Tag: Pets

Past conversations with my cat – 16

Character development

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This is Chester, he thinks he is an expert on people

He has meandered in checking out what I’m doing, or maybe he’s here because the room is cooler.

He gives me the ‘What are you doing’ look.

It doesn’t matter how many times I’m a writer, it’s like talking to a brick wall.

I say I’m working on developing a new character.

Name?

I’m thinking of John.

A shake of the head and the eyes roll.  Can you be a little more inventive, like, well, Chester?

Predictable.  How about Xavier?

Would you call your kid Xavier?  He’s going to have a very rough time of it at school.  Unless this character has a tortured soul.

Good point.  How about William?

Bill, that’s what you get in the mail.  Another shake of the head.  You’re not very good at this, are you?

Apparently not.  Haven’t you got some mice to catch?

He yawns, then curls up on the seat.  Wake me when you’ve got some better ideas.

Maybe not.  I’ve come up with a name, Daniel, and I don’t care what he thinks.

For now.

Conversations with my cat – 54

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This is Chester.  Did someone use the word ‘vet’ out loud?

It is odd how some animals can recognise some words and remember what activity is attached to it.

Chester knows the word vet, and his memory attaches a great deal of seemingly horrible experience, not the worst of which is being transported in a pet basket.

Yes, we have just tried carrying him, but there is a sixth sense in every cat that tells them when they’re nearing a vet.  Within 50 metres of the front door, the hair stands up, the cat starts hissing as he would face off against a formidable opponent.

We only carried him once, never again.

But the histrionics start in the house where we have to mound a search party to find hi,  There are innumerable hiding places, and we have to be organised.\

Invariably, each time something like this happens, he finds somewhere new to hide.  We keep forgetting he can use his paws to open sliding doors, and close them again, a talent he had learned.

We’ve also learned to start looking a half-hour earlier than we used to.  The vet is only three minutes away, and we used to leave it to the last minute, but being late for the appointment happens only once.

Vets are worse than doctors when you miss appointments.  PErhaps Chester knows this and tries to use it to his advantage.  It no longer works.

Then, once we find him, the next exercise is to get him into the basket.  I’ve never seen so many tricks on how not to let the humans put him in it.

But, over time, we’ve learned, and sometimes it’s easy, others, I have the scars to prove it.

Then, once we get to the vet, it’ss a completely different cat, not Chester, but some other cat disguised as him.  Chester has never given the vet an ounce of trouble.

Perhaps we should become vets.

Chester is fine, just a little off-colour perhaps from something he ate.  Not all pet food is agreeable, and we’ve been trying to get his to have something different.  I even specially cook fish for him, and maybe that was the problem.

What is off-putting is the ease in which he goes back into the basket for the vet.

But all is well, and he will be glad to get out…

Was it just another surveillance job – Episode 16 – Revised

As we all know, writing by the seat of your pants is almost the same as flying by the seat of your pants, a hazardous occupation.

As it happens, I like writing this way because like the reader, I don’t know what to expect next.

And equally, at times, you can write your self into a corner, much like painting, and then have to go back, make a few changes and//or repairs and then move forward.

It’s part of the writing process, only in this case, the changes occur before you’ve finished the novel if you finish.  Quite often a lot of writers get only so far, then the manuscript hits the bottom drawer, to be brought out on a distant rainy day.

Or your cat has mocked your writing ability one too many times.

Therefore, we’re winding back to Episode 16, and moving forward once again, from there.

 

O’Connor seemed to be more affluent than I because he was living in a flat located in an upmarket building.  Getting into the ground floor required a passkey, one I suspect might also be needed to get in the front door of his flat, but I’d worry about that later.

My first problem was that front door, and it was not until a tradesman exited that I took the opportunity to appear to arrive at the same time, pretending to find my card, and brushing past him as he was exiting.  He ignored me, his hands full, being in a hurry.

It took a day and a half of watching the building, waiting for an opportunity.  His flat was on the third floor and although there was an elevator, I took the stairs, hoping that I wouldn’t run into anyone.

Quickly and quietly, and thankfully without seeing another resident, I came out into the passageway, and it was about ten steps to his front door.  Number 37.  Not far away, in one direction, the end of the passage, and numbers 38, 39, and 40.  In the other, four more flats and the end of the corridor.  Windows at either end, perhaps an escape route.  I would not use the elevator if I had to leave in a hurry.

There were two elevators and one staircase.  Both elevators were stationary on the ground floor.

I knocked lightly on the door to number 37.

No answer.

I knocked a little harder on the door.  It was quite solid, and I had to wonder if the knocking sound penetrated the solid wood.

I checked the lock.  Simple to open.  We’d been given instruction by a master locksmith, and I’d brought my tools.

I waited a minute, checked to see if the elevators were still on the ground floor, then picked the lock and was inside within a minute.

Silence.

I felt along the wall for a light switch, usually by the door, and found it, and flicked it on.  The sudden light was almost blinding, but then my eyes adjusted.

Trashed, much the same as my flat.

But, with a difference.

A woman was stretched out on the floor, unmoving.  I could see, from where I was standing, she had been hit on the back of the head and could see the wound, and a trickle of blood through her hair.

Five steps to reach her, I reached down to check for a pulse.

Yes, she was alive.

I shook her gently.  She didn’t react.  I shook her a little more roughly and she stirred, then, as expected, lashed out.

I caught her hands, saying, “I just found you.  I’m not your enemy.”

Of course, considering I was a stranger in what could be her flat without permission, I was not surprised she continued to struggle until I tried being reassuring.  Then she stopped and asked, “Who are you?”

“A friend of O’Connor.  I worked with him.  Something happened to him at work and he said if that happened, I was to come here.  He didn’t say anything about you, though.”

“I live here, in the flat next door.  I heard a noise and came to investigate.  That’s all I remember.”

I helped her up into a sitting position, and, holding her head in her hands, looked around.  “Did you do this?”

“No.  Just got here.  But it’s the same at my place.  The people who did this are looking for something.  By the look of it, they didn’t find it here either.”

“I’ll get a damp cloth for your head.  It doesn’t look serious but there might be a slight concussion that might need attention.”

She felt the back of her head, and, when she touched the wound, gasped, “It hurts though.”

I stood and went over to the kitchenette.  O’Connor was not much of a cook, the benches looked new, and there was nothing out.  I looked in a draw near the sink and found a cloth, still with the price tag on it.  So were several utensils in the drawer.  I ran it under the water, then went back to her, now off the floor and sitting on one of the two chairs.  I handed her the wet cloth and she put it against the injured part of her head.

I made a mental note, it didn’t look like O’Connor had been here long, if at all.  Something was not right here, and if that was the case, I should take care when saying anything to this woman.

“Who are you again?” she asked.

“I worked with him.  My name is irrelevant.  It’s unlikely that he mentioned me to you, or anyone.  It’s the nature of our work.”

“Why should I believe you?  You could be my attacker.”

“If that were the case, why would I still be here trying to be helpful.”

A good question that elicited a curious expression.

“What do you do, what did Oliver do?”

Alarm bells were going off.  Oliver was not O’Connor’s first name.

“Nothing very interesting, I can assure you, and definitely nothing that would warrant this happening.  If it had only been me, I would have not thought any more of it, but since we worked together, and this has also happened to him, it seems we are mixed up in something bad.”

“Where is he, by the way?”

“I was hoping you could tell me.  If you live next door and know him well enough to be here, he might have told you.”

“No.  He never spoke about work.”

She was trying to stand so I helped her up and held on when it looked like she was about to collapse.  Last time I had a knock to the head, I had dizziness for a minute of two.  Her knock had been a lot harder.”

“Are you alright?”  She didn’t look it.

“I will be, I’m sure.”

I let her go, and she took several steps, then gave me a rather hard look.  “Why are you here again?”

“Trying to find my friend.”

“How did you get in here?”

Rather than make her disorientated, the knock must have sharpened her senses.  Time to test a theory. 

“I think we should call the police now, and report the break-in.”

I pulled out my phone.

“Look, I don’t want to get mixed up in this.  You go, and I report this when I get back home.  And, if you find him, tell him Josephine is looking for him.”

As I thought.  She was not able to explain to the authorities why she was in this flat, as I’m sure she believed I couldn’t either.

She started walking towards the door.  My staying any longer would raise her suspicions about me, and any search I was going to do would have to wait.  I opened the door, she walked out, and I followed shutting the door after me.

I left her standing outside the door and headed for the stairs.  A last glance back showed her still where I left her.  I went down to the first landing, then stopped.  It was part of the training, to treat everyone as suspicious.

Then I heard her voice, as she passed the top of the staircase, on her way back to her flat.  “He was here, looking for the files.  No, he’s gone.”  A minute’s silence, then “On my way.”

Another minute, I heard the elevator car arrive on the third floor.

I quickly ran down the stairs to the ground floor and waited at the door until she came out of the elevator, heading for the door.

Then as she passed through the front door, I came out into the foyer just in time to see a car stop out the front, and a familiar face out through the rear window.

Nobbin.

 

© Charles Heath 2019

Conversations with my cat – 53

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This is Chester.  He’s feeling poorly today.

When I used this expression, he looked at me quizzically, which is not bad for a cat with a constant poker face.

Where did you get that from?

It’s a favourite expression of my mother’s when she wasn’t feeling very well.  She had another, ‘not feeling elegant’ today.

It stops and makes me wonder where these expressions come from, and I suspect, because my mother’s mother was of German descent, that it was one of those translation to English things.

Chester seems disinterested.  I’m beginning to think there may be something wrong with him because he’s not his usual sardonic self.

Perhaps, I say, it’s time to go to the vet, get checked out.  You’re not getting any younger.

His head pops up at the mention of the vet.  He knows what this means.  The cat basket.

He leaps up with newfound energy and heads for the door.

I get out of my chair to follow, and he’s gone, moving quickly up the passage to one of his hiding spots.

Maybe he’s not that bad.  I’ll monitor the situation.

“You’re safe,” I yell out.  “For now.”

Trying to pick up the pieces

I can see how it is that a writer’s life is one that, at times, has to be shut off from the outside world.

It’s a bit hard to keep a stream of thoughts going when in one ear is some banal detective show, and in the other, a conversation that you have to keep up with.  I know how hard it is because I’ve tried doing three things at once, and failed miserably in all three.

So, out I slink to the writing room and start by re-reading the previous chapters, to get back into the plot.  I should remember where I am, and get straight to it, but the devil is in the detail.

Going back, quite often I revise, and a plotline is tweaked, and a whole new window is opened.  God, I wish I didn’t do that!

Then I get to the blank page, ready to go, and…

The phone rings.

Damn.  Damn.  Damn.

Phone answered, back to the blank page, no, it’s gone, got yo go back, blast, another revision, and back to the blank page.

Half an hour shot to pieces.

The phone rings again.

Blast scam callers.  I nearly rip the cord out of the wall.

All through this the cat just watches, and, is that a knowing smile?

It can’t be, I’ve just learned that cats can’t smile, or make any sort of face.

I’m sure his thoughts are not a vague or scrambled, or wrestling with the ploys of several stories on the go, getting locations right, getting characters to think and do their thing with a fair degree of continuity.

The cat’s world is one of which chair to lie on, where is that elusive mouse be it real or otherwise, and is this fool going to feed me, and please, please, don’t let it be the lasagna.  I am not that cat!

Unlike other professions, it’s a steady, sometimes frustrating, slog where you can’t just walk away, have a great time, and come back and pick up where you left off.  Stories have to be written from beginning to end, not a bit here and a bit there.

It’s a bit like running a marathon.  You are in a zone, the first few miles are the hardest, the middle is just getting the rhythm and breathing under control, and then you hope you get to the end because it can seem that you’ve been going forever and the end is never in sight.

But, when you reach the end, oh, isn’t the feeling one of pure joy and relief.

Sorry, not there yet.

And no comment is required from the cat gallery, thankyou!

 

Past conversations with my cat – 15

There are good days and bad days

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This is Chester, a cat looking for trouble

 

Bad days, today, trying to make the bed and the cat decides to get under the sheet and chase imaginary mice.

Peel the sheet back, toss the cat off the bed, go to remake it, and, you guessed it.

OK, we’ll come back to that.

Good days, sometimes occurring, but not often, he’s off the bed and on the prowl, though what he’s looking for is a mystery.

Perhaps there’s a gecko somewhere.

Good news, he’s out of my hair and not sitting on the keyboard trying to make a statement.

Working on the new chapter, I hear the patter of cat paws on the steps down into my office.

I turn to give him the ‘go away’ icy stare.

He returns it, in equal measure, tentatively puts his paw on the ground, ready to run if need be.

I shrug.

He goes over to the rug and flops down.

Under the fan.

Yep, they are lazy days of spring for some of us.

Conversations with my cat – 52

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This is Chester.  He’s left a current edition of a news magazine on my keyboard.

And I think it’s meant to scare me.

The title is “Your cat isn’t trying to kill you, probably”

The operative word that goes with the malicious look on his face, is probably.  In a staredown I know I’m going to lose.

If I try to read his mind, well, all that’s going to get me is a migraine headache.

Perhaps I’m missing the point.  The first few lines tell me that cats don’t have the facial muscles that dogs do, so an expressionless cat is just that, they are not giving you the proverbial death stare.

I’m sure that it’s his way of reassuring me that I’m living on borrowed time.

Or, maybe not, because there are a few more lines further down telling me that cats are predators and they kill about a billion birds every year.  That, I’m guessing, hints that once the birds run out, humans are next.

Ah, now I know that benign expression holds no malice…

Past conversations with my cat – 14

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This is Chester, the literary critic

 

It’s important to get that first sentence right, so I’m rattling off a few lines to get his reaction

‘It was a day like no other’

‘Yes, I know’, says the all knowledgeable Chester looking down his nose at me, ‘it’s been used before’.

We are sitting in the writing room and as usual, Chester is trying to ignore me.

I’m trying to start a new novel, looking for that first line that’s going to hook the reader.

I read him a few lines.

He gives me a disdainful look, ‘Heard it all before old boy, try again’.

Once Upon a time?

‘You’ve been watching too much TV’.

It was a dark and stormy night.

He yawns widely, ‘As if you haven’t used that before’.

He’s right, damn him.

Why am I talking to this cat anyway?

He jumps up onto the desk and sits on the keyboard.

Ok, writing is over for the day.

Conversations with my cat – 51

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This is Chester. Our standoff continues.

I can tell he’s not happy because when he’s going down the paasage and I’m going in the opposite direction, he changes sides.

Instead of coming over to see what food he’s getting, he waits in another room. Tgat is fine by me because it takes a liitle longer to find out he’s not in an eating mood.

And come to think of it, he no longer climbs up on the tab l e when we’re having fish. I’ve told him mire than once that eating off someone else’s plate is just not good manners.

Perhaps i should not be so concerned he’s not talking to me, because he’s almost become the cat I’ve always wanted.

What’s that expression, cut your nose off to spite your face.

But, it isn’t going to last. This morning when I go down to the library, which is just a fancy name for my writing room, he’s sitting on top of my closed laptop.

I never used to close but the last time I cleaned it I found cat hair, an alleg a tion he vehemently denied, and tried to tell me it the dog we used to have.

I didn’t bother telling him the laptop is new, and the dog’s been gone for 12 years.

I ask him to move.

He yawns and makes him self more comfortable.

He still hasn’t realised that all I have to do is pick him up, and move him, which I do.

I sit down to start work, he jumps up on the table and gives me that ‘I dare you to do that again’ look, I stare back with the ‘do you really want to do this’ look.

Fifteen minutes later…

I’ve been thinking…

And probably it is a matter of being better off not thinking, but

I’m sitting here and writing a piece for a novel about one of my characters, and all of a sudden I stop, right in the middle of where he’s about to get violently murdered if he lets his guard down.

Why have I stopped right there?

A strange through goes through my mind.

Did he remember to have breakfast, did he make the bed and tidy up after he got up?  Did he have to arrange to have his clothes cleaned, or were they cleaned for him?

Does he have a maid and a butler and a cook to do all those things?

The problem is, we don’t know what happened before he finished up in that precarious position.

We may know that he was taught to fight by a sen master, a swordsman, though I’m not sure if there is a requirement for fencing, to drive defensively, to kill people in more ways than you’ve had different dinners.

We may know that he was in a similar fight the day before, and his energy has been depleted and may be running on painkilling drugs.  Of course, if that’s the case, and knowing the side effect of some of those drugs, he may be impaired, and slower in reaction time, which might mean premature death.

But we don’t know if he ate anything, whether he slept well, or not at all (though sometimes it rates a mention more often than not as an afterthought or an excuse), whether he has any distracting thoughts, like what the hell am I doing here?

Everyday things which all of us, and I’m sure even the most successful of spies, have to deal with.

Just a thought.

Back to the fight, yes he wins, got a couple of slashed and there’s a copious amount of blood on his shirt.

Let’s not worry about whose going to clean up the mess, or do the washing.

A few running repairs with needle and thread, including the requisite grimaces in pain, someone else will clean the shirt, and yes, there’s always a cupboard full of clean clothes to change into.

Moving on…