365 Days of writing, 2026 – 122/123

Days 122 and 123 – Writing Exercise

Create and explore a character and put it in a situation

I should have known that something was afoot.

Sunday lunch was abuzz with the upcoming presentation for a multi-million dollar housing and parkland project on land that the city had no idea what to do with

My father, the owner of Davidson and Sons Realty and Investment Corporation, was transitioning from small-time to the major leagues.

He had thrown me a plan of the land and told me to turn it into something he could sell.  At the time I thought about it, wondering why he didn’t give it to the wunderkind son, Theodore Davidson III, the Harvard MBA graduate that could do no wrong.

Oh, and at his graduation party in the swankiest restaurant in town, with people whose names were whispered in the corridors of power, my father said he was going to take us into the statisphere.

He took himself, my sister Eileen, and my parents.

Number three son was staying firmly planted on the ground.

I took the plan and figured this was my chance to prove to him that I was everything but as good as my brother.

Of course, I was kidding myself.

I was never going to reach that stratosphere my brother lived in.  The fifteen-million-dollar penthouse apartment, the top-of-the-range sports car that was more expensive than my modest apartment, and suits that cost more than my car.

I didn’t have the same qualifications.  I went to college and studied architecture and art.  I was more interested in art and then artefacts, enough to add archaeology to the list of degrees.

No point having a graduation party for me.

Eileen graduated at the bottom of her law degree class and got celebrated like she had come first.  I guess I wasn’t one of the beautiful people.

My mom said it was a pity I hadn’t been blessed with good looks, though I would not have called myself ugly.  I chose to dress down and had this University professor thing going.

Dad said I could be the back room genius.  Yes, had used those exact words.

But he had promised that when I handed him the final plans and ran through the presentation for the next week’s meeting with the city representatives, I could present it.  He even sent me to the tailors for a proper suit.

Until…

Eileen said what I knew she was going to say.  “I think you’re making a mistake letting Richard do the presentation.  We need someone who represents who we are, and who’s going to take us forward.

I’d heard Theo and her talking about a strategy.

It had to be about one thing only.

“Dad promised.  If I did the work, I’d get the presentation.”

We all look at him.

“I did.  And as you know, my word is my bond.”

I sat back and relaxed.  Just a little.  I knew my brother and sister far better than they thought I did.  They had taken it too calmly. 

I had a Monday morning visit with my grandmother at her house, a hundred-mile drive up into the hills.

It was a fabulous old house with twenty-five bedrooms, servants, a dozen-car garage with vintage cars, and a ballroom that hadn’t been used in years

She came from a family that had money, but over time, successive men had lost it one way or another.
My mother had married into a wealthy family based on that fortune, and it had created the first of many problems.

I was too young, being the last of the children, but as far as I knew, the marriage had survived, but there was something about the house that no one wanted me to know about.

For years, I put it down to big people stuff.

I would have liked to stay, but there was a presentation tomorrow.

After I arrived, we had tea on the back patio.  It overlooked a garden that was rumoured to be originally designed by Capability Brown.

My grandmother looked particularly unhappy.  I would not have said I was her favourite, but she had spent the most time with me when I was younger.

She said I was like a stray dog.  I never understood why.

After the usual health and weather questions, she asked, “How successful will this presentation be?”

It was odd that she was interested in anything my father did.  She did not like him, and at times barely tolerated him.  Or Theo.  But Theo was an ass.

Eileen rarely came.

“It sells itself.  It ticks all the boxes.  Why?  You rarely want to know what the business is about.”

“There was an article in a magazine.  When people start using words like stratosphere, though wonder if they can’t see past the glossy cover and see what’s underneath.”

” I don’t have a glossy cover.”

“But the rest of them do.  I look at your father and Theo, and I wouldn’t trust them at all.  Your Aunt Matilda hated him.  She has more class in her little finger than he ever will.”

That was vicious, but I’d come to realise, in the case of being overlooked and undervalued, even being treated with contempt by my own family, she was right.

But saying this to me was a risk.  If I were to repeat it, there would be consequences.  I’d heard the muted discussion coming from Dad’s study.  Turning the old girl’s shack into a mountain resort.  It was worth billions if it was done right.

The only lament, she could not be moved.  Or would not be swayed into selling her heritage.

“I would never sell this place, Gran.  Never.  This is the very personification of my heritage.  I love this place.  You know,” I said, without realising I was sounding and acting silly, “I would love to hold a ball in the ballroom.”

When I realised I was being silly, I looked over and saw her eyes were watering.

I asked, concerned, “Are you alright?”

“I am.”  She dabbed at her eyes with a monogrammed handkerchief.  “It’s what I have wanted, but I don’t have the energy to make it happen.”

We had this conversation once.  A few months back.  When she told me, Dad was trying to convince her to let him use the property as collateral for a project.  It was just dead money, he said.

She had refused.

It was why he had been angry for a while now.  And Theo.  Plans, no doubt, to make themselves rich at the expense of a relative.  I didn’t want to believe it of them, or that mom would let them, but she never seemed to put up a fight about anything, including protecting me.

Gran had asked me to draw up a plan that would turn the property into a resort, a different resort, one that had an equestrian centre at its heart.

My grandmother loved horses, had a few, and had taught me to ride practically before I could walk.  It was she who convinced me to play polo, and we had the makings of a polo field in the west paddock.

She remembered. “Did you get those plans we discussed drawn up?”

“I did.  I went to see Westerby at the equestrian centre, and he was very excited about the prospect.  Just the other week, he said the powers that be were looking at where they could set up a centre to start training Olympic hopefuls, and if we can put something together…”

“Good.  I’ll have a talk with him soon.  After you sort out this new development.”

My phone dinged.  A message.  From Daisy, my assistant back at the office.

A URL.

I selected it, and it took me to a news page where my father and Theodore, beaming from ear to ear, the city representatives behind them were making an announcement.  Smiles all round.

I listened to the speech for about a minute, then cut it off.

“What is it?”  She asked.

I guess my disappointed expression gave it away.

They had deliberately moved the presentation ahead so Theodore could take the honours.  I just noticed in the background, still on the screen, he had rebranded the whole project as his, with no mention of me.

No wonder no one said boo when Dad said I was still doing the presentation.  They were all in on it.

“Theo just stole my thunder and my job.  He’s going to be the project manager.”

“What about you?”

I took a deep breath and let it out slowly.  “Now I have the time to devote myself to your equestrian centre.”

“Won’t you have to continue working on the reclamation?”

“Apparently not.  Theo obviously has it all under control.”

I opened my phone and went to a specific email sitting in the drafts folder.  I had hoped that I would never have to send it, but I’d finally had enough of being taken for granted.

I dated the documents and sent them to HR.  Effective immediately, I had resigned.

“Can I stay here.  I don’t think I’m going to be very welcome at home.”

“Of course.  I have a few friends coming for dinner, and Father Giles can be, well, you know him as well as I do.”

I left my cell phone in my room, and had a long and convivial dinner with old friends that I had known from my childhood days, when I was a far more frequent and regular guest.

It was better than sitting at a table where there were four people on the same page and a ghost sitting in isolation.  As the years passed, I felt less like a member of that exclusive club and more like a visitor on the outside looking in.

Except…

When I went back to the room, I could see my cell phone beaming like a beacon in the night, and dinging about once every twenty seconds.

The first message was from Theo. I’d say, when they asked the first question, one of many he couldn’t answer.  He hadn’t spent the time with me in the development phase, as he was supposed to, and didn’t bother prepping before the presentation.

There were seven hefty binders or accompanying documents that needed to be read and understood before giving the presentation.  It was slides and talking points, and using big words that covered trends and projections, and buzz talk.

The devil was in the details.

Theo was never interested in details, just concepts.

My guess, he would have told them any questions would be answered by the technical lead.  Me.  If only I could be found.

Fourty four messages before one from my father.

“Where are you?”

I might have been at work if they had not moved the presentation and told me.  Or not, if this was what they’d planned all along.

I was not being vindictive; I was just going about my business, which they were fully aware of.

There were missed calls from each of them, mother included.  I had heard Grans’ cell phone ringing, and the house phone, but she had seemed unperturbed.

I went to sleep with a clear conscience

..

When I went downstairs for breakfast, out on the patio, Gran was sitting looking out over the lawns, down to the fountain where I used to make wishes.

None ever came true.

Sitting beside her was Susannah, a neighbour’s daughter who used to be as frequent a visitor as I had been a long time ago.

She had also been Eileen’s best friend until Eileen betrayed her.  It ruined any chance I had with her.

About a week ago, she had sent me an email asking if I was the Richard she used to know once upon a time.  I had replied yesterday and said I would be visiting Gran this week.  She had not replied.  Perhaps the old wounds had not healed.

Or they had.

She had the gift of never aging.  I wished I were a more attractive proposition, but we can’t have everything.

“Susannah?”  I sounded surprised.  I was.

“Rich.  What a pleasant surprise.”  She got out of her chair, came over and gave me a hug like she actually cared about me.

Then she stepped back.  “Martha tells me your family finally showed their true colours.”

That was a step and a half for Gran.  She had never publicly or privately called them out. 

“It’s my misguided attempt to try and get some recognition from them, and not getting past the wunderkind Theo.  I work hard, and can’t get any traction.”

“Martha says you quit.”

“Perhaps it’s the only way.”

“What did your father say?”

“Haven’t gone home and haven’t answered any calls, texts or emails.  Not ready yet.”

“I’m staying for a few days.  You can talk to me about anything.  You know that?”

“Thank you.”

The serving girl brought over a cup of coffee and put it on the table.

Then we heard a booming voice coming towards us.  “I’ll have one of those “

I yelled back, “Get it yourself, Theo.  She’s not your slave.”

She looked at him, then me.  “He’ll get it himself.”

Martha nodded, and the girl left.

He shook his head.  The privilege oozed out of him.  I’d seen him deal with waiters and waitresses.  Someone needed to teach him some manners.

“Any reason you’re here, Theo.  Shouldn’t you be working with the new clients?”

He’d completely ignored Susannah.  She seemed amused, with no intention of going anywhere.

“We need you back in the office.  The family is taking a break to celebrate the successful conclusion.  I closed the deal, Richard.  You would have made a mess of it.”

“And yet you seem to think I won’t now?”

“Don’t be a pompous twit.  You know everything there is to know about it.  You’re just not fit to run it.  Or anything.”

As insulting as ever. Had he tempered his approach, I might have thought twice about not going. Not now.

He looked around, perhaps expecting a cup of coffee to magically turn up.

“I resigned, Theo.  Effective 10am yesterday.  The project is yours.”

“Dad says you can’t resign.”

“Tell him to read my contract.”

“What contract?”

“The one he forced on me and got your daft sister to draw up.  I was the only one of us he insisted sign.  I added a few clauses in the revised draft, and she signed it without reading it.  Both of you were painted with the same brush.  Stupid is as stupid does, Theo.”

“Rubbish.  You’re not that clever.”

I smiled.  “Then take me to court.  Goodbye Theo.  Go sort out the mess your father and sister created.”

He jumped up and pulled out his cell, and a few minutes later, we could hear him yelling at Eileen.

Both Gran and Susannah had watched the exchange with half smiles.  His badgering and bullying had no effect, but then, he hadn’t realised just how much trouble they were in.

“You didn’t deliberately set them up?” Susannah asked.

“No.  All the information is there.  Everything that was discussed, the planning, the requirements, the costings and a project plan.  They just have to know where to look and how to interpret it.  I told them that if I were the project manager, it would all work like clockwork.  They didn’t listen.  Appearances mean more than practicality.  I don’t think Theo’s ego could stand letting me run such a large project.”

Theo came back and thrust his cell phone in my face.

“Dad wants a word.”

I could imagine.

I didn’t need to put it to my ear. “You cannot resign.  Your family.  You’re in charge of the office while we’re gone.  Now get back here.  You have meetings to prepare for.”

I took a deep breath. “I resigned.  I do not work for you or anyone.  Maybe I’ll pursue a career in pizza making.  Pizzas can’t stab you in the back or lie to your face.  It’s time to see how far into the stratosphere Theo can take you, Dad.  You don’t need me.  You never have.  Have a nice day.”

I held out the phone for Theo to take it back.  I think he finally realised I was not coming back.

“Look, Richard.  This is not my fault.  Dad did this.”

“No, you did this.  You could have told him this was my turn.  But no, your ego couldn’t have that.  Well, here’s your chance to show Dad just how good you are.  You’ve never needed me, Theo.  No one in that family has.”

“Screw you, Rich.  You’ll be back, and then we’ll see what’s what.”

He snatched up his phone and stomped off.

He didn’t get that cup of coffee

Daisy was kept on, transitioning from my assistant to being the custodian of the documentation. Dad had the sense to realise she was the only one who knew where everything was. At least he promoted her and doubled her salary, though I don’t think he did it without a push.

Dad had to hire four new planners, architects and an engineer that were not in the original budget, and would make a hefty dent in the profit margin.

He had asked, politely, once more that I should return, given a title and double the salary, but not as project manager.

I refused.

Then he offered me the project manager position. It was too late. I wasn’t going back.  I didn’t want the hassle of listening to my brother whining the whole time.

The Davidson and Sons Realty and Investment Corporation very subtly changed to the Davidson and Son Realty and Investment Corporation.

I didn’t care.

I left the city and went to live with Gran, taking on the project of turning the family estate into a special resort for Equestrians, and becoming the perfect training establishment for future Olympians and polo players.

The family thrived without me.

I thrived without them.

About a year after the parting, a newspaper headline broke the story that my mother had had an affair and that I had been the result of it.

Dad had been caught unawares in the middle of a big and delicate negotiation, and the story blew his opportunity out of the water.

The thing was, he knew.  So did Theo and Eileen.  Mom had believed they didn’t, but I could see it had been the case.  They had always treated me as different.

It wasn’t much later that Dad was caught cheating himself, and not just with one woman, but several.  The difference between us and the rest of the new wealthy, Susannah said, was that they could keep their dirty linen in the linen basket.

Mom got divorced and came home.

Theo and Eileen stayed with Dad.

I got married to Susannah.  It seemed inevitable.  She had never really held Eileen’s pettiness against me.  She was just waiting for the day that payback became a bitch.


©  Charles Heath  2026

365 Days of writing, 2026 – 122/123

Days 122 and 123 – Writing Exercise

Create and explore a character and put it in a situation

I should have known that something was afoot.

Sunday lunch was abuzz with the upcoming presentation for a multi-million dollar housing and parkland project on land that the city had no idea what to do with

My father, the owner of Davidson and Sons Realty and Investment Corporation, was transitioning from small-time to the major leagues.

He had thrown me a plan of the land and told me to turn it into something he could sell.  At the time I thought about it, wondering why he didn’t give it to the wunderkind son, Theodore Davidson III, the Harvard MBA graduate that could do no wrong.

Oh, and at his graduation party in the swankiest restaurant in town, with people whose names were whispered in the corridors of power, my father said he was going to take us into the statisphere.

He took himself, my sister Eileen, and my parents.

Number three son was staying firmly planted on the ground.

I took the plan and figured this was my chance to prove to him that I was everything but as good as my brother.

Of course, I was kidding myself.

I was never going to reach that stratosphere my brother lived in.  The fifteen-million-dollar penthouse apartment, the top-of-the-range sports car that was more expensive than my modest apartment, and suits that cost more than my car.

I didn’t have the same qualifications.  I went to college and studied architecture and art.  I was more interested in art and then artefacts, enough to add archaeology to the list of degrees.

No point having a graduation party for me.

Eileen graduated at the bottom of her law degree class and got celebrated like she had come first.  I guess I wasn’t one of the beautiful people.

My mom said it was a pity I hadn’t been blessed with good looks, though I would not have called myself ugly.  I chose to dress down and had this University professor thing going.

Dad said I could be the back room genius.  Yes, had used those exact words.

But he had promised that when I handed him the final plans and ran through the presentation for the next week’s meeting with the city representatives, I could present it.  He even sent me to the tailors for a proper suit.

Until…

Eileen said what I knew she was going to say.  “I think you’re making a mistake letting Richard do the presentation.  We need someone who represents who we are, and who’s going to take us forward.

I’d heard Theo and her talking about a strategy.

It had to be about one thing only.

“Dad promised.  If I did the work, I’d get the presentation.”

We all look at him.

“I did.  And as you know, my word is my bond.”

I sat back and relaxed.  Just a little.  I knew my brother and sister far better than they thought I did.  They had taken it too calmly. 

I had a Monday morning visit with my grandmother at her house, a hundred-mile drive up into the hills.

It was a fabulous old house with twenty-five bedrooms, servants, a twelve-car garage with vintage cars, and a ballroom that hadn’t been used in years

She came from a family that had money, but over time, successive men had lost it one way or another.
My mother had married into a wealthy family based on that fortune, and it had created the first of many problems.

I was too young, being the last of the children, but as far as I knew, the marriage had survived, but there was something about the house that no one wanted me to know about.

For years, I put it down to big people stuff.

I would have liked to stay, but there was a presentation tomorrow.

After I arrived, we had tea on the back patio.  It overlooked a garden that was rumoured to be originally designed by Capability Brown.

My grandmother looked particularly unhappy.  I would not have said I was her favourite, but she had spent the most time with me when I was younger.

She said I was like a stray dog.  I never understood why.

After the usual health and weather questions, she asked, “How successful will this presentation be?”

It was odd that she was interested in anything my father did.  She did not like him, and at times barely tolerated him.  Or Theo.  But Theo was an ass.

Eileen rarely came.

“It sells itself.  It ticks all the boxes.  Why?  You rarely want to know what the business is about.”

“There was an article in a magazine.  When people start using words like stratosphere, though wonder if they can’t see past the glossy cover and see what’s underneath.”

” I don’t have a glossy cover.”

“But the rest of them do.  I look at your father and Theo, and I wouldn’t trust them at all.  Your Aunt Matilda hated him.  She has more class in her little finger than he ever will.”

That was vicious, but I’d come to realise, in the case of being overlooked and undervalued, even being treated with contempt by my own family, she was right.

But saying this to me was a risk.  If I were to repeat it, there would be consequences.  I’d heard the muted discussion coming from Dad’s study.  Turning the old girl’s shack into a mountain resort.  It was worth billions if it was done right.

The only lament, she could not be moved.  Or would not be swayed into selling her heritage.

“I would never sell this place, Gran.  Never.  This is the very personification of my heritage.  I love this place.  You know,” I said, without realising I was sounding and acting silly, “I would love to hold a ball in the ballroom.”

When I realised I was being silly, I looked over and saw her eyes were watering.

I asked, concerned, “Are you alright?”

“I am.”  She dabbed at her eyes with a monogrammed handkerchief.  “It’s what I have wanted, but I don’t have the energy to make it happen.”

We had this conversation once.  A few months back.  When she told me, Dad was trying to convince her to let him use the property as collateral for a project.  It was just dead money, he said.

She had refused.

It was why he had been angry for a while now.  And Theo.  Plans, no doubt, to make themselves rich at the expense of a relative.  I didn’t want to believe it of them, or that mom would let them, but she never seemed to put up a fight about anything, including protecting me.

Gran had asked me to draw up a plan that would turn the property into a resort, a different resort, one that had an equestrian centre at its heart.

My grandmother loved horses, had a few, and had taught me to ride practically before I could walk.  It was she who convinced me to play polo, and we had the makings of a polo field in the west paddock.

She remembered. “Did you get those plans we discussed drawn up?”

“I did.  I went to see Westerby at the equestrian centre, and he was very excited about the prospect.  Just the other week, he said the powers that be were looking at where they could set up a centre to start training Olympic hopefuls, and if we can put something together…”

“Good.  I’ll have a talk with him soon.  After you sort out this new development.”

My phone dinged.  A message.  From Daisy, my assistant back at the office.

A URL.

I selected it, and it took me to a news page where my father and Theodore, beaming from ear to ear, the city representatives behind them were making an announcement.  Smiles all round.

I listened to the speech for about a minute, then cut it off.

“What is it?”  She asked.

I guess my disappointed expression gave it away.

They had deliberately moved the presentation ahead so Theodore could take the honours.  I just noticed in the background, still on the screen, he had rebranded the whole project as his, with no mention of me.

No wonder no one said boo when Dad said I was still doing the presentation.  They were all in on it.

“Theo just stole my thunder and my job.  He’s going to be the project manager.”

“What about you?”

I took a deep breath and let it out slowly.  “Now I have the time to devote myself to your equestrian centre.”

“Won’t you have to continue working on the reclamation?”

“Apparently not.  Theo obviously has it all under control.”

I opened my phone and went to a specific email sitting in the drafts folder.  I had hoped that I would never have to send it, but I’d finally had enough of being taken for granted.

I dated the documents and sent them to HR.  Effective immediately, I had resigned.

“Can I stay here.  I don’t think I’m going to be very welcome at home.”

“Of course.  I have a few friends coming for dinner, and Father Giles can be, well, you know him as well as I do.”

I left my cell phone in my room, and had a long and convivial dinner with old friends that I had known from my childhood days, when I was a far more frequent and regular guest.

It was better than sitting at a table where there were four people on the same page and a ghost sitting in isolation.  As the years passed, I felt less like a member of that exclusive club and more like a visitor on the outside looking in.

Except…

When I went back to the room, I could see my cell phone beaming like a beacon in the night, and dinging about once every twenty seconds.

The first message was from Theo. I’d say, when they asked the first question, one of many he couldn’t answer.  He hadn’t spent the time with me in the development phase, as he was supposed to, and didn’t bother prepping before the presentation.

There were seven hefty binders or accompanying documents that needed to be read and understood before giving the presentation.  It was slides and talking points, and using big words that covered trends and projections, and buzz talk.

The devil was in the details.

Theo was never interested in details, just concepts.

My guess, he would have told them any questions would be answered by the technical lead.  Me.  If only I could be found.

Fourty four messages before one from my father.

“Where are you?”

I might have been at work if they had not moved the presentation and told me.  Or not, if this was what they’d planned all along.

I was not being vindictive; I was just going about my business, which they were fully aware of.

There were missed calls from each of them, mother included.  I had heard Grans’ cell phone ringing, and the house phone, but she had seemed unperturbed.

I went to sleep with a clear conscience

..

When I went downstairs for breakfast, out on the patio, Gran was sitting looking out over the lawns, down to the fountain where I used to make wishes.

None ever came true.

Sitting beside her was Susannah, a neighbour’s daughter who used to be as frequent a visitor as I had been a long time ago.

She had also been Eileen’s best friend until Eileen betrayed her.  It ruined any chance I had with her.

About a week ago, she had sent me an email asking if I was the Richard she used to know once upon a time.  I had replied yesterday and said I would be visiting Gran this week.  She had not replied.  Perhaps the old wounds had not healed.

Or they had.

She had the gift of never aging.  I wished I were a more attractive proposition, but we can’t have everything.

“Susannah?”  I sounded surprised.  I was.

“Rich.  What a pleasant surprise.”  She got out of her chair, came over and gave me a hug like she actually cared about me.

Then she stepped back.  “Martha tells me your family finally showed their true colours.”

That was a step and a half for Gran.  She had never publicly or privately called them out. 

“It’s my misguided attempt to try and get some recognition from them, and not getting past the wunderkind Theo.  I work hard, and can’t get any traction.”

“Martha says you quit.”

“Perhaps it’s the only way.”

“What did your father say?”

“Haven’t gone home and haven’t answered any calls, texts or emails.  Not ready yet.”

“I’m staying for a few days.  You can talk to me about anything.  You know that?”

“Thank you.”

The serving girl brought over a cup of coffee and put it on the table.

Then we heard a booming voice coming towards us.  “I’ll have one of those “

I yelled back, “Get it yourself, Theo.  She’s not your slave.”

She looked at him, then me.  “He’ll get it himself.”

Martha nodded, and the girl left.

He shook his head.  The privilege oozed out of him.  I’d seen him deal with waiters and waitresses.  Someone needed to teach him some manners.

“Any reason you’re here, Theo.  Shouldn’t you be working with the new clients?”

He’d completely ignored Susannah.  She seemed amused, with no intention of going anywhere.

“We need you back in the office.  The family is taking a break to celebrate the successful conclusion.  I closed the deal, Richard.  You would have made a mess of it.”

“And yet you seem to think I won’t now?”

“Don’t be a pompous twit.  You know everything there is to know about it.  You’re just not fit to run it.  Or anything.”

As insulting as ever. Had he tempered his approach, I might have thought twice about not going. Not now.

He looked around, perhaps expecting a cup of coffee to magically turn up.

“I resigned, Theo.  Effective 10am yesterday.  The project is yours.”

“Dad says you can’t resign.”

“Tell him to read my contract.”

“What contract?”

“The one he forced on me and got your daft sister to draw up.  I was the only one of us he insisted sign.  I added a few clauses in the revised draft, and she signed it without reading it.  Both of you were painted with the same brush.  Stupid is as stupid does, Theo.”

“Rubbish.  You’re not that clever.”

I smiled.  “Then take me to court.  Goodbye Theo.  Go sort out the mess your father and sister created.”

He jumped up and pulled out his cell, and a few minutes later, we could hear him yelling at Eileen.

Both Gran and Susannah had watched the exchange with half smiles.  His badgering and bullying had no effect, but then, he hadn’t realised just how much trouble they were in.

“You didn’t deliberately set them up?” Susannah asked.

“No.  All the information is there.  Everything that was discussed, the planning, the requirements, the costings and a project plan.  They just have to know where to look and how to interpret it.  I told them that if I were the project manager, it would all work like clockwork.  They didn’t listen.  Appearances mean more than practicality.  I don’t think Theo’s ego could stand letting me run such a large project.”

Theo came back and thrust his cell phone in my face.

“Dad wants a word.”

I could imagine.

I didn’t need to put it to my ear. “You cannot resign.  Your family.  You’re in charge of the office while we’re gone.  Now get back here.  You have meetings to prepare for.”

I took a deep breath. “I resigned.  I do not work for you or anyone.  Maybe I’ll pursue a career in pizza making.  Pizzas can’t stab you in the back or lie to your face.  It’s time to see how far into the stratosphere Theo can take you, Dad.  You don’t need me.  You never have.  Have a nice day.”

I held out the phone for Theo to take it back.  I think he finally realised I was not coming back.

“Look, Richard.  This is not my fault.  Dad did this.”

“No, you did this.  You could have told him this was my turn.  But no, your ego couldn’t have that.  Well, here’s your chance to show Dad just how good you are.  You’ve never needed me, Theo.  No one in that family has.”

“Screw you, Rich.  You’ll be back, and then we’ll see what’s what.”

He snatched up his phone and stomped off.

He didn’t get that cup of coffee

Daisy was kept on, transitioning from my assistant to being the custodian of the documentation. Dad had the sense to realise she was the only one who knew where everything was. At least he promoted her and doubled her salary, though I don’t think he did it without a push.

Dad had to hire four new planners, architects and an engineer that were not in the original budget, and would make a hefty dent in the profit margin.

He had asked, politely, once more that I should return, given a title and double the salary, but not as project manager.

I refused.

Then he offered me the project manager position. It was too late. I wasn’t going back.  I didn’t want the hassle of listening to my brother whining the whole time.

The Davidson and Sons Realty and Investment Corporation very subtly changed to the Davidson and Son Realty and Investment Corporation.

I didn’t care.

I left the city and went to live with Gran, taking on the project of turning the family estate into a special resort for Equestrians, and becoming the perfect training establishment for future Olympians and polo players.

The family thrived without me.

I thrived without them.

About a year after the parting, a newspaper headline broke the story that my mother had had an affair and that I had been the result of it.

Dad had been caught unawares in the middle of a big and delicate negotiation, and the story blew his opportunity out of the water.

The thing was, he knew.  So did Theo and Eileen.  Mom had believed they didn’t, but I could see it had been the case.  They had always treated me as different.

It wasn’t much later that Dad was caught cheating himself, and not just with one woman, but several.  The difference between us and the rest of the new wealthy, Susannah said, was that they could keep their dirty linen in the linen basket.

Mom got divorced and came home.

Theo and Eileen stayed with Dad.

I got married to Susannah.  It seemed inevitable.  She had never really held Eileen’s pettiness against me.  She was just waiting for the day that payback became a bitch.


©  Charles Heath  2026

365 Days of writing, 2026 – My Second Story 17

More about my second novel

There’s a certain air of inevitability in the air that the bad guys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

It’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants; it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practised monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, the money and the lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world in which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel, eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

365 Days of writing, 2026 – My Second Story 17

More about my second novel

There’s a certain air of inevitability in the air that the bad guys are going to succeed in tracking down Zoe, using the very person who wants to keep her safe.

It’s not exactly the result of a sneaky plan using lies and deception to get what Worthington wants; it’s more a fact that the woman he is about to use had already made a bed for herself that others would hardly want to lie in.

Arabella was not a woman who understood or practised monogamy.  She was always a rebel, always had more than one man on the go, and had only married for the convenience, the money and the lifestyle that went with it.

Having children had been a bore, and once they were delivered, they were someone else’s problem.  She was then able to go back to her jet-set lifestyle, touring and cruising the world.

It was also a world in which Worthington and his brother had moved in, and Worthington had been and still was, one of her lovers.  It was what made it so easy for him to enlist her, though she was not really interested in what her son John was up to.  He was too much like his father, and she needed little reminder of him.

For Worthington, he could not believe his luck, for a second time.  It was as if the Gods were lining up the ducks all in a row for him.

But she agreed to a weekend in the best hotel, eating the best food and going to a very exclusive concert, where they would be mingling with ‘almost’ royalty.  She loved to drop names.

However, the secret was not a secret the moment she was seen with Worthington by Sebastian, all be it by chance.  Sebastian would have to find John and alert him to the dangers that were about to present themselves in the benign form of his mother.

Could things get any more complicated?

365 Days of writing, 2026 – 121

Day 121 – Distractions

Beyond the Blinking Cursor: How Writers Tame Distraction (and Why It’s Not Always Bad)

We’ve all been there: you sit down with a fresh pot of coffee, a clear idea, and your laptop. Ten minutes later, you’re knee-deep in a Wikipedia thread about 14th-century agriculture or scrolling through a reel of sourdough baking tips.

Writing is a singular act of focus in a world designed to fragment it. For a writer, distraction is the ultimate antagonist. But as we navigate the digital age, the way we handle these interruptions isn’t just about “willpower”—it’s about strategy.

Here is how professional writers build a fortress around their focus, and the surprising reason why some distractions might actually be a good thing.

1. The Sound of Silence (literally)

While some writers swear by lo-fi beats or cinematic scores, music can often become a “productive distraction”—something that feels like work atmosphere but actually competes for your linguistic brainpower.

The Strategy: When the prose gets tough, turn off the music. Silence forces you to hear the rhythm of your own sentences. If you can’t stand total silence, try brown noise or a simple fan. By removing the melodic pull of a song, you allow your internal narrator to take centre stage.

2. Cutting the Digital Cord

The internet is a writer’s greatest tool and their worst enemy. How many times has “checking a single fact” turned into an hour of aimless browsing?

The Strategy: Disconnect from the internet. Whether you use an app blocker like Freedom or simply flip the Wi-Fi toggle to ‘off,’ creating an offline sanctuary is a game-changer. If you realise you need to look something up, simply write [RESEARCH THIS] in brackets and keep moving. Stay in the flow of the story; the facts can wait for the editing phase.

3. Out of Sight, Out of Mind

The smartphone is the world’s most advanced distraction machine. Even having it face-down on your desk has been shown to reduce cognitive capacity because a small part of your brain is constantly “noticing” it.

The Strategy: Silence or hide your phone. Put it in another room or inside a desk drawer. By adding a physical barrier between yourself and those red notification bubbles, you reduce the “frictional cost” of staying focused. If you can’t see it, your brain eventually stops craving the hit of dopamine it provides.

4. Working Against the Clock

The fear of a long, gruelling writing session is often what leads us to seek distractions. If we think we have to write for five hours, we’ll do anything to escape.

The Strategy: Set a timer for breaks. Techniques like the Pomodoro Method (25 minutes of work, 5 minutes of rest) turn writing into a sprint rather than a marathon. When you know a break is coming in exactly 12 minutes, you’re more likely to push through a difficult paragraph rather than giving up.


Can Distraction Actually Be Beneficial?

It sounds counterintuitive, but not all distractions are created equal. There is a concept in psychology called “incubation.”

When you hit a wall—a plot hole you can’t fill or a transition that feels clunky—staring at the screen often makes it worse. This is where a controlled distraction becomes beneficial.

By stepping away to do something “low-leakage” (like washing the dishes, taking a walk, or staring out the window), you allow your subconscious to work on the problem. The “Aha!” moment rarely happens while staring at a cursor; it happens when you’re distracted enough to let your mind wander, but not so distracted (by social media or email) that your brain is overwhelmed.

The Bottom Line

Managing distraction isn’t about becoming a robot; it’s about setting boundaries. By silencing the noise, disconnecting from the web, and using timers to structure your day, you create the space necessary for deep work.

And when the words won’t come? Lean into a constructive distraction. Walk away, let your mind drift, and trust that the story is still writing itself in the background.

How do you handle the urge to scroll when you should be writing? Let us know your favourite focus hacks in the comments below!

365 Days of writing, 2026 – 121

Day 121 – Distractions

Beyond the Blinking Cursor: How Writers Tame Distraction (and Why It’s Not Always Bad)

We’ve all been there: you sit down with a fresh pot of coffee, a clear idea, and your laptop. Ten minutes later, you’re knee-deep in a Wikipedia thread about 14th-century agriculture or scrolling through a reel of sourdough baking tips.

Writing is a singular act of focus in a world designed to fragment it. For a writer, distraction is the ultimate antagonist. But as we navigate the digital age, the way we handle these interruptions isn’t just about “willpower”—it’s about strategy.

Here is how professional writers build a fortress around their focus, and the surprising reason why some distractions might actually be a good thing.

1. The Sound of Silence (literally)

While some writers swear by lo-fi beats or cinematic scores, music can often become a “productive distraction”—something that feels like work atmosphere but actually competes for your linguistic brainpower.

The Strategy: When the prose gets tough, turn off the music. Silence forces you to hear the rhythm of your own sentences. If you can’t stand total silence, try brown noise or a simple fan. By removing the melodic pull of a song, you allow your internal narrator to take centre stage.

2. Cutting the Digital Cord

The internet is a writer’s greatest tool and their worst enemy. How many times has “checking a single fact” turned into an hour of aimless browsing?

The Strategy: Disconnect from the internet. Whether you use an app blocker like Freedom or simply flip the Wi-Fi toggle to ‘off,’ creating an offline sanctuary is a game-changer. If you realise you need to look something up, simply write [RESEARCH THIS] in brackets and keep moving. Stay in the flow of the story; the facts can wait for the editing phase.

3. Out of Sight, Out of Mind

The smartphone is the world’s most advanced distraction machine. Even having it face-down on your desk has been shown to reduce cognitive capacity because a small part of your brain is constantly “noticing” it.

The Strategy: Silence or hide your phone. Put it in another room or inside a desk drawer. By adding a physical barrier between yourself and those red notification bubbles, you reduce the “frictional cost” of staying focused. If you can’t see it, your brain eventually stops craving the hit of dopamine it provides.

4. Working Against the Clock

The fear of a long, gruelling writing session is often what leads us to seek distractions. If we think we have to write for five hours, we’ll do anything to escape.

The Strategy: Set a timer for breaks. Techniques like the Pomodoro Method (25 minutes of work, 5 minutes of rest) turn writing into a sprint rather than a marathon. When you know a break is coming in exactly 12 minutes, you’re more likely to push through a difficult paragraph rather than giving up.


Can Distraction Actually Be Beneficial?

It sounds counterintuitive, but not all distractions are created equal. There is a concept in psychology called “incubation.”

When you hit a wall—a plot hole you can’t fill or a transition that feels clunky—staring at the screen often makes it worse. This is where a controlled distraction becomes beneficial.

By stepping away to do something “low-leakage” (like washing the dishes, taking a walk, or staring out the window), you allow your subconscious to work on the problem. The “Aha!” moment rarely happens while staring at a cursor; it happens when you’re distracted enough to let your mind wander, but not so distracted (by social media or email) that your brain is overwhelmed.

The Bottom Line

Managing distraction isn’t about becoming a robot; it’s about setting boundaries. By silencing the noise, disconnecting from the web, and using timers to structure your day, you create the space necessary for deep work.

And when the words won’t come? Lean into a constructive distraction. Walk away, let your mind drift, and trust that the story is still writing itself in the background.

How do you handle the urge to scroll when you should be writing? Let us know your favourite focus hacks in the comments below!

365 Days of writing, 2026 – 120

Day 120 – How can a writer be compared to a magician

The Art of the Illusion: Why Every Writer is a Magician

We’ve all had that experience: you open a book, and suddenly, the room around you vanishes. You aren’t looking at ink on paper or pixels on a screen anymore; you are inside a character’s mind, feeling their heartbeat, smelling the rain on a distant street, and racing toward a conclusion you didn’t see coming.

When a story works, it feels like magic. But as any professional magician will tell you, the more effortless a trick looks, the more gruelling the preparation behind the curtain was.

The legendary Toni Morrison once perfectly captured this tension:

“[Handle writing] so the reader is only aware of the rabbit that comes out of the hat, and doesn’t see the false bottom—that’s where the hard work is.”

As writers, we are the magicians of the page. Here is why writing is the ultimate sleight of hand, and why hiding the “false bottom” is the most important part of the craft.

The Rabbit: The Seamless Experience

In Morrison’s metaphor, the “rabbit” is the finished story. It’s the emotional payoff, the sharp dialogue, and the plot twist that leaves the reader breathless.

When a reader picks up a book, they don’t want to see the writer’s struggle. They don’t want to notice the clunky sentence that took four hours to fix or the structural gap that required a total rewrite of Chapter Three. They want the wonder. They want the rabbit to appear out of thin air, vibrant and alive.

If the reader starts thinking about the writer’s technique while they are reading, the spell is broken. The “rabbit” becomes just a prop, and the magic fades.

The False Bottom: The Mechanics of Craft

The “false bottom” is everything that happens before the reader ever turns page one. It is the invisible infrastructure of a story. This includes:

  • Structural Scaffolding: Building a plot that feels inevitable but not predictable.
  • The “Ugly” First Draft: Chasing ideas through a mess of bad metaphors and inconsistent pacing.
  • The Editing Grind: Removing every “very” and “suddenly,” killing your darlings, and refining the rhythm of a sentence until it sings.
  • Research: Knowing ten times more about a subject than what actually makes it into the book, just to ensure the world feels sturdy.

This is where the “hard work” Morrison mentions resides. It’s the sweat, the frustration, and the endless hours of refinement. It is the mechanical, often tedious labour required to create an object that looks like it was born, not made.

Why We Hide the Work

You might ask: If I worked so hard on this, why shouldn’t I let the reader see it?

In magic, if the audience sees the trapdoor, the wonder is replaced by logic. They stop feeling and start calculating. Writing is the same. To evoke a true emotional response, the mechanics must remain invisible.

We hide the “false bottom” because we want the reader to believe in the reality of the world we’ve built. We want them to believe the characters are making choices of their own free will, not because a writer is pulling their strings from behind a curtain.

Embracing the Invisible Labour

If you are a writer currently struggling with a difficult chapter or a plot hole that won’t close, remember Morrison’s words. The fact that it feels hard doesn’t mean you’re failing; it means you’re building the false bottom.

The goal isn’t to write something that is easy; it’s to write something that feels easy.

Next time you produce a piece of prose that flows so naturally it feels like it wrote itself, take a moment to look back at the “false bottom” you spent weeks constructing. The reader may never see it, but they will feel the magic it allows to happen.

After all, the best magic tricks aren’t about the rabbit—they’re about the secret the magician keeps to make the world feel a little more wondrous.

365 Days of writing, 2026 – 120

Day 120 – How can a writer be compared to a magician

The Art of the Illusion: Why Every Writer is a Magician

We’ve all had that experience: you open a book, and suddenly, the room around you vanishes. You aren’t looking at ink on paper or pixels on a screen anymore; you are inside a character’s mind, feeling their heartbeat, smelling the rain on a distant street, and racing toward a conclusion you didn’t see coming.

When a story works, it feels like magic. But as any professional magician will tell you, the more effortless a trick looks, the more gruelling the preparation behind the curtain was.

The legendary Toni Morrison once perfectly captured this tension:

“[Handle writing] so the reader is only aware of the rabbit that comes out of the hat, and doesn’t see the false bottom—that’s where the hard work is.”

As writers, we are the magicians of the page. Here is why writing is the ultimate sleight of hand, and why hiding the “false bottom” is the most important part of the craft.

The Rabbit: The Seamless Experience

In Morrison’s metaphor, the “rabbit” is the finished story. It’s the emotional payoff, the sharp dialogue, and the plot twist that leaves the reader breathless.

When a reader picks up a book, they don’t want to see the writer’s struggle. They don’t want to notice the clunky sentence that took four hours to fix or the structural gap that required a total rewrite of Chapter Three. They want the wonder. They want the rabbit to appear out of thin air, vibrant and alive.

If the reader starts thinking about the writer’s technique while they are reading, the spell is broken. The “rabbit” becomes just a prop, and the magic fades.

The False Bottom: The Mechanics of Craft

The “false bottom” is everything that happens before the reader ever turns page one. It is the invisible infrastructure of a story. This includes:

  • Structural Scaffolding: Building a plot that feels inevitable but not predictable.
  • The “Ugly” First Draft: Chasing ideas through a mess of bad metaphors and inconsistent pacing.
  • The Editing Grind: Removing every “very” and “suddenly,” killing your darlings, and refining the rhythm of a sentence until it sings.
  • Research: Knowing ten times more about a subject than what actually makes it into the book, just to ensure the world feels sturdy.

This is where the “hard work” Morrison mentions resides. It’s the sweat, the frustration, and the endless hours of refinement. It is the mechanical, often tedious labour required to create an object that looks like it was born, not made.

Why We Hide the Work

You might ask: If I worked so hard on this, why shouldn’t I let the reader see it?

In magic, if the audience sees the trapdoor, the wonder is replaced by logic. They stop feeling and start calculating. Writing is the same. To evoke a true emotional response, the mechanics must remain invisible.

We hide the “false bottom” because we want the reader to believe in the reality of the world we’ve built. We want them to believe the characters are making choices of their own free will, not because a writer is pulling their strings from behind a curtain.

Embracing the Invisible Labour

If you are a writer currently struggling with a difficult chapter or a plot hole that won’t close, remember Morrison’s words. The fact that it feels hard doesn’t mean you’re failing; it means you’re building the false bottom.

The goal isn’t to write something that is easy; it’s to write something that feels easy.

Next time you produce a piece of prose that flows so naturally it feels like it wrote itself, take a moment to look back at the “false bottom” you spent weeks constructing. The reader may never see it, but they will feel the magic it allows to happen.

After all, the best magic tricks aren’t about the rabbit—they’re about the secret the magician keeps to make the world feel a little more wondrous.

365 Days of writing, 2026 – 119

Day 119 – The relevance of A Confederation of Dunces to downtrodden writers

The Patron Saint of the Misunderstood: Why A Confederation of Dunces Still Resonates with Downtrodden Writers

If you are a writer, you have undoubtedly wrestled with the feeling of belonging to a world that doesn’t quite fit your internal architecture. You have likely experienced the sting of rejection, the absurdity of the “literary establishment,” and the creeping suspicion that your work is being ignored by people who lack the intellectual rigour to appreciate it.

No character embodies this specific, agonising brand of isolation quite like Ignatius J. Reilly, the gargantuan protagonist of John Kennedy Toole’s posthumous masterpiece, A Confederation of Dunces.

For the downtrodden writer—the one working a soul-crushing day job while drafting a manuscript in a cramped apartment—Ignatius is both a cautionary tale and a dark, twisted mirror.

“I Mingle with My Peers or No One”

The defining line of Ignatius’s worldview is his famous declaration: “I mingle with my peers or no one, and since I have no peers, I mingle with no-one.”

On the surface, this is the ultimate expression of solipsistic arrogance. It is the peak of the “tortured genius” trope, where the ego becomes a barricade. However, for the writer who feels alienated, this sentiment hits differently. It speaks to the exhausting search for a creative community.

When you spend your life refining your voice and obsessing over the nuance of a sentence, the standard chatter of the world can feel like a profound waste of time. You don’t want to talk about the weather or the weekend; you want to talk about the collapse of modern morality, the structure of a perfect paragraph, or the decaying state of culture. When you can’t find that depth in others, the instinct is to retreat.

But there is a trap here. Ignatius uses this philosophy to justify his own inertia. He uses his “lack of peers” as a shield to avoid the vulnerability of being judged by the real world. For the rest of us, the lesson is clear: If you wait for your perfect peer group to emerge, you will be waiting forever.

The Tragedy of the Unfinished Manuscript

The irony of A Confederation of Dunces is that Ignatius is a writer—or, at least, he claims to be. He carries around his Big Chief writing tablet, filling it with philosophical rants and incoherent grievances against the “geometrical, theological, and geographical” decline of the twentieth century.

He is a writer who refuses to publish. He is a writer who spends more time correcting the perceived failures of others than completing his own work.

This is the great peril of the downtrodden writer. It is easy to become bitter, to develop a “Reilly-esque” disdain for the marketplace, and to convince yourself that your work is too “advanced” or “pure” for a public that prefers mindless pulp. We often use our high standards as a way to hide from the terrifying possibility that our work might be published and—far worse—dismissed.

Finding Solidarity in the Absurd

So, why read (or re-read) A Confederation of Dunces if you are currently feeling like a failure in the literary arts?

  1. It’s a Reminder of the Danger of Ego: Toole’s novel is a comedy, not a biography, but it serves as a warning. Isolation is a creative desert. You need the grit of the real world—the very thing Ignatius scorns—to breathe life into your writing.
  2. It Validates the Struggle: Toole himself struggled immensely to get his work published. His own tragic story adds a layer of poignancy to the book. He knew better than anyone what it felt like to be a genius without a seat at the table.
  3. The Satire is Necessary: Sometimes, you have to laugh at the absurdity of it all. The world is full of “dunce” establishments, superficial trends, and people who will never understand the blood you pour into your pages. Acknowledging that and laughing at it, rather than letting it turn you into a recluse, is the only way to survive.

The Verdict

Ignatius J. Reilly’s tragedy is that he chose “no one” over the messiness of human connection. He chose the safety of his own mind over the risk of being misunderstood by the masses.

As a writer, your greatest work won’t come from sitting in a room alone, sneering at the world for not being up to your standards. It will come from acknowledging that while you may never find the “perfect” peer who understands every shade of your intent, there is a community of other writers just as broken, just as confused, and just as hopeful as you are.

Don’t be the person who mingles with “no one.” Find your fellow dunces. Share your stories. And for heaven’s sake, finish the manuscript.

365 Days of writing, 2026 – 119

Day 119 – The relevance of A Confederation of Dunces to downtrodden writers

The Patron Saint of the Misunderstood: Why A Confederation of Dunces Still Resonates with Downtrodden Writers

If you are a writer, you have undoubtedly wrestled with the feeling of belonging to a world that doesn’t quite fit your internal architecture. You have likely experienced the sting of rejection, the absurdity of the “literary establishment,” and the creeping suspicion that your work is being ignored by people who lack the intellectual rigour to appreciate it.

No character embodies this specific, agonising brand of isolation quite like Ignatius J. Reilly, the gargantuan protagonist of John Kennedy Toole’s posthumous masterpiece, A Confederation of Dunces.

For the downtrodden writer—the one working a soul-crushing day job while drafting a manuscript in a cramped apartment—Ignatius is both a cautionary tale and a dark, twisted mirror.

“I Mingle with My Peers or No One”

The defining line of Ignatius’s worldview is his famous declaration: “I mingle with my peers or no one, and since I have no peers, I mingle with no-one.”

On the surface, this is the ultimate expression of solipsistic arrogance. It is the peak of the “tortured genius” trope, where the ego becomes a barricade. However, for the writer who feels alienated, this sentiment hits differently. It speaks to the exhausting search for a creative community.

When you spend your life refining your voice and obsessing over the nuance of a sentence, the standard chatter of the world can feel like a profound waste of time. You don’t want to talk about the weather or the weekend; you want to talk about the collapse of modern morality, the structure of a perfect paragraph, or the decaying state of culture. When you can’t find that depth in others, the instinct is to retreat.

But there is a trap here. Ignatius uses this philosophy to justify his own inertia. He uses his “lack of peers” as a shield to avoid the vulnerability of being judged by the real world. For the rest of us, the lesson is clear: If you wait for your perfect peer group to emerge, you will be waiting forever.

The Tragedy of the Unfinished Manuscript

The irony of A Confederation of Dunces is that Ignatius is a writer—or, at least, he claims to be. He carries around his Big Chief writing tablet, filling it with philosophical rants and incoherent grievances against the “geometrical, theological, and geographical” decline of the twentieth century.

He is a writer who refuses to publish. He is a writer who spends more time correcting the perceived failures of others than completing his own work.

This is the great peril of the downtrodden writer. It is easy to become bitter, to develop a “Reilly-esque” disdain for the marketplace, and to convince yourself that your work is too “advanced” or “pure” for a public that prefers mindless pulp. We often use our high standards as a way to hide from the terrifying possibility that our work might be published and—far worse—dismissed.

Finding Solidarity in the Absurd

So, why read (or re-read) A Confederation of Dunces if you are currently feeling like a failure in the literary arts?

  1. It’s a Reminder of the Danger of Ego: Toole’s novel is a comedy, not a biography, but it serves as a warning. Isolation is a creative desert. You need the grit of the real world—the very thing Ignatius scorns—to breathe life into your writing.
  2. It Validates the Struggle: Toole himself struggled immensely to get his work published. His own tragic story adds a layer of poignancy to the book. He knew better than anyone what it felt like to be a genius without a seat at the table.
  3. The Satire is Necessary: Sometimes, you have to laugh at the absurdity of it all. The world is full of “dunce” establishments, superficial trends, and people who will never understand the blood you pour into your pages. Acknowledging that and laughing at it, rather than letting it turn you into a recluse, is the only way to survive.

The Verdict

Ignatius J. Reilly’s tragedy is that he chose “no one” over the messiness of human connection. He chose the safety of his own mind over the risk of being misunderstood by the masses.

As a writer, your greatest work won’t come from sitting in a room alone, sneering at the world for not being up to your standards. It will come from acknowledging that while you may never find the “perfect” peer who understands every shade of your intent, there is a community of other writers just as broken, just as confused, and just as hopeful as you are.

Don’t be the person who mingles with “no one.” Find your fellow dunces. Share your stories. And for heaven’s sake, finish the manuscript.