First Dig Two Graves, the second Zoe thriller.

…

Rupert follows Worthington and Arabella to and from the concert, and then observes them over dinner, wondering what it is that’s missing in his life until they go back to the room for the night.

To him, it seems like it’s just a sex weekend with cultural embellishments.

Until he spies Worthington on the move at two am, leaving the hotel on foot.  It turns into a meeting between him and two other men in the park before Worthington returns to the hotel, business concluded.

It has to be something to do with John and Zoe, otherwise, the meeting would have been in the hotel, not the deep recesses of the park.  Rupert has photographs and gives them to Sebastian for identification.

At least they now know the reason for Worthington being in Vienna.  Arabella just makes it look more casual.

John breaks his plan to Zoe over breakfast, and she is surprised.  It’s a good plan, and once she had dealt t=with the problems, it would be a go.

And, she added quite sombrely, if they all survive.

The bad news was she would be leaving the next morning to visit an old friend, Dominica, who probably isn’t so friendly now, to get information.  And, no, she was not sure what would happen after than, but if she could, she would call him.

With the two me identified, and the danger they presented, Sebastian had to move to plan B and sets it up.  He deliberately doesn’t tell either of them because he knows they would strenuously object.

The plan:  sniper to shoot them from a building across the road, not to kill, but to slow them down.  It would be difficult to be out plotting when in the emergency ward of a hospital.

But, as usual, things don’t quite go to plan.  Worthington is hit and wounded, though not severely as Sebastian had hoped, but Arabella moved slightly just before he pulled the trigger, and he couldn’t see what happened but what he could see, it looked very, very bad.

…

Today’s writing, with Sebastian dusting off his sniper rifle, 1,882 words, for a total of 56,217.

First Dig Two Graves, the second Zoe thriller.

…

There’s a certain air of inevitability in the air, that the bad guys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

IT’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants, it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practiced monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, and the money and lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world that which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 1,650 words, for a total of 52,769.

First Dig Two Graves, the second Zoe thriller.

…

There’s a certain air of inevitability in the air, that the bad buys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

IT’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants, it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practiced monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, and the money and lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world that which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 1,650 words, for a total of 52,769.

First Dig Two Graves, the second Zoe thriller.

…

We’ve reached the point where it’s time to take Worthington’s desire for revenge and turn it into a homicidal obsession, particularly after the last ‘easy’ exercise of killing her at the railway station failed so spectacularly.

Worthington is about to become a ‘by any means necessary’ person who will use anyone or anything at his disposal, and is about to use the one person John will least expect to appear on his horizon, one who will make him think twice about keeping Zoe from him.

However, our intrepid trio of Sebastian, Isobel, and Rupert, is also on the trail, who when leaving the airport just happened to see Worthington with this particular person, and realize what is about to happen. Sebastian also discovers why he is being sidelined and is not determined to stop Worthington.

Oblivious to all of this is John who has hired a car and is heading to Lucern where he is going to rendezvous with Zoe and hopefully get a briefing on what she intends to do next.

Needless to say, no matter what she says, he will be ignoring all that good advice and do his usual arrival in a nick of time to rescue the damsel in distress.

Of course, there are only so many times he can do this before he is actually killed for real.

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 1,208 words, for a total of 51,119..

First Dig Two Graves, the second Zoe thriller.

…

Yesterday there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realize now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much she doesn’t want to be with him, it’s because she doesn’t want him ending up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to, there’s bound to be some confusion.

Inevitably he is going to find her, and when they d, the reasons why they are together are clear, but there’s still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it though, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most to review, and perhaps rewrite to get the missing perspective I’m looking for

…

Today’s writing, a part of the assessment of their relationship underway, 560 words, for a total of 47,626.

First Dig Two Graves, the second Zoe thriller.

…

It’s time to delve into the past that Zoe tries so hard not to remember because the memories are painful.

It was a time before she became the emotionless killer she was now, and the people who had turned her into one.

Friends, lovers, teachers, mentors, but, in the end, all people who wanted her for one thing or another because they were selfish.

Alistair’s mother, Olga, was one, the woman who first had the job of training her, the first to recognize while gifted, she would be trouble.

She had been recommended to her by a man called Yuri, the first of many to take advantage of an innocent girl who didn’t know any better.

Once trained, she was placed with Alistair, and he too, wanted her for himself, until he found her replacement, a man who wrongly thought she was so emotionless she would be happy to share him with others.

It was a mistake he wouldn’t be making again.

It was Yuri she discovered who had been in contact with the kidnappers in Marsailles, and perhaps inadvertently inserting himself into her quest for those seeking to kill her. He would know who it was seeking her, and who the name Romanov referred to.

After ensuring John was safe, she contacted him.

There’s a conversation, and he agrees to meet her, reluctantly, as being seen with a fugitive might harm his reputation.

It’s going to be an interesting conversation and reunion.

…

Today’s writing, with Zoe traveling from Budapest to Zurich, 2,285 words, for a total of 49,911.

First Dig Two Graves, the second Zoe thriller.

…

Yesterday there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realize now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much she doesn’t want to be with him, it’s because she doesn’t want him ending up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to, there’s bound to be some confusion.

Inevitably he is going to find her, and when they d, the reasons why they are together are clear, but there’s still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it though, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most to review, and perhaps rewrite to get the missing perspective I’m looking for

…

Today’s writing, a part of the assessment of their relationship underway, 560 words, for a total of 47,626.

First Dig Two Graves, the second Zoe thriller.

…

Today, we’re back in Vienna, with Zoe planning their escape. We’re off to the railway station and catching the train. Unfortunately, Worthington is able to track them and knows exactly where they are, and where to direct his hit squad.

And you guessed it, mayhem is about to erupt in the station. But, as Zoe knows all too well, chaos can be her best friend, and they escape.

Sebastian knows something is afoot with Worthington, because all of a sudden, he has disappeared.

That’s good for Sebastian in one sense, he can go ahead with the interrogations of Isobel and Rupert in his quest to find out where John, and ultimately Zoe, is.

But the thing is, they are disinclined to be helpful in any way shape or form, and Isobel in particular, tells him to bring on the torturers.

Weird maybe, but Sebastian knows she’s probably getting a kick out of it.

…

Today’s writing, with Isobel laughing in the face of danger, 1,905 words, for a total of 43,067.