365 Days of writing, 2026 – 115/116

Day 115 and 116 – Writing Evercise

It was my second-to-last test before the final results of my year of in-field training were aggregated into a posting or an ignominious exit.

The last effort had been, as far as I was concerned, sabotaged by a colleague whose efforts were less than stellar, but had been schmoozing the test panel.

But, as someone else said, we cannot allow ourselves to believe the test panel would be so naive.

We should not have known who was on the test panel, but maybe that was also part of the test.  In the field, there were no panel members there to listen to your whining. You were on your own, or dead.

I sat alone that morning, not knowing who to trust.  Breakfast was a decent spread, worthy of a five-star hotel, but I had little appetite.  Two cups of strong black coffee and a scan of the morning newspaper.

The world was, as usual, still going to hell in a handbasket.  Page eight had a small piece about a missing scientist, one of several I’d read about over the last three months.

Patterns.

All seemed to have visited a nightclub, Ryker’s, in the seedier part of Boise, Idaho. 

Coincidence, maybe, but three of us had been given instructions to hole up in three separate three-star hotels that someone wanting to remain anonymous would stay at.

I had made the decision to have breakfast at an upmarket hotel and observe another class of people, just for a surveillance exercise.  I’d dressed up so that I’d fit in, channelling the lawyer/accountant vibe.

My cell phone was sitting nearby, waiting for the call.  It could be any time, or not for days.  We had to be able to deal with boredom and still stay honed.

It wasn’t easy.

The dining room was quite full.  For half an hour, guests and friends arrived and departed.  It was quite full, and wait staff were continuously threading their way, pouring coffee, taking orders, and being abused.

My waitress was amiable, even effervescent.  She smiled, filled the cup, and moved on.

As I watched her leave, I heard a scuffle nearby, and a body slid into the seat to my left.

A girl, mid-thirties, dyed blonde with dark roots, a recent change.  She wore a red blouse and a dark blue pantsuit.  Professional?

She turned to see me looking at her.  Usually, people ask before sitting down.

“Sorry.”  Breathless like she had been running.  I hadn’t seen her arrive.

She hadn’t brought anything with her.

Perhaps I should ask the question.  “Are you alright?”

She was scanning the entrance to the room, then stiffened.

I saw two men, one short, one medium, in cheap suits.  They were not police, perhaps private security.  They scanned the room, stopped at my table and without appearing to, moved quickly towards me.

“Oh, God.”  She looked as if she had seen the devil himself.

“Who are they?” I asked casually, keeping an eye on their progress.

“Trouble.”

“Do you need help?”

“You can’t…”

I shrugged.  As they approached, I stood.  I motioned for her to stay seated and raised a hand to my coffee waitress to come over.

The two men and the waitress arrived at the same time.  They took up positions that cut off the girl’s exit.  The look on my breakfast companion’s face was stark terror.

The waitress asked, “Coffee?”

“No.  Call the police.  The two men behind you are fugitives from a kidnapping my team have bren trackeing using this young lady as a decoy.”

I showed my FBI badge and showed it to the shorter man. “You don’t want to do this, especially with the CCTV cameras focused on you.”

“Walk away,” the short one said.

People were starting to notice, and a ripple was going through the room.  Police appeared at the entrance.  The waitress headed towards them quickly.  I had expected the two men to impede her progress.

The two men ran.  They headed for the nearest exit away from the policemen and disappeared from sight.  I put the ID away and sat.

The girl spoke to them and pointed in my direction, then in the direction the men had taken, and they followed them.  The waitress disappeared.

The girl did not look relieved in the slightest.  I said, “The police can deal with them.”

Another waiter stopped and filled our cups with black coffee and moved on.  It was as if nothing had happened, except there were a few looking and guessing at what had happened. I said, “Exactly how did you end up here?”

“Are you really FBI?”

“In a manner of speaking.”  I noticed then a purple mark on her wrist.  “What is that in your arm?”

She hid it.  “Nothing.”

“It’s something that might save you. What is it?”

“A pass-out stamp from a nightclub.”

“Ryker’s?”

She sucked in her breath and went on the defensive.  “It’s nothing to do with this?”

“Are you a scientist?”

“Who are you?”  She stood.  “I’ve got to go.”

I stood.  “Fine.  But I can’t help you if you don’t tell me what’s wrong?”

“No.  I can’t.” 

She took two steps, then stopped.  I think we both had the same thought.  Those men had not left; they were waiting for her to leave.  Somewhere outside the building.

She said quietly, “Not here.”

We left in the opposite direction from the two men.  I walked slightly in front of her, protecting her as I had been shown to do in similar situations.

The thought crossed my mind that this was a simulation, and I was surrounded by some of the best actors I’d seen, too good for our usual simulations.  They were second-year graduates honing their skills.

I had a gun, a license to carry, and instructions never to use it in plain sight.  I nearly broke that rule.

At the doorway, I checked and rechecked the perimeter and considered the possible four locations where they could be.  I didn’t think they’d attack inside the building, not the way they left in a hurry, their cover blown.

And on CCTV.  That was bad enough.  I was on it too.  But, here’s the thing.  How often do you find yourself in a situation that is so random, it’s unexplainable?

No unusual movement and no heads peeking from behind walls.  If it were me, I’d call for reinforcements and stake out every entrance and exit.

Movement, just in the corner of my eye.  Or not. 

Batten down the nerves and go back to basics.

Don’t stand still, keep moving, steady but not fast enough to attract attention.  Look purposeful, like you have somewhere to be, and above all, look like you know where you’re going.

But…

New city, no time to check the necessary information about it, the hotel, the exits, how to leave without being seen.  That was going to be my after-breakfast task.

I should have done it yesterday when I arrived.

Then a thought: basement.  All hotels had a basement.

Towards the back, stairs.  Down.  Through the lobby.  Damn.  I shook my head.

“We have to go down.  Via the lobby.”

“They’ll be waiting.”

She was right.  We needed a diversion.

I said a small prayer, crossed the passage and broke the fire alarm, setting it off.  Then we headed through the lobby.

She was right.  But they had not expected us to cross from front to back, but from back to front.  They got caught on the exodus heading for the front door, after we got through to the stairs.

And down, down a corridor and into the kitchen, through to the rear entrance left ajar so the smokers could get in and out.

It was where we would leave the building.

Just as bullets pinged off the wall above our heads as we exited.  I dove to the right behind a dumpster, dragging her with me, hearing her groan as we hit the ground, as more bullets pinged off the metal bin.

I pulled out my gun and fired several random shots in their direction, and the volley ended.

From the frying pan into the fire…

The door opened behind me, and several bullets hit the wall. Someone returned fire, then the alley went quiet.

Then, “You can come out now.”

The waitress.

We both got up off the ground and came out to see the waitress, who was no longer a waitress.  She showed us a State Police department badge.  “Detective Somers, who the hell are you two?”

“Agent Alex Pettigrew, FBI.  I think I’ve stumbled into something I don’t want to know about.”

The girl, “Professor Jane Blanch, neither of you has clearance high enough to ask any more questions.”

“And those two men?”

“You don’t want to know,” Jane said. She looked at Somers.  “Are they dead?”

“I hope not.  They have a thousand questions to answer.  Look,” she said to me.  “Just wrap yourself up and leave, and don’t come back.  This is not your jurisdiction.”

“As right as that might sound in your head as the right thing to say, it is not.  Whatever just happened is symptomatic of something much, much larger and is not going away.  It has something to do with Ryker’s Nightclub, science, and research.  Jane is not the first scientist to disappear from that cohort.”

“Pack it up and walk away, FBI man.  This is not your rodeo.”

“You going to save this woman?  There’ll be more where those two came from.”

“That’s my job.  You can leave it with me.  Miss.”  She had her hand in the Professor’s arm.”

The Professor looked at me.  “Thanks.”

“You feel safe with the Detective?”

“Of course.  Thank you again.”

Convenient.

When something doesn’t feel right, it generally isn’t.

As I watched them head down the alley, I had a bad thought.  What if what I saw was just a show?  This was the trouble distinguishing between what was real and what was training.

More than once, I’d say, in the post mission review after a training session and have my ass handed to me in a sling.

Do not trust anything or anyone.  The enemy will come to you dressed in any disguise, as your friend, as someone you can trust.  And thirty seconds later, they end up with a bullet between the eyes.

You rarely saw the bullet that had your name on it.

I waited until they were out of sight and followed discreetly.  I noted they did not go back into the hotel.

Jurisdictional issues were common.  County and State police pulled jurisdiction on what they called their patch.  We were not supposed to pull rank and were obliged to advise local authorities if we were working their patch.

Sometimes we didn’t have time.

I should be expecting a phone call if a different sort after breaking cover.  If the detective decided to call it, or if the detective was a detective.

I reached the end of the alleyway and stopped.  Should I have a weapon ready or just poke my head around the corner? 

This could go wrong in so many ways.

Ideally, there would be no one there.  The remote chance, the two men, the bogus detective and the girl were waiting.

I peered around the corner.

Two police cars, four officers, the detective and the girl standing by one of the cars.  No flashing lights, so not an active situation.

The detective was on her cell phone.

Not my problem.

But…

Where were the people who were shooting at us?  If there were police at the end of the alley, the fact that there were shooters in an urban environment would have led to lights and perpetrators under arrest.

There were no shooters anywhere, and they certainly had time to get away.

I leaned against the wall.  It had to be a simulation, and I failed because I had let the girl go into what was potentially a life-threatening situation.

My cell phone vibrated.  Yes, I’d learned the lesson about having an active or loud ringtone, exposing my presence.

No one else knew this number.  It was the bad news.

“Yes?”

“You have passed the final test and are being assigned under your FBI cover name.  We received a call from Somers, a detective with ISP investigations, to verify your identity.  You identified a possible kidnap victim, one of several in the past six months, and prevented a possible situation.”

“It was several notices in various newspapers.  I had no idea it was going to happen or if it meant anything.  She just sat at my table.”

“Not in your hotel.”

“Boring breakfast, sir.”

“A coincidence that just got you into the service.  Now you need to prove you belong there.  She’s waiting around the corner.  Good to see you didn’t trust that she was who she said she was, but I’m not going to ask what you intended to do if there was a problem.”

“Neither did I.  Good thing you called.”

Silence.  Perhaps flippancy wasn’t the way to go.

“Report through the usual channels.  We will update your cell with your support teams.  Good luck.”

I sighed, more in relief than anything else.  Then I pocketed the phone and walked around the corner.

She was expecting me.

©  Charles Heath  2026

365 Days of writing, 2026 – 115/116

Day 115 and 116 – Writing Evercise

It was my second-to-last test before the final results of my year of in-field training were aggregated into a posting or an ignominious exit.

The last effort had been, as far as I was concerned, sabotaged by a colleague whose efforts were less than stellar, but had been schmoozing the test panel.

But, as someone else said, we cannot allow ourselves to believe the test panel would be so naive.

We should not have known who was on the test panel, but maybe that was also part of the test.  In the field, there were no panel members there to listen to your whining. You were on your own, or dead.

I sat alone that morning, not knowing who to trust.  Breakfast was a decent spread, worthy of a five-star hotel, but I had little appetite.  Two cups of strong black coffee and a scan of the morning newspaper.

The world was, as usual, still going to hell in a handbasket.  Page eight had a small piece about a missing scientist, one of several I’d read about over the last three months.

Patterns.

All seemed to have visited a nightclub, Ryker’s, in the seedier part of Boise, Idaho. 

Coincidence, maybe, but three of us had been given instructions to hole up in three separate three-star hotels that someone wanting to remain anonymous would stay at.

I had made the decision to have breakfast at an upmarket hotel and observe another class of people, just for a surveillance exercise.  I’d dressed up so that I’d fit in, channelling the lawyer/accountant vibe.

My cell phone was sitting nearby, waiting for the call.  It could be any time, or not for days.  We had to be able to deal with boredom and still stay honed.

It wasn’t easy.

The dining room was quite full.  For half an hour, guests and friends arrived and departed.  It was quite full, and wait staff were continuously threading their way, pouring coffee, taking orders, and being abused.

My waitress was amiable, even effervescent.  She smiled, filled the cup, and moved on.

As I watched her leave, I heard a scuffle nearby, and a body slid into the seat to my left.

A girl, mid-thirties, dyed blonde with dark roots, a recent change.  She wore a red blouse and a dark blue pantsuit.  Professional?

She turned to see me looking at her.  Usually, people ask before sitting down.

“Sorry.”  Breathless like she had been running.  I hadn’t seen her arrive.

She hadn’t brought anything with her.

Perhaps I should ask the question.  “Are you alright?”

She was scanning the entrance to the room, then stiffened.

I saw two men, one short, one medium, in cheap suits.  They were not police, perhaps private security.  They scanned the room, stopped at my table and without appearing to, moved quickly towards me.

“Oh, God.”  She looked as if she had seen the devil himself.

“Who are they?” I asked casually, keeping an eye on their progress.

“Trouble.”

“Do you need help?”

“You can’t…”

I shrugged.  As they approached, I stood.  I motioned for her to stay seated and raised a hand to my coffee waitress to come over.

The two men and the waitress arrived at the same time.  They took up positions that cut off the girl’s exit.  The look on my breakfast companion’s face was stark terror.

The waitress asked, “Coffee?”

“No.  Call the police.  The two men behind you are fugitives from a kidnapping my team have bren trackeing using this young lady as a decoy.”

I showed my FBI badge and showed it to the shorter man. “You don’t want to do this, especially with the CCTV cameras focused on you.”

“Walk away,” the short one said.

People were starting to notice, and a ripple was going through the room.  Police appeared at the entrance.  The waitress headed towards them quickly.  I had expected the two men to impede her progress.

The two men ran.  They headed for the nearest exit away from the policemen and disappeared from sight.  I put the ID away and sat.

The girl spoke to them and pointed in my direction, then in the direction the men had taken, and they followed them.  The waitress disappeared.

The girl did not look relieved in the slightest.  I said, “The police can deal with them.”

Another waiter stopped and filled our cups with black coffee and moved on.  It was as if nothing had happened, except there were a few looking and guessing at what had happened. I said, “Exactly how did you end up here?”

“Are you really FBI?”

“In a manner of speaking.”  I noticed then a purple mark on her wrist.  “What is that in your arm?”

She hid it.  “Nothing.”

“It’s something that might save you. What is it?”

“A pass-out stamp from a nightclub.”

“Ryker’s?”

She sucked in her breath and went on the defensive.  “It’s nothing to do with this?”

“Are you a scientist?”

“Who are you?”  She stood.  “I’ve got to go.”

I stood.  “Fine.  But I can’t help you if you don’t tell me what’s wrong?”

“No.  I can’t.” 

She took two steps, then stopped.  I think we both had the same thought.  Those men had not left; they were waiting for her to leave.  Somewhere outside the building.

She said quietly, “Not here.”

We left in the opposite direction from the two men.  I walked slightly in front of her, protecting her as I had been shown to do in similar situations.

The thought crossed my mind that this was a simulation, and I was surrounded by some of the best actors I’d seen, too good for our usual simulations.  They were second-year graduates honing their skills.

I had a gun, a license to carry, and instructions never to use it in plain sight.  I nearly broke that rule.

At the doorway, I checked and rechecked the perimeter and considered the possible four locations where they could be.  I didn’t think they’d attack inside the building, not the way they left in a hurry, their cover blown.

And on CCTV.  That was bad enough.  I was on it too.  But, here’s the thing.  How often do you find yourself in a situation that is so random, it’s unexplainable?

No unusual movement and no heads peeking from behind walls.  If it were me, I’d call for reinforcements and stake out every entrance and exit.

Movement, just in the corner of my eye.  Or not. 

Batten down the nerves and go back to basics.

Don’t stand still, keep moving, steady but not fast enough to attract attention.  Look purposeful, like you have somewhere to be, and above all, look like you know where you’re going.

But…

New city, no time to check the necessary information about it, the hotel, the exits, how to leave without being seen.  That was going to be my after-breakfast task.

I should have done it yesterday when I arrived.

Then a thought: basement.  All hotels had a basement.

Towards the back, stairs.  Down.  Through the lobby.  Damn.  I shook my head.

“We have to go down.  Via the lobby.”

“They’ll be waiting.”

She was right.  We needed a diversion.

I said a small prayer, crossed the passage and broke the fire alarm, setting it off.  Then we headed through the lobby.

She was right.  But they had not expected us to cross from front to back, but from back to front.  They got caught on the exodus heading for the front door, after we got through to the stairs.

And down, down a corridor and into the kitchen, through to the rear entrance left ajar so the smokers could get in and out.

It was where we would leave the building.

Just as bullets pinged off the wall above our heads as we exited.  I dove to the right behind a dumpster, dragging her with me, hearing her groan as we hit the ground, as more bullets pinged off the metal bin.

I pulled out my gun and fired several random shots in their direction, and the volley ended.

From the frying pan into the fire…

The door opened behind me, and several bullets hit the wall. Someone returned fire, then the alley went quiet.

Then, “You can come out now.”

The waitress.

We both got up off the ground and came out to see the waitress, who was no longer a waitress.  She showed us a State Police department badge.  “Detective Somers, who the hell are you two?”

“Agent Alex Pettigrew, FBI.  I think I’ve stumbled into something I don’t want to know about.”

The girl, “Professor Jane Blanch, neither of you has clearance high enough to ask any more questions.”

“And those two men?”

“You don’t want to know,” Jane said. She looked at Somers.  “Are they dead?”

“I hope not.  They have a thousand questions to answer.  Look,” she said to me.  “Just wrap yourself up and leave, and don’t come back.  This is not your jurisdiction.”

“As right as that might sound in your head as the right thing to say, it is not.  Whatever just happened is symptomatic of something much, much larger and is not going away.  It has something to do with Ryker’s Nightclub, science, and research.  Jane is not the first scientist to disappear from that cohort.”

“Pack it up and walk away, FBI man.  This is not your rodeo.”

“You going to save this woman?  There’ll be more where those two came from.”

“That’s my job.  You can leave it with me.  Miss.”  She had her hand in the Professor’s arm.”

The Professor looked at me.  “Thanks.”

“You feel safe with the Detective?”

“Of course.  Thank you again.”

Convenient.

When something doesn’t feel right, it generally isn’t.

As I watched them head down the alley, I had a bad thought.  What if what I saw was just a show?  This was the trouble distinguishing between what was real and what was training.

More than once, I’d say, in the post mission review after a training session and have my ass handed to me in a sling.

Do not trust anything or anyone.  The enemy will come to you dressed in any disguise, as your friend, as someone you can trust.  And thirty seconds later, they end up with a bullet between the eyes.

You rarely saw the bullet that had your name on it.

I waited until they were out of sight and followed discreetly.  I noted they did not go back into the hotel.

Jurisdictional issues were common.  County and State police pulled jurisdiction on what they called their patch.  We were not supposed to pull rank and were obliged to advise local authorities if we were working their patch.

Sometimes we didn’t have time.

I should be expecting a phone call if a different sort after breaking cover.  If the detective decided to call it, or if the detective was a detective.

I reached the end of the alleyway and stopped.  Should I have a weapon ready or just poke my head around the corner? 

This could go wrong in so many ways.

Ideally, there would be no one there.  The remote chance, the two men, the bogus detective and the girl were waiting.

I peered around the corner.

Two police cars, four officers, the detective and the girl standing by one of the cars.  No flashing lights, so not an active situation.

The detective was on her cell phone.

Not my problem.

But…

Where were the people who were shooting at us?  If there were police at the end of the alley, the fact that there were shooters in an urban environment would have led to lights and perpetrators under arrest.

There were no shooters anywhere, and they certainly had time to get away.

I leaned against the wall.  It had to be a simulation, and I failed because I had let the girl go into what was potentially a life-threatening situation.

My cell phone vibrated.  Yes, I’d learned the lesson about having an active or loud ringtone, exposing my presence.

No one else knew this number.  It was the bad news.

“Yes?”

“You have passed the final test and are being assigned under your FBI cover name.  We received a call from Somers, a detective with ISP investigations, to verify your identity.  You identified a possible kidnap victim, one of several in the past six months, and prevented a possible situation.”

“It was several notices in various newspapers.  I had no idea it was going to happen or if it meant anything.  She just sat at my table.”

“Not in your hotel.”

“Boring breakfast, sir.”

“A coincidence that just got you into the service.  Now you need to prove you belong there.  She’s waiting around the corner.  Good to see you didn’t trust that she was who she said she was, but I’m not going to ask what you intended to do if there was a problem.”

“Neither did I.  Good thing you called.”

Silence.  Perhaps flippancy wasn’t the way to go.

“Report through the usual channels.  We will update your cell with your support teams.  Good luck.”

I sighed, more in relief than anything else.  Then I pocketed the phone and walked around the corner.

She was expecting me.

©  Charles Heath  2026

What I learned about writing – Populism or dedication?

So, who wants to be a New York Times No. 1 best-selling author?

Me!

Who wants to be compared to the likes of Dickens, Hemingway, Tolstoy, or any of the classic authors and write a story that is a literary treasure?

Me, too!

Shall the twain ever meet?

Here’s the rub.  If you want to make a living out of writing, you need to write at least one or two books a year, have them become ‘must-reads’ like those of James Patterson or Clive Cussler.

That’s writing to a formula and taking the populist path.  It is much easier, to a certain degree, to write a novel like a romance, a war story, a spy story, or a period piece like the Regency romances.

It is a lot more difficult to write a definitive literary novel.  I keep thinking that one day I will, and I even started one about forty years ago.

I happened to read several novels by the author R.F. Delderfield, and one in particular, A Horseman Riding By.  To me, at the time, it was the modern era equivalent of those classics by Dickens or Eliot.

It was a three-volume life history, and it captivated my imagination.  At the time, I was working for a company whose history went back to the late 1800s and had a great many old records of how things were done, particularly mining on a remote island in the Pacific and a shipping line that carried the ore and passengers, stores and supplies.

That first volume ran from the 1930s to the start of the Second World War, and I spent a lot of time studying the people and processes of the time itself.  It was as far as I got, but I still harbour the notion I will get it written.

One day.

Until then, populism rules! 

365 Days of writing, 2026 – My Second Story 16

More about my second novel

We’ve reached the point where it’s time to take Worthington’s desire for revenge and turn it into a homicidal obsession, particularly after the last ‘easy’ exercise of killing her at the railway station failed so spectacularly.

Worthington is about to become a ‘by any means necessary’ person who will use anyone or anything at his disposal, and is about to use the one person John will least expect to appear on his horizon, one who will make him think twice about keeping Zoe from him.

However, our intrepid trio of Sebastian, Isobel, and Rupert is also on the trail, who, when leaving the airport, just happened to see Worthington with this particular person, and realised what was about to happen. Sebastian also discovers why he is being sidelined and is not determined to stop Worthington.

Oblivious to all of this is John, who has hired a car and is heading to Lucern, where he is going to rendezvous with Zoe and hopefully get a briefing on what she intends to do next.

Needless to say, no matter what she says, he will ignore all that good advice and do his usual arrival in a nick of time to rescue the damsel in distress.

Of course, there are only so many times he can do this before he is actually killed for real.

365 Days of writing, 2026 – My Second Story 16

More about my second novel

We’ve reached the point where it’s time to take Worthington’s desire for revenge and turn it into a homicidal obsession, particularly after the last ‘easy’ exercise of killing her at the railway station failed so spectacularly.

Worthington is about to become a ‘by any means necessary’ person who will use anyone or anything at his disposal, and is about to use the one person John will least expect to appear on his horizon, one who will make him think twice about keeping Zoe from him.

However, our intrepid trio of Sebastian, Isobel, and Rupert is also on the trail, who, when leaving the airport, just happened to see Worthington with this particular person, and realised what was about to happen. Sebastian also discovers why he is being sidelined and is not determined to stop Worthington.

Oblivious to all of this is John, who has hired a car and is heading to Lucern, where he is going to rendezvous with Zoe and hopefully get a briefing on what she intends to do next.

Needless to say, no matter what she says, he will ignore all that good advice and do his usual arrival in a nick of time to rescue the damsel in distress.

Of course, there are only so many times he can do this before he is actually killed for real.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

© Charles Heath 2015-2021

What I learned about writing – How has writing affected your life?

When I was much younger, and life was very difficult, my imagination needed to take my mind off that dark world around me, and fired up and fueled a great many stories.

The pre-teen years were not those in which I wrote anything beyond those school assignments, but I remember the desire to read and, in doing so, imagine it could inhabit those idyllic worlds.

When I was old enough and in the first years of secondary school, the subjects we learned helped expand that imagination; some wanted to be someone different, to be somewhere else, anywhere but home.

I remember reading books about boarding school in England and somehow thought that would be better than what I had here.  That notion of self-sufficiency and navigating those younger years in such an environment would be fun.

Of course, later on, I realised the reality of that sort of life, and it was just as horrible as I had already.

It didn’t stop me from wanting to be in a rich family living in a large house and having a whole estate to play in.  It didn’t matter that it might not be the truth, just that it was different.

As I transitioned out of school, now having discovered I could write and translate those dreams into stories, I embarked on a university degree that majored in Narrative, which was writing, and journalism, which, in combining the two, provided three years of writing experience.

In other words, from an early age, I used writing as a means of survival and later as a channel for my creative whim.  I never expected that I would write a book, not in those early years, just that the scribbles on paper would eventually become something.

Yes, I wanted to have a perfect relationship, but I soon realised that there really isn’t one. Writing about it and trying to create perfection, I discovered a lot of interesting lessons and everything that can go wrong, as usual.

Yes, I wanted to be a spy, and watched, ready and studied as much as I could, and discovered that Spies don’t live a charmed life; they are always teetering on the edge of life and death.

Yes, I wanted to be a billionaire and live a charmed and successful life, but it mostly didn’t happen, and the newspaper pages are littered with the death and ruination of a great many privileged souls.

Others struggle.  My father always said life wasn’t meant to be easy.  I soon learned that in my imagination and my stories, it could. 

365 Days of writing, 2026 – 114

Day 114 – Cliches

Beyond the Cliché: How to Refresh Your Writing and Ditch the Tired Tropes

We’ve all been there. You’re deep into a draft, the ideas are flowing, and suddenly, you hit a wall. You need a phrase to describe a messy situation, a strong promise, or an aggressive reaction. Your brain reaches into its mental filing cabinet and pulls out the usual suspects: “can of worms,” “mark my words,” and “feeding frenzy.”

They’re comfortable. They’re recognisable. But are they good writing?

Cliches aren’t inherently evil; they are shorthand. They exist because they were originally clever, punchy, and effective. The problem is that they’ve been used so often that they’ve lost their impact. They are the “white noise” of the literary world. When a reader sees a cliché, their brain glosses over it because they’ve already encountered it a thousand times.

If you want your writing to stand out, you have to be willing to do the extra work of finding a fresher way to say what you mean. Let’s break down three common cliches and look at how to replace them with something that actually bites.


1. The “Can of Worms”

The cliche: “Opening this investigation will just open a whole can of worms.” The problem: It’s become so cartoonish that it evokes a literal fishing trip rather than a complex bureaucratic nightmare.

The Strategy: Focus on the consequence of the action. What kind of trouble are we talking about?

  • Try these instead:
    • “Opening this investigation will trigger a cascade of unforeseen fallout.”
    • “This will unearth a hornet’s nest of complications.”
    • “If we pull this thread, the entire tapestry of our agreement starts to unravel.”
    • “This is a Pandora’s box we aren’t prepared to manage.”

2. “Mark My Words”

The cliche: “Mark my words, this company will be bankrupt within a year.” The problem: It sounds like the dialogue from a mid-century detective movie. It carries a sense of performative drama that often rings hollow.

The Strategy: Don’t demand that the reader “mark” your words—simply state your conviction with enough strength that they have no choice but to believe you.

  • Try these instead:
    • “I’d bet my reputation that this company will be bankrupt within a year.”
    • “History suggests that this company is headed for bankruptcy.”
    • “Write it down: this company is on a collision course with bankruptcy.”
    • “Make no mistake: this company is folding.”

3. “Feeding Frenzy”

The cliche: “The press went into a feeding frenzy over the scandal.” The problem: It dehumanises the subjects and relies on a biological metaphor that has been used until it’s transparent.

The Strategy: Describe the action of the group. Are they frantic? Are they ruthless? Are they opportunistic?

  • Try these instead:
    • “The press swarmed the scandal with predatory zeal.”
    • “The scandal triggered a vicious, rapid-fire cycle of speculation.”
    • “Once the news broke, the media circled like vultures.”
    • “The scandal sparked a competitive scramble for every shred of information.”

How to Stamp Out Cliches in Your Own Work

You don’t have to get rid of every single cliché on your first draft. That’s what editing is for. Here is a simple workflow to sharpen your prose:

  1. Read Aloud: When you read your draft, cliches stand out like sore thumbs. Your tongue will stumble or your brain will feel a “ping” of familiarity.
  2. Ask “What do I actually mean?”: If you want to say something is a “can of worms,” ask yourself: What is the specific danger? Is it chaos? Is it legal liability? Is it a mountain of paperwork? Be specific.
  3. Use the Thesaurus as a Guide, Not a Crutch: Look up the core words of your cliché, but don’t just pick a synonym. Use the thesaurus to trigger a new way of visualising the concept.
  4. Embrace the “Plain Language” Rule: Sometimes, the best alternative to a cliche is simply stating the truth plainly. Instead of “a feeding frenzy,” just say “relentless media scrutiny.” Plain, direct language is often more powerful than any metaphor.

The Bottom Line: Great writing isn’t about using the biggest words or the most complex metaphors; it’s about choosing language that feels earned. By ditching the tired tropes, you show your readers that you value their time—and that you have an original voice worth listening to.

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

365 Days of writing, 2026 – 114

Day 114 – Cliches

Beyond the Cliché: How to Refresh Your Writing and Ditch the Tired Tropes

We’ve all been there. You’re deep into a draft, the ideas are flowing, and suddenly, you hit a wall. You need a phrase to describe a messy situation, a strong promise, or an aggressive reaction. Your brain reaches into its mental filing cabinet and pulls out the usual suspects: “can of worms,” “mark my words,” and “feeding frenzy.”

They’re comfortable. They’re recognisable. But are they good writing?

Cliches aren’t inherently evil; they are shorthand. They exist because they were originally clever, punchy, and effective. The problem is that they’ve been used so often that they’ve lost their impact. They are the “white noise” of the literary world. When a reader sees a cliché, their brain glosses over it because they’ve already encountered it a thousand times.

If you want your writing to stand out, you have to be willing to do the extra work of finding a fresher way to say what you mean. Let’s break down three common cliches and look at how to replace them with something that actually bites.


1. The “Can of Worms”

The cliche: “Opening this investigation will just open a whole can of worms.” The problem: It’s become so cartoonish that it evokes a literal fishing trip rather than a complex bureaucratic nightmare.

The Strategy: Focus on the consequence of the action. What kind of trouble are we talking about?

  • Try these instead:
    • “Opening this investigation will trigger a cascade of unforeseen fallout.”
    • “This will unearth a hornet’s nest of complications.”
    • “If we pull this thread, the entire tapestry of our agreement starts to unravel.”
    • “This is a Pandora’s box we aren’t prepared to manage.”

2. “Mark My Words”

The cliche: “Mark my words, this company will be bankrupt within a year.” The problem: It sounds like the dialogue from a mid-century detective movie. It carries a sense of performative drama that often rings hollow.

The Strategy: Don’t demand that the reader “mark” your words—simply state your conviction with enough strength that they have no choice but to believe you.

  • Try these instead:
    • “I’d bet my reputation that this company will be bankrupt within a year.”
    • “History suggests that this company is headed for bankruptcy.”
    • “Write it down: this company is on a collision course with bankruptcy.”
    • “Make no mistake: this company is folding.”

3. “Feeding Frenzy”

The cliche: “The press went into a feeding frenzy over the scandal.” The problem: It dehumanises the subjects and relies on a biological metaphor that has been used until it’s transparent.

The Strategy: Describe the action of the group. Are they frantic? Are they ruthless? Are they opportunistic?

  • Try these instead:
    • “The press swarmed the scandal with predatory zeal.”
    • “The scandal triggered a vicious, rapid-fire cycle of speculation.”
    • “Once the news broke, the media circled like vultures.”
    • “The scandal sparked a competitive scramble for every shred of information.”

How to Stamp Out Cliches in Your Own Work

You don’t have to get rid of every single cliché on your first draft. That’s what editing is for. Here is a simple workflow to sharpen your prose:

  1. Read Aloud: When you read your draft, cliches stand out like sore thumbs. Your tongue will stumble or your brain will feel a “ping” of familiarity.
  2. Ask “What do I actually mean?”: If you want to say something is a “can of worms,” ask yourself: What is the specific danger? Is it chaos? Is it legal liability? Is it a mountain of paperwork? Be specific.
  3. Use the Thesaurus as a Guide, Not a Crutch: Look up the core words of your cliché, but don’t just pick a synonym. Use the thesaurus to trigger a new way of visualising the concept.
  4. Embrace the “Plain Language” Rule: Sometimes, the best alternative to a cliche is simply stating the truth plainly. Instead of “a feeding frenzy,” just say “relentless media scrutiny.” Plain, direct language is often more powerful than any metaphor.

The Bottom Line: Great writing isn’t about using the biggest words or the most complex metaphors; it’s about choosing language that feels earned. By ditching the tired tropes, you show your readers that you value their time—and that you have an original voice worth listening to.