…

For Henry, it’s going to be like walking into the twilight zone.

The odyssey begins at a place called Gringoes, a place both think is the last place a potential customer would want to be seen, but that is judging a book by its cover.

Both are going to soon discover there’s a lot more going on than what the eye can see.

This search starts out without a clear plan, and it seems that going in and directly asking for Michelle, which may or may not be her work name or any name for that matter, is going to raise a flag, and may have consequences.

And, Henry, having never been to such places, and despite everything he had read about them, and in that initial foray earlier, is no wiser on how to behave or how to approach the problem.

How much would the girls want just to talk?

It soon becomes a case of hot outside, the night is still simmering from the heat of the day, to hot under the collar inside.

Fortunately, Radly is known.

There are bouncers to appease, madams to charm, and girls to ask innocuous questions.

At least the Turk is not there.

Henry encounters a girl named Suzie, and it’s time for the first dance…

…

…

For Henry, it’s going to be like walking into the twilight zone.

The odyssey beings at a place called Gringoes. , a place both think is the last place a potential customer would want to be seen, but, that is judging a book by its cover.

Both are going to soon discover there’s a lot more going on than what the eye can see.

This search starts out without a clear plan, and it seems that going in and directly asking for Michelle, which may or may not be her work name or any name for that matter, is going to raise a flag, and may have consequences.

And, Henry, having never been to such places, and despite everything he had read about them, and in that initial foray earlier, is no wiser on how to behave or how to approach the problem.

How much would the girls want just to talk?

It soon becomes a case of hot outside, the night is still simmering from the heat of the day, to hot under the collar inside.

Fortunately, Radly is known.

There are bouncers to appease, madams to charm, and girls to ask innocuous questions.

At least the Turk is not there.

Henry encounters a girl named Suzie, and it’s time for the first dance…

…

…

The old sparring partners keep their distance.

Henry because he doesn’t believe Harry has changed, Harry because he knows if the old rivalry restarts, Henry will leave, and he doesn’t want to be the one to cause it.

It takes a week to break the ice, and, finally, the two can talk.  Harry knows Henry is pining over a girl, so he asks the question.

For Henry, as far as he’s concerned, that ship has sailed. 

But Harry has a piece of advice for his brother, don’t let Michelle be the one that got away.

So begins the Odyssey.

It starts with reading up on the circumstances and reasons for the existence of such places where Michelle works, and why women finish up there.  It branches into drug addiction, of course from a medical view, with his father having an excellent library of books on the subject.

He then does a tour of what is broadly called the red light district, during the day, where it seems hidden away.  Then he branches into the newspaper archives and gets a different perspective.  Research can only do so much.

After getting a call from Villiers, a relative of Michelle’s she had once mentioned to him, he goes to see him, and they talk.  Villiers says she has contacted him and asked him to pass on a message that she will contact him when she needs his help, and it is the first indication she had not given up on them.  Villiers gives him another perspective on her.

It also means that the notion he goes looking for her, to see her, or rescue her, he wasn’t quite sure, was the right one.  Villiers wants him to go and rescue her.  The question is, is she worth rescuing?

…

…

The old sparring partners keep their distance.

Henry because he doesn’t believe Harry has changed, Harry because he knows if the old rivalry restarts, Henry will leave, and he doesn’t want to be the one to cause it.

It takes a week to break the ice, and, finally, the two can talk.  Harry knows Henry is pining over a girl, so he asks the question.

For Henry, as far as he’s concerned, that ship has sailed. 

But Harry has a piece of advice for his brother, don’t let Michelle be the one that got away.

So begins the Odyssey.

It starts with reading up on the circumstances and reasons for the existence of such places where Michelle works, and why women finish up there.  It branches into drug addiction, of course from a medical view, with his father having an excellent library of books on the subject.

He then does a tour of what is broadly called the red light district, during the day, where it seems hidden away.  Then he branches into the newspaper archives and gets a different perspective.  Research can only do so much.

After getting a call from Villiers, a relative of Michelle’s she had once mentioned to him, he goes to see him, and they talk.  Villiers says she has contacted him and asked him to pass on a message that she will contact him when she needs his help, and it is the first indication she had not given up on them.  Villiers gives him another perspective on her.

It also means that the notion he goes looking for her, to see her, or rescue her, he wasn’t quite sure, was the right one.  Villiers wants him to go and rescue her.  The question is, is she worth rescuing?

…

…

At the end of this leave, Henry has to go home.  He promised his sister.  They have lunch before going there, and she questions whether he has a girlfriend and a reminder of Jane.

After enduring his sister’s driving, he’s back home.

First, his mother, second his brother, Harry, who’s changed, third, his father, who seems to accept they agree to disagree.  Lastly, he meets Amanda, Harry’s long-suffering girlfriend, and she tells him Harry has changed.

It’s too good to be true, but he stays.

Everyone is walking on eggshells.

Here’s the thing.  Henry has always used his family as an excuse to leave, rather than have to face their constant nagging, that he give up the sea, that he get over Jane, that he get a proper job and stop wasting his life.

It seems like forever that he had to endure his father’s disappointment.  Harry had once shouldered that responsibility until he went to war and came back broken.  It was just another excuse for Henry to leave because Harry had made life hell for him, simply because Henry was wasting opportunities Harry could now not have.

Until he realised that wasn’t the case, but he had to emerge from the sea of self-pity first.

Now Henry resents him because he has.  It’s an odd situation.

…

…

At the end of this leave, Henry has to go home.  He promised his sister.  They have lunch before going there, and she questions whether he has a girlfriend and a reminder of Jane.

After enduring his sister’s driving, he’s back home.

First, his mother, second his brother, Harry, who’s changed, third, his father, who seems to accept they agree to disagree.  Lastly, he meets Amanda, Harry’s long-suffering girlfriend, and she tells him Harry has changed.

It’s too good to be true, but he stays.

Everyone is walking on eggshells.

Here’s the thing.  Henry has always used his family as an excuse to leave, rather than have to face their constant nagging, that he give up the sea, that he get over Jane, that he get a proper job and stop wasting his life.

It seems like forever that he had to endure his father’s disappointment.  Harry had once shouldered that responsibility until he went to war and came back broken.  It was just another excuse for Henry to leave because Harry had made life hell for him, simply because Henry was wasting opportunities Harry could now not have.

Until he realised that wasn’t the case, but he had to emerge from the sea of self-pity first.

Now Henry resents him because he has.  It’s an odd situation.

…

…

We are at the end of Henry’s sojourn and nearly four months have passed, what seems like a lifetime for both.

Michelle is back at work and using drugs to deaden the experience.

Henry is dreading going back home, because he has nowhere else to go, and he will not be seeing Michelle.  That ship, pardon the pun, has sailed.

Felix, The Turk’s enforcer (The Turk is the man who owns the parlours that Michelle and her friends work in, and the man to whom Michelle has an obligation when he forgave her drug debt) goes to see him and tells him Michelle is off to see Henry.

She had found out where and when he was returning and planned to meet him and tell him the truth, and maybe why they could not be together.  The Turk is sure she’ll return.  Now she’s back on drugs, he says Henry will be disgusted and that’ll be the end of it.

In her current state, far from how she looked back in Morganville, he might be right.

…

…

We are at the end of Henry’s sojourn and nearly four months have passed, what seems like a lifetime for both.

Michelle is back at work and using drugs to deaden the experience.

Henry is dreading going back home, because he has nowhere else to go, and he will not be seeing Michelle.  That ship, pardon the pun, has sailed.

Felix, The Turk’s enforcer (The Turk is the man who owns the parlours that Michelle and her friends work in, and the man to whom Michelle has an obligation when he forgave her drug debt) goes to see him and tells him Michelle is off to see Henry.

She had found out where and when he was returning and planned to meet him and tell him the truth, and maybe why they could not be together.  The Turk is sure she’ll return.  Now she’s back on drugs, he says Henry will be disgusted and that’ll be the end of it.

In her current state, far from how she looked back in Morganville, he might be right.

…

…

This is just not going to work

I had in mind right about now to find all the reasons why this romance would not work.

Michelle is not telling him the truth about her situation.  We want to believe she had found the love of her life, but is it that she has found something that she’s not had before, and it’s too late?

Her path was chosen for her, perhaps, when she allowed others to lead her down a path that eventually led to self-destruction.  Yes, she has tried to escape, twice, but inevitably she finds her way back, thinking the city is large enough she can make a new start.

She is wrong.  Why didn’t she move to the other side of the country, or even overseas?  Perhaps it was an obligation she felt to help those who had helped her escape.

The big question here is whether we let our past define us.  Do we try and find a way out of the wreckage, and try to get back on track?  It seems the situation is hopeless, or so we are led to believe.

However, the last date was when she was supposed to tell Henry it was over, that she could not be his girlfriend., but couldn’t.  He had to hear that from another source.

And, what he hears, leads him to believe there is no future for them.

Ships are great places to hide away from the rest of the world.

Henry has to endure a short period when he cannot bring himself to tell anyone what had happened, and then, at the end of the tour he takes a position on another ship, roaming the ocean for at least three months, island hopping.

He needs a sojourn, time to think, and any letters she sends, for what reason he cannot fathom, are consigned to the bottom drawer, unopened.  He is, he tells himself, done with her.

But never far from his thoughts, he decided to learn as much about her as he can, and turns to the newspaper archives, and the reporter who wrote most of the articles, none very flattering about her, and then talks to her about Michelle.

High flying model, absolute success, met the wrong man, got into drugs, and spiralled downwards from there.  She ended up addicted, and eventually a prostitute.  Not exactly what he wanted to hear, but it explained everything.

And yet, the person he met, the girl he fell in love with, was so far removed from that description, he could not understand anything.

Meanwhile, Michelle, oblivious to the fact he had overheard her conversation, cannot understand why he does not communicate with her, and cannot be found.

Time passes, and she cannot keep the man who runs her life now at bay for much longer, and then, it’s back to the snake pit with her friends; and the drugs, sitting on the kitchen bench, are a strong reminder of how she used to shut it all out.

Will the temptation get the better of her?

It’s a pivotal part of the story, and in the traditional romance, it’s the ‘boy loses the girl’ usually to a misunderstanding.

…

…

This is just not going to work

I had in mind right about now to find all the reasons why this romance would not work.

Michelle is not telling him the truth about her situation.  We want to believe she had found the love of her life, but is it that she has found something that she’s not had before, and it’s too late?

Her path was chosen for her, perhaps, when she allowed others to lead her down a path that eventually led to self-destruction.  Yes, she has tried to escape, twice, but inevitably she finds her way back, thinking the city is large enough she can make a new start.

She is wrong.  Why didn’t she move to the other side of the country, or even overseas?  Perhaps it was an obligation she felt to help those who had helped her escape.

The big question here is whether we let our past define us.  Do we try and find a way out of the wreckage, and try to get back on track?  It seems the situation is hopeless, or so we are led to believe.

However, the last date was when she was supposed to tell Henry it was over, that she could not be his girlfriend., but couldn’t.  He had to hear that from another source.

And, what he hears, leads him to believe there is no future for them.

Ships are great places to hide away from the rest of the world.

Henry has to endure a short period when he cannot bring himself to tell anyone what had happened, and then, at the end of the tour he takes a position on another ship, roaming the ocean for at least three months, island hopping.

He needs a sojourn, time to think, and any letters she sends, for what reason he cannot fathom, are consigned to the bottom drawer, unopened.  He is, he tells himself, done with her.

But never far from his thoughts, he decided to learn as much about her as he can, and turns to the newspaper archives, and the reporter who wrote most of the articles, none very flattering about her, and then talks to her about Michelle.

High flying model, absolute success, met the wrong man, got into drugs, and spiralled downwards from there.  She ended up addicted, and eventually a prostitute.  Not exactly what he wanted to hear, but it explained everything.

And yet, the person he met, the girl he fell in love with, was so far removed from that description, he could not understand anything.

Meanwhile, Michelle, oblivious to the fact he had overheard her conversation, cannot understand why he does not communicate with her, and cannot be found.

Time passes, and she cannot keep the man who runs her life now at bay for much longer, and then, it’s back to the snake pit with her friends; and the drugs, sitting on the kitchen bench, are a strong reminder of how she used to shut it all out.

Will the temptation get the better of her?

It’s a pivotal part of the story, and in the traditional romance, it’s the ‘boy loses the girl’ usually to a misunderstanding.

…