Writing a book in 365 days – 269

Day 269

Don’t just read – study

Forget the Muse: Why the Best Way to Learn Writing is to Read Your Heroes

We romanticize the writer. We picture them staring out of a rainy window, waiting for the lightning bolt of inspiration, or frantically scribbling a masterpiece born fully formed from the ether. This myth—the belief that great writing flows purely from divine inspiration—is seductive, yet profoundly misleading.

It’s true that writing often requires inspiration (“the must”), that sudden, urgent drive to put words to paper. But the truth known by every professional who has ever met a deadline is that the must is unreliable.

The reality of the craft is far less glamorous and far more dependable: Writing is labor. It is a skilled trade, an architecture built not on fleeting inspiration, but on solid, hard-won mechanics.

And if writing is a trade, then the best way to master it is through apprenticeship.


The Labour of Mechanics

What exactly are the “mechanics” of writing? They are the hundreds of micro-decisions an author makes on every page that keep the reader hooked, informed, and immersed.

The mechanics are the invisible scaffolding of the story:

  • How does the author handle a shift in viewpoint without jarring the reader?
  • What is the secret cadence that makes this particular piece of dialogue feel authentic, rather than clipped and performative?
  • How do they handle exposition—the necessary information dump—so gracefully that we barely notice we are being taught?
  • What is the rule they follow, or beautifully break, regarding sentence length variation and pacing?

These are not skills granted by the muse; they are techniques learned through repetition, practice, and, most importantly, deep observation.

If you want to build a sturdy door, you don’t just observe the carpenter’s inspiration; you observe the exact angles of the cut, the measurement of the joints, and the type of wood they chose. Writers must do the same.

The Apprenticeship of the Page

How can an aspiring writer access the specialised knowledge of the masters? They don’t have time to attend every workshop or enrol in every MFA program (though those are valuable paths).

The greatest literary classroom available is the shelf of books you already own—specifically, the shelf containing the authors you already love.

The best way to learn to write is to read your favourite writers.

This is not a passive activity. You are not reading for enjoyment alone. You are reading like a detective, a clockmaker, or an apprentice carpenter standing at the master’s elbow. You are reverse-engineering the engine of storytelling.

Your favorite writers—the ones whose prose sings to you, whose pacing grips you, and whose endings feel inevitable and perfect—are the masters who have already solved the most complex mechanical problems of their craft.

Reading Like a Writer: How to Deconstruct Genius

To apprentice yourself to the greats, you must move beyond simply appreciating the story. You must become a forensic critic of the structure.

Here is how you turn passive enjoyment into active, invaluable learning:

1. Identify the “Problem Area”

Instead of reading straight through, pick up a book by your hero and focus specifically on the element of writing you find most challenging.

  • Struggling with beginnings? Read ten of their opening chapters. Note where the first action occurs, how much time is spent setting the scene, and which sentence serves as the true hook.
  • Dialogue weak? Read several conversations, ignoring the narrative tags. Focus only on the flow of the speech. How does the author ensure we know who is talking without overuse of “he said/she said?” (Often, the dialogue itself implies the speaker.)
  • Pacing dragging? Track where your author uses short, declarative sentences, and where they allow themselves long, winding, atmospheric paragraphs. Note the ratio.

2. Type It Out (The Most Painful Exercise)

This is the literary equivalent of taking notes by hand. Choose a paragraph, a page, or even an entire short story written by your master and type it verbatim.

Typing forces you to slow down. You can’t skim. You are physically registering the punctuation, the word choice, the rhythm, and the transition phrases. You internalize the writer’s rhythm in a way that mere reading can never achieve. You are literally copying the blueprint.

3. Track the Point of View Shifts

If your favourite writer moves deftly between viewpoints (or stays strictly within one), track every shift. Mark the exact line where the viewpoint changes. Does the author use a section break, or do they transition within a paragraph? How long does the new viewpoint last? This deconstruction reveals the hidden rules the writer uses to manage reader perspective.

4. Note the Economy of Language

Writers who capture our attention often do so because they know precisely which details to include and which to strip away. Find a description of a character or a scene that feels powerfully effective. Count the words. You will often find the power comes from extreme conciseness, proving that mechanics often involves subtraction rather than addition.


From Imitation to Innovation

It is essential to recognise that this initial stage of apprenticeship—this deep study and occasional imitation of the masters—is a necessary pathway to finding your own voice.

You are not learning to be a literary copycat; you are learning the underlying physics of your chosen art form. Once you understand the engine well enough, you can begin to tinker, adjust, and eventually build a machine entirely unique to your vision.

The labour of mechanics is not a creative limitation; it is the freedom to create structures that last. So turn off the music, ignore the pressure to wait for the muse, and stop staring at the blank page. The greatest lesson in writing is waiting for you, already bound and printed, on your bookshelf.

Go read. Go learn. Go build.

Writing a book in 365 days – 268

Day 268

Becoming a first-time writer at age 65 (or older)

That notion that you retire at 65 and do nothing for the rest of your life may appear to some, but I had different ideas. Where would I begin…

That is a wonderful perspective to have. The idea of “retirement” as a complete cessation of activity is definitely outdated, especially for those with energy, interests, and decades of valuable experience. Your mindset—that it’s a starting line, not a finish line—is the key.

Since you’re looking for where to begin, let’s frame this as three potential paths, ranging from a focused project to a complete lifestyle shift, tailored to someone who is clearly still driven and insightful (as your previous comments show).


Path 1: The Intellectual and Creative Pursuit (The Author/Analyst)

Given your previous flair for connecting disparate events and creating compelling narratives (the thriller plot), your retirement could be the perfect time to dedicate yourself to a long-form creative or analytical pursuit.

A. Write the Book

  • The Thriller Novel: You already have the instincts of a thriller writer. You could use your retirement to finally outline, draft, and refine that novel. The “Everyman” concept you discussed is the perfect hook for a character caught in your complex geopolitical web.
    • Actionable Step: Block out a two-hour writing session every morning and commit to a daily word count, treating it as your new job.
  • A Geopolitical Analysis/Memoir: If fiction isn’t your goal, you could write a non-fiction book that applies your unique perspective to current events, examining how seemingly unrelated global incidents converge. This could be a legacy project drawing on your career and life experience.

B. Launch an Analytical Blog or Newsletter

You don’t have to wait for a book deal. Start sharing your insights immediately.

  • The Concept: A subscription newsletter or blog focused on “Connecting the Dots”—a space where you take the week’s headlines and weave them into potential scenarios or deeper analyses, just as you did in your prompt.
  • Actionable Step: Choose a platform (Substack, Medium, or a simple WordPress site), create an impactful name, and commit to publishing one in-depth analysis every Sunday morning.

Path 2: The Experience & Mentorship Path (The Giver)

After a career, many people find immense satisfaction in applying their learned wisdom to help others or to a cause they care about.

  • Consulting or Advisory Role (Selectively): Instead of a full-time return to work, offer your expertise on a project basis. This could be highly niche and well-paid, allowing you to choose projects that genuinely interest you and work on your own schedule.
  • Formal Mentoring: Join an organisation that pairs seasoned professionals with younger entrepreneurs or career changers.
    • Actionable Step: Look into non-profit consulting groups or industry-specific associations that have established mentorship programs.
  • Teaching/Guest Lecturing: Contact a local college or university and offer to give guest lectures or teach a single course based on your professional background. This allows you to stay current and engage with a new generation.

Path 3: The Skill and Community Path (The Learner/Connector)

Use this time for total immersion in a new area, satisfying that innate curiosity that drives your thinking.

  • Master a New Skill: This is the time to tackle something you always deferred: a new language, coding, advanced photography, music composition, or a challenging physical pursuit like sailing or mountain biking.
    • Actionable Step: Enrol in a formal course (online or in-person) that requires regular attendance and measurable progress. The structure prevents the project from fading away.
  • Community Leadership: Focus your energy on local impact. Run for a spot on a local board (library, park foundation, city council) or spearhead a major community project. This offers structure, purpose, and immediate, visible results.

The key to your success will be to treat this new phase not as a “do-nothing” break, but as a chance to self-direct your time and energy into projects that provide intellectual stimulation and personal purpose.

Writing a book in 365 days – 268

Day 268

Becoming a first-time writer at age 65 (or older)

That notion that you retire at 65 and do nothing for the rest of your life may appear to some, but I had different ideas. Where would I begin…

That is a wonderful perspective to have. The idea of “retirement” as a complete cessation of activity is definitely outdated, especially for those with energy, interests, and decades of valuable experience. Your mindset—that it’s a starting line, not a finish line—is the key.

Since you’re looking for where to begin, let’s frame this as three potential paths, ranging from a focused project to a complete lifestyle shift, tailored to someone who is clearly still driven and insightful (as your previous comments show).


Path 1: The Intellectual and Creative Pursuit (The Author/Analyst)

Given your previous flair for connecting disparate events and creating compelling narratives (the thriller plot), your retirement could be the perfect time to dedicate yourself to a long-form creative or analytical pursuit.

A. Write the Book

  • The Thriller Novel: You already have the instincts of a thriller writer. You could use your retirement to finally outline, draft, and refine that novel. The “Everyman” concept you discussed is the perfect hook for a character caught in your complex geopolitical web.
    • Actionable Step: Block out a two-hour writing session every morning and commit to a daily word count, treating it as your new job.
  • A Geopolitical Analysis/Memoir: If fiction isn’t your goal, you could write a non-fiction book that applies your unique perspective to current events, examining how seemingly unrelated global incidents converge. This could be a legacy project drawing on your career and life experience.

B. Launch an Analytical Blog or Newsletter

You don’t have to wait for a book deal. Start sharing your insights immediately.

  • The Concept: A subscription newsletter or blog focused on “Connecting the Dots”—a space where you take the week’s headlines and weave them into potential scenarios or deeper analyses, just as you did in your prompt.
  • Actionable Step: Choose a platform (Substack, Medium, or a simple WordPress site), create an impactful name, and commit to publishing one in-depth analysis every Sunday morning.

Path 2: The Experience & Mentorship Path (The Giver)

After a career, many people find immense satisfaction in applying their learned wisdom to help others or to a cause they care about.

  • Consulting or Advisory Role (Selectively): Instead of a full-time return to work, offer your expertise on a project basis. This could be highly niche and well-paid, allowing you to choose projects that genuinely interest you and work on your own schedule.
  • Formal Mentoring: Join an organisation that pairs seasoned professionals with younger entrepreneurs or career changers.
    • Actionable Step: Look into non-profit consulting groups or industry-specific associations that have established mentorship programs.
  • Teaching/Guest Lecturing: Contact a local college or university and offer to give guest lectures or teach a single course based on your professional background. This allows you to stay current and engage with a new generation.

Path 3: The Skill and Community Path (The Learner/Connector)

Use this time for total immersion in a new area, satisfying that innate curiosity that drives your thinking.

  • Master a New Skill: This is the time to tackle something you always deferred: a new language, coding, advanced photography, music composition, or a challenging physical pursuit like sailing or mountain biking.
    • Actionable Step: Enrol in a formal course (online or in-person) that requires regular attendance and measurable progress. The structure prevents the project from fading away.
  • Community Leadership: Focus your energy on local impact. Run for a spot on a local board (library, park foundation, city council) or spearhead a major community project. This offers structure, purpose, and immediate, visible results.

The key to your success will be to treat this new phase not as a “do-nothing” break, but as a chance to self-direct your time and energy into projects that provide intellectual stimulation and personal purpose.

Writing a book in 365 days – 267

Day 267

Can banal events become edge-of-the-seat thrillers?

Absolutely, this is not only possible, it is the defining characteristic of some of the most successful and enduring storytelling across literature, film, and television.

This method of storytelling—taking the mundane and making it the setting for the dramatic—is known as the “Everyman” or “Fish-Out-of-Water” narrative.


The Power of the Mundane to Magnify Drama

The core effectiveness of this approach relies on two psychological factors: Relatability and Escalation.

1. The Relatability Factor (The “Everyman”)

When you start with a character grounded in the banality of everyday life, you automatically lower the barrier to entry for the reader.

  • The stakes are personal: Readers immediately connect with a character who has a recognizable job, routine, and worries (paying bills, traffic, dealing with a difficult boss). This initial familiarity creates a stronger emotional investment.
  • The trauma is amplified: When a character who is a high school chemistry teacher (like Walter White in Breaking Bad) or an ordinary suburban couple (like the protagonists in a Hitchcock thriller) is dragged into a life-or-death situation, the sense of dread and disbelief is far more intense than if the protagonist were already a spy or a police detective.

2. The Escalation Principle (The “Twist”)

The “twist” that turns the banality into chaos is almost always a single, seemingly small choice or event that then creates an irreversible spiral of consequences.

  • The Point of No Return: The character’s struggle is not against a supervillain, but against the weight of their own decisions. The conflict arises from an initial, poor choice made to protect their ordinary life (e.g., lying to a spouse, stealing a small amount of money, attempting a harmless prank).
  • The Loss of Control: The character quickly loses the ability to manage the consequences, and the problems grow exponentially—the simple lie requires a bigger lie, the small theft leads to criminal association. The reader watches their relatable life dissolve, experiencing the terror vicariously.

Examples of the Balanity Spiral

  • Literary Thrillers: Many novels, from those by Harlan Coben to Gillian Flynn (Gone Girl), start with an average person or couple whose ordinary life is shattered by a sudden disappearance or shocking revelation.
  • The Coen Brothers: Their films, like Fargo, often find dark comedy and terrifying violence when bumbling, ordinary people try to commit crimes and are overwhelmed by the reality of their actions.
  • The Suspense Genre: This entire genre is built on the idea that the threat is hiding in plain sight. It often features a non-professional protagonist—a librarian, a teacher, a banker—who stumbles upon a conspiracy and has to rely on their wits and their “boring” skills (like research or careful planning) to survive.

Writing a book in 365 days – 267

Day 267

Can banal events become edge-of-the-seat thrillers?

Absolutely, this is not only possible, it is the defining characteristic of some of the most successful and enduring storytelling across literature, film, and television.

This method of storytelling—taking the mundane and making it the setting for the dramatic—is known as the “Everyman” or “Fish-Out-of-Water” narrative.


The Power of the Mundane to Magnify Drama

The core effectiveness of this approach relies on two psychological factors: Relatability and Escalation.

1. The Relatability Factor (The “Everyman”)

When you start with a character grounded in the banality of everyday life, you automatically lower the barrier to entry for the reader.

  • The stakes are personal: Readers immediately connect with a character who has a recognizable job, routine, and worries (paying bills, traffic, dealing with a difficult boss). This initial familiarity creates a stronger emotional investment.
  • The trauma is amplified: When a character who is a high school chemistry teacher (like Walter White in Breaking Bad) or an ordinary suburban couple (like the protagonists in a Hitchcock thriller) is dragged into a life-or-death situation, the sense of dread and disbelief is far more intense than if the protagonist were already a spy or a police detective.

2. The Escalation Principle (The “Twist”)

The “twist” that turns the banality into chaos is almost always a single, seemingly small choice or event that then creates an irreversible spiral of consequences.

  • The Point of No Return: The character’s struggle is not against a supervillain, but against the weight of their own decisions. The conflict arises from an initial, poor choice made to protect their ordinary life (e.g., lying to a spouse, stealing a small amount of money, attempting a harmless prank).
  • The Loss of Control: The character quickly loses the ability to manage the consequences, and the problems grow exponentially—the simple lie requires a bigger lie, the small theft leads to criminal association. The reader watches their relatable life dissolve, experiencing the terror vicariously.

Examples of the Balanity Spiral

  • Literary Thrillers: Many novels, from those by Harlan Coben to Gillian Flynn (Gone Girl), start with an average person or couple whose ordinary life is shattered by a sudden disappearance or shocking revelation.
  • The Coen Brothers: Their films, like Fargo, often find dark comedy and terrifying violence when bumbling, ordinary people try to commit crimes and are overwhelmed by the reality of their actions.
  • The Suspense Genre: This entire genre is built on the idea that the threat is hiding in plain sight. It often features a non-professional protagonist—a librarian, a teacher, a banker—who stumbles upon a conspiracy and has to rely on their wits and their “boring” skills (like research or careful planning) to survive.

Writing a book in 365 days – 266

Day 266

Writing exercise

Honestly, I wish I had been born twenty years earlier

Never make wishes.  And definitely never make wishes after too much to drink, or when you are very angry.

Because in the unlikely event…

It was only the second time I had been in that house; the first time, I went away very disillusioned, and my life never really went anywhere.

I had no idea why I was asked back, because Susan was the last person I ever wanted to see again. After all, the last time I was here, I didn’t do what I’d planned to do, to ask her to marry me.

Instead, Gary did, which apparently was the reason for the party.  On his birthday, he was going to make an announcement.  He asked her and she accepted.  I got drunk, punched him, and got thrown out.

20 years ago.

Now he was the Mayor and on his way to the State Governor.  I was the town drunk, well on the road to purgatory.

I had gone straight to the bathroom after someone told me I looked like shit.  Looking at myself in the mirror, I had to agree with them.

Why had they asked me to come to their party?  Susan had barely spoken to me in 20 years, and Gary simply hated me.  I never knew why, because he got the girl of his dreams.

I threw water over my face and through my hair, using my fingers to brush it back off my face like I used to all those years ago.  It was unruly then; it was a mess now

There was a knock on the door, and a male voice said, “You done on there?”  Impatient.

“Yeah.”  A last look, I unlocked the door. 

Whoever was on the other side must have been pushing because as I was turning, the door opened and hit me in the side of the head.

And it was the last thing I remembered.

I woke, staring at the ceiling and to a familiar scent.  The perfume Susan wore.

“You’re back.”

Susan.

I rubbed my eyes and then looked at her, and jumped.  What the. .

She was twenty years younger, the girl at the first party.

“Where am I?”

“In my room,” she said, smiling.

“What happened?”

“Gary was trying to go to the restroom, and you were in there.  You unlocked the door as he was trying to open it, and it hit you in the head.”

I felt the spot, and it was tender.  And it had to be Gary.  I was sure it was deliberate.

But, put that thought away.  She was still 20 years younger.  I struggled to sit up, and she helped me.  Opposite was a mirror and I could see that I was 20 years younger too.

But I had my memories.  It was obvious she didn’t.

What the hell had just happened?

“Are you going to be OK?”

“I think so.  Just give me a few minutes.”

Gary put his head in the door and saw me.  “Sorry, man.  Don’t know my own strength.  You’ll live.  Babe, that thing…”

He tapped his watch.  Gary always had to be somewhere else. 

“Yeah, soon.  Gotta take care of problems before they become problems.”

“Don’t be too long.”  Then he was gone.

“He’s an ass.”

“He’s going places, Rich.  My parents like him.”

“He’s still an ass.”  I sighed.  20 years and I still couldn’t talk to Susan.  “You can do better?”

“In this town? 

I shrugged.  “You’re right, of course.  Aside from the football team and the basketball team, who’s left?  That bunch of misfits on the dopey table.”

The targets for the jocks, as they were known.  Gary, quarterback and captain of the star football team, often delighted in our humiliation.

All the girls swooned over them.

In response to her look of disdain, I added, “Including me.  Just why am I here?”

All those years ago, I had wondered why there had been an invitation sent.  It was for me alone, not a plus one, and I thought it was just another humiliation.  I was the only one from the misfits who got an invitation.

Did Gary send it?  After all, it was his moment; he knew I had a thing for Susan, something he had ragged on me over, especially after he and she became an item.

“Why did you come?  You know Gary is going to ask me to marry him.”

“You don’t have to say yes.”

“Why would I do that?  I want to get out of this place.  Don’t we all?”

I sat there with a dumb expression on my face and her looking at me.  A thousand thoughts went through my head, stopping at one.  Why would she ever want to be with someone like me?

It was 20 years ago all over again.  And then I realised the irony in that.

“That’s why I thought…” That idea of rejection, even of her laughing outright in my face.  I don’t think I could handle it a second time.

“You thought…”

Damn it.  Just say it.  “I love you, Susan.  Always have.  I have often tried to summon the courage to tell you, but I get it.  I’m not one of the cool boys, and…”

She smiled and then shook her head.  “You might have told me this a while back, Rich.  I think you might want to leave now.  I’m glad you told me.  Just remember that you don’t have to be cool, just yourself.”  She took my hand and squeezed it, gave a last, rather curious look, then left.

I took a moment looking at my 20 years younger self in the mirror, shrugged, then turned to leave.

I nearly fainted when I saw Gary filling the doorway.  No exit that way.  There was no mistaking his intention, and just as I tried to duck, I was too late.

When I woke, I was lying on Susan’s bed.

Again.

A slow look around showed the room was different, but the mirror was still there and I was back to my old self, only I didn’t look like shit.

Well, that was a matter of opinion.  Gary, or someone, had made a mess of my face.

Just what in hell was happening to me?

“You’re awake.”

It was that familiar face, 20 years older, but to me, it would never age.  Just seeing her made me feel better.

“What happened?”

“Gary.  Not a happy camper.”

“What did I do this time?”

She looked at me strangely.  “Are you sure you’re ok.  He seemed to hit you rather hard.”

“Not much good at ducking.  I guess I should leave.”

“Why would you want to do that?”  Her expression was more worried now.  “You’ve been acting strangely for a week now.  What aren’t you telling me?”

How could I tell her what just happened?  Travelling through time.  Then I remembered she had once said I could tell her anything.

An odd thought made me look at her hand, and as soon as I saw it and the ring on it, the ring that I intended to give her after I asked her to marry me and she accepted, I knew my whole life had been changed, and I couldn’t remember anything of it.

“I’m losing my memory.  I think I’ve just gone back 20 years, to the day Gary was going to ask you to marry him, and back here now when I was the town drunk and…”

She put her hand over my mouth and said, “Shhh”

Then she leaned over and kissed my forehead.  “We knew this was possible.  Doc Ferguson has moved the surgery forward to Monday.  They’ll get the tutor in your head, and we’ll be back to normal in no time.”

“You’ve been having minor blackouts, but Gary assaulting you has tipped the scales.  He’s going to jail this time, I’ll make sure of it.  You just rest.  Andie will get you anything you need.  Rest.”

She was replaced by a younger version, the way Susan looked 20 years ago.

“You don’t know who I am, do you?”

Truth be told, I didn’t.  “You are the spitting image of your mother 20 years ago.”

She smiled.  “Not that far down the rabbit hole then?”

Apparently not.  It was as if everything came back in a rush, almost overwhelming.  “I’m going to be a grandfather?”

“Mum told you.  She’s not fond of the idea of being a grandmother.  Say it will make her feel old.”

“That girl will never get old.  Not in my eyes.  Now if anything goes wrong on Monday…”

©  Charles Heath  2025

Writing a book in 365 days – 266

Day 266

Writing exercise

Honestly, I wish I had been born twenty years earlier

Never make wishes.  And definitely never make wishes after too much to drink, or when you are very angry.

Because in the unlikely event…

It was only the second time I had been in that house; the first time, I went away very disillusioned, and my life never really went anywhere.

I had no idea why I was asked back, because Susan was the last person I ever wanted to see again. After all, the last time I was here, I didn’t do what I’d planned to do, to ask her to marry me.

Instead, Gary did, which apparently was the reason for the party.  On his birthday, he was going to make an announcement.  He asked her and she accepted.  I got drunk, punched him, and got thrown out.

20 years ago.

Now he was the Mayor and on his way to the State Governor.  I was the town drunk, well on the road to purgatory.

I had gone straight to the bathroom after someone told me I looked like shit.  Looking at myself in the mirror, I had to agree with them.

Why had they asked me to come to their party?  Susan had barely spoken to me in 20 years, and Gary simply hated me.  I never knew why, because he got the girl of his dreams.

I threw water over my face and through my hair, using my fingers to brush it back off my face like I used to all those years ago.  It was unruly then; it was a mess now

There was a knock on the door, and a male voice said, “You done on there?”  Impatient.

“Yeah.”  A last look, I unlocked the door. 

Whoever was on the other side must have been pushing because as I was turning, the door opened and hit me in the side of the head.

And it was the last thing I remembered.

I woke, staring at the ceiling and to a familiar scent.  The perfume Susan wore.

“You’re back.”

Susan.

I rubbed my eyes and then looked at her, and jumped.  What the. .

She was twenty years younger, the girl at the first party.

“Where am I?”

“In my room,” she said, smiling.

“What happened?”

“Gary was trying to go to the restroom, and you were in there.  You unlocked the door as he was trying to open it, and it hit you in the head.”

I felt the spot, and it was tender.  And it had to be Gary.  I was sure it was deliberate.

But, put that thought away.  She was still 20 years younger.  I struggled to sit up, and she helped me.  Opposite was a mirror and I could see that I was 20 years younger too.

But I had my memories.  It was obvious she didn’t.

What the hell had just happened?

“Are you going to be OK?”

“I think so.  Just give me a few minutes.”

Gary put his head in the door and saw me.  “Sorry, man.  Don’t know my own strength.  You’ll live.  Babe, that thing…”

He tapped his watch.  Gary always had to be somewhere else. 

“Yeah, soon.  Gotta take care of problems before they become problems.”

“Don’t be too long.”  Then he was gone.

“He’s an ass.”

“He’s going places, Rich.  My parents like him.”

“He’s still an ass.”  I sighed.  20 years and I still couldn’t talk to Susan.  “You can do better?”

“In this town? 

I shrugged.  “You’re right, of course.  Aside from the football team and the basketball team, who’s left?  That bunch of misfits on the dopey table.”

The targets for the jocks, as they were known.  Gary, quarterback and captain of the star football team, often delighted in our humiliation.

All the girls swooned over them.

In response to her look of disdain, I added, “Including me.  Just why am I here?”

All those years ago, I had wondered why there had been an invitation sent.  It was for me alone, not a plus one, and I thought it was just another humiliation.  I was the only one from the misfits who got an invitation.

Did Gary send it?  After all, it was his moment; he knew I had a thing for Susan, something he had ragged on me over, especially after he and she became an item.

“Why did you come?  You know Gary is going to ask me to marry him.”

“You don’t have to say yes.”

“Why would I do that?  I want to get out of this place.  Don’t we all?”

I sat there with a dumb expression on my face and her looking at me.  A thousand thoughts went through my head, stopping at one.  Why would she ever want to be with someone like me?

It was 20 years ago all over again.  And then I realised the irony in that.

“That’s why I thought…” That idea of rejection, even of her laughing outright in my face.  I don’t think I could handle it a second time.

“You thought…”

Damn it.  Just say it.  “I love you, Susan.  Always have.  I have often tried to summon the courage to tell you, but I get it.  I’m not one of the cool boys, and…”

She smiled and then shook her head.  “You might have told me this a while back, Rich.  I think you might want to leave now.  I’m glad you told me.  Just remember that you don’t have to be cool, just yourself.”  She took my hand and squeezed it, gave a last, rather curious look, then left.

I took a moment looking at my 20 years younger self in the mirror, shrugged, then turned to leave.

I nearly fainted when I saw Gary filling the doorway.  No exit that way.  There was no mistaking his intention, and just as I tried to duck, I was too late.

When I woke, I was lying on Susan’s bed.

Again.

A slow look around showed the room was different, but the mirror was still there and I was back to my old self, only I didn’t look like shit.

Well, that was a matter of opinion.  Gary, or someone, had made a mess of my face.

Just what in hell was happening to me?

“You’re awake.”

It was that familiar face, 20 years older, but to me, it would never age.  Just seeing her made me feel better.

“What happened?”

“Gary.  Not a happy camper.”

“What did I do this time?”

She looked at me strangely.  “Are you sure you’re ok.  He seemed to hit you rather hard.”

“Not much good at ducking.  I guess I should leave.”

“Why would you want to do that?”  Her expression was more worried now.  “You’ve been acting strangely for a week now.  What aren’t you telling me?”

How could I tell her what just happened?  Travelling through time.  Then I remembered she had once said I could tell her anything.

An odd thought made me look at her hand, and as soon as I saw it and the ring on it, the ring that I intended to give her after I asked her to marry me and she accepted, I knew my whole life had been changed, and I couldn’t remember anything of it.

“I’m losing my memory.  I think I’ve just gone back 20 years, to the day Gary was going to ask you to marry him, and back here now when I was the town drunk and…”

She put her hand over my mouth and said, “Shhh”

Then she leaned over and kissed my forehead.  “We knew this was possible.  Doc Ferguson has moved the surgery forward to Monday.  They’ll get the tutor in your head, and we’ll be back to normal in no time.”

“You’ve been having minor blackouts, but Gary assaulting you has tipped the scales.  He’s going to jail this time, I’ll make sure of it.  You just rest.  Andie will get you anything you need.  Rest.”

She was replaced by a younger version, the way Susan looked 20 years ago.

“You don’t know who I am, do you?”

Truth be told, I didn’t.  “You are the spitting image of your mother 20 years ago.”

She smiled.  “Not that far down the rabbit hole then?”

Apparently not.  It was as if everything came back in a rush, almost overwhelming.  “I’m going to be a grandfather?”

“Mum told you.  She’s not fond of the idea of being a grandmother.  Say it will make her feel old.”

“That girl will never get old.  Not in my eyes.  Now if anything goes wrong on Monday…”

©  Charles Heath  2025

Writing a book in 365 days – 265

Day 265

That subtle relationship between author and reader

When you open a book and begin reading, it’s more than just you reading words; it’s about a subtle relationship you have with the author, and that what he or she writes resonates with you…

That’s a profound and very accurate observation. You’re highlighting the fundamental difference between simply processing information and engaging with literature.

This “subtle relationship” you describe can be broken down into a few key concepts in literary theory and reader response:

1. The Author-Reader Pact (Resonance)

When a reader connects with a text, it often feels like the author is speaking directly to them. This resonance occurs because the author has successfully:

  • Anticipated the Reader’s World: The author uses language, references, and emotional contexts that they expect the reader to understand and relate to.
  • Established a Voice: The author’s unique style, tone, and perspective shine through, creating an implied personality that the reader either trusts or finds intriguing. If the reader finds this voice authentic or compelling, they are more willing to follow the narrative and accept the author’s vision.
  • Invited Collaboration: The author intentionally leaves gaps, ambiguities, and “blanks” in the text. The reader fills these in using their own experiences, imagination, and knowledge, effectively becoming a co-creator of the story. This active participation strengthens the personal bond.

2. Empathy and Shared Human Experience

At its core, the relationship is built on empathy. Reading is an exercise in experiencing the world through another’s perspective. Even if the author is long dead or writes about fantastical events, the underlying emotions—joy, fear, loss, curiosity—are universal and allow the reader to connect on a human level.

3. The Power of Intent

The act of writing for publication implies an intent to communicate, to be understood, or to persuade. The subtle relationship is the reader’s reception of that intent, even if they later disagree with the message. The author is saying, “Here is something I value and wish to share,” and the reader’s choice to engage is their acceptance of that invitation.

In short, it’s not just about what the author writes, but how their words make you feel, think, and ultimately understand yourself and the world a little differently.

Writing a book in 365 days – 265

Day 265

That subtle relationship between author and reader

When you open a book and begin reading, it’s more than just you reading words; it’s about a subtle relationship you have with the author, and that what he or she writes resonates with you…

That’s a profound and very accurate observation. You’re highlighting the fundamental difference between simply processing information and engaging with literature.

This “subtle relationship” you describe can be broken down into a few key concepts in literary theory and reader response:

1. The Author-Reader Pact (Resonance)

When a reader connects with a text, it often feels like the author is speaking directly to them. This resonance occurs because the author has successfully:

  • Anticipated the Reader’s World: The author uses language, references, and emotional contexts that they expect the reader to understand and relate to.
  • Established a Voice: The author’s unique style, tone, and perspective shine through, creating an implied personality that the reader either trusts or finds intriguing. If the reader finds this voice authentic or compelling, they are more willing to follow the narrative and accept the author’s vision.
  • Invited Collaboration: The author intentionally leaves gaps, ambiguities, and “blanks” in the text. The reader fills these in using their own experiences, imagination, and knowledge, effectively becoming a co-creator of the story. This active participation strengthens the personal bond.

2. Empathy and Shared Human Experience

At its core, the relationship is built on empathy. Reading is an exercise in experiencing the world through another’s perspective. Even if the author is long dead or writes about fantastical events, the underlying emotions—joy, fear, loss, curiosity—are universal and allow the reader to connect on a human level.

3. The Power of Intent

The act of writing for publication implies an intent to communicate, to be understood, or to persuade. The subtle relationship is the reader’s reception of that intent, even if they later disagree with the message. The author is saying, “Here is something I value and wish to share,” and the reader’s choice to engage is their acceptance of that invitation.

In short, it’s not just about what the author writes, but how their words make you feel, think, and ultimately understand yourself and the world a little differently.

Writing a book in 365 days – 263/264

Days 263 and 264

Writing exercise

I made a mistake. 

And for that mistake, I was probably going to pay for it for the rest of my life.

The mere fact that I was set up by someone I trusted implicitly made not one jot.

There were no such things as friends, simply marks who were there to be exploited by people who didn’t care whose lives they ruined.

And it was our fault, I finally realised.  I had sought to blame everyone else, but in the end, I had the power to not go along with the plan.

But, human nature being what it was, and having someone flatter you and feed that ego, and that element of bravado that dwelt in us all, I fell for it hook, line, and sinker.

I was sitting opposite that person right now.  The call was not a request.  If I didn’t show, I would suffer the consequences.  If I did not comply, I would suffer the consequences.

And those consequences?  People who didn’t deserve to die would.  People I cared about.  And what was worse, some other schmuck would take my place.

My tormentor had gleefully told me the world was full of schmucks just like me, lining up to be used.  Everyone had secrets, secrets they didn’t want exposed.

The thing was, he wanted me to become one of those scmucks and blackmail my best friend, probably one of only three.

Because he had an idea, and they wanted that idea, and they didn’t want to pay for it.  That was how the rich got richer and the poor, the ones who had all the good ideas, stayed poor.

Now, having got through college and about to take a step onto the world stage, Jeremy, my friend, was going to take his idea and change the world.

It was an idea that my tormentor had told me was utterly brilliant and worth a gold mine.

Just not for Jeremy.  People like him didn’t understand that giving away life-changing technology was not the right thing, that people had to pay, and keep paying.

Like the man he worked for, who already had so much wealth he could not spend it in a dozen lifetimes.  He wanted it because he could.

He was going to take it because he could.

And I was going to help him.

“So, what is your report?”  My tormentor had just lit a large cigar and was all but blowing the smoke in my face.

If I had a fire extinguisher, I would put it out, and him with it.

He was lucky I didn’t.

“They want to set up a flat and invited me to stay with them.”

“He hadn’t told you about them?”

“Mo.  Maybe you got it wrong.”

He snorted.  I’d said that the first time he told me they had become lovers, and the reason why Allison had sort of left me to think we might have a future, except she was as distant today as she was when she first suggested it.

For some reason, he didn’t want me to know, or anyone else.  They certainly played their parts well, and I would not have guessed.  Not until my tormentor gleefully played the tapes of them together, in several small out-of-the-mainstream hotels.

I was neither surprised nor shocked.  Allison had told me she was interested in him and was happy I had found what I believed to be the one. 

My tormentor had been particularly pleased when he told me Jeremy had set me up, smoothing his way to take Allison, and then strategically arranged to have the girl dump me, having rendered any chance with Allison gone.

I let him have his moment.  Allison and I were never going to be an item, then or now or ever.  Nor was Jeremy, no matter what he thought.  And my tormentor, with everything in his bag of tricks, would never find out.

So…

“Well, that’s interesting, isn’t it?  But, why would they want me to stay with them?”

“The rent.  It’s more than they can afford.  With you, it’s more affordable.”

“He just has to get a better job.  After all, he graduated top of his class.”

“He doesn’t want a better job; he wants to work on his pet project.”

“Until you take it off him.”

He shook his head.  “You’re oversimplifying things again, Stephen.  He will never get the backing he needs to make it work.  No one will do it for pennies on the dollar.  My boss made him an offer, just about everything he wants.  All he has to do is show proof of concept.  We need you to stay, make him feel safe, not having to trust an outsider, for just a little bit longer.”

“You’re going to steal it, aren’t you?”

“No.  I’m not.  I wouldn’t know anything about it.  I just have one job.  You’re keeping him safe.  Then you’re off the hook.”

I doubted it.  My tormentor was not one to let me go that easily. 

I glared at him.  “Seeing is believing.”  I stood.  “Until next week.”

‘Don’t lose the faith.”

Out on the street, I had to try very hard not to throw up.  Being in the presence of that creature was sickening.  The problem was, if it was not time, there would be someone else.

His expensive suits, the grandest suites in hotels, the car that cost an eyewatering sum, he was a creature of a particular sort.  They fed off the weak and manipulable, people like me.

When three blocks away from the hotel and out of line of sight and outside listening range, I checked for and found a listening device planted in my coat.  I had wondered why he insisted I take it off and leave it inside the door.

An app on my phone found it.  Another app on my phone rendered it useless.  But not in a way that he would immediately find out.  Jeremy was clever like that.

Jeremy had worked out that someone was leading him down a particular path, and his first thought it was me.  I simply shook my head and told him to put his cards on the table.

He said I’d been compromised by a huge multinational company run by a criminal dressed up as a businessman.

I told him he was nuts.

He said he followed me.  He gave me my movements for every Friday, Saturday, and Sunday for the last year.

At least, I said, I didn’t try to hide where I was going.  Since each time I was going to an expensive hotel, he would also have seen an expensive girl go in too.  What did he think was going on?

Allison wouldn’t be pleased.

Allison didn’t like me in that way.  Maybe Allison was leading him down the garden path.

He gave me a look that told me he didn’t know who to trust.  I simply said keep your friends close but your enemies closer.  I thought I was a friend, he thought I was the enemy.  Win-win.

It was then that I told him that he was never going to achieve his objective, that, like the inventor of a car that ran on water, they would find a way to stop him.  He said he’d never heard of anyone who had, and simply said that proved my point.

We’d had this conversation before.

“I thought you were going to have a heart attack.  You OK?”

That voice in my head, the one that could scare the daylights out of me.  It wasn’t through an earpiece and a detectable transmitter.  Another of Jeremy’s inventions.

“You don’t know what he’s going to do to me and my family if or when I screw up.”  It felt weird talking to myself.

“You did that when you let him take over your life.”

“Easy for you to take that high moral ground.”

We’d had that conversation before, and anyone not in my position, at the time, didn’t understand why I didn’t just spit in his face.

Five years down the track, why hadn’t I grown a spine?  There was one reason.  A demonstration of what he could do if I strayed.  That I never told Jeremy.  His concept of evil was far different from mine, and would be until he suffered loss.

“We agreed to disagree,” he said.  “So it’s status quo.  Good to know they think they have me right where I want them.”

“They won’t be so easily fooled, Jeremy.  His boss doesn’t lose.”

“David versus Goliath, Stephen.  David versus Goliath.”

I was 13 and had the father from hell.  When he attacked my sister one night after he had been drinking heavily, not for the first time, I did the only thing a 13-year-old could think of to stop him.

I picked up the hammer under my bed, went into her room and hit him as hard as I could on the back of the head.

He was dead before I could yank the hammer head out.  Sylvie didn’t stop screaming for five solid minutes.

Our mother didn’t hesitate.  She got Sylvie un hysterical and my older brother and she wrapped the body in a tarpaulin and disappeared into the night.

I was the secret we kept until a man came visiting about a month later and said he knew what I had done.  He said that my father got what he deserved, but there was always a price to pay.

One day, he would return, and that day, he would have a job for me to do.  I would do it, or there would be consequences.  To prove a point, he made Sylvie very, very sick, and asked me a week or so later if I understood.  When I said yes, he made her better.

I had lived in dread of his return.

That came about a year ago when he summoned Mr to a hotel room and told me what he wanted.  It was not as bad as I thought.  All I had to do was tell him what Jeremy was up to.

And be his friend, the one he told me what he was doing.  Jeremy always had his head in the clouds, and I’d never believed him.  The man did.  He seemed to know exactly what he was doing.

That was when I told him, the first time, that secrets like those he had in his head, others would want them, that they would not understand his ideals.

He was naive back then.

Until one of his family members got sick.  When he described it, I knew.  The man was sending a message.  Jeremy didn’t understand or believe me.  That was when I told him.

And that it was too big for him to go up against them.  They were the ones who held all the cards.

Instead of going back to the apartment where Jeremy and Allison would be waiting, I went to the park.  For the first time, I didn’t want to participate in a game no one was going to win.

I think I also realised in that moment that my life and that of my family were over.  People like my tormentor kept people like me alive only when it suited them.  Win or lose, we would become collateral damage.  Loose ends to be tidied up.

I heard a door slam in my head and the sound of a scream.  Allison.  The sounds could only be coming from Jeremy’s.

What sounded like a gun fired once, followed by a very loud and extended “Noooooo…”

“You were not as clever as you think, Jeremy.”

The voice of my tormentor.

“You didn’t have to shoot Allison.”

“I did.  You failed to understand the basics.  I was not asking for the proof of concept.  You had to deliver it.  An hour ago.”

“I’m not giving it up.  To you or to anyone.”

Another shot.  I think I knew where that ended.  A sob told me he had just killed Allison.

“Was it worth losing her?”

“She was already dead.  As I am, once I hand over the plans.  I’m sure Stephen will be next.”

“The plans are in my head.  Not on paper.”

“Not what Blaikie said.  He saw the proof of concept, and it was everything you said.  So the plans have to be somewhere.”

Blaikie had been his science teacher in high school, a mentor.  He had died in an accident several years before.  Seems it was not an accident.  It explained how the man knew about Jeremy’s idea.

Another shot, and I heard a body slumped to the ground.  “I have eleven more bullets.  You are going to wish you were dead.”

“I already do.  Kill me, and it goes to the grave with me.”

Another shot, and a grunt.  “Get your boss to come.  I’ll give it to him and him alone.”

A startling change of tactics.

I could hear the man calling his boss.

Then, “Come now, Stephen.  Gun in the hall cleaners’ cupboard.  Shoot them.  You’re about ten minutes away.  You have time.”

I ran.

I guess Jeremy’s insistence that we join a gun club was just one of his weird ideas.  Until he explained what might happen one day.  Well, that day had arrived.

I was at the elevator lobby when I saw an expensive car stop our the front and as the doors opened, and man got out of the rear, joined by two barely disguised thugs.

I stepped in, the doors closed as the men came in the front entrance, and I was whisked up to the eighteenth floor.

I went to the closing, and there was the gun, just visible under the towels.  It had a suppressor and a full clip.  I chambered the first round.

I had to go around the corner to get to our apartment.  The man outside the door saw me and died.

I waited.  The men downstairs arrived and, without fear, strode towards the door, saw the body on the ground and turned.  All three died right there.

The man inside must have heard the yelp one of the men made when I shot him, and I saw the gun before he came out.

He saw me, fired, and I fired back.

He hit me in the arm.  I hit him in the head.  I was in a great deal of pain.  He was dead.

I went into the apartment.  Jeremy had been shot in both knees.  He would recover.  Allison had body armour, that much I could see, and was in a great deal of pain but unharmed.

“We won,” Jeremy said.

“No.  Look around you.  The guy out on the passage owns everything and everyone.  And has a clone waiting to take over, and they will come after us.  We need to go.”

He looked up at me through teary eyes.  “It’s not as if I can get up and walk away.  How?”

A man in EMT clothing came tentatively in and announced himself before walking in on us.

“Larry?”

He put his head around the corner.  “Steve.  You said it would be messy.  Elevators are on manual control; we have three minutes.”

He motioned for help, and two more came on with a guernsey, hoisted Jeremy on it it and were out the door in under a minute.  Larry and I got Allison, still half out of it and half carried, half dragged her to the elevator.  The doors closed and we went down to the car park.

“No one will know.  They think the elevators have stopped on various levels.

The doors opened.  An ambulance was waiting.  We all jumped in, Jeremy was loaded and sedated, and we were gone.

Three minutes and counting.  Outside the building, they lit up the siren and lights.

Larry was sitting in the back.

“What was plan B?” he asked.

“We were all dead.  Bad guys win.”

“You’ve only taken one off the board.  You know the drill.”

“Three actually.”

“Your father, yes, and the others?”

“His sons, the ones we didn’t know about, to his mistress.  The men I just shot.”

“They didn’t recognise you?”

“Never met them, formally.  But the boss did visit us once, not long after my father disappeared.  His younger brother came later with the threats.  Ignorance sometimes is bliss.”

“Now?”

“We clean up.”

Allison sucked in a deep breath and looked at me.

“Steven.  What just happened?”

“The worst case scenario.”

“Jeremy?”

“Banged up a little, but safe.”

“It worked?”

“Miraculously, yes.  Now we clean up and then disappear for a while.  Job well done.”

I hadn’t known when I was 13 that I had killed a high-ranking crime boss who was living a double life.  We only know him as Louie the factory worker, not James McDougal, crime boss with two other families.

The sheriff had told me the truth when I told him what had happened, and instead of arresting me, he introduced me the the State investigation officers who said that I would one day be approached by a man who would tell me what I would have to do.

That day came and went. 

Then they told me a story about another boy who was going to invent a miracle product, and along with a girl, we would become a team that would lay a foundation of bread crumbs to expose the rest of that crime family.  Who could resist an invention with a gold mine and easy enough to steal from gullible children?

Undercover for seven years.  The whole of my childhood, thermirs too I guessed, two hot-headed about to become criminals given a second chance.

The ambulance travelled for an hour, north, I guessed, until we hit a dirt road, and then it stopped.  The doors opened, and the man who had been in charge of the operation was there.

“Well done.  We’ll get you cleaned up and then somewhere to recover.  Then, a few months’ vacation, you’ve earned it.”

So, no going our separate ways, as promised.  I should have known it was too good to be true.

©  Charles Heath  2025