365 Days of writing, 2026 – My Second Story 9

More about my second novel

We are now up to the part where we introduce Isobel properly and find out why such a talented person is drifting in the doldrums of Rupert’s private detective agency.

Aside from being a once high-flying legal eagle, she is also a computer hacker, or perhaps that’s what she evolved into in a devil finds work for idle hands type person.

This hacking is going to be useful, but it’s also going to bring problems, especially when she starts tracking down Zoe.

And, it seemed she had struck up a dark online relationship with another hacker with the handle Tzar.  What are the odds he is Russian?

She’s digging for information, and Tzar helps, and, suddenly, it appears, briefly, then is gone, with a warning.  Stop digging.

And if she doesn’t.

People were coming for her.

Meanwhile, in the basement, Zoe has had enough time to devise a mask that might stave of the effects of the gas long enough to effect an escape.

And, it almost works, the mask that is.

She manages to get past all of the guards, but Romanov is waiting.

He doesn’t kill her, but he does give her some information, then leaves.  He knows how dangerous she can be, especially when wounded.

What I learned about writing – Some days are great, a lot are not

Great are the days when writing flows easily, and bad are the days when it doesn’t flow at all. What you’re striving for is somewhere in the middle.

If that is at all possible.

Conditions have to be conducive, which means it doesn’t necessarily follow that you can write just anywhere.

That means you need, if it is at all possible, to set up a little or big writing nook somewhere in your residence where you can write.

It doesn’t necessarily have to be free of distractions, except, of course, the electronic kind.  Of course, if you are writing on a computer of any sort,t it would be better if it were not connected to the internet, where every few seconds there’s an alert, an email, a phone call, or breaking news headlines.

Nor do you really want to be near a phone, except if you’re expecting a call from your agent telling you you just got a multi-million dollar three-film contract.

OK, I’m projecting my own desires here…

But…

A writing room or nook would to me be a room with a view, my preference overlooking the ocean high on a cliff so that I could see the roiling ocean and dhimips battling against the odds.

Distraction.

Not necessarily, but on summery days it can provide the background for a lengthy piece of prose, or even a poem, an ode to days of leisure.

And to dream…

Yes inspired.

In such a computable and familiar place, it is possible to write without hindrance.  I do not have a room with a view, but I am surrounded by a thousand books, lounge chairs, and the tools to inspire me.

Writing isn’t difficult. It’s more about getting out there because the daily routine often gets in the way

But my best writing happens at night after everyone has retired for the day, and the words come.  Often, it is no trouble to write a whole short story or several chapters of a novel.

But, then, having participated in the yearly A to Z blog month and twice yearly NANOWRIMO novel writing month has conditioned me to getting the job done. 

365 Days of writing, 2026 – My Second Story 9

More about my second novel

We are now up to the part where we introduce Isobel properly and find out why such a talented person is drifting in the doldrums of Rupert’s private detective agency.

Aside from being a once high-flying legal eagle, she is also a computer hacker, or perhaps that’s what she evolved into in a devil finds work for idle hands type person.

This hacking is going to be useful, but it’s also going to bring problems, especially when she starts tracking down Zoe.

And, it seemed she had struck up a dark online relationship with another hacker with the handle Tzar.  What are the odds he is Russian?

She’s digging for information, and Tzar helps, and, suddenly, it appears, briefly, then is gone, with a warning.  Stop digging.

And if she doesn’t.

People were coming for her.

Meanwhile, in the basement, Zoe has had enough time to devise a mask that might stave of the effects of the gas long enough to effect an escape.

And, it almost works, the mask that is.

She manages to get past all of the guards, but Romanov is waiting.

He doesn’t kill her, but he does give her some information, then leaves.  He knows how dangerous she can be, especially when wounded.

365 Days of writing, 2026 – 58

Day 58 – Self motivation

The Hidden Engines that Keep Writers Moving

Why some authors seem to write on autopilot while others need a constant push


Introduction

If you’ve ever stared at a blank screen while a friend’s manuscript slides from page 1 to page 400, you’ve probably wondered what the secret sauce is. Sure, deadlines and a good editor can prod a writer into action, but the most prolific word‑smiths never rely on external pressure alone. They’ve cultivated internal “motors” that keep the ink flowing even when the muse is on vacation.

In this post we’ll unpack the less‑obvious levers that power a writer’s stamina: mindset tweaks, environmental hacks, social circuits, and ritualistic anchors. Think of them as the invisible gears that keep a writer’s engine humming—no alarm clock required.


1. Purpose‑Fuelled Writing (The “Why” Over the “What”)

The difference between goal and purpose

  • Goal: Finish a 2,000‑word article by Friday.
  • Purpose: Communicate a message that changes the way readers think about climate justice.

When the purpose is vivid, the work becomes a conduit rather than a chore. Ask yourself: What will happen when this piece lands in a reader’s hands? Write that answer down and keep it visible on your desk.

Practical tip

Create a “mission card” (index‑card or digital note) that states your purpose in a single sentence. Place it where you start writing every day. When resistance spikes, glance at the card and let the larger mission pull you forward.


2. The Micro‑Commitment Loop

Large projects feel intimidating because the brain treats them as a single, massive decision. Break the task into micro‑commitments that take 5–10 minutes each:

Micro‑commitmentHow it works
Open the document and type the titleSignals the brain that the work has begun
Write one sentence describing the opening sceneReduces the “blank‑page” anxiety
Set a timer for 7 minutes and draft a paragraphCreates a low‑stakes sprint
Highlight the paragraph you just wroteProvides instant gratification

The loop is simple: commit → act → reward (the reward can be as subtle as a mental “yes!” or a sip of coffee). Over time these micro‑wins accumulate into a full draft without the need for a looming deadline.


3. The “Storytelling” Habit: Treat Your Life Like a Narrative

Humans are wired to seek stories. If you start seeing your own day as a plot, you’ll naturally want to move the story forward.

  • Act 1 – Morning routine (setup)
  • Act 2 – Conflict (the “write‑or‑don’t‑write” dilemma)
  • Act 3 – Resolution (the first 300 words)

Write a one‑sentence “scene description” for each block of time you plan to work. For example: “In this scene, the protagonist (me) battles the distracting siren of social media and emerges with a fresh paragraph about the protagonist’s childhood.”

When you treat each writing block as a scene, you get the same momentum you’d feel watching a thriller—because you are living one.


4. Environmental Triggers: Design Your “Writing Habitat”

a. Sensory Anchors

  • Sound: A specific playlist, white‑noise, or the hum of a coffee shop can become a Pavlovian cue. Play the same 30‑second intro each time you sit down.
  • Smell: Light a scented candle (citrus for focus, sandalwood for calm) only during writing sessions. Your brain will associate that aroma with productivity.

b. Physical Boundaries

  • Dedicated space: Even a small corner of a couch can become “the writing nook” if you only ever sit there to write. The space itself becomes a trigger.
  • Desk posture: Sit upright, feet flat, screen at eye level. The subtle physical alertness reduces the temptation to slump into procrastination.

c. Digital Minimalism

  • Use a distraction‑free writing app (e.g., iA Writer, Scrivener’s “Compose” mode) that hides menus and notifications.
  • Keep a “browser whitelist” with only essential tabs (research, reference). Anything else is a deliberate, timed “break” activity.

5. Social Magnetism: The Power of “Writing with Others”

You don’t have to be in a co‑working space to benefit from community; you only need accountability signals.

MethodHow to Implement
Writing buddyPair up with a peer. Agree on a weekly word‑count exchange and a short debrief call.
Word‑count streaksJoin a public platform (e.g., NaNoWriMo, Camp NaNoWriMo) and post your daily totals. The fear of breaking a streak is a strong motivator.
Live‑stream writingOpen a Twitch or YouTube “write‑with‑me” stream. Knowing an audience is watching forces you to keep the keyboard moving.
Micro‑review circlesShare a 200‑word excerpt every two days for quick feedback. The anticipation of feedback fuels forward motion.

Social pressure isn’t about shaming; it’s about creating a network of tiny expectations that keep you honest to yourself.


6. The “End‑Game” Visualizer

Imagine the finished piece, not as a distant abstract, but as a concrete moment:

  • The cover page of a printed manuscript on your bookshelf.
  • An email notification that a publication accepted your article.
  • A reader’s comment that says, “This changed my perspective.”

Write down this visual in vivid detail (colour, sound, emotions) and place it where you start writing. When the words start to feel heavy, pull that mental image forward. It’s a form of future‑self alignment, where today’s effort is mapped directly to tomorrow’s payoff.


7. Energy Management: Write When You’re Naturally “On”

Not all writers thrive on a 9‑to‑5 schedule. Track your energy peaks for a week:

DayTime SlotEnergy Level (1‑10)Writing Output
Mon7‑9 am81,200 words
Tue2‑4 pm6500 words
Wed10‑11 am91,600 words

Schedule your most demanding drafting sessions during the top‑tier slots. Use low‑energy periods for lighter tasks (research, outlining, editing). Aligning work with natural rhythms removes the “I’m too tired to write” excuse entirely.


8. The “Zero‑Draft” Mindset

Perfectionism is the silent killer of motivation. Adopt a zero‑draft approach:

  1. Write anything—even nonsense.
  2. Label it “draft 0.”
  3. Commit to moving to draft 1 after a preset time (e.g., 30 minutes).

Because the goal is just to get something on the page, the inner critic stays quiet. Later you can sculpt, cut, and polish. The key is to remove judgment from the first pass; judgment belongs in revision, not creation.


9. Rituals that Signal “Start”

ritual is a repeatable, symbolic action that tells your brain: “It’s go‑time.” Some writers swear by:

  • Brewing a specific tea before the first paragraph.
  • Lighting a candle and reciting a single line of a favourite poem.
  • Doing a 2‑minute physical stretch or a short walk around the block.

Pick a ritual that takes less than five minutes—long enough to be meaningful, short enough not to become a procrastination loop. Consistency turns the ritual into a cue that bypasses decision fatigue.


10. The “Feedback Loop” of Intrinsic Rewards

External validation (likes, publication acceptance) is a nice bonus, but the real driver is an internal reward system:

  • Progress markers: Each 500‑word milestone triggers a small celebration (a piece of chocolate, a 5‑minute dance).
  • Narrative ownership: Remind yourself that the characters, arguments, or scenes belong to you—you are the creator, not a clerk.
  • Learning curve: Notice how each session adds a new skill (a tighter sentence, a more vivid metaphor). Celebrate that growth.

When you consciously notice these micro‑wins, dopamine floods the brain, reinforcing the habit loop without any external deadline.


TL;DR: Your Personal Motivation Blueprint

SecretHow to Activate
Purpose‑fuelWrite a mission card and keep it visible
Micro‑commitments5‑minute sprints with instant rewards
Story‑frame your dayTreat each block as a narrative scene
Sensory/environmental cuesConsistent sound, scent, and space
Social magnetismBuddy system, streaks, or live‑stream writing
Future‑self visualizerPaint a vivid picture of the finished piece
Energy alignmentWrite during natural high‑energy windows
Zero‑draft mindsetRemove judgment from the first pass
Start ritualsSimple, repeatable cues (tea, stretch, candle)
Intrinsic feedback loopCelebrate progress, skill gain, ownership

Closing Thought

Motivation isn’t a mysterious force that appears only when a deadline looms. It’s a network of tiny, repeatable habits and mental tricks that you can design, test, and refine. The moment you start treating writing as a system—rather than a solitary act—you’ll find that the words begin to flow even on the days when the muse seems to be on holiday.

Give yourself permission to experiment with the tools above. Pick one (perhaps the mission card) and commit to it for a week. Then add another. Before long you’ll have assembled a custom‑built engine that powers your writing, deadline or no deadline.

Happy writing! 🚀

What I learned about writing – So here’s the deal – you’re not as good as you think you are

I can attest to that. I’ve been through a story a dozen times, and still, there is something to be changed, or a detail or nuance missed. Our eyes play tricks on us; they seem to see what you want them to see rather than what is there.

It’s why we have other people look at our work.

Everyone can get hold of a style manual, a thesaurus and a dictionary.

My biggest bugbear is continuity and names, plot timing, and making sure events happen when they’re supposed to, not just when you write about it and hope it fits the timeline.

I have a problem with that right now with a story I’m writing, where people are living the events in two different time zones, and I need to get it right.

This is where a spreadsheet comes in handy, because you can use a formula to work out the time in a different time zone and run the event timeline in both zones.

It’s always great when the pilot tells you just before you land what time it is at the destination. Scary too sometimes when you’re flying from Brisbane backwards through time to London and find you’re landing 13 or so hours before. I left at 10 pm, and I’m landing at 5:30 in the morning on the same day.

A surefire way of discovering what your text sounds like is to run it through an AI text-to-speech converter and listen. When it sounds really weird, and it will at least once, then you know where to fix it.

365 Days of writing, 2026 – 58

Day 58 – Self motivation

The Hidden Engines that Keep Writers Moving

Why some authors seem to write on autopilot while others need a constant push


Introduction

If you’ve ever stared at a blank screen while a friend’s manuscript slides from page 1 to page 400, you’ve probably wondered what the secret sauce is. Sure, deadlines and a good editor can prod a writer into action, but the most prolific word‑smiths never rely on external pressure alone. They’ve cultivated internal “motors” that keep the ink flowing even when the muse is on vacation.

In this post we’ll unpack the less‑obvious levers that power a writer’s stamina: mindset tweaks, environmental hacks, social circuits, and ritualistic anchors. Think of them as the invisible gears that keep a writer’s engine humming—no alarm clock required.


1. Purpose‑Fuelled Writing (The “Why” Over the “What”)

The difference between goal and purpose

  • Goal: Finish a 2,000‑word article by Friday.
  • Purpose: Communicate a message that changes the way readers think about climate justice.

When the purpose is vivid, the work becomes a conduit rather than a chore. Ask yourself: What will happen when this piece lands in a reader’s hands? Write that answer down and keep it visible on your desk.

Practical tip

Create a “mission card” (index‑card or digital note) that states your purpose in a single sentence. Place it where you start writing every day. When resistance spikes, glance at the card and let the larger mission pull you forward.


2. The Micro‑Commitment Loop

Large projects feel intimidating because the brain treats them as a single, massive decision. Break the task into micro‑commitments that take 5–10 minutes each:

Micro‑commitmentHow it works
Open the document and type the titleSignals the brain that the work has begun
Write one sentence describing the opening sceneReduces the “blank‑page” anxiety
Set a timer for 7 minutes and draft a paragraphCreates a low‑stakes sprint
Highlight the paragraph you just wroteProvides instant gratification

The loop is simple: commit → act → reward (the reward can be as subtle as a mental “yes!” or a sip of coffee). Over time these micro‑wins accumulate into a full draft without the need for a looming deadline.


3. The “Storytelling” Habit: Treat Your Life Like a Narrative

Humans are wired to seek stories. If you start seeing your own day as a plot, you’ll naturally want to move the story forward.

  • Act 1 – Morning routine (setup)
  • Act 2 – Conflict (the “write‑or‑don’t‑write” dilemma)
  • Act 3 – Resolution (the first 300 words)

Write a one‑sentence “scene description” for each block of time you plan to work. For example: “In this scene, the protagonist (me) battles the distracting siren of social media and emerges with a fresh paragraph about the protagonist’s childhood.”

When you treat each writing block as a scene, you get the same momentum you’d feel watching a thriller—because you are living one.


4. Environmental Triggers: Design Your “Writing Habitat”

a. Sensory Anchors

  • Sound: A specific playlist, white‑noise, or the hum of a coffee shop can become a Pavlovian cue. Play the same 30‑second intro each time you sit down.
  • Smell: Light a scented candle (citrus for focus, sandalwood for calm) only during writing sessions. Your brain will associate that aroma with productivity.

b. Physical Boundaries

  • Dedicated space: Even a small corner of a couch can become “the writing nook” if you only ever sit there to write. The space itself becomes a trigger.
  • Desk posture: Sit upright, feet flat, screen at eye level. The subtle physical alertness reduces the temptation to slump into procrastination.

c. Digital Minimalism

  • Use a distraction‑free writing app (e.g., iA Writer, Scrivener’s “Compose” mode) that hides menus and notifications.
  • Keep a “browser whitelist” with only essential tabs (research, reference). Anything else is a deliberate, timed “break” activity.

5. Social Magnetism: The Power of “Writing with Others”

You don’t have to be in a co‑working space to benefit from community; you only need accountability signals.

MethodHow to Implement
Writing buddyPair up with a peer. Agree on a weekly word‑count exchange and a short debrief call.
Word‑count streaksJoin a public platform (e.g., NaNoWriMo, Camp NaNoWriMo) and post your daily totals. The fear of breaking a streak is a strong motivator.
Live‑stream writingOpen a Twitch or YouTube “write‑with‑me” stream. Knowing an audience is watching forces you to keep the keyboard moving.
Micro‑review circlesShare a 200‑word excerpt every two days for quick feedback. The anticipation of feedback fuels forward motion.

Social pressure isn’t about shaming; it’s about creating a network of tiny expectations that keep you honest to yourself.


6. The “End‑Game” Visualizer

Imagine the finished piece, not as a distant abstract, but as a concrete moment:

  • The cover page of a printed manuscript on your bookshelf.
  • An email notification that a publication accepted your article.
  • A reader’s comment that says, “This changed my perspective.”

Write down this visual in vivid detail (colour, sound, emotions) and place it where you start writing. When the words start to feel heavy, pull that mental image forward. It’s a form of future‑self alignment, where today’s effort is mapped directly to tomorrow’s payoff.


7. Energy Management: Write When You’re Naturally “On”

Not all writers thrive on a 9‑to‑5 schedule. Track your energy peaks for a week:

DayTime SlotEnergy Level (1‑10)Writing Output
Mon7‑9 am81,200 words
Tue2‑4 pm6500 words
Wed10‑11 am91,600 words

Schedule your most demanding drafting sessions during the top‑tier slots. Use low‑energy periods for lighter tasks (research, outlining, editing). Aligning work with natural rhythms removes the “I’m too tired to write” excuse entirely.


8. The “Zero‑Draft” Mindset

Perfectionism is the silent killer of motivation. Adopt a zero‑draft approach:

  1. Write anything—even nonsense.
  2. Label it “draft 0.”
  3. Commit to moving to draft 1 after a preset time (e.g., 30 minutes).

Because the goal is just to get something on the page, the inner critic stays quiet. Later you can sculpt, cut, and polish. The key is to remove judgment from the first pass; judgment belongs in revision, not creation.


9. Rituals that Signal “Start”

ritual is a repeatable, symbolic action that tells your brain: “It’s go‑time.” Some writers swear by:

  • Brewing a specific tea before the first paragraph.
  • Lighting a candle and reciting a single line of a favourite poem.
  • Doing a 2‑minute physical stretch or a short walk around the block.

Pick a ritual that takes less than five minutes—long enough to be meaningful, short enough not to become a procrastination loop. Consistency turns the ritual into a cue that bypasses decision fatigue.


10. The “Feedback Loop” of Intrinsic Rewards

External validation (likes, publication acceptance) is a nice bonus, but the real driver is an internal reward system:

  • Progress markers: Each 500‑word milestone triggers a small celebration (a piece of chocolate, a 5‑minute dance).
  • Narrative ownership: Remind yourself that the characters, arguments, or scenes belong to you—you are the creator, not a clerk.
  • Learning curve: Notice how each session adds a new skill (a tighter sentence, a more vivid metaphor). Celebrate that growth.

When you consciously notice these micro‑wins, dopamine floods the brain, reinforcing the habit loop without any external deadline.


TL;DR: Your Personal Motivation Blueprint

SecretHow to Activate
Purpose‑fuelWrite a mission card and keep it visible
Micro‑commitments5‑minute sprints with instant rewards
Story‑frame your dayTreat each block as a narrative scene
Sensory/environmental cuesConsistent sound, scent, and space
Social magnetismBuddy system, streaks, or live‑stream writing
Future‑self visualizerPaint a vivid picture of the finished piece
Energy alignmentWrite during natural high‑energy windows
Zero‑draft mindsetRemove judgment from the first pass
Start ritualsSimple, repeatable cues (tea, stretch, candle)
Intrinsic feedback loopCelebrate progress, skill gain, ownership

Closing Thought

Motivation isn’t a mysterious force that appears only when a deadline looms. It’s a network of tiny, repeatable habits and mental tricks that you can design, test, and refine. The moment you start treating writing as a system—rather than a solitary act—you’ll find that the words begin to flow even on the days when the muse seems to be on holiday.

Give yourself permission to experiment with the tools above. Pick one (perhaps the mission card) and commit to it for a week. Then add another. Before long you’ll have assembled a custom‑built engine that powers your writing, deadline or no deadline.

Happy writing! 🚀

365 Days of writing, 2026 – 57

Day 57 – Can your interests as a writer interest others

Does Writing About What You Think and Feel Capture Readers’ Attention?


Introduction: The Age‑Old Paradox

We live in an era of endless content—tweets, TikToks, newsletters, podcasts, and blog posts flood every corner of the internet. Yet, despite the sheer volume, the pieces that rise to the top often share a surprising commonality: they are personal.

But does baring your thoughts and emotions really interest others, or are we just indulging in a form of digital diary? In this post, I’ll dig into the psychology behind vulnerability, explore data from the world of content marketing, and give you concrete strategies to turn your inner monologue into magnetic copy that resonates with readers.


1. The Science of “Self‑Disclosure”

Psychological InsightWhat It Means for Writers
The Social Mirror Effect – People are wired to assess themselves against others’ experiences.Readers automatically compare your feelings to their own, creating instant relevance.
Neurochemical Reward – Sharing personal stories releases oxytocin, the “bonding hormone,” in both speaker and listener.Your authenticity can literally make readers feel more connected and trust you.
Reciprocity Principle – When someone reveals something personal, we feel compelled to respond in kind.A genuine confession can spark comments, shares, and even user‑generated content.

Bottom line: Human brains are primed to gravitate toward authentic, emotionally‑charged narratives. When you write about what you think or feel, you’re tapping into a built‑in neurological shortcut that draws people in.


2. When Vulnerability Becomes a Strategic Asset

2️⃣️⃣ Case Study: The “Storytelling” Blog that Grew 400% in Six Months

The Situation: A lifestyle blog that traditionally stuck to listicles (“10 Ways to Save Money”) saw stagnant traffic.

The Pivot: The editor started a weekly column called “My Messy Monday” where she wrote openly about procrastination, imposter syndrome, and even a failed attempt at a vegan diet.

The Results

MetricBeforeAfter (6 mo)
Avg. Time on Page1:453:20
Social Shares150/mo1,200/mo
Email Sign‑Ups200/mo1,050/mo
Comments per Post1278

Why it worked: Readers saw a real person behind the brand, felt validated in their own struggles, and were motivated to engage.

3️⃣ Data Point: The “Emotions‑Driven Content” Study (HubSpot, 2023)

  • 70% of consumers say they would purchase from a brand that “shares personal stories.”
  • 56% of B2B decision‑makers say they prefer vendors who “show their human side.”
  • 45% of top‑performing blog posts contain at least one personal anecdote.

These numbers confirm that authenticity isn’t just a feel‑good add‑on; it’s a measurable driver of engagement.


3. The Risks: Oversharing vs. Insightful Sharing

RiskWarning SignsMitigation
Oversharing – Dumping raw diary entries without context.Lengthy, rambling posts; limited take‑away.Keep a clear purpose: What should the reader learn or feel?
Self‑Centricity – Making the post only about you, no relevance to the audience.No mention of the reader’s problem or desire.Use the “you‑first” formula: I felt X → which means you might experience Y → here’s how to handle it.
Emotional Exhaustion – Constantly mining personal trauma can be draining.Writer feels drained, readers notice lack of enthusiasm.Schedule “self‑care” posts (e.g., reflections) vs. “value‑add” posts (e.g., actionable tips).

4. How to Turn Your Thoughts & Feelings into Reader‑Magnet Content

✅ Step 1 – Identify the Universal Core

Every personal story contains a universal thread (fear, ambition, love, failure). Ask yourself: What human need does this illustrate?

Example: “I’m terrified of public speaking.” → Universal core = fear of judgment.

✅ Step 2 – Add a Tangible Takeaway

Readers value both the emotional connection and a concrete benefit. Pair the feeling with a lesson, tip, or resource.

Format: “I felt ___ → Here’s the three‑step method that helped me ___.”

✅ Step 3 – Use the “Show, Don’t Tell” Technique

Instead of saying “I was anxious,” describe the physical sensations, the inner dialogue, or the environment.

Bad: “I was anxious.”
Good: “My heart raced, my palms slick, and the cursor blinked on an empty email draft.”

✅ Step 4 – Invite Interaction

End with a call‑to‑action that encourages readers to share their own experiences.

“What’s one moment you turned a fear into a win? Drop a comment below—I’ll reply to every story!”

✅ Step 5 – Edit for Balance

After the first draft, trim any sections that don’t serve the reader’s journey. Aim for a 70/30 split: 70% value, 30% personal narrative.


5. Sample Outline: A Mini‑Blog Post on “Why I Write About My Failures”

SectionPurpose
Hook – A vivid anecdote (e.g., “The night I missed my deadline and watched my inbox explode…”)Grab attention instantly
Feelings – Raw emotions (panic, embarrassment)Humanize the author
Universal Insight – “Everyone fears making a mistake that’s public.”Connect with reader
Lesson – 3 strategies you used to recover (communication, time‑boxing, post‑mortem)Provide actionable value
Reflection – How the failure reshaped your approach to workShow growth
CTA – “What’s the biggest professional mishap you’ve turned into a lesson?”Prompt engagement

6. Frequently Asked Questions

QuestionShort Answer
Will sharing personal opinions alienate readers?Only if the opinion is presented without empathy. Frame it as your perspective, invite dialogue, and respect differing views.
Can I write about feelings without being “emotional”?Absolutely. Pair emotional honesty with clear logic—explain why the feeling matters and how it influences actions.
Is it okay to disclose sensitive topics (e.g., mental health)?Yes, if you’re comfortable and it serves a purpose. Add a disclaimer and, when appropriate, provide resources for readers who might be triggered.

7. The Bottom Line

Writing about what you think and feel **does interest others—**but only when you turn that raw material into meaningful content. Authenticity is the magnet; relevance, structure, and actionable insight are the steel that holds it in place.

Your next post should be a two‑part equation:

(Personal Thought + Universal Feeling) × (Clear Takeaway + Invitation to Share) = Reader Engagement

Give it a try today. Write that honest paragraph you’ve been holding onto, shape it with the framework above, and watch the comments roll in.


Ready to Test the Theory?

If you’ve ever wondered whether your own musings could spark conversation, hit the Publish button now and share a snippet in the comments below. I’ll read each one and reply with a quick “read‑ability” score—just for fun!

Happy writing, and remember: your voice is the bridge that connects you to the world.

What I learned about writing – Don’t give up your day job

OK, I know some of you do, and lock yourself away until the next bestseller is written, but that’s only an option if you saved up a million dollars so you could take the year off.

And if you are like me, you’d probably be out partying every day rather than put words on paper. Sometimes it is easier to just party.

However, for the more serious of us, our day job could work in our favour in several ways. Firstly, it gives us time away from the project so that we can dwell on how the story might progress the moment we get back in the door at home.

Besides that, the job may be so utterly stultifying that you can have the time to work through plotting and planning during the day, and writing by night.

There again, you might have exactly the job that provides the inspiration for writing the story, and it is very useful.

That aspect worked for me because I was in the exact place that was a company like the one I was writing about, in a remote location, on an island with isolation and native people. And I had photos of the operations running since 1898.

All the more reason to seriously consider whether or not to give up your day job.

Oh, and there is one other thing. If you’re not living with your parents, you still need to pay the bills.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

© Charles Heath 2015-2021

365 Days of writing, 2026 – 57

Day 57 – Can your interests as a writer interest others

Does Writing About What You Think and Feel Capture Readers’ Attention?


Introduction: The Age‑Old Paradox

We live in an era of endless content—tweets, TikToks, newsletters, podcasts, and blog posts flood every corner of the internet. Yet, despite the sheer volume, the pieces that rise to the top often share a surprising commonality: they are personal.

But does baring your thoughts and emotions really interest others, or are we just indulging in a form of digital diary? In this post, I’ll dig into the psychology behind vulnerability, explore data from the world of content marketing, and give you concrete strategies to turn your inner monologue into magnetic copy that resonates with readers.


1. The Science of “Self‑Disclosure”

Psychological InsightWhat It Means for Writers
The Social Mirror Effect – People are wired to assess themselves against others’ experiences.Readers automatically compare your feelings to their own, creating instant relevance.
Neurochemical Reward – Sharing personal stories releases oxytocin, the “bonding hormone,” in both speaker and listener.Your authenticity can literally make readers feel more connected and trust you.
Reciprocity Principle – When someone reveals something personal, we feel compelled to respond in kind.A genuine confession can spark comments, shares, and even user‑generated content.

Bottom line: Human brains are primed to gravitate toward authentic, emotionally‑charged narratives. When you write about what you think or feel, you’re tapping into a built‑in neurological shortcut that draws people in.


2. When Vulnerability Becomes a Strategic Asset

2️⃣️⃣ Case Study: The “Storytelling” Blog that Grew 400% in Six Months

The Situation: A lifestyle blog that traditionally stuck to listicles (“10 Ways to Save Money”) saw stagnant traffic.

The Pivot: The editor started a weekly column called “My Messy Monday” where she wrote openly about procrastination, imposter syndrome, and even a failed attempt at a vegan diet.

The Results

MetricBeforeAfter (6 mo)
Avg. Time on Page1:453:20
Social Shares150/mo1,200/mo
Email Sign‑Ups200/mo1,050/mo
Comments per Post1278

Why it worked: Readers saw a real person behind the brand, felt validated in their own struggles, and were motivated to engage.

3️⃣ Data Point: The “Emotions‑Driven Content” Study (HubSpot, 2023)

  • 70% of consumers say they would purchase from a brand that “shares personal stories.”
  • 56% of B2B decision‑makers say they prefer vendors who “show their human side.”
  • 45% of top‑performing blog posts contain at least one personal anecdote.

These numbers confirm that authenticity isn’t just a feel‑good add‑on; it’s a measurable driver of engagement.


3. The Risks: Oversharing vs. Insightful Sharing

RiskWarning SignsMitigation
Oversharing – Dumping raw diary entries without context.Lengthy, rambling posts; limited take‑away.Keep a clear purpose: What should the reader learn or feel?
Self‑Centricity – Making the post only about you, no relevance to the audience.No mention of the reader’s problem or desire.Use the “you‑first” formula: I felt X → which means you might experience Y → here’s how to handle it.
Emotional Exhaustion – Constantly mining personal trauma can be draining.Writer feels drained, readers notice lack of enthusiasm.Schedule “self‑care” posts (e.g., reflections) vs. “value‑add” posts (e.g., actionable tips).

4. How to Turn Your Thoughts & Feelings into Reader‑Magnet Content

✅ Step 1 – Identify the Universal Core

Every personal story contains a universal thread (fear, ambition, love, failure). Ask yourself: What human need does this illustrate?

Example: “I’m terrified of public speaking.” → Universal core = fear of judgment.

✅ Step 2 – Add a Tangible Takeaway

Readers value both the emotional connection and a concrete benefit. Pair the feeling with a lesson, tip, or resource.

Format: “I felt ___ → Here’s the three‑step method that helped me ___.”

✅ Step 3 – Use the “Show, Don’t Tell” Technique

Instead of saying “I was anxious,” describe the physical sensations, the inner dialogue, or the environment.

Bad: “I was anxious.”
Good: “My heart raced, my palms slick, and the cursor blinked on an empty email draft.”

✅ Step 4 – Invite Interaction

End with a call‑to‑action that encourages readers to share their own experiences.

“What’s one moment you turned a fear into a win? Drop a comment below—I’ll reply to every story!”

✅ Step 5 – Edit for Balance

After the first draft, trim any sections that don’t serve the reader’s journey. Aim for a 70/30 split: 70% value, 30% personal narrative.


5. Sample Outline: A Mini‑Blog Post on “Why I Write About My Failures”

SectionPurpose
Hook – A vivid anecdote (e.g., “The night I missed my deadline and watched my inbox explode…”)Grab attention instantly
Feelings – Raw emotions (panic, embarrassment)Humanize the author
Universal Insight – “Everyone fears making a mistake that’s public.”Connect with reader
Lesson – 3 strategies you used to recover (communication, time‑boxing, post‑mortem)Provide actionable value
Reflection – How the failure reshaped your approach to workShow growth
CTA – “What’s the biggest professional mishap you’ve turned into a lesson?”Prompt engagement

6. Frequently Asked Questions

QuestionShort Answer
Will sharing personal opinions alienate readers?Only if the opinion is presented without empathy. Frame it as your perspective, invite dialogue, and respect differing views.
Can I write about feelings without being “emotional”?Absolutely. Pair emotional honesty with clear logic—explain why the feeling matters and how it influences actions.
Is it okay to disclose sensitive topics (e.g., mental health)?Yes, if you’re comfortable and it serves a purpose. Add a disclaimer and, when appropriate, provide resources for readers who might be triggered.

7. The Bottom Line

Writing about what you think and feel **does interest others—**but only when you turn that raw material into meaningful content. Authenticity is the magnet; relevance, structure, and actionable insight are the steel that holds it in place.

Your next post should be a two‑part equation:

(Personal Thought + Universal Feeling) × (Clear Takeaway + Invitation to Share) = Reader Engagement

Give it a try today. Write that honest paragraph you’ve been holding onto, shape it with the framework above, and watch the comments roll in.


Ready to Test the Theory?

If you’ve ever wondered whether your own musings could spark conversation, hit the Publish button now and share a snippet in the comments below. I’ll read each one and reply with a quick “read‑ability” score—just for fun!

Happy writing, and remember: your voice is the bridge that connects you to the world.