Tag: Fiction

What do these mean?

I’ve been reading the latest headlines and picked out a few:

 

The seems to be a currency war,

Oil prices are set to rise in line with a cut in production,

Some tankers will not be playing the Hormuz strait,

There was a massive power outage in the UK,

Gold prices are rising,

North Korea is shooting missiles into the sea

The USA needs more missiles,

There are Chinese survey vessels in the South China Sea,

In Russia there is an explosion on a secret base with nuclear implications, and,

There might be a global recession coming.

 

What do all these events mean?  Nothing really when taken individually, but when you start combining them, then the thriller writer in me starts to see all sorts of conspiracies and plotlines for stories.

For instance

Take that explosion in Russia, and the fact the word nuclear is attached to it, and then look at the massive power outage in the UK.  What if that site was a laboratory, working on small,  powerful bombs that can easily be carried, installed, in or around vital infrastructure, and in that quest for smaller and more powerful something goes wrong.

After all, isn’t that what testing is for?

And the fact there’s been one major event involving vital infrastructure, should we be looking for more?  Then there are a few problems with bombs being attached to tankers in the Hormuz Strait.  Does anyone see the potential for an apocalyptic event coming on?

Then there’s North Korea firing test missiles, and the US calling for more missiles to add to their arsenal.  Are they using North Korea as an excuse?  Or is there something more sinister going on with Chinese survey vessels in the South China Sea.  What if they’re not really survey vessels?

Then there’s a small matter of rising oil prices.  Whilst the same report might say that the rise is due to OPEC cutting output, there could be other reasons, such as the currency war that’s about to erupt, and will this pre-emp a global recession.  A good indicator to impending disaster, wars, and other maladies is the rising price of gold.

The gold market goes into overdrive when currency starts to lose value, recessions are coming or have arrived, or there is about to be a war, or there is one.  The US and China are facing off, the US and half the middle east is a disaster waiting to happen, and, hang on, but North Korea is being provocative, and in a late development, India and Pakistan are facing off over Kashmir.

Are we surprised people are turning to gold?

Maybe I should go back to doing the crossword, and ignoring the news.

 

The cinema of my dreams – Was it just another surveillance job – Episode 45

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

“Silly question, what were you doing in the hotel with this ‘operative’?”

Yes, it sounded odd the moment I said it, and, if it was the other way around, I’d be thinking the same.

“We joined forces, thinking we were in danger, at the time, not knowing that she was working with Dobbin.  I discovered that later, by chance.  She doesn’t know I know.”

“And she’ll be waiting at the hotel?”

“Dobbin wants the USB.  She believes we’re collaborating, after telling me she works for MI5, on a different mission involving O’Connell.  She had apparently been undercover as a fellow resident at the block where O’Connell had a flat, and a cat.  The cat, of course, had no idea his owner was a secret agent.  The flat was sparsely furnished and didn’t look lived in, so it may have been a safe house.”

“Wheels within wheels.”

“That’s the nature of the job.  Lies, lies, and more lies, nothing is as it seems, and trust no one.”

“Including you?”

“Including me, but keep an open mind, and try not to shoot me.  I’m as all at sea as you are.  And, just to be clear, I’m not sure I believe Quigley that the information is lost.  People like him, and especially his contact, if he was a journalist, tend to have two copies, just in case.  And the explosion might have killed the messenger, but not the information.  Lesson number one, anything is possible, nothing is impossible, and the truth, it really is stranger than fiction.”

“Great.”

A half-hour later I’d parked the car in a parking lot near Charing Cross station.  The plan, if it could be called that, was for me to go back to the room, and for Jennifer to remain in the foyer, and wait.  If anything went wrong she was to leave and wait for a call.  For all intents and purposes, no one knew of her, except perhaps for Severin and Maury, but I wasn’t expecting them to be lurking in the hotel foyer, waiting for me.

As for Dobbin, that was a different story.  It would depend on how impatient he was in getting information on the whereabouts of the USB, and whether he trusted Jan to find out.

I’d soon find out.

The elevator had three others in it, all of who had disembarked floors below mine.   As the last stepped out and the doors closed, it allayed fears of being attacked before I reached the room.

As the doors closed behind me, the silence of the hallway was working on my nerves, until a few steps towards my room I could hear the hissing of an air conditioning intake, and suddenly the starting up of a vacuum cleaner back in the direction I’d just come.

 A cleaner or….

Remember the training for going into confined spaces…

The room was at the end of the passage, a corner room, with two exits after exiting the front door.  I thought about knocking, but, it was my room too, so I used the key and went in.

Lying tied up on the bed was a very dead Maury, three shots to the heart.

And, over the sound of my heart beating very loudly, I could hear the sound of people out in the corridor, followed by pounding on the door.

Then, “Police.”

A second or two after that the door crashed open and six men came into the room, brandishing weapons and shouting for me to get on the floor and show my hands or I would be shot,”

…

© Charles Heath 2020-2021

Short Story Writing – Don’t try this at home! – Part 5

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

Now we have the where and the who.  What’s the story going to be about?

I find inspiration in the most unlikely places.

Shopping malls are great, there is so many things going on, so many different types of people, there’s often enough to fill a journal.

Driving on the roads, you get to see some of the most amazing stunt driving, and it’s not even being filmed, it’s just playing out before your very eyes.

Waiting in hospitals, waiting for doctors, accountants, dentists, friends, hanging around coffee shops, cafes, bistros, restaurants, hotels, the list is endless.

But often a reliable source, the media and newspapers in particular, and a frequent go to, and the more obscure the headline the better.  Then it’s simply a matter of letting your imagination run free, like:

Four deaths, four mysteries, all homeless.

This poses a few interesting scenarios, such as, were they homeless or were they made to look like they are homeless.  If they are genuinely homeless how did they die?  Are they connected in any way?

The point is, far from the original story that simply covers four seemingly random deaths, a writer can spin this into a thriller very easily.

It could follow a similar headline in another country where three headlines could be found, say, in London, where a man is found dead in an abandoned building, a week after he died, with no obvious signs of how he died.

A woman is killed in what seems, from the outset, an accident involving two cars, but the kicker is after three days, the driver of the second vehicle just simply disappears.

A man is reported missing after not reporting for work when he was supposed to return from a vacation in Germany.

And the third death, where an obscure piece says a man was found at the bottom of a mountain, presumed to have fallen in a climbing accident.

It’s all in the joining of the imaginary, yet possibly quite real, dots.

You could be on a train, and two people are acting oddly, note I didn’t say suspiciously, when going to or from work.

When on a holiday, you notice that a fellow hotel guest is in the same place at the same time every day but acting like he or she is waiting for someone or something.  Then suddenly they’re not there.

But I’m not suggesting for a minute you should start investigating.

Just let the imagination work it’s tricks.

And, before you know it, you’re on that rollercoaster ride.

Maybe there’ll be less confusion tomorrow.

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

Short Story Writing – Don’t try this at home! – Part 4

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

It’s just another day of the week

I used to like Saturdays, it was the first day of the weekend, and after working Monday through Friday, one could sleep in, have a leisurely breakfast, and then do the shopping.

Then there’s the reality.

Body clocks are dreadful, and never let you sleep in if, in fact, it’s bright daylight shining through the curtains at 5am.  Blackout curtains never seem to quite work.

Shutters are marginally better.

Once awake it is difficult to get back to sleep, so you lie in bed staring at the ceiling or partake in monitoring social media.

I read the latest in the New York Times, online.  Some days I wish I didn’t.

But…

Yes, there’s always a but…

I can, at times, go through the plotline of the latest story in my head, and if it’s boring, it puts me to sleep, and if it’s not, I head to the writing room and start putting it down.

Until notifications start distracting me.

Twitter, Facebook, WordPress, Linked In, Tumblr, and Instagram.

News headlines, the world is ending, or close enough, a car accident is causing traffic delays even though I’m not going out, yet another school shooting massacre in the USA, and my crossword for the day has arrived.

Why can’t the computer make me coffee, and toast and marmalade?

From 6am to 9am shot to hell, not a word on paper, perhaps I should go back to bed.

I remember Saturdays before computers, before social media, before any of those modern distractions.

What is referred to, these days, as the good old days!

 

Sayings: Irons in the fire

There is an expression you hear a lot, here, there, and everywhere when referring to someone who is very busy, ‘oh, he has a lot of irons in the fire’.

These days we use it as an analogy not to have too many things on the go at the same time, and, in the end, none of them will be finished properly, or finished at all.

There are two old-time literal meanings that can apply to this analogy, the first being that in laundries, they used to have their irons in the fire, warming so that clothes could be ironed. Having too many meant sometimes one would be left too long, and end up scorching the clothes being ironed.

Hopefully, that didn’t happen to a very expensive dress!

The second meaning came from a blacksmith’s foundry where he had iron bars in the fire, heating up so that they could be worked on. Having too many in the fire at once sometimes meant that one became overheated, and ruined.

Conversely, having too many pieces of iron in the fire might cause the fire to be too cool to heat any of the metal bars.

These days, a lot of people need to have a lot of projects on the go at once, in the hope that one or more might suddenly become a winner.

Sadly, that doesn’t happen very often.

And, no, buying a lot of lottery tickets hoping one will win, that is not very likely either.

The fourth attempt, other factors, and people

There are two other characters that will be used in this rewrite, the second an addition to give the main character a means of letting the reader get to know a bit about him.

His name is Milt, an African American that’s always been on the fringe.  Another who is a victim of his circumstances but not letting it get the better of him, the sort of man who makes the best of a bad situation.

He’s seen active service in the army, honourably discharged, but still affected though not as bad as some of those he served with.  He is in fact the ideal man for the job, with combat experience, so he’s not likely to get flustered in a shit storm.

And probably not the man you want on this site.  Being in desperate circumstances doesn’t mean you do desperate things.

He is one of a team of four and our main character drew the straw to partner him.  There are two others, based on the other side of the park, neither of whom are trustworthy, Smithy, the overall leader, to whom they all report at shift start and end, and Carruthers, an Englishman reputed to be ex SAS, but no one is inclined to believe him. 

The scars on his neck tell a story, but it was left to the other’s imagination, as he doesn’t talk about it.  Milt was of the opinion he was captured in Afghanistan and tortured, but that could be just be canteen scuttlebutt.

Whatever the circumstances, Graham kept away from him as much as possible, and was glad when he didn’t have to partner him for the shift.

The other character. Penelope has featured in the earlier versions of the story.  Over the changes her background has changed, but I’ve settled on a medical surgeon career, renown for doing tricky procedures with a high success rate, and in doing so gained a reputation, some not always good.

Wealth and ego don’t always make a good pair, and marrying wealth brings its own rewards and pitfalls, particularly when you discover the man you married isn’t exactly whom you thought he was.

It is of course a typical scenario, but I’m going to try and weave it differently.  There will be no more teasers until the story starts.

But she will be introduced earlier than in the previous iterations because she needs some backstory too, otherwise just arriving at Graham’s work and getting shot, while provoking a volatile situation that drags the reader in, out of left field is not exactly the best start.

So, let’s begin.

© Charles Heath 2022

We are taught not to be selfish, but…

Today I decided to take some time out and read a few blogs, to see what the rest of the world is doing post-CampNaNoWriMo, and sometimes read some news that’s usually a few days old, not that I’m complaining.

And still working on the James Bondish piece that set my mind on fire.  Last I heard, he has almost completed a successful, almost suicide, mission.  There’s just a small matter of a rebel helicopter with air to air missiles trying to shoot down the escape plane.

I try to keep away from the news if it’s possible, but it comes at you from everywhere.  My browser somehow decided to allow notifications and every few minutes a little popout slides out from the bottom right corner and tells me what’s gone wrong.

Never any good news by the way.

And yes, I have Windows 10, but I can’t be bothered reading the manual to find out how to stop them.  Maybe, subconsciously, I don’t.

I never thought one man could generate so many headlines.  We had one, given the nickname, the human headline, but Trump, he is in a class of his own.

I used to like watching him on The Apprentice, believe it or not.

But again I digress…

I saw the word selfish popup in a number of posts, and it reminded me that, at times writers have to be.  There are only so many hours in a day, and after emails, blogs, reading, news, life, there’s very little time left to write.

So, we need to be selfish at those times.  I am because when I sit down to write, there shouldn’t be any distractions.  As a writer, I’m not seeking popularity, maybe one day that will come, but I’m in this writing thing because I have stories to tell and I want to get them down.  Nobody may ever read them, I may never rise above mediocrity, but I am doing something I love, and very few of us out there can say that unequivocally.

Most of us have a day job or something else that consumes a great deal of our time.

Oh to be a successful author like James Patterson?  But how does he do it?  I guess it comes down to hard work, and a little bit of luck.

And maybe, one day, if I work hard enough, some of it might come my way.