Writing a book in 365 days – My Story 14

More about my story

So, like every ancient city, there was a concerted effort to build over caverns, dungeons, and make secret passageways for reasons only known to those who created and used them.

The city we’re in for the story has a large underground area, which the government allows visitors to explore, but with a guide.  A great deal of the catacombs are closed off, the excuse being that they have not been explored or they are not safe.

Of course the more sinister and reasonable explanation is that the government believes the catacombs hide the whereabouts of the resistance.  How else are they so cunningly able to avoid being detected and be able to turn up in places that take far longer for the police, secret or otherwise, to get there.

And, of course, it is a place where our spy must go to satisfy his own curiosity.

Having run into and been summoned by the local police chief, a circumspect man who does not work for or agree with the methods of the secret police but is wise enough not to interfere, our man needs him to get permission to explore.

Of course, the police chief has his suspicions, and our man has an idea that somewhere down there, the head of the resistance is hiding.  Or captured by the military and/or the secret police.  His relationship with the police chief is going to be an ongoing dance.

As for the girl in white, he has now discovered that she is the daughter of his target to watch over.  It briefly causes a little concern, but now he knows he will not be making a big mistake.  But there’s something else, while she might think she has the run of the city, out man doesn’t agree, and he’s going to have to extend the protective arm over her too.

Good thing he has help.

Writing a book in 365 days – 108

Day 108

So, the keynote here is that as writers, we should not repeat ourselves.

Repeat what?

I think what the bottom line is here is that we shouldn’t write basically the same thing over and over. I noticed that movies tend to take the view that if the first is successful, they just switch a few things around, substitute the bad guy, and it’s business as usual.

This was prevalent with a couple of John Wayne westerns, Rio Bravo and El Dorado. It was much the same with Superman 1, 2 and 3, and the Spiderman movies.

The thing is, I’m almost guilty as charged with several of my books. The problem is to get out of your comfort zone and write something completely different.

I have a YA fantasy story across three volumes about an unlikely princess saving the realm.

I am in the process of writing a Sci-Fi novel simply because I wanted to go into outer space. The only way I’ll ever get there is inside my imagination, and that being the case, it’s a riot.

I keep trying to write a romance novel, it has always fascinated me how the writers of Mills and Boon stories manage to fit them into 187 pages. I try, but brevity doesn’t;t seem to be my thing. At any rate, I get so far, and then it veers off into espionage.

I’m guessing I’m going to have to try harder not to veer off the path.

Writing a book in 365 days – 108

Day 108

So, the keynote here is that as writers, we should not repeat ourselves.

Repeat what?

I think what the bottom line is here is that we shouldn’t write basically the same thing over and over. I noticed that movies tend to take the view that if the first is successful, they just switch a few things around, substitute the bad guy, and it’s business as usual.

This was prevalent with a couple of John Wayne westerns, Rio Bravo and El Dorado. It was much the same with Superman 1, 2 and 3, and the Spiderman movies.

The thing is, I’m almost guilty as charged with several of my books. The problem is to get out of your comfort zone and write something completely different.

I have a YA fantasy story across three volumes about an unlikely princess saving the realm.

I am in the process of writing a Sci-Fi novel simply because I wanted to go into outer space. The only way I’ll ever get there is inside my imagination, and that being the case, it’s a riot.

I keep trying to write a romance novel, it has always fascinated me how the writers of Mills and Boon stories manage to fit them into 187 pages. I try, but brevity doesn’t;t seem to be my thing. At any rate, I get so far, and then it veers off into espionage.

I’m guessing I’m going to have to try harder not to veer off the path.

The cinema of my dreams – I always wanted to write a war story – Episode 55

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the Second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

We were not leaving the castle the way we had found it, but we would blame the Germans.  Carlo understood because he was the one who had selectively destroyed parts of it, but I knew after we’d gone, he would blame us.

When Carlo discovered the empty cells below in the dungeons, he and the boy went back outside and looked for them.  I didn’t have the heart to tell him that Wallace would have ordered them removed and executed because Meyer had been the objective and everything else was a distraction.

Two of Blinky’s soldiers were assigned to bring back Chiara.

Blinky and the rest of his men moved into better quarters and had their first real meal in a week.  We posted sentries, but I didn’t think any Germans would be coming to see what happened.  The sentries were more to tell us when Meyer and his escort arrived.

Blinky would then be the official escort for Meyer back to England.  A plane was on standby waiting for our signal.

Several hours after Carlo left, he returned with Martina and Johanneson, the latter looking very worse for wear.

The last of the traitors.

Carlo shoved him into a chair and bound him very tightly.

“We found the prisoners, all shot.  Fernando’s remnants killed them.  I will make it my business to find every last one of them.  What do you want to do with this traitor?”  He nodded in Johannesen’s direction.

Martina had slumped into a chair.  She still wore the very recent scars of a severe beating and was out on her feet.  Despite that, I got the impression she was glad to be alive.

“Was he responsible for anything that happened while you were in the cells?” I asked her.

“He saved me if that could be called an act of kindness.  He did nothing to save the others.”

“If you had a choice?”

“I’d shoot him.”

“Now hang on.  Since when did good Samaritans get punished?”  Johannesen was outraged.

I shrugged.  “You will be judged on past sins.”

Martina looked up.  “He was the leader of the group that destroyed the church.  It was our original headquarters, down in the basement.  We managed to get away, with a few injuries, but it took out our equipment and radio.”

“There,” he said.  “My intention was destroying infrastructure not lives.”

“Coincidental.”

I got up and walked over to Martina and gave her my gun.  “I’ve done enough killing for today.  Perhaps a small token of retribution for those lost.”

“Chiara?”

“She will be here shortly.  We found her just in time.”

“Thank God for that.”

I don’t think she had it in her to enjoy the moment she executed Johannesen, I don’t think it was worth celebrating a death, more lamenting the loss of yet another person in a war that seemed to be dragging on.

At least he accepted his fate and didn’t plead for his life.

It was mission accomplished.

Blinky’s radioman finally reconnected with Thompson and told him that we were awaiting the arrival of Meyer and that he could tell those up the pipeline it was safe to bring him to the village.  He would then signal when the plane was in the air.  Thompson was pleased enough to give me a ticket back to London.  All we had to do was collect Meyer.

That was Carlo and my job, and for the last time, I went back down into the village and waited.

I was not sure who was more relieved, Meyer or myself.  I’d met him once before the war, at a University in Hamburg where he was working on a top-secret project, and I was studying the archaeology of some old castles nearby.

I’d been tasked to find out what he was doing, my rather bright future in archaeology was never going to take off in those dark months that followed Chamberlain’s peace treaty.  Everyone but him seemed to know that war was inevitable.

He’d spent time telling me about the stars and planets, and how wonderful it would be to visit them one day in the not-too-distant future.  From that, we inferred that the Germans were working on space travel, though you never really could tell what they were up to.

It simply meant if things went bad, we needed to touch base every now and then with Meyer, which I did, in a friendly manner and never directly asking what he was up to.  That contact had paid off, and he had made contact asking me if it was possible to come live in England.

Thompson had been very pleased.

“Herr Atherton,” he said, rather relieved to see me.

“Herr Meyer.”

We shook hands, and then he hugged me like an old friend would.  “You came.”

“You asked.  I do my best?”

“We leave now?’

“We very definitely leave now.”

I left Carlo with the escorts to explain the new arrangements, far away from the castle, and I took Meyer back to the castle.  Along the way we talked, not of rockets and death, but of old times in Berlin, and how Germany used to be before this crazy person called Hitler had sent them down the path to self-destruction.

Perhaps, he said, one day he might be able to return.

I hoped I would not, not until the war ended, but that being a forlorn hope, not until I had a very long, well-earned rest.

But this was Thompson we were talking about, and his favourite saying was ‘There’s no rest for the wicked’.

© Charles Heath 2021-2023

Writing a book in 365 days – 107

Day 107

Does your story germinate or evolve in your sleep?

There are sweet dreams, and there are nightmares.

For writers, they can be something else entirely.

Because I write mostly late at night and into the early morning hours, the story I’m working in is still fresh on my mind, and sometimes when I’m not sure where the story is going to go next, I put my head on the pillow with the express desire of working out what the next plot point is.

Most of the time, it works.  Sometimes, other ideas pop into my head.

The good thing is that I can use that time just before going to sleep to review what I have written and where it can go.  The real problem sometimes with that process is that I forget what it was I came up with when I wake the next morning.

This is aside from the fact that I have been known to have nightmares, things from a past life that I’ve tried very hard to repress.  These are not the sort of dreams that fuel stories, but can lead to becoming an activist to prevent it from happening to others.

Not all people have suffered in such a manner.

Then there are the dreams, not that there are many and those that I remember are quite weird, and sometimes when I could a dream interpreter, I just don’t get how or why they happened. 

Or perhaps I should be questioning the interpretation.

What I would seriously like is to be able to drop back into a particular period and actually observe what it was like.  A story I am writing goes back to 1928, and in London, I’m catching the night version of the Flying Scotsman, and it’s difficult because there are not so many photographs of diaries of those who travelled back then.

I can imagine, but it’s not the same as being there.

There is one other sort of dream that I have had, and to be honest, this one was scary because it was so real.  I went back in time, I don’t know how far back it had to be, 1700s or 1800s, a small cabin, sleeping in a bed near the kitchen, in a hut with no rooms. 

Could it be something to do with reincarnation, and I was dreaming of being back there in a previous life?  I know now for a fact our forbears lived in the country in the late 1800s, but before that, in Dorset, England, in villages, so it is quite possible could have been there then.

It’s only happened twice, but it was very real. 

Writing a book in 365 days – 107

Day 107

Does your story germinate or evolve in your sleep?

There are sweet dreams, and there are nightmares.

For writers, they can be something else entirely.

Because I write mostly late at night and into the early morning hours, the story I’m working in is still fresh on my mind, and sometimes when I’m not sure where the story is going to go next, I put my head on the pillow with the express desire of working out what the next plot point is.

Most of the time, it works.  Sometimes, other ideas pop into my head.

The good thing is that I can use that time just before going to sleep to review what I have written and where it can go.  The real problem sometimes with that process is that I forget what it was I came up with when I wake the next morning.

This is aside from the fact that I have been known to have nightmares, things from a past life that I’ve tried very hard to repress.  These are not the sort of dreams that fuel stories, but can lead to becoming an activist to prevent it from happening to others.

Not all people have suffered in such a manner.

Then there are the dreams, not that there are many and those that I remember are quite weird, and sometimes when I could a dream interpreter, I just don’t get how or why they happened. 

Or perhaps I should be questioning the interpretation.

What I would seriously like is to be able to drop back into a particular period and actually observe what it was like.  A story I am writing goes back to 1928, and in London, I’m catching the night version of the Flying Scotsman, and it’s difficult because there are not so many photographs of diaries of those who travelled back then.

I can imagine, but it’s not the same as being there.

There is one other sort of dream that I have had, and to be honest, this one was scary because it was so real.  I went back in time, I don’t know how far back it had to be, 1700s or 1800s, a small cabin, sleeping in a bed near the kitchen, in a hut with no rooms. 

Could it be something to do with reincarnation, and I was dreaming of being back there in a previous life?  I know now for a fact our forbears lived in the country in the late 1800s, but before that, in Dorset, England, in villages, so it is quite possible could have been there then.

It’s only happened twice, but it was very real. 

The cinema of my dreams – I always wanted to write a war story – Episode 54

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the Second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

When Carlo stopped, I was out of breath and gasping.  We all were.  The smoke was getting more intense.  At times it had made navigation almost impossible.

In front of us were more trees, but these looked different to those we had passed through.  I watched Carlo walk back and forth a few yards each way, then disappear into the bushes.  A minute later he put his head out and said, “This way.”

We followed him.  It was a hidden entrance down to a drain that was quite deep and headed back towards the castle one way and into the forest the other.

If the fire kept up by tomorrow the cover would be gone.

It was still a hard walk through the bushes, but we made it to a wireframe and door with a lock on it.  It looked ancient as if it hadn’t been used in decades, even longer.

Carlo produced a rather odd looking key and unlocked it.  I would have thought it was rusted shut, but appearances were deceptive.  The lock was almost new.

But the gate had not been used for a long time and it took Carlo a few minutes to force it to open.  It had rusted shut.  When it did finally move, it was with a very loud screeching sound.

We filed in and he relocked it.  Anyone thinking they heard something and came to investigate; it would end up on the other side of the gate.

So far so good.

For a moment I was back in my element, the archaeologist exploring caves, a wooden fire torch lighting the way, dampness underfoot, and the trickling of water down the walls.  All around the dankness from continual dampness.

It was easy the pretend if only for a few minutes I had not been caught up in the war, that I was on a quest for lost treasure, hidden away at the end of a labyrinth.

The reality was we were quite literally in an ancient sewer and the original builders of the castle had used an underground waterway to tap into to remove waste.  It was far more effective than modern systems and used the earth’s own ecology.

Inside the castle, the places where the waste used to drop down into the waterway had been covered over by trapdoors that were still there, and that was how we were going to gain access, through rooms that were no longer used.

We were going in via four access points, two men at each door, and mine with one of Blinkys men would be going into the area where the soldiers were camping to mop up whatever the bombs left behind, before closing off an exit.

Carlo had reserved the last one for himself and the boy, where he hoped to find Wallace and the new German commander.

Our cue to move: the bombs going off.

We just had time to get to the point and lower the trapdoors. Then climb up onto the floor and wait by the door.  From the other side, Carlo said, anyone in the castle would only see a continuation of the wall panelling.

We made it with seconds to spare.

We were closest to the bombs and the percussive effect was disorientating for a few seconds before we pushed through the door and into the smoke and dust raised by the explosions.

As the dust settled, we could see dead soldiers, and mess everywhere.  If a soldier was still alive, we shot them, systematically picking our way through the debris.  I counted thirty-one dead by the time we reached the other side, the other exit from the space.

In the distance, we could hear sporadic gunfire coming from other parts of the castle, and then, after taking up our position, near the tank, we waited.

Three soldiers came bursting out of the exit and we shot them too..

Ten minutes later Carlo yelled out, “It’s me, don’t shoot.”  Then he stepped out the door.  “It is done.”

The castle was ours.

“You wish to speak to your old commander before I execute him?

“Wallace?”

He nodded.

“Sure”

I followed him into the castle and walked through familiar passageways and rooms, much had not changed in a long time.

Wallace and the new commander were tied up in the dining room.  The remnants of a meal and several empty bottles of wine were on the table.

Wallace watched me from the doorway until I stood before him.

“I knew it was a mistake letting you go.  Jackerby was convinced you were a stupid fool who would unwittingly lead us directly to the resistance.  I told him you were cleverer than you looked.”

“And yet…”

“Perhaps I was tired of people like you being killed needlessly.  What just happened, that was a waste of human life.”

“I didn’t start the war, and for the record, I didn’t want any part of it.  Unfortunately, higher authorities deemed otherwise, and here I am.  This is not a victory to savour.”

“A victory nonetheless.”

I shrugged.  “It didn’t have to be like this, but at least we’ve weeded out a few more traitors.”

“Then no point asking for mercy?”

“No.”

With that said Carlo executed both men.

© Charles Heath 2021-2023

Writing a book in 365 days – 106

Day 106

When the impossible becomes possible – a book publishing deal

All writers dream of getting a publishing deal.  One book or three that euphoric feeling is the same.

But, just because the signature is on the contract, there is a process to be followed before you get to see that precious baby you spent the best part of your life on.

Like a child bent on leaving the nest, you do feel that reluctance in parting with it.

Of course, it doesn’t turn up in book form for quite a few months, even a year before the final product turns up on your doorstep, a box of copies to gift to your friends and family.

But…

Long before that, other, more important questions were being asked.

Have you got another book in you?

Here’s the thing.  Everybody has one book in them.  Most do not have any more.  Some will have a series in mind and can churn one out every year.

Others will say they have another, but they will need time to consider what it’s going to be about, that this time they will plan rather than go with the flow, and then use any excuse not to write.

After all, don’t I have to go on a book signing tour?

As for myself, when it happens, I have at least twenty other books to pick from and could publish a new book every year.

Could you?

Writing a book in 365 days – 106

Day 106

When the impossible becomes possible – a book publishing deal

All writers dream of getting a publishing deal.  One book or three that euphoric feeling is the same.

But, just because the signature is on the contract, there is a process to be followed before you get to see that precious baby you spent the best part of your life on.

Like a child bent on leaving the nest, you do feel that reluctance in parting with it.

Of course, it doesn’t turn up in book form for quite a few months, even a year before the final product turns up on your doorstep, a box of copies to gift to your friends and family.

But…

Long before that, other, more important questions were being asked.

Have you got another book in you?

Here’s the thing.  Everybody has one book in them.  Most do not have any more.  Some will have a series in mind and can churn one out every year.

Others will say they have another, but they will need time to consider what it’s going to be about, that this time they will plan rather than go with the flow, and then use any excuse not to write.

After all, don’t I have to go on a book signing tour?

As for myself, when it happens, I have at least twenty other books to pick from and could publish a new book every year.

Could you?

The cinema of my dreams – I always wanted to write a war story – Episode 53

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the Second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

War is hell. 

I remembered an old Sargeant Major was telling us that going to war was not fun, that the very real possibility of getting killed should be the only thing on our minds.

Along with keeping your head down and being very aware of your surroundings.

Apparently, he had been at a place called Gallipoli, and from what I had read, that was a special kind of hell.

He had also said fifty per cent of us wouldn’t return.  I hoped to be in the fifty per cent that did.  Just to spite the old bastard.

I knew it was going to get problematical sooner than we thought, I could smell the aroma of burning bush on the air, and as we got closer to the castle, the smoke got denser.

Wallace had a cunning plan, he’d used flame throwers to set the bush on fire so we couldn’t get to the castle under the cover of the forest.  It was a plan he hadn’t me about.

Carlo had stopped, also understanding what Wallace had done.  Would this interfere with us getting to the external entrances, or if the other three were unattainable, could we get to the secret entrance?

I caught up to him.  “Not exactly what we envisaged.  I had no idea Wallace was planning this?”

“It is a logical move.  He can’t leave the castle, and as it was, he knew the forest would give us cover until the very last moment.”

“And now?”

“Now we use another entrance.  Take longer, but we’ll get there.  Only problem, they will be expecting us, and waiting.”

The others joined me, just as Carlo did an about-face and started going back the way we came.

“Where is he going?” Blinky asked.

“Another way.  Wallace is burning our cover.”

He shrugged.  “I suppose it would be too much to ask for some rain?”

“Sadly no.  Fine and clear with a touch of fog, well, smoke maybe.”

He didn’t think it was funny.  War I guess could do that to you.

When Thompson and company were planning the operation that was set up primarily to get defecting Germans out of the country, there was only so much research that could be done.

It was one of the reasons I got a seat at the table, my exploits in Italy looking at ancient buildings suddenly became a red-hot reason to be included.  The war had all but petered out in that part of the country, the Germans were shoring up the Italians, and the Allies had bigger plans to invade via Sicily, or one of those islands.

Someone mentioned something hush-hush about Italy and the road back to peace, but at that point in time, the end of the war was not in sight.

The point was, the castle was in a strategic location, it was only being held by a small garrison, according to the resistance, ideal for what Thompson wanted.  Approvals gained, he sent in a team of German-speaking soldiers to replace those there, as if nothing had happened and then set up the pipeline.

It worked.

For a while anyway.  Several months after the new team had set themselves up and the personnel was moving through, it all stopped.

First thought was the Germans had discovered what was going on and switched the team again.  Until Thompson noted we were still getting reports from Wallace, one of his men on the ground.

That’s when Thompson decided to send me.

And. No, it was not just a matter of saying, great, I always wanted to holiday in Italy, and particularly Tuscany.  My excuse, I was not trained to be a commando or a secret agent.

Of course, I made that one fatal mistake, I had enlisted to fight in the war, and it was not my decision where they sent me.

So, I was on the next plane to Tuscany.

The trouble was, Thompson and I both agreed that it was more likely the men we selected had not changed their allegiances, they just went back to what they were before.  Wallace, Johannesen and Jackerby had all been extricated from blown missions, and Thompson had been left scratching his head as to who the mole was in his office.

Too many coincidences proved it wasn’t.

Except coincidentally, Thompson had teamed up all the traitors in one place.

So, my mission was twofold, first to ascertain if they were traitors, and, if they were, to execute them.

The next problem, the mission was almost over before it started, because even though Thompson had told Wallace the wrong pick-up point where my plane would be landing, cloud cover made it impossible to guarantee I’d be jumping at the correct spot.

As it turned out, the resistance had planned a huge ambush in exactly the same place my plane landed, and I was in the middle of it.  The rest as they say is history.

The thing is, ever since I landed, I had the benefit of a huge amount of good luck.

That couldn’t last.

Carlo seemed unfazed about the fire, perhaps he had expected it, but his only concern was time.  We had to be in the castle just as the explosions started.

With 23 minutes to go, Carlo stepped up the pace.  For a big man, he didn’t make much noise.  I wished I could say the same for myself.

© Charles Heath 2021-2023