365 Days of writing, 2026 – 164/165

Days 164 and 165 – Writing exercise – Set a story on a plane

It had been a long couple of months, and having completed the mandatory training and refresher courses, locked down for the whole time at the company’s dedicated training facility, it was time for a recreation break.

For that, I was heading to a tropical retreat in Jamaica in the Caribbean.  The shack was booked, and all I had to do was catch three planes.

In other words, the next 48 hours could run smoothly, or it could turn into a bigger disaster than some of the missions I’d been sent on. 

I was hoping for the first and expecting the second.

It didn’t start well.  The taxi I caught to the airport stopped to let me off in the designated drop-off zone, but it was for the wrong airline.

The driver apologised and offered to go around again, but that was mentioned how I wanted to spend the next half hour of my life.  I paid him and got out.

I went into the airport terminal and started a long hike back to the departure area for my airline.  Fortunately, it was well signed, unlike some airports I’d been to.

Foot traffic was like the home time crush, and I had to pick my way through strolling families, children racing around bereft of parental control, elderly people who had all the time in the world, cranky businessmen in a hurry, and people who were standing around in groups cluttering the walkways.

I was glad I didn’t have any suitcases.  There were enough baggage trolleys to crash into as it was.  Including those being driven recklessly by children and almost wrecking a holiday before it got started.

My left ankle was still sore from the last would-be racing driver.

At the checking counter, I joined a long line that was moving slowly. 

It always amused me that people always spoke louder when standing in a queue.  I would have thought that such comments as the desirability of a male colleague, and 8 on the 1 to 10 scale, might have warranted hushed tones.  Along with the inference, one of the girls had slept with him.

The other was unimpressed.  He was married.  Scandalous, maybe to me, but they both giggled. 

That was in front of me.  Behind, a man was telling whoever would listen that he hadn’t been back home in three years and was expecting no one would remember him.  He was an accountant, so no one was surprised.

There were more, but I reached the counter by then and took a minute, perhaps a little longer.  I could only check in for the first flight, not all the way through.  I’d opted for cheap.

No baggage, passport in order, seat allocation and gate pass done.  I was travelling coach class and got an aisle seat.  It remained to be seen how that played out.  Travelling by any means these days was like walking through a minefield.

As it was only domestic, I went through the TSA check, getting a nod from one of the officers, as an acquaintance from another life, and went up to the departure level.  It was a bit early to go to the gate.

I’d have some airport takeout just in case the airline had nothing to offer.  Given the fare I paid, I seriously doubted they could afford water.

I settled on greasy chicken and fries.

..

Tables were scattered everywhere, and I selected one with two seats and seeing there was competition for it, hastened my pace to get there first.  It was that time of day when everyone seemed to be hungry.

Surviving the death stare from the other hunter, I sat back and contemplated the rest of the diners.  It was a habit more than anything else.  It converted about two or three hundred.

Families, children arguing over burgers, chicken and fries, large cups of sugary drinks, not the best for them before getting on the plane, businessmen, sitting at single tables with coffee and a sandwich, teenagers, a group on a tour, no doubt like Rome or maybe not, all excited at the fact they were escaping school.  Some had that doe-eyed look of high school sweethearts, and trouble looming.

I remembered the one trip my class had gone on and the fallout from that.

There were groups of elderly passengers also going on a holiday, a tour guide trying to keep them together, and women, one group in particular, that looked like trouble.  One had just returned with a dozen drinks, wiped escaping their husbands, and why not?

No immediate threats.

I looked at the chicken, shrugged and took a chip instead.  The coffee tasted like instant, water and powdered milk.  Who knew what came out of that coffee machine, but it wasn’t what I would call coffee.  Maybe my standards were too high.

Then I saw rather than heard a strange sound, and followed it to a table four along and one out from the shrubbery.  Four seats.  One man, a thug in a suit, a well-dressed man who reeked of money but not class, and a young woman who was trying not to look terrified.

I suspect the man in the suit had inflicted some hidden punishment on her because she was massaging her hand.  I looked away just before he looked in my direction.

He did the same scan I had, looking for trouble.

This could be one of two scenarios.  The girl, girlfriend or spouse had tried to run away and had been caught.  Usually, they would return by car, but maybe they were from overseas.  The three men looked foreign.

The other, less likely, was a felon being taken back to jail.  Or elsewhere, but then she would be in cuffs.  He didn’t look like law enforcement.

Another thug in a suit came back with a tray of food and drinks and distributed it before sitting.  An air of serenity settled on them.

I went back to my chicken.

It was a relatively calm half hour; the children at the table next to me were the typical family.  The boy wanted a hamburger and got chicken; the girl wanted chicken and got a hamburger.  The boy took a bite out of the chicken, and the girl refused to eat it.

Dad didn’t get the free toy that came with the food, and in the end, the mother had to sort it all out.  The father typically got exactly what he wanted.

Another child and another nearby table spilt his drink all over the father, and harsh words and tears ensued.

Queues for food were long, and tempers were fraying.  My new friends, four tables over to the left, left their mess on the table and walked off, the girl almost dragged away by the man in the expensive suit.

Something was definitely wrong there.

The lady who was wiping tables just had a whole lot more work added to the endless task of cleaning up spilled drinks and food scraps thrown on the floor.  People obviously left their manners at home.

I cleaned up my mess, wiped the table with a spare wet towel and dumped the leftovers in the appropriate bin.  The cleaning lady smiled in my direction. That was one less out of 200 tables.

I wandered slowly towards the gate, with a little under an hour to go.  There were people scattered in the seating area, including my new friends.  On my way in, I surreptitiously took a photograph of the rich guy, and when I sat down, studied it.

He had a familiar look, not belonging to someone I had met before, but someone I had seen before.   The seat next to me had a hostile folder of newspapers sitting on it, perhaps from the last flight out.

Maybe if they were leaving from here, they would be in the local paper.

Or as loath as I was to call upon a friend, who was a colleague who’d done favours for me in the past, I could send a copy of the photo and ask him to identify who it is.

Of course, it came with a degree of risk, especially if the person had a history.  I sent it anyway; Rodney would make an assessment and let me know.

Five minutes.  My cell phone vibrated.  “Investigating!”

Meanwhile, back in the newspaper, The Denver Post, I found it odd to be reading an actual newspaper and not the usual online services.  If I were staying instead of passing through, like some of the others on refresher courses, it would make a useful reference.

But nothing about our mysterious man or his companion.  But if I wanted to find out where the 4th July fireworks displays were, very useful.

I didn’t plan to be in the country.  The holiday had lost its significance given the times we were in, and the fact that our history was being rewritten to reflect something that was nothing like what happened.

My father, who has been an American History professor and scholar of all things American, including the so-called shameful parts of it, would be spinning in his grave.  I was just plain disappointed.

Just as the boarding call came, my phone vibrated again.  “Sam Kawalski and the woman Zuzanna Wojcik, the youngest daughter of the alleged head of a crime family from New Jersey.  They were married about a month ago.  Documents attached.”

I sent back a thanks and joined the queue.  I took the paper for the crossword and had some interesting reading.

They were sitting up front.  I was sitting in the back.  Fortunately, this time I was not surrounded by children.  I was, however, in direct line to the restrooms.  It was going to be a fun four hours.

I only had to stand once to let the window seat passenger in.  Our plane was not full, and a lot of middle seats were free.

She smiled politely as she squeezed past after putting her small suitcase in the overhead bin, then sat.  My initial assessment was that she was dressed to travel in business class, and maybe hoping for an upgrade.

She had that purposeful look like she was coming from or going to a meeting, what I would call an executive, though her age may suggest either lawyer or accountant.

Then I decided it was none of my business.

Until she spoke to me.  Normally, I would just ignore fellow passengers, or they would ignore me. But this was coach, I was used to business.  People around me nodded or said hello. 

“Work or pleasure?” 

It took a moment to register that she was speaking to me.  My attention was still on Kawalski, and the other passengers who brought far too much cabin luggage.  The hostesses were working overtime trying to find space and shunt tardy and somewhat confused people to their seats.

I turned to look at her and realised she might be older than I first thought.  Which had absolutely no bearing on anything.

“A business meeting, then pleasure.  Jamaica.”  I don’t know why I told her where I was going.

“Lucky you.  I’ve been there once, to a conference, and didn’t get much time to see the sights.  Keep meaning to go back.”

“If only we had 40-hour days?”

She took that in, processed it, then smiled again.  I could not imagine her being angry.

“If only.”

“You?  Business or something else?”  I deliberately threw in a curve, just to see what happened.

A momentary expression changed, just long enough for those trained to look for them to see it.  Then back again.

“I would be in a party dress if it were not business.”

Was there just a slight edge to her tone?

In any other situation, I might have said she would look nice in a party dress, but these days those sorts of comments are frowned upon.

“I’m sorry then.”

“For what?”

“Forgetting that others have to work.  You don’t need people saying they’re going on holiday when you’re not.”

“It doesn’t bother me, after all, I asked you first.”

Her tone had suggested otherwise, but then my tone would be grumpy if the person next to me started babbling on about where they were going.

But good or bad, it killed the moment, and she rummaged in her bag and pulled out a Kindle reader.

One more supposition, she probably read romance novels.  I wrestled the paper into a smaller square and started on the crossword.

All the passengers were aboard, and the hostesses were doing their mandatory checks.  The door had been closed.

We would be leaving on time.

The trouble with travelling in a confined space with a lot of people is that no matter how hard you try to shut people out, you can’t.

Up front of the plane, you are more isolated; back in the rear, you are surrounded.  Screaming kids, noisy parents, the one person who has the volume up high, and the kid who runs up and down the aisle, bumping people.

And as I discovered, the number of people who lurch from side to side, bumping people as they go.  And the proximity to the restrooms, people congregated, towering over you, squashing into you when they tried to move out of the way.

And the conversations they had.  People whom you’d least expect to speak like drunken sailors three sheets to the wind.  I felt it necessary to stand, accidentally standing on one of their feet, and apologising profusely, after causing her to cry out in pain, and then getting assistance back to her seat.

A half dozen people nodded in my direction, clearly relieved that they had gone away.  My neighbour thought it amusing, perhaps something she would have done herself.

People were more wary standing anywhere near me when they came, or, like sensible people, waited for the green light before coming down. 

The next time she headed down, without her friend, I stood and went down to the galley to stand by the rear exit door.  She approached very cautiously.

Lesson learned.

Shortly after, the plane dipped, and we were in landing mode.  I went back to my seat.  The hostesses passed through the plane, getting everyone sorted.

The last trolley had passed by into the galley, just as we all heard the girl who had suffered that unfortunate accident, now standing next to the last seat in business class, pointing and yelling, “You’re that horrible man who beat up my friend at Rodin’s the other night.”

She was pointing directly at the man in the suit.

Next minute, one of the thugs had her in a stranglehold, and she was screaming.  A scream that polarised the whole plane. 

The stewards were mortified and helpless at this point.  The thug was trying to quieten her, and there were groans and complaints, until the thug yelled out, “Everyone, be quiet or else.

The last two words carried emphasis and a latent threat.  The noise died down.

It drew an uncharacteristic response from my travelling companion, “What the fuck… “

“An altercation with that girl.  Seems she knows one of the passengers in business, and not in a good  way.”

The thug wasn’t letting her go, but at least the screams had stopped.  So had everything.

I turned around, and the hostess was on the phone with the captain.  I heard, “We have a situation…”

That was putting it mildly.  This was a no-win situation for anyone.  We wouldn’t be landing with passengers standing in the aisle.  The thug had nowhere to go.  The girl would be leveraged until she wasn’t.  Just the thought of that worried me.

Planes were small places where things could go wrong very quickly.

And Kowalski had become a cornered rat.

The papers on him were basically the bio of a kid gone wrong, hitching his wagon to the wrong train, marrying the boss’s daughter, and then committing the ultimate folly, thinking his status could protect him from being stupid.

On bail for the assault, he was fleeing.  If it wasn’t for the fact that his wife was running from him, also a victim of assault, he would not have been in Denver.

He was a bail violator and now a party to what could be described as a major aeroplane felony.  With a plane load of hostages.

The Captain had nowhere to go, but had to try.

“Everyone not involved in the situation, please resume your seats and prepare for landing.  This plane cannot land until all passengers have resumed their seats.  Be advised that we will not be using a gate, but have been directed to another section of the airport where both local police and the FBI will be waiting.  I would ask that no one make this any worse than it already is, and would ask for calm and obey any and all instructions given by the senior cabin steward.”

The girl’s companion was now telling everyone in a loud voice the circumstances of their friend’s assault, and using disparaging language directed at Kowalski.  The other thug was waiting for a signal from Kawalski.

At least everyone was reseated except for the thug with the girl, who was now sobbing.

Kawalski stood and glared at the cabin manager, also responsible for the business class passengers.

He told the thug to bring the girl forward, and he told the manager to empty the first three rows and seat them elsewhere.

It looked like one or two were going to argue, but then the other got out of his seat and dragged one of the complainers out of his seat.  The rest moved quickly, taking what they could.

So far, so good.

I slowly got out of my seat and went back to the hostess on the phone.

“Sir, you should go back to your seat.”

“I might be able to help.  Can you ask the captain to talk to whoever it is in New York and ask them if there is a Joseph Binns in the terminal?  He’s my boss and someone who deals with situations like this.  He’ll know I’m on board.”

“Who are you?”

“Who I am is irrelevant.  Except I could become those two thugs worst nightmare.  Kawalski, their boss, is bad news.  He’s bringing his wife back to New Jersey against her will, and I think he was hoping this would go under the radar.”

At that moment, I realised the plane had levelled out and was in a large circuit.  It might not last long if the fuel is low.

“Are you law enforcement?”

“Not the sort that flashed badges.  Just ask him to call.”

She did, relaying a brief resume of what I told her.

“He’s talking to them now.”

Five long minutes passed before I saw her move slightly, then say, “He’s here.”  She passed me the phone.

“Kevin Andrews?” He asked.

“Yes.”

“I’m told you might be able to help.”

“We’re not going to get on the ground while they are moving around.  Also, I think they will start using passengers to force you to land the plane, and probably use some to get away once we are on the ground.  This is one of those no-win situations.”

“Not ideal then?”

He was calm and probably hoping his worst nightmare was a flaky engine.

“It never is.  I’m going to try to neutralise the problem.  It might get messy.  And I might not succeed.  But I could use the element of surprise.  Can you make sudden downwards or sideways movements, the sort where you are briefly disoriented?  Kind of like hitting an air pocket.”

“When?”

“Give it ten minutes.  No warning, just do it. Hard left and down.  Hopefully, I’ll be in place by then.”

“Ten minutes.  Got it.  Good luck.”

I was hugging to need it.

I handed the phone back.  “Stow everything likely to cause a problem.  If you can tell those up the front with alerting them, do it.”

The other steward unlocked a drawer and pulled out a rather interesting knife.  It might be illegal, but it was going to make my job easier.

“Got any string, rope, bindings?”

From the same drawer, twine.  Ideal.

“Good.  Keep it handy.”  I took the knife and hid it up my sleeve.

I looked at my watch.  Seven minutes.  I shrugged.  Time to go.

I slowly walked up the aisle.  My row companion gave me a rather wide-eyed look as I went past.  Maybe she thought I had a death wish.

Maybe I did.

I took my time.  Halfway, one of the thugs saw me.

“Go back to your seat.”

“Sorry.  Can’t.  Have to use the restrooms.  Ours are full of people sitting because of you.”

I edged slowly closer, both watching me.  What they were going to do was the unpredictable item in this equation.

Eight minutes, alongside the first row of coach.  Five years, maybe six.  The steward and manager had moved back into the galley area.  The two men and the girl were near the door.

I would only have a few seconds at best, and I would have to incapacitate them.  The knife would do that if I got them in the right place.  Luckily, part of the refresher I’d just been on was 101 ways to silently and quickly kill your enemy with a knife.  Any knife.

Nine minutes.  I took a deep breath and let it go slowly.  Calm.

Odd that in those last few seconds, I suddenly remembered nearly every time I’d landed at JFK and about 20 or 20 minutes out, we hit turbulence, once so bad it made most of the passengers airsick.

And on cue, ten seconds before the plane was to lurch, we hit turbulence and, thirty seconds after that, an air pocket and suddenly the plane dipped, violently.

Anyone who wasn’t in a seat belt hit the roof.  I was vac3d because I was expecting a lurch.  In the end, the turbulence did the job for me.

The two thugs and Kawalski hit the roof and were knocked clean out.  The plane found clean air with a thud, but the turbulence didn’t stop.  The captain explained and asked for calm.

Everyone had heeded the earlier seatbelt call, and the only three casualties were the three problem passengers.  The girl had fainted just before the air pocket, and the thug had ironically protected her from hitting the roof.

She was now sprawled on the ground.

The hostess from the rear arrived breathless and with cut lengths of twine.  Three burly men came and hoisted the three into seats in the front rows, and tied them very securely.

The manager up front relayed the news to the captain, and a minute or two later, we were descending.  A half-hour delay.  We were back to preparing the cabin for landing.

I had a few words with? First in Polish, then in English, to see if she was alright.  She said she had seen me at the airport in Denver and hoped that I had recognised her distress and alerted the authorities.

She said her father would be grateful.  I told her that she should forget I existed.  Trouble always had a way of finding me without help.

Then I went back to my seat.  In reality, I had done nothing wrong.  Whatever plan I had was sketchy at best, and I thanked whoever it was for intervening.

My seat companion looked over as I did up the seatbelt.  “What did you say you did for a living?”

“Problem solver, though I wouldn’t say I was very good at it.  Mother Nature always has an answer to just about any problem.”

“What were you going to do?”

“Use the plane differently.  Then I remembered that there’s always turbulence.  Catch them off guard, maybe.  In the end, I didn’t have to.”

“You do this often?”

“No.”

“Then why?”

“Somebody had to do something.  I have places to be.  Can’t have assholes holding me, and everyone else, up.”

“Well, this was exciting.  I’m just a boring librarian who sometimes gives tours at the Smithsonian.  The biggest event is someone who has a bathroom emergency.  Perhaps we could start again.  My name is Jennifer MacAndrews, Librarian.”

“Kevin Andrews, occasional Problem Solver.”

The plane shuddered as we went through another layer of turbulence.  We could see land through the cloud cover.  It would be raining when we landed.

As the wheels came down, the pilot advised us that we would be going to a closed area of the airport when the prisoners would be taken off.  Then the passengers would be transferred to buses and taken to the terminal.

“Staying in New York after your meeting?” she asked.

“Yes.”

“I’m going to do something I never do.  Another first, if you like.  Can I buy you dinner for saving us, or trying to, anyway?”

She definitely did not look like the sort of woman who would offer dinner dates to perfect strangers.  Even so, I should decline.

“You don’t know me.  I could be an axe murderer.”

“You could be.  I have many interesting conversational topics that might interest you, being a librarian.”

So the axe murderer line wasn’t going to work on her. 

“When is your meeting?”

“Tomorrow.”

“Are you staying anywhere near the Hilton on 6th Avenue?”

“By coincidence, I am.”

“Then if I am free at 7pm, I’ll call your room, and if you’re in, we’ll see what happens?”

She smiled.  “We shall.”

The plane landed, everyone applauded, an odd reaction and one I have never had explained.

It took a while before the FBI officers came aboard, spoke to the captain and then took the three men away.  They did not take Zuzanna Wojcik.

Then the passengers filed off, and I waited until everyone left before I went forward.  Jennifer waited with me.  Apparently, she was in no hurry.

The captain and an FBI officer were waiting.  I shook hands, told them both that I was glad I didn’t have to do anything, and that the true heroes were the passengers who tied them up.

My boss was among those at the bottom of the stairs, waiting to take me away to that meeting.  I shook hands with Jennifer, and she joined the last of the passengers on the bus.

“You made a new friend.”

“Window seat, my row.”

“Not screaming kids?”

“They were three rows ahead.  It’s not so bad in the back of the plane.  I hear it’s the safest place in a crash.”

He shrugged.  “Always something with you.”

“What can I say?”

“Next time, you will try to remain anonymous.  Your next job was to investigate Zuzanna Wojcik’s family.  Can’t do that now she knows who you are.”

“Or…”

He shook his head.  “You really don’t have a death wish.  You have two weeks’ vacation.  We’ll talk about it later.  Who was the girl?”

“A librarian at the Smithsonian.”

“Good.  You could do well to learn something other than ways to kill people.”

If I called her.  I was having second thoughts. A girl like her didn’t need to know someone like me.  It was one of the downsides of the job.

The baggage handlers were offloading the last of the baggage, and the plane sat on the tarmac, now in the hands of the cleaners.

In a few hours, it would be off to another airport, most of the passengers would be going to hotels, visiting others or going home.  For them, it was just another day in their lives.  They would never know just how close they came to dying.

And in my case, I had been lucky.  Stupid but lucky.  It put a thought into my head that until I spoke to Jennifer, I would never have turned up there.

Was it time I gave up the idealistic dream that I could save the world, one mission at a time?  The fact is, I couldn’t, and wasn’t.

My boss opened the door to the limo.  “Opportunity awaits.”

I got in and moved over.  He climbed in and shut the door.  “Let’s go.”

And for the first time, I was thinking of something other than work.

©  Charles Heath  2026

What I learned about writing – Riveting prose for the dull banality of life

The Unsung Epic: How Everyday Life Becomes Riveting Prose

“Drama is life with the dull bits cut out.”

It’s a line that resonates deeply with anyone who loves a good story. We crave the heightened stakes, the emotional rollercoasters, the twists and turns that define our favourite books, films, and series. But what if I told you that the “dull bits” aren’t always so dull? What if the real magic lies not in eliminating them, but in learning to see the drama hidden beneath their unassuming surface?

The challenge is enticing: Can we take everyday events and turn them into riveting prose? My answer, unequivocally, is yes. And in doing so, we don’t just write better stories; we learn to live a richer, more observant life.

Beyond Explosions: What Is Drama, Really?

First, let’s redefine “drama.” It’s not always grand gestures or world-ending stakes. At its core, drama is about conflict, tension, and emotion. It’s about a character wanting something and facing obstacles in getting it. It’s about choices, consequences, and the raw vulnerability of being human.

Consider that infamous “dull bits” pile: commuting, waiting in line, doing laundry, making coffee. On the surface, these are the unglamorous necessities of existence. But with a writer’s eye, they become potential stages for micro-dramas.

The Writer’s Superpower: Perspective and Pressure

The secret weapon for transforming the mundane is perspective. It’s about zooming in, acknowledging the internal monologue, and applying pressure.

  1. Zoom In: A spilled coffee isn’t just a stain; it’s the sudden, hot shock, the ruined shirt on the morning of a crucial presentation, the ripple effect of lateness. The drama isn’t the coffee itself, but what it means to the person experiencing it.
  2. Internal Monologue: We rarely share the full, rich narrative of our minds. What anxieties bubble up while waiting for a delayed train? What silent arguments play out as we fold a partner’s forgotten items? The internal world is a universe of untold stories, rife with hope, fear, regret, and determination.
  3. Apply Pressure: Take any everyday event and ask: What if something goes wrong? What if the stakes are slightly higher for this particular character?
    • The Commute: It’s not just a drive; it’s a desperate race against the clock to pick up a child from daycare before late fees kick in. The brake lights ahead aren’t just an inconvenience; they’re a physical manifestation of rising panic.
    • The Grocery Store: It’s not just a shopping trip; it’s the careful balancing act of an elderly person on a fixed income, trying to make healthy food last an entire week from a dwindling budget. Every price tag is a small, quiet battle.
    • The Awkward Conversation: It’s not just polite small talk; it’s a son trying to delicately broach a sensitive subject with his aging father, hoping to connect before it’s too late, fearing misinterpretation or dismissal.

Unearthing the Micro-Conflicts

Everyday life is brimming with small conflicts:

  • Person vs. Self: The internal debate over whether to speak up, to forgive, to take a risk, or to stick to the comfort of routine.
  • Person vs. Nature/Environment: The unexpected downpour when you forgot your umbrella, the power outage during a critical deadline, the unreliable public transport.
  • Person vs. Person (Subtle): The passive-aggressive note from a roommate, the slight that goes unaddressed, the unspoken tension across a dinner table, the small power plays in a queue.

These mini-struggles, when given the prose treatment, become relatable and powerful. They remind readers of their own quiet battles and hidden heroics.

The Art of Observation and Sensory Detail

To write riveting prose from the ordinary, you must become an exceptional observer.

  • What do you see? Not just objects, but the way light falls, the subtle expressions on faces, the wear and tear of time.
  • What do you hear? The hum of the refrigerator, the distant rumble of traffic, the specific cadence of a voice.
  • What do you feel? The cold ceramic of a mug, the ache in tired muscles, the prickle of irritation.
  • What do you smell and taste? The comforting aroma of baking bread, the metallic tang of fear, the bitterness of burnt toast.

These details ground your reader in the moment, making even the most mundane scene vivid and immersive.

So, Can We Do It?

Absolutely. By acknowledging the inherent drama in our struggles, choices, and interactions – no matter how small – we unlock a boundless reservoir of material. We aren’t cutting out the dull bits; we’re illuminating the hidden drama within them.

Next time you’re waiting in line, stuck in traffic, or simply watching the world go by, challenge yourself. What’s the story here? What’s at stake for the person beside you? What internal monologue is playing out in your own mind?

The world isn’t just a stage for grand narratives; it’s a collection of countless, intricate, and often riveting personal epics, waiting for us to notice, understand, and perhaps, to write them down.


What “dull bit” of your day do you think holds a hidden story? Share in the comments below!

365 Days of writing, 2026 – My Second Story 23

More about my second novel

I’m going over the conversation Olga is having with John now that he is her prisoner.

On the first run through, it seemed to make sense, but as we all know, when you read the conversation out loud, often it sounds terrible.

A question of, “Would I say that?”

Whilst snatching John off the street was a rather simple task, made easier by the fact that he was not expecting it, Olga is not sure whether it is a big act.

Working with Irina has made her wary of everyone and everything, even more so since Irina had left her charge, but she knows just how much Irina has evolved into the Zoe her son tried to keep on a leash, with spectacularly awful results.

Had she been training John to be like her?

Has Sebastian been training John to become a spy, or was he one already?  After all, why is someone like John, if he is that reputed computer nerd type, doing with a girl like Irina?

Her preference would have to be someone strong, authoritative, masculine, like Alistair.  The problem was that she hadn’t driven out all of the emotions in the time she spent with her.

So, sitting opposite each other, John and Olga try to do their individual assessments.

She finally admits that she doesn’t want to kill Irina, just rehabilitate her.

John, of course, is horrified at the thought of them brainwashing her, especially if they send her after him again.

It comes down to a single point.  Will he do as she asks and invite her to come and get him?

What neither of them realises is that Irina already knows where they are, and any plans Olga might have will be useless.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet them or be confronted by them was significantly lower. Except, of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact that, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street who look like someone we knew and make the mistake of approaching them like a long-lost friend, only to discover an embarrassed individual desperately trying to get away from what they perceive as a stalker, or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then, according to the circumstances and narrative that is attached to that picture, either flattered or horrified.

For me, one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognise was murder. The photo of the man on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated by what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer, the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room. I looked through the peephole and saw an army of police officers. It didn’t take much to realise what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low-profile travel agency, was single, and currently not involved in a relationship, had no children, and, according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company; I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably, more people needed a travel agent than a lawyer. At least that was what I told myself as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with several other delegates who had arrived on the same plane. I had mingled with several other delegates at the pre-conference get-together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bulletproof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me? I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain-killing drugs. I tried to imagine the scene again, but this time it played out without the image of my mother.

I opened my eyes and took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod or a greeting, just went back to the paper.

If I still had a police guard, then I would still be considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try to explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in and out of consciousness. A nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told me what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have another visitor. He is from the British Embassy, I think. But he will have to wait until I have finished my examination.”

I realised then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit, the sort of which I associated with the British Civil Service.  He was not very old, which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome, and he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently, for them, it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact that you were shot had made it an all-around embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologising?”

“That is why you have another visitor.  I only took precedence because I insisted on speaking with you first.  I have come, basically, to ask you for a favour.  This situation has afforded us an opportunity.  We would like you to sign the official document, which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter that could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush-hush type deals, you do this for us, we’ll help you out with that?  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible, so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man, Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri or Sorrento, if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, who had announced herself as the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it: “The patient has recovered excellently, and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed, so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long, wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful, though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him. She checked the door and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then that I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have several witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed-circuit TV, we have established you are not the criminal Jacob Westerbury.”

She put her notebook back in her bag and then said, “My name is Vicenza Andretti, and I am with the prosecutor’s office. I am here to formally apologise for the situation that can only be described as a case of mistaken identity. I assure you, it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest, one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger-happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realised if it was mistaken identity, the answer would be yes.

She saw the look on my face and said quietly, “I think you know the answer to that question, Mr Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry, but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest, he escaped. Once we realised we had made a mistake and reviewed the closed-circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough, no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officers’ weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you, Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrongdoing?”

“I have apologised. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank you for your time and cooperation, Mr Pargeter. Good morning.”

© Charles Heath 2015-2021

365 Days of writing, 2026 – My Second Story 23

More about my second novel

I’m going over the conversation Olga is having with John now that he is her prisoner.

On the first run through, it seemed to make sense, but as we all know, when you read the conversation out loud, often it sounds terrible.

A question of, “Would I say that?”

Whilst snatching John off the street was a rather simple task, made easier by the fact that he was not expecting it, Olga is not sure whether it is a big act.

Working with Irina has made her wary of everyone and everything, even more so since Irina had left her charge, but she knows just how much Irina has evolved into the Zoe her son tried to keep on a leash, with spectacularly awful results.

Had she been training John to be like her?

Has Sebastian been training John to become a spy, or was he one already?  After all, why is someone like John, if he is that reputed computer nerd type, doing with a girl like Irina?

Her preference would have to be someone strong, authoritative, masculine, like Alistair.  The problem was that she hadn’t driven out all of the emotions in the time she spent with her.

So, sitting opposite each other, John and Olga try to do their individual assessments.

She finally admits that she doesn’t want to kill Irina, just rehabilitate her.

John, of course, is horrified at the thought of them brainwashing her, especially if they send her after him again.

It comes down to a single point.  Will he do as she asks and invite her to come and get him?

What neither of them realises is that Irina already knows where they are, and any plans Olga might have will be useless.

The story behind the story – Echoes from the Past

The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus, the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all rewrites, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally, it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Year’s, and it was an experience I’ll never forget.

One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live”.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy man with few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule and begins a relationship?

But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

What I learned about writing – Beta Readers

The Delicate Art of Beta Reading: Who to Trust With Your First Draft (And How to Ask)

Congratulations. You did the impossible. You typed “The End.”

That rush of relief, accomplishment, and sheer terror is the signature cocktail of the first-draft writer. You have a manuscript—a beautiful, messy, wonderful secret—and now you need to expose it to the light.

But who do you trust with your raw, vulnerable creation?

Sending your draft out for feedback is like choosing a mechanic for a car that’s barely held together with duct tape and hope. You don’t need a cheerleader; you need an expert who knows how to spot engine failure. Asking the wrong people can lead to useless praise, crippling negativity, or advice that sends you spiralling down the wrong revision path.

Here is your professional guide on curating the perfect feedback team and asking them the right questions.


Tier 1: The Inner Circle (The Mechanics)

These are the people who will look at the bones of your story. They are not focused on typos or beautiful prose—they are hunting for structural integrity and inherent flaws.

1. The Critique Partner (CP)

Who they are: A fellow working writer. Ideally, someone who writes in your genre or a similar one, and who understands the difference between a first draft and a finished product.

Why you need them: CPs see the craft. They can identify a weak inciting incident, inconsistent character motivation, pacing problems, and major plot holes. They understand the mechanics of story development and won’t confuse their personal preferences with necessary improvements.

The Golden Rule: Choose someone with whom you have an established reciprocal relationship. Critique is a two-way street; you should be dedicated to giving them thoughtful, critical feedback as well.

2. The Professional (The Editor)

Who they are: Someone who understands the publishing industry, perhaps a developmental editor you respect, or a writing coach.

Why you need them: While you might not hire a full developmental editor for your first draft, getting a manuscript evaluation from a professional can save you months of wasted revision time. They offer an objective, market-aware perspective that no friend or spouse can provide.


Tier 2: The Broader Circle (The Target Audience)

Once the structure is sound, you need to know if the book is enjoyable and if it hits the right notes for the people who will actually buy it. This is where you broaden your scope.

3. The Avid Reader

Who they are: Someone who reads 5-10 books per month, specifically in your genre. If you wrote a space opera, they must be a space opera fan. If you wrote gritty domestic suspense, they must devour psychological thrillers.

Why you need them: They represent your market. They are looking purely for the reading experience.

  • Do the tropes feel fresh?
  • Is the world immersive?
  • Did the ending satisfy me as a fan of this type of story?

This group provides essential data on market viability and reader expectations. They don’t care about your comma splices—they care about the emotional arc and the page-turning factor.

4. The “Non-Genre” Neutral Reader

Who they are: A highly literate individual who enjoys good stories but doesn’t necessarily specialise in your genre.

Why you need them: This reader tests the universality of your story. If your narrative relies too heavily on niche terminology or genre conventions, the neutral reader will get lost. If they love the characters, even if they never read Sci-Fi, you know you have something special. Just be careful: if they hate your book, make sure it’s not just because they inherently dislike the genre itself.


The Feedback Blacklist: Who to Avoid Asking

The biggest pitfall for first-time sharers is asking the wrong people—those whose feedback is either too gentle or entirely irrelevant.

PersonWhy You Should Avoid Them
Your Spouse/ParentsThey love you, not necessarily your draft. They will offer useless kindness that doesn’t help you improve.
People Who Hate Your GenreThey will critique the genre conventions (e.g., “Why did it have dragons?”) rather than your execution (e.g., “The dragons felt unnecessary to the plot.”).
The Overly Critical CoworkerIf their feedback is designed to make them feel superior or crush your spirit, it serves no purpose. Seek constructive criticism, not malicious dissection.
Someone Who Doesn’t ReadThey won’t understand pacing, structure, or reader expectation. Their notes will likely focus on surface-level issues easily fixed later.

The Secret Ingredient: How to Ask (The Feedback Toolkit)

Sending an email that says, “Tell me what you think,” is a recipe for vague, unhelpful responses. You need to give your readers a job description.

Before sending the manuscript, do three things:

1. Set the Stage (Manage Expectations)

Remind your reader that this is a first draft. It is messy. There are typos. The pacing might be terrible in Act II. This preemptive honesty frees them from trying to be polite about the obvious flaws and allows them to focus on the big picture.

2. Provide Targeted Questions

This is the most critical step. Instead of asking for a general opinion, give them 3–5 specific tasks related to your known weaknesses.

Examples of Targeted Questions:

  • “Did the protagonist’s actions in Chapter 12 feel consistent with their personality in Chapter 4?” (Testing character arc/consistency)
  • “Where exactly did you feel the tension drop? (Please mark the page number.)” (Testing pacing)
  • “Was the antagonist’s motivation clear and compelling, or did they feel like a cliché villain?” (Testing antagonist development)
  • “As a fan of [Genre], did the opening chapter hook you effectively?” (Testing the entry point/voice)

3. Offer Clear Instructions

Use a common format (Word Doc with Tracked Changes enabled, or Google Docs with Comments). Set a reasonable deadline (4–6 weeks for a novel-length work) and stick to it. If they miss the deadline, move on. Your writing schedule is paramount.

The Final Filter

Once the feedback starts rolling in, the work is not over. Your last, and most important, job is to be the Chief Executive Officer of Your Novel.

Not all feedback is created equal. If one reader hates a scene, but five others loved it, ignore the outlier. If three different people flag the same exact problem (e.g., “The middle section dragged”), you have identified a factual flaw that needs fixing.

Your first draft is an experiment. Feedback is the data. Learn to read the data dispassionately, apply what helps the story, and toss the rest with confidence. Now, take a deep breath, hit ‘send,’ and prepare for the rewrite.

365 Days of writing, 2026 – 163

Day 163 –  When the well runs dry

The Well Never Runs Dry: Why You Should Write Even When You’re Empty

There is a pervasive myth in the creative world: the idea that writing is a faucet that must be turned off the moment the water stops flowing. We are told to wait for the “muse,” to respect the “dry spell,” and to stop pushing when the well runs dry.

But here is the professional truth: If you wait for inspiration, you will eventually stop writing altogether.

Professionalism isn’t about waiting for a lightning strike of genius; it’s about showing up to the page when you have absolutely nothing to say. If you struggle with the “Empty Page Syndrome,” here is why you should never stop writing—and how to keep going when the ideas have seemingly evaporated.

1. Writing is a Muscle, Not a Mood

Think of your writing ability like a muscle in the gym. If you only lift weights when you feel “inspired” to be strong, you will never see progress. The days you don’t want to be there are the days that build your endurance.

When you force yourself to write through a period of low inspiration, you aren’t necessarily aiming for a masterpiece. You are building the cognitive stamina required to sustain a career. By showing up, you prove to your brain that writing is a non-negotiable habit, like brushing your teeth or sleeping.

2. The “Bad” Writing is the Foundation

When you force yourself to write without ideas, the result is often messy, clunky, and uninspired. That’s okay. In fact, it’s necessary.

Professional writers understand that you cannot edit a blank page. By writing “bad” words, you are clearing the mental pipes. Often, the act of putting down a terrible sentence acts as a catalyst for a better thought. You have to move the cursor to find the gold. If you stop writing the moment you feel stuck, you never reach the breakthrough that lies just three paragraphs deeper.

3. Ideas are a Result, Not a Prerequisite

We often think: I need an idea to start writing. The reality is: Writing creates the idea.

When you sit down to write, you are engaging in a process of discovery. Your brain doesn’t store ideas in a neat little organized file cabinet; it generates them through the friction of the keyboard. If you sit and wait for the perfect prompt, you will wait forever. If you start typing “I don’t know what to write about today,” you have already started the process of thinking. That movement inevitably leads somewhere.

4. How to Keep Writing When You’re Empty

If you’re staring at a blinking cursor and feeling that familiar drought, try these three strategies:

  • The “Brain Dump” Method: Don’t worry about structure or audience. Open a document and write down every annoyance, thought, or observation from your morning. It doesn’t have to be a published piece; it just has to be words on a page.
  • The “Retrospective” Approach: If you can’t invent something new, refine something old. Go back to an old draft, a failed paragraph, or a notebook scrap from six months ago. Editing is writing. It counts.
  • The Constraint Hack: Creativity loves a cage. If you don’t know what to write, give yourself a strict limit. Write 200 words about the colour red. Write a paragraph explaining your favourite meal to an alien. Arbitrary constraints force your brain out of its rut.

The Bottom Line

The difference between an amateur and a professional is often just the ability to endure the days when the spark is gone. You don’t need a brilliant idea to be a writer; you just need to be a person who writes.

So, don’t stop. Keep writing through the silence, the boredom, and the “bad” drafts. The well isn’t dry—it’s just waiting for you to pick up the bucket.

365 Days of writing, 2026 – 163

Day 163 –  When the well runs dry

The Well Never Runs Dry: Why You Should Write Even When You’re Empty

There is a pervasive myth in the creative world: the idea that writing is a faucet that must be turned off the moment the water stops flowing. We are told to wait for the “muse,” to respect the “dry spell,” and to stop pushing when the well runs dry.

But here is the professional truth: If you wait for inspiration, you will eventually stop writing altogether.

Professionalism isn’t about waiting for a lightning strike of genius; it’s about showing up to the page when you have absolutely nothing to say. If you struggle with the “Empty Page Syndrome,” here is why you should never stop writing—and how to keep going when the ideas have seemingly evaporated.

1. Writing is a Muscle, Not a Mood

Think of your writing ability like a muscle in the gym. If you only lift weights when you feel “inspired” to be strong, you will never see progress. The days you don’t want to be there are the days that build your endurance.

When you force yourself to write through a period of low inspiration, you aren’t necessarily aiming for a masterpiece. You are building the cognitive stamina required to sustain a career. By showing up, you prove to your brain that writing is a non-negotiable habit, like brushing your teeth or sleeping.

2. The “Bad” Writing is the Foundation

When you force yourself to write without ideas, the result is often messy, clunky, and uninspired. That’s okay. In fact, it’s necessary.

Professional writers understand that you cannot edit a blank page. By writing “bad” words, you are clearing the mental pipes. Often, the act of putting down a terrible sentence acts as a catalyst for a better thought. You have to move the cursor to find the gold. If you stop writing the moment you feel stuck, you never reach the breakthrough that lies just three paragraphs deeper.

3. Ideas are a Result, Not a Prerequisite

We often think: I need an idea to start writing. The reality is: Writing creates the idea.

When you sit down to write, you are engaging in a process of discovery. Your brain doesn’t store ideas in a neat little organized file cabinet; it generates them through the friction of the keyboard. If you sit and wait for the perfect prompt, you will wait forever. If you start typing “I don’t know what to write about today,” you have already started the process of thinking. That movement inevitably leads somewhere.

4. How to Keep Writing When You’re Empty

If you’re staring at a blinking cursor and feeling that familiar drought, try these three strategies:

  • The “Brain Dump” Method: Don’t worry about structure or audience. Open a document and write down every annoyance, thought, or observation from your morning. It doesn’t have to be a published piece; it just has to be words on a page.
  • The “Retrospective” Approach: If you can’t invent something new, refine something old. Go back to an old draft, a failed paragraph, or a notebook scrap from six months ago. Editing is writing. It counts.
  • The Constraint Hack: Creativity loves a cage. If you don’t know what to write, give yourself a strict limit. Write 200 words about the colour red. Write a paragraph explaining your favourite meal to an alien. Arbitrary constraints force your brain out of its rut.

The Bottom Line

The difference between an amateur and a professional is often just the ability to endure the days when the spark is gone. You don’t need a brilliant idea to be a writer; you just need to be a person who writes.

So, don’t stop. Keep writing through the silence, the boredom, and the “bad” drafts. The well isn’t dry—it’s just waiting for you to pick up the bucket.

What I learned about writing – Making it manageable

The Epic Dream & The First Word: Conquering Your Biggest Writing Projects (One Step at a Time)

Picture this: You’ve got an incredible idea brewing – a sprawling fantasy epic, a gritty crime trilogy, a non-fiction deep dive into a complex subject that demands multiple volumes. Your imagination soars, your fingers itch… and then, a tidal wave of overwhelm crashes over you.

The sheer scale of it. The endless pages, the character arcs, the world-building, the research, the plot twists across three (or more!) books… it feels less like a project and more like a mountain range you’re expected to scale in a single bound. It’s daunting, terrifying even. The dream of “a three-book series” can quickly paralyse you before you’ve even written a single chapter of the first.

But here’s the quiet wisdom that veteran writers (and anyone who’s ever tackled a seemingly insurmountable task) learn: No one climbs Everest in a single leap. They take one step, then another, then another.

The secret isn’t to think about writing a three-book series; it’s to write this sentence. Then this paragraph. Then this scene. Then this chapter.

Eating the Elephant, One Bite at a Time

Our brains, wonderful as they are, struggle with “massive.” They crave manageable chunks. When you stare at the blank page with “Book One” echoing in your mind, your brain screams, “Impossible!” But when you tell it, “Today, we’re just outlining Chapter 3,” or “Let’s focus on nailing this one dialogue exchange,” suddenly, it feels achievable.

This isn’t just about managing the external task; it’s about managing your internal self-talk. Breaking down an overwhelming project into small, actionable pieces transforms it from an insurmountable beast into a series of achievable tasks.

  • A book series? Break it into individual books.
  • A single book? Break it into acts, then chapters.
  • A chapter? Break it into scenes.
  • A scene? Break it into beats, key actions, or dialogue exchanges.
  • A page? Break it into paragraphs.

You get the idea. Each small victory builds momentum, chipping away at that intimidating mountain until, suddenly, you’re at the summit, looking back at the path you’ve forged.

The Power of the First Step

And this is where that timeless piece of wisdom rings so profoundly true: “The secret of getting ahead is getting started.” (Attributed to Mark Twain, and eternally valid).

It’s not about the perfect first sentence, or having the entire plot mapped out in glorious detail. It’s about showing up. It’s about putting anything down. That blank page, that empty document, is the biggest hurdle. Once there’s something on it, no matter how rough, how imperfect, how far from your grand vision, you’ve begun. You’ve broken the spell of inaction.

Think of it:

  • You can’t edit a blank page.
  • You can’t refine a scene that doesn’t exist.
  • You can’t finish a series you haven’t started.

The act of starting generates its own energy. It creates a tiny gravitational pull that helps you take the next step, and the next. That first word, that first paragraph, that first outline sketch – it’s the anchor that stops you from drifting in the sea of “what ifs” and pulls you towards “what is.”

Your Action Plan for Tackling Giants:

  1. Deconstruct Your Dream: Don’t just see “Book One.” See “Book One, Part 1, Chapter 1, Scene 1, Character X enters the room.”
  2. Set Micro-Goals: Instead of “write a book,” try “Today, I’ll write 250 words” or “I’ll outline the next three scenes” or “I’ll spend 15 minutes brainstorming character names.”
  3. Embrace Imperfection: Your first draft is meant to be bad. Get it done, then make it good. Don’t let the fear of not being perfect stop you from being prolific.
  4. Celebrate Small Wins: Finished a chapter? High five yourself! Outlined a whole book? Treat yourself to a nice coffee. These small acknowledgments reinforce positive habits.

So, if you’re standing at the foot of your own literary Everest, feeling the chill of overwhelm, remember these two powerful truths: Break it down, and just start. Your masterpiece isn’t waiting for perfection; it’s waiting for your first word.

What will it be?