The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

We’re now coming up to the start of the revolution and although the first parries by the rebels, so-called by the ruling junta because it sounds better than revolutionaries, or dissidents, will fail, it’s not because of bad management, but events they could not have foreseen.

That lethargy and periods of self-doubt have lifted like a fog, and the story is now taking shape.

Perhaps I had to get to the interesting part. Sometimes the setting of the scene and providing an introduction to the characters can be energy-draining because as the reader, it can take almost too long to get going.

Perhaps I should make a mental note of that so that in the second draft, I can remove the boring bits and get to the real story sooner.

I cannot wait for tomorrow and almost had to resist the temptation of not stopping for sleep, just in case the words stopped flowing. There are times, I have discovered, that in taking that break, the idea and word flow stops, and conjures up something like writer’s block.

Let’s hope tomorrow is the same as today.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

We’re now coming up to the start of the revolution and although the first parries by the rebels, so-called by the ruling junta because it sounds better than revolutionaries, or dissidents, will fail, it’s not because of bad management, but events they could not have foreseen.

That lethargy and periods of self-doubt have lifted like a fog, and the story is now taking shape.

Perhaps I had to get to the interesting part. Sometimes the setting of the scene and providing an introduction to the characters can be energy-draining because as the reader, it can take almost too long to get going.

Perhaps I should make a mental note of that so that in the second draft, I can remove the boring bits and get to the real story sooner.

I cannot wait for tomorrow and almost had to resist the temptation of not stopping for sleep, just in case the words stopped flowing. There are times, I have discovered, that in taking that break, the idea and word flow stops, and conjures up something like writer’s block.

Let’s hope tomorrow is the same as today.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

I still haven’t recovered from everything that went wrong yesterday. It was one of those days where you finally leave the room, and almost make a promise not to step in it again until the phase of the moon changes.

I’m sure it’s the moon out of phase, not me suffering the consequences of trying to fly at 30 thousand feet without oxygen.

No, I shouldn’t be using analogies…

Today the sky is blue and the promise of summer is just over the horizon, those long hot days with intense humidity that makes any thought of doing anything a chore.

How did I just turn what is a glorious day outside into something awful?

The truth is I want to get on with the revolution, but all this other stuff going on is getting in the way. Dancing with the police chief, checking out the spies, wannabe spies, security staff, security forces, people who are great and people who want to be great, all intermingling, all with an agenda, all going to play their part, however large or small, in the eventual calamity.

This can be a problem, you can’t just cut to the revolution, you have to make sure every participant is known to the reader, who they are and where they stand, and possibly what they’re going to do when push comes to shove.

Where is our main character?

In the middle of it all, as he should be, like standing on the deck of a sinking ship…

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

I still haven’t recovered from everything that went wrong yesterday. It was one of those days where you finally leave the room, and almost make a promise not to step in it again until the phase of the moon changes.

I’m sure it’s the moon out of phase, not me suffering the consequences of trying to fly at 30 thousand feet without oxygen.

No, I shouldn’t be using analogies…

Today the sky is blue and the promise of summer is just over the horizon, those long hot days with intense humidity that makes any thought of doing anything a chore.

How did I just turn what is a glorious day outside into something awful?

The truth is I want to get on with the revolution, but all this other stuff going on is getting in the way. Dancing with the police chief, checking out the spies, wannabe spies, security staff, security forces, people who are great and people who want to be great, all intermingling, all with an agenda, all going to play their part, however large or small, in the eventual calamity.

This can be a problem, you can’t just cut to the revolution, you have to make sure every participant is known to the reader, who they are and where they stand, and possibly what they’re going to do when push comes to shove.

Where is our main character?

In the middle of it all, as he should be, like standing on the deck of a sinking ship…

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

Today is another day for character development, and this time it is Inspector Delacrat.

The question is, how do you maintain that air of honesty and integrity in a country that is run by a cruel and murderous military junta.

How do you explain the disappearance of ordinary citizens during the night, when they are reported as missing?

There is, of course, something about the man that makes you think twice about whether he is to be tarred with the same brush as that of the military, or he’s just an Inspector in the police trying to do his job to the best of his ability, without running foul of the junta.

We’ll just have to wait and see.

Something else to be aware of, there are rebels, dissidents, and revolutionaries, all lurking in the background, some overt, some invisible, all working towards the removal of the junta.

The conference is a means to get an international eye on the plight of the country, so will something happen?

Will the rebels make their move?

Will Delacrat find out, and will he try to stop it?

Is our main character’s real reason for being in the country to aid the rebels, or just ensure the safety of one of the delegates?

These are all questions that will be looked at as the story progresses.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

Those first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries were met with enthusiasm.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

Those first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries were met with enthusiasm.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.