“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man?  Why was she having dinner with him?

A simple truth to explain the single event was all Ben required.  Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

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Questions

These are what can dumfound the strongest man, and terrify the most resolute woman.

Simple sentences of words placed in a particular order that designed to elicit a response.

Of course, no one tells you that your life may depend upon the answer you give.

So, when a man is asked a simple question like, ‘do I look good in this dress’, there are so many wrong answers that no matter what he says, the marriage, relationship, romance is over.

Similarly, that simple question, ‘how do you feel’, can be like opening the floodgates, or met with stony silence, or, more than likely, met with a dismissive ‘I feel good’.

There are questions asked in examination papers, the sort that is based on the year’s work, or what was supposedly covered in study groups.  As children, these questions hold varying amounts of terror, if you have failed to study.

There are questions asked at job interviews, and sometimes these don’t quite make any sense. For instance, ‘If you were in a store serving a customer and a man came in brandishing a gun, what would you do.’  I’m not sure what answer they are looking for.

Then there is that terrifying question you hoped would never be asked, ‘what do think your weaknesses are?’  I was fine with strengths, that’s easy, but weaknesses, that’s where the job application ended.

There is one other that has a simple answer but it often met with silence, a witticism, but rarely the truth.  Asking a woman, ‘what is your age?’

That’s a romance killer right there.  Right up there with, ‘where were you on the night of the 14th between the hours of 6pm and 12 pm.  You can hardly say you were in bed with your best friends wife, can you?

Can you see the bare bones of a mystery coming on?

20 questions for each suspect and witness, if any, then plot the crime from these testimonies.

I need a few days away from my current book and it seems a good idea for a short story.

I think I might call it ‘motive, means and opportunity, the story of a wrongly convicted man’.

In a word: High or is it hie

When the boss says jump, the question is usually ‘how high’.

Not that it’s possible for many of us with a challenging centre of gravity to get much elevation.

High generally means height, how far something rises above ground level, is above our heads.

That plane flies very high in the sky.

Then there’s another meaning, increased intensity, such as a high temperature, a high fever, but my favourite is, a high dudgeon.

I’m still to get a definition on what a dudgeon is.

We have secondary schools here that we call high schools. Make of that what you will

And in the idiomatic world, flying high means we are very happy, and when were left high and dry then not so much. Unless it related to a ship, in which case a lot of people would be unhappy.

We can use high just about everywhere, high hopes, high ceilings, feelings that run high, a high chair for toddlers of course, high speed which may cause s crash and land you in a high security prison.

This is not to be confused with just plain hi which is a universal greeting.

But there is another, hie, which has a more obscure meaning, to hasten or go quickly.

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

Coming soon!

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I’ve been thinking…

And probably it is a matter of being better off not thinking, but

I’m sitting here and writing a piece for a novel about one of my characters, and all of a sudden I stop, right in the middle of where he’s about to get violently murdered if he lets his guard down.

Why have I stopped right there?

A strange through goes through my mind.

Did he remember to have breakfast, did he make the bed and tidy up after he got up?  Did he have to arrange to have his clothes cleaned, or were they cleaned for him?

Does he have a maid and a butler and a cook to do all those things?

The problem is, we don’t know what happened before he finished up in that precarious position.

We may know that he was taught to fight by a sen master, a swordsman, though I’m not sure if there is a requirement for fencing, to drive defensively, to kill people in more ways than you’ve had different dinners.

We may know that he was in a similar fight the day before, and his energy has been depleted and may be running on painkilling drugs.  Of course, if that’s the case, and knowing the side effect of some of those drugs, he may be impaired, and slower in reaction time, which might mean premature death.

But we don’t know if he ate anything, whether he slept well, or not at all (though sometimes it rates a mention more often than not as an afterthought or an excuse), whether he has any distracting thoughts, like what the hell am I doing here?

Everyday things which all of us, and I’m sure even the most successful of spies, have to deal with.

Just a thought.

Back to the fight, yes he wins, got a couple of slashed and there’s a copious amount of blood on his shirt.

Let’s not worry about whose going to clean up the mess, or do the washing.

A few running repairs with needle and thread, including the requisite grimaces in pain, someone else will clean the shirt, and yes, there’s always a cupboard full of clean clothes to change into.

Moving on…

“The Things We Do For Love” – Coming soon

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

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“Echoes From The Past”, buried, but not deep enough

What happens when your past finally catches up with you?

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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For a change, I thought I’d watch some TV

It’s always a testing time because just about everywhere it’s not really a rating season so therefore the shows are rather terrible.

So, to counterbalance the rubbish we have here at the moment, I managed to find a few shows that are on TV overseas.

I’m always interested in any offering from the UK.  The BBC and ITV make very interesting shows, sometimes quite offbeat, sometimes steeped in history.

The latest from the BBC is a show called ‘The Capture’.

It raises some very interesting questions, like

How far has big brother technology gone in London with a CCTV camera just about on every corner

Can we believe what we see on a television screen that is supposedly streaming live pictures

Are the characters being portrayed believably?

Basically, it’s about a man who is seen on CCTV attacking a woman.  When he’s shown the video, he acknowledges that the man and woman on the tape, are him and the victim, but then goes on to deny he did what the tape displays, the assault.

Forensic evidence tends to disprove that he was the perpetrator, except there are anomalies.

Do we believe what we see, just about everyone in this does.  Such is the power of visual messages.  The question might also be, was it him that did it?  The thing is, he says he didn’t, and the only clear shot of him was at the start when no crime had been committed, and after, his image is not as clear as at the start.

What the hell went on?

This is a piece about the value of CCTV evidence, and it’s admissibility.  That same perpetrator got off on a murder charge simply because the video and sound feed was not aligned, ie, there is a fault in the evidence.

We’re also confronted with a police detective thrown into a high profile case, and who needs a resounding wein to further her career.  She is being fast-tracked, and not everyone is happy about it.  I’m not sure if I like the way she’s being portrayed, or whether that is a problem with the casting.

I only say that because I’m a Keely Hawes fan, and I know she could pull this role off in her sleep.

We also have MI5 somewhere in the mix, pulling all sorts of dubious strings.  Those words, National Interest’ get bandied around a lot in shows like this.

And like any good show, it’s got me guessing if he is guilty or not.

But this show is in stark contrast to a little light entertainment know as “The Reef” and American based show that is shot at the Gold Coast in Queensland, Australia.

It’s near where we live, and I find rather than taking notice of the throwaway plotline and characters, I’m watching it for the locations.

To be honest, I was surprised it was not shot in Hawaii or somewhere like that.

Still, I can think of worse ways to spend the on average 42 minutes of light-hearted entertainment.

This is in direct contrast to a show called ‘Pennyworth’, about the rise to fame for the Batman’s Bruce Wayne’s eventual butler.

A SAS hard-nut, it’s quite an interesting portrayal, but sometimes drifts off track on peripheral issues like tonight, where we dwelled upon the possibility that the devil is alive and well somewhere in London, and in particular, Thomas Wayne.

There was a light bulb moment when I finally got the impression that Thomas Wayne and Martha Kane might just end up as Thomas and Martha Wayne patents of Bruce.

I know, a bit slow on the uptake.

And they dwelled, or should I say it was Martha that dwelled, on three missing days, in which it might be that she met the devil of a different sort, and ending up stark naked on Hampstead Heath.  The problem is, she cant remember.

I also looked at Pandora, a sort of space opera, but I’m still trying to wrap my head around portals.

The lesson learned for the night, nothing is what it seems, and everyone has an ulterior motive.  When they’re not trying to take over the world.

Maybe tomorrow night might throw up something a little more realistic.

The thing about ‘must read’ lists

And that is, you don’t have to read any of the books on it.

Who really cares if you do or if you don’t?

It’s just a list of books that a particular writer, journalist, or editor puts together simply because they liked them and think you might also.

And sometimes weight of sales numbers will dictate popularity, and therefore some basis to any particular list.

Of course, this doesn’t work if all you read is comics or romance books like Mills and Boon.  Hey, that’s fine.  You’re reading and this is one of the most important aspects of life, to read, and sometimes, to learn.

I know that my life changed dramatically when I read books, lots of different sorts of books.  I’ve never recommended anyone read the dry, dusty tomes about neurosis for psychiatry, or a history of the Roman Empire simply because of it something I was interested in after I saw the film, Ben Hur.

In a similar manner when we go to school, the curriculum sometimes dictates we read certain books, whether this is to give us an understanding of life centuries before, or that there is some deeper, more sinister, meaning to it all, but some of those books I had to read, back then, the meaning was lost on me.

But should I not read them?  I know most of the kids in the class didn’t because they considered reading a waste of time.  There were more important things to do like chase girls and play a sport.  And torment the teachers.  From what I hear, little has changed.

But the point here is, in my case, I’m just giving you the drum on what I read to improve my literary understanding, of life, and of the world, and perhaps in a small way, help with my writing.  After all, writers must read, particularly in their genre so they have some idea of what readers want.

But again that two-word phrase ‘Must read’ is an unfortunate and often misused heading.  We do it all the time.  Ten films you ‘must-see’, ten things you ‘must-have’, ten places you ‘must go’ usually before you die.

It amuses me to see books with a 1000 somethings you must do before you die.  I will no doubt be well and truly dead before I get halfway through even one of those lists, that is, if I actually took any notice of them.

But, what’s more interesting is that I like to see how many I haven’t done, which is probably the reason why we buy the book, usually off the sale table.

I’ve always wanted to go on a Treasure Hunt – Part 25

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

I was in the middle of a large building, sitting on a chair, a single light on above me creating a weird shadow in a circle of light.  Beyond that circle was darkness.

But I was grateful there was no blindfold or gag.

It had to be one of the buildings on Benderby’s factory site.  There were a number of older warehouses on the perimeter of the site, boarded up and in disrepair.  I had heard rumours they were going to be refurbished or demolished, no one seemed to be able to decide what to do with them.

It was deathly quiet, but if I strained hard, I thought I could hear the sound of a generator not far away.  Benderby’s had their own mini power station in case the main power grid went down, and I remembered that it was round the time for the six-monthly testing of the generators.  I was definitely inside the Benderby complex.

So, did that make my captor one of Benderby’s men?  Or was it Alex himself, trying to make a bold statement.  I didn’t think he had that sort of aggressive behaviour in him, but he was a Benderby, and they all had violent streaks somewhere in their makeup.

“Good.  You’re awake.”  The distorted voice could be either male or female.  I’d know more when I saw my assailant, but it came from beside me and I tried to look in that direction.  It was difficult because whoever tied me up did a good job.

There was also an echo, brought on by the emptiness of the building.

“What do you want?  I’m not much good to you if you’re trying to break into the main building.  I don’t have night access.”

“I’m not interested in the main building.”

“What are you interested in?”

“You.”

I had expected to hear the word treasure, not me.

“Sadly, I’m not that interesting.”

“So you say.  But maybe it might have something to do with that friend of yours, Boggs.”

“Then it’s the treasure you’re after.”

“Me, personally, no.  The people I work for, I guess.  The word is that Boggs has a treasure map that his father left him.”

This person had to be acquainted with Rico, because only he could possibly know about that particular map, that is, if Boggs had told him, or told his mother, and Rico had overheard him.

Or Boggs had told this person, under duress, that I had the map, holding it for safekeeping.  My mind started conjuring up all sorts of terrifying scenarios, all of which ended badly.

“If Rico told you that, then he was only trying to save his own skin.  He’s been trying to barter a copy of something to the Benderby’s, a map he didn’t have and hadn’t been able to get off Boggs.  If there is such a map, then Boggs has it.”

“I’m sure he told you about it, didn’t he?”

“What are best friends for, but whether I believed him is a different matter.  He told me about a map he said his father had in his possession, and I know he’s been hunting high and low for it, but if he’s found it, then he hasn’t told me about it yet.”

I was trying to sound sincere, but fear has a way of making you sound, well, afraid.

My captor took a step forward into the fringe of the light.  Dressed in black, with a mask, the body shape looked more like a woman than a man, a figure that could be disguised by the bulky outer clothing.

“Who are you?”

“That’s irrelevant.  What I will do to you if you do not tell me the truth, is.  Boggs told me you had the map.  I believe he was telling the truth.”

So, this person had interrogated Boggs.  It would not have taken much.  Boggs was not the bravest soul I knew.  At school, Boggs had always been the first to capitulate in any confrontation.

I wondered if they had searched him.  Of course, they had, and he didn’t have the map on him, which made it easier to deflect the onus to me.

But I didn’t have the map on me either.  I took the precaution of hiding it away in a place no one would find except me.  Now it was a matter of withstanding whatever this person decided was needed to extract ‘the truth’.

The problem was, I didn’t handle confrontation any better than Boggs had.

“And I’m telling you the truth when I tell you I haven’t got the map.  But I do have one of those being peddled at Osborne’s bar.  You can have that one if you like.”

I saw my captor shake their head.  Disdain, or disappointment?

Two steps further into the circle of light, and the two slaps, either side of my face, very hard.  The paid was instant and stinging, bringing tears to my eyes.  It should have brought acquiescence, but deep down defiance was building.  It surprised me.

My captor took a step back and looked down on me.  “Don’t make me have to hurt you.  All I want is the map.”

“I can’t give you what I don’t have.”

Closed fist this time, and aside from the teeth jarring, possible jaw-breaking, nose bleeding effect, I was starting to consider how long I could withstand this sort of beating.

“The map?”  Patience was running thin, anger was building.

“I can’t…”

Several punches to the ribs and stomach, taking my breath away and making it very difficult to breathe.  Pains where I’d never had pain before.  I’d had beatings at school but never like this.

Once more a step back, I could now only see the black figure through blurry eyes.

Time to plead to deaf ears, “You can beat me to within an inch of my life, but I can’t give you what I don’t have.  It’s as simple as that.”

And then I waited for the next round of punches.

A minute.  Two.

Then a new voice, out in the void, said, “He doesn’t have it.  This is a nothing but an elaborate hoax.”

Not a recognisable voice though.

A final blow rendered me unconscious.

 

© Charles Heath 2019