an obscure piece says a man was found at the bottom of a mountain, presumed to have fallen in a climbing accident.

It’s all in the joining of the imaginary, yet possibly quite real, dots.

You could be on a train, and two people are acting oddly, note I didn’t say suspiciously, when going to or from work.

When on a holiday, you notice that a fellow hotel guest is in the same place at the same time every day but acting like he or she is waiting for someone or something.  Then suddenly they’re not there.

But I’m not suggesting for a minute you should start investigating.

Just let the imagination work it’s tricks.

And, before you know it, you’re on that rollercoaster ride.

Maybe there’ll be less confusion tomorrow.

Short Story Writing – Don’t try this at home! – Part 4

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

The fourth attempt, other factors, and people

There are two other characters that will be used in this rewrite, the second an addition to give the main character a means of letting the reader get to know a bit about him.

His name is Milt, an African American that’s always been on the fringe.  Another who is a victim of his circumstances but not letting it get the better of him, the sort of man who makes the best of a bad situation.

He’s seen active service in the army, honourably discharged, but still affected though not as bad as some of those he served with.  He is in fact the ideal man for the job, with combat experience, so he’s not likely to get flustered in a shit storm.

And probably not the man you want on this site.  Being in desperate circumstances doesn’t mean you do desperate things.

He is one of a team of four and our main character drew the straw to partner him.  There are two others, based on the other side of the park, neither of whom are trustworthy, Smithy, the overall leader, to whom they all report at shift start and end, and Carruthers, an Englishman reputed to be ex SAS, but no one is inclined to believe him. 

The scars on his neck tell a story, but it was left to the other’s imagination, as he doesn’t talk about it.  Milt was of the opinion he was captured in Afghanistan and tortured, but that could be just be canteen scuttlebutt.

Whatever the circumstances, Graham kept away from him as much as possible, and was glad when he didn’t have to partner him for the shift.

The other character. Penelope has featured in the earlier versions of the story.  Over the changes her background has changed, but I’ve settled on a medical surgeon career, renown for doing tricky procedures with a high success rate, and in doing so gained a reputation, some not always good.

Wealth and ego don’t always make a good pair, and marrying wealth brings its own rewards and pitfalls, particularly when you discover the man you married isn’t exactly whom you thought he was.

It is of course a typical scenario, but I’m going to try and weave it differently.  There will be no more teasers until the story starts.

But she will be introduced earlier than in the previous iterations because she needs some backstory too, otherwise just arriving at Graham’s work and getting shot, while provoking a volatile situation that drags the reader in, out of left field is not exactly the best start.

So, let’s begin.

© Charles Heath 2022