First Dig Two Graves, the second Zoe thriller.

…

There’s a certain air of inevitability in the air, that the bad buys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

IT’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants, it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practiced monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, and the money and lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world that which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 1,650 words, for a total of 52,769.

First Dig Two Graves, the second Zoe thriller.

…

We’ve reached the point where it’s time to take Worthington’s desire for revenge and turn it into a homicidal obsession, particularly after the last ‘easy’ exercise of killing her at the railway station failed so spectacularly.

Worthington is about to become a ‘by any means necessary’ person who will use anyone or anything at his disposal, and is about to use the one person John will least expect to appear on his horizon, one who will make him think twice about keeping Zoe from him.

However, our intrepid trio of Sebastian, Isobel, and Rupert, is also on the trail, who when leaving the airport just happened to see Worthington with this particular person, and realize what is about to happen. Sebastian also discovers why he is being sidelined and is not determined to stop Worthington.

Oblivious to all of this is John who has hired a car and is heading to Lucern where he is going to rendezvous with Zoe and hopefully get a briefing on what she intends to do next.

Needless to say, no matter what she says, he will be ignoring all that good advice and do his usual arrival in a nick of time to rescue the damsel in distress.

Of course, there are only so many times he can do this before he is actually killed for real.

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 1,208 words, for a total of 51,119..

First Dig Two Graves, the second Zoe thriller.

…

Yesterday there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realize now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much she doesn’t want to be with him, it’s because she doesn’t want him ending up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to, there’s bound to be some confusion.

Inevitably he is going to find her, and when they d, the reasons why they are together are clear, but there’s still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it though, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most to review, and perhaps rewrite to get the missing perspective I’m looking for

…

Today’s writing, a part of the assessment of their relationship underway, 560 words, for a total of 47,626.

First Dig Two Graves, the second Zoe thriller.

…

It’s time to delve into the past that Zoe tries so hard not to remember because the memories are painful.

It was a time before she became the emotionless killer she was now, and the people who had turned her into one.

Friends, lovers, teachers, mentors, but, in the end, all people who wanted her for one thing or another because they were selfish.

Alistair’s mother, Olga, was one, the woman who first had the job of training her, the first to recognize while gifted, she would be trouble.

She had been recommended to her by a man called Yuri, the first of many to take advantage of an innocent girl who didn’t know any better.

Once trained, she was placed with Alistair, and he too, wanted her for himself, until he found her replacement, a man who wrongly thought she was so emotionless she would be happy to share him with others.

It was a mistake he wouldn’t be making again.

It was Yuri she discovered who had been in contact with the kidnappers in Marsailles, and perhaps inadvertently inserting himself into her quest for those seeking to kill her. He would know who it was seeking her, and who the name Romanov referred to.

After ensuring John was safe, she contacted him.

There’s a conversation, and he agrees to meet her, reluctantly, as being seen with a fugitive might harm his reputation.

It’s going to be an interesting conversation and reunion.

…

Today’s writing, with Zoe traveling from Budapest to Zurich, 2,285 words, for a total of 49,911.

First Dig Two Graves, the second Zoe thriller.

…

Yesterday there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realize now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much she doesn’t want to be with him, it’s because she doesn’t want him ending up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to, there’s bound to be some confusion.

Inevitably he is going to find her, and when they d, the reasons why they are together are clear, but there’s still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it though, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most to review, and perhaps rewrite to get the missing perspective I’m looking for

…

Today’s writing, a part of the assessment of their relationship underway, 560 words, for a total of 47,626.

First Dig Two Graves, the second Zoe thriller.

…

Today, we’re back in Vienna, with Zoe planning their escape. We’re off to the railway station and catching the train. Unfortunately, Worthington is able to track them and knows exactly where they are, and where to direct his hit squad.

And you guessed it, mayhem is about to erupt in the station. But, as Zoe knows all too well, chaos can be her best friend, and they escape.

Sebastian knows something is afoot with Worthington, because all of a sudden, he has disappeared.

That’s good for Sebastian in one sense, he can go ahead with the interrogations of Isobel and Rupert in his quest to find out where John, and ultimately Zoe, is.

But the thing is, they are disinclined to be helpful in any way shape or form, and Isobel in particular, tells him to bring on the torturers.

Weird maybe, but Sebastian knows she’s probably getting a kick out of it.

…

Today’s writing, with Isobel laughing in the face of danger, 1,905 words, for a total of 43,067.

First Dig Two Graves, the second Zoe thriller.

…

I’ve been looking back at what’s been written, something you shouldn’t do when trying to get 50,000 words written in 30 days, but I’m ahead of the count, and a little checking is needed, just to make sure everything is running smoothly.

Not that any book written on the fly like this runs smoothly.

There are three themes to this story:

1 – Worthington, now head of the Intelligence agency, seeking revenge for Zoe killing his brother by mistake, a mistake that he caused

2 – Alistair’s mother deploying a collecting of agents, some being Zoe’s colleagues once, to assassinate the woman who assassinated her son

3 – John’s ever-growing fear that Zoe is tired of him, and, after she leaves, and even though she promised to come back, he doesn’t want to wait to find out he’s been dumped.

4 – Sebastian is always lurking in the background, ostensibly to recruit her as an assassin, but really because he’s jealous of John’s good fortune.

Our two intrepid heroes go off to save her in Marseilles where she learns of the identity of who is ostensibly looking for her, and sets her off on a lone hunt for him.

We then deploy two new characters, Rupert and Isobel, who along with John will create a private detective agency, that John uses to locate Zoe by any and all means.

Isobel soon finds out that searching for Zoe on the internet brings risks, both at home and abroad, bringing her in contact with another hacker who seems to know where Zoe’s past is hiding. But can they be trusted?

John heads off to Vienna, after being supplied a file on Zoe, full of information he had not known about her. What he learns in Vienna leads him to Bratislava, when a photo identifying where she suddenly arrives on his phone.

John locates her, she realizes he is being used as bait, and they leave, but not before the hit team almost completes their mission, and leave behind a trail of bodies as they get away, but not without injury.

John gets the answers he is seeking, that if he wants a life of looking over his shoulder, by all means, tag along. She is quite pleased to see him, not so much that he brought ‘friends’ but she might yet get to train him.

Sebastian, feeling left out, grills Isobel and Rupert, gets sidelined by Worthington because anywhere Sebastian goes, trouble follows, and then convinces Isobel that John is in over his head and needs their help.

He’s not wrong because Worthington has dispatched another hit team to the main railway stations in Vienna where John and Zoe are looking to escape, only another shootout occurs as they once again escape when all the station’s exits are not covered.

The story has now reached a point where everyone is converging on Vienna.

Along with another person who Juhn knows, and will least expect to arrive on his doorstep.

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 3,999 words, for a total of 47,066.

First Dig Two Graves, the second Zoe thriller.

…

Today, we’re back in Vienna, with Zoe planning their escape. We’re off to the railway station and catching the train. Unfortunately, Worthington is able to track them and knows exactly where they are, and where to direct his hit squad.

And you guessed it, mayhem is about to erupt in the station. But, as Zoe knows all too well, chaos can be her best friend, and they escape.

Sebastian knows something is afoot with Worthington, because all of a sudden, he has disappeared.

That’s good for Sebastian in one sense, he can go ahead with the interrogations of Isobel and Rupert in his quest to find out where John, and ultimately Zoe, is.

But the thing is, they are disinclined to be helpful in any way shape or form, and Isobel in particular, tells him to bring on the torturers.

Weird maybe, but Sebastian knows she’s probably getting a kick out of it.

…

Today’s writing, with Isobel laughing in the face of danger, 1,905 words, for a total of 43,067.

First Dig Two Graves, the second Zoe thriller.

…

We’re still in Bratislava with Zoe making a few repairs, having been injured in the getaway from the hotel, where bullets were flying around indiscriminately.

In a nondescript hotel near a railway station, the favorite accommodation for assassins, maybe, there’s enough time for John to get the message Zoe is not happy with him bringing along a hit squad.

And, they’re on the news, that is to say they know who it is that’s on the news, the blurry figures are too indistinct for anyone else to identify them. It was disconcerting to be called criminals fleeing the scene of a crime.

Back in London, Sebastian is about to have a set to with Worthington, who has decided Sebastian is too close and might compromise his black op, so he’s sending him to Paris.

It’s here we learn that Sebastian has both Isobel and Rupert locked up in the cells in the basement, awaiting interrogation, and Worthington orders him to send them home.

Of course, Sebastian is not going to so anything of the sort.

He knows they know where John is, and by implication, where Zoe is, and wants to know.

In the first edit, I suspect I will have to mention Sebastian ‘arresting’ Rupert and Isobel just to keep continuity, and no unfathomable surprises later on.

…

Today’s writing, with Worthington getting his ducks in a row, 1,445 words, for a total of 41,162.

First Dig Two Graves, the second Zoe thriller.

…

Today we are in Bratislava in Slovakia.

John has found Zoe after playing a little cat and mouse in the streets near the hotel. Back at the hotel, they just get back to the room when a member of Worthington’s hit team arrives and comes off second best.

Of course, the rest are stationed at the obvious exits, and it takes some effort to getaway.

Even that escape is fraught with danger, but with all the cunning she can muster, Zoe makes sure they get back to Vienna.

With Worthington’s hit team hot on their train, a diversion in the main railway station helps aid their departure.

By now, two things are certain:

Worthington is behind the latest attempted hit, and they are both in the firing line, and

John had to decide whether or not he wants a life always looking over his shoulder.

No prizes for guessing his choice!

…

Today’s writing, with John throwing his lot in with Zoe, 2,905 words, for a total of 39,717.