365 Days of writing, 2026 – My Story

An old story resurrected

Eight out of eight passengers and crew never thought they’d find themselves in what was, literally, a life and death situation.

The air hung heavy with cigarette smoke, for nearly all smoked (and some for the first time).  Tension thickened the atmosphere to a point where it could almost be cut with a knife.

In the deathly quiet, all had time to reflect on the fate that had befallen them, and the resume of events read like the script of the archetypal disaster movie.

The first hint of trouble came when they’d lost one engine.  The pilot had been quite nonchalant about it because, he said, they had three others.  Only Harry thought he could detect a note of apprehension in his tone.

Then, after a short time, they lost another engine.

An hour later, they crashed.

Of the eight, during those precious seconds before impact, none believed they would survive, that only the pilot and co-pilot perished.  All admitted it had been a spectacular piece of flying on the pilot’s part, all, that is, except Rawlings.

“A fine mess this blasted pilot has got us into,” Rawlings said for the umpteenth time.  No one had taken much notice before, and it was debatable whether anyone was taking notice now, for Rawlings had hardly endeared himself to the other passengers.

As the only person travelling first class, he made sure he received the best service (and the only one to receive any service, for that matter) from the moment he came on board.  The fact that the airline had allocated only one stewardess for the flight was the airline’s (and his fellow passengers’) problem, not his.

“After telling us how clever you are, Rawlings, why don’t you do something about it?”  An indistinguishable voice came from the rear of the plane.  It was an indication of the undercurrent of hate simmering beneath the icy calm.

Rawlings, still in the forward section of the plane, glared at the group, trying to put a face to the voice.  “To whom am I speaking?”

No one replied.

“No matter.”  He shrugged it off.  “Had the pilot managed to get the plane down in one piece, I could.  Since he didn’t, you can be assured I’ll think of something, which is more than I can say for some.”  It was, to him, a simple statement based on his assessment of the situation, but it served only to further alienate him from the others.

Harry had known better days, and, not for the first time, he wished this were one of them.  He’d had a premonition the previous night when he’d woken, bathed in sweat, an unconscious warning of an impending disaster.

Not that the threat of death was significant to him, for he knew it would come eventually, despite the doctor’s optimism, but not yet, not here, in the middle of nowhere, atop a mountain range in the freezing cold.

He glanced at his fellow passengers, a curious mixture of travellers he’d ever met.

Rawlings was the egotistical, bombastic, thorough son-of-a-bitch.  He had gone out of his way to make the trip as miserable as possible for the others.  Status, to him, was all-important, even after the crash.

Harkness, Rawlings’ assistant (and relegated to Economy class because he was a servant), was the sort who said little and suffered a lot.  His defence of the pilot had caused Rawlings to ‘vent his spleen’ on him, after which, to Harkness, the silence must have been golden.

Daphne and her mother, Mrs Gaunt, two of the three women on board, were congenial, cheerful people who bore up well considering they were terrified out of their wits.  Daphne, in fact, had taken over stewardess duties for the Economy passengers, a job much appreciated by them.

The remaining two passengers, geologists, were odd sorts who arrived late and drunk.  After taking off, they’d fallen asleep and, in fact, had slept through the crash.  They were, Harry thought, in for one hell of a shock when they finally woke.

Above all, however, the stewardess had fared the worst, after the pilots, having, after the discovery of the death of the pilots, become hysterical.  It was an interesting development because she had kept a tight, calm grip on the situation all through the calamity.

Harry huddled closer under his blanket, only to remember his sore arm.  He didn’t think it was broken, but it certainly felt like it.  And the hell of it was, he couldn’t remember how it happened.  He shuddered as a gust of icy wind came through the rent in the fuselage near his seat.  But it was not only the cold which left him with almost uncontrollable shakes – it was also the onset of shock. 

In the back of his mind, he relived those cataclysmic minutes after successive engines failed.  It was then he wished he hadn’t been so insistent on having a window seat.

As the plane lurched sickeningly, the pilot calmly said they’d have to land immediately.  Of course, he added equally as calm, it would be difficult in mountainous country.  However, they were fortunate it had been snowing recently.  All except Rawlings took the news with equanimity.  It was odd, someone said later, that with all his knowledge and self-praise, Rawlings didn’t take over the plane and fly them to safety.

The plane was barely in the air when the order came to brace themselves, and all were prepared when the plane hit the ground moments later.

The plane came to rest abruptly in a snow-covered valley; the silence, after the cacophony of tearing metal and involuntary screams, was almost maddening.  The first realisation each had was that they were still alive – the second, the icy wind coming in through the large cracks in the fuselage.

Harry was the first to move himself into action and to make an appraisal of the situation.  The other passengers were more or less unharmed, except for the stewardess, who was slightly dazed.  Then, Harkness joining him, he went forward to the flight deck.  When they managed to wrench the door open, they were greeted by a scene of total destruction.  Both pilots were dead, unrecognisable in the mass of twisted wreckage.  Harry quickly reclosed the door before he was physically ill.

At least it explained why the plane had stopped so abruptly:  they’d crashed into a rock in the last stage of the slide.  It was miraculous that the plane hadn’t caught fire.

Harry had no intention of taking charge; it just happened.  He told the others what the situation was, briefly and down to earth and then suggested they search for food and other items such as blankets.  Everyone noted Rawlings’ lack of enthusiasm to help, and if it had not been for Daphne, he would not have received blankets or food.  Most ignored him, wondering at the fact that he could still be so aloof in such tragic circumstances.

Because of the cold, they quickly organised themselves so they could wait for their rescue.  It wouldn’t, they reasoned, relatively cheerfully, be long.

Whilst the others may have considered Rawlings little more than a pain in the neck, it would have surprised them to learn that he despaired for them.  He couldn’t understand their attitude towards him, for all he wanted to do was make them feel better, and, if he could, help.

But there was little chance of that occurring, and, in fact, as much chance as him receiving the treatment he considered he deserved.  It was clear in his own mind that there were two types of people in the world: the leaders and the led.  By virtue of his station in life, he was one of the leaders.  Why, he asked himself rhetorically, didn’t they realise that?  He glared at them, all studiously ignoring his presence.  There was, he thought bitterly, little prospect of getting any assistance from those people.

Conditions were unbearable during the first night.  Darkness had fallen quickly, and with no hot food to ward off even a fraction of the coldness that had settled on them, their relatively good spirits quickly dissipated. 

To Harry (and the others) the night seemed interminable, and he found it impossible to sleep for any length of time.  He was shaking uncontrollably, despite the warm clothing and number of blankets, and, as dawn broke, he wasted no time getting up and about to get his circulation going again, urging the others to do likewise.  It was something he remembered having seen in a film once: if the cold was allowed to take over, a person quickly succumbed and died.

His first venture outside was something of an experience.  In the first instance, it was colder outside than in, if that was possible, and in the second, the landscape was as bleak, in his opinion, as their prospects of rescue.

After trekking some distance through the rather solid snow and up a rise, he found he had a good view of the plane, and the fact that there were, strangely, no trees from one end of the valley to the other.  The same could not be said for the surrounding country.  It seemed an impossibility that the pilot had been able to find such a place, and, desperately unlucky, he should hit the only rock Harry could see in the line of the plane’s path.

The plane was half covered in snow.  It was apparent it had been snowing during the night, and by the look of the sky, more was on the way.  Low clouds continually swept through the valley, obscuring everything from view, and that, he considered, would make discovery from the air nigh on impossible.

What it really meant was that they would have to come up with their own plan of action rather than wait for hypothermia to take its toll.  It was something he had been thinking about most of the night, but he had been unable to progress to any sort of workable alternatives.

During a clear period, Harry saw Harkness coming towards him slowly.  He was rapidly gaining respect for Harkness, as he was not only surprisingly cheerful (despite being blunted by the more dominant Rawlings) he was resourceful.

By the time he reached Harry, he was out of breath and needed a few minutes to recover.  Harry noted he looked a good deal older than he had first estimated.

“What a hike, but it sure beats the hell out of waiting down there,” Harkness said when he’d recovered sufficiently, nodding towards the wreckage.  “And, God knows how, I feel warm.”

“So do I.  It was one of the reasons I came here.”

“Those two geologists, or whatever they are, are finally awake.  Boy, you should have seen their faces.  One swore he’d give up drink forever.”

“He may get his wish sooner than he thinks.”

“You don’t rate our chances of discovery high, eh?”

“Take a look.”  Harry beckoned to the mist, swirling through the valley, obliterating everything in their view.  Harry, in fact, could hardly see Harkness.

“Yes.  I see what you mean.  What do you think we should do?”

“God knows.  But one thing is for sure, I don’t think we can afford to sit and wait for someone to come and find us.  Not under the current circumstances, with more snow imminent.   It’ll take only another fall to completely hide us from any viewpoint.”

Harkness looked at the sky, then at the surroundings, and nodded in agreement, adding, after a minute, “It seems odd this is the only part of the country that’s clear of trees.  Do you think there’s any significance in that?”

“Exactly, would you believe, what I was thinking?”

“Do you think we might be near help?”

“Who knows.  But, because of the urgency of the situation, I think we should find out.  The question is who the ideal person is.”  There was, however, no doubt in his mind.

“You’re mad, stark, staring mad,” Rawlings said when Harry told the others of the plan he and Harkness had formulated on their way back to the plane.

“I agree there is an element of risk….”

“Risk?” Rawlings exploded.  “Risk?  It’s bloody suicide.  My own view is that we should sit tight.  We have enough to eat, and we’re relatively warm.  It won’t be long before the search parties are out now we are overdue.”

“You haven’t been outside.  Circumstances dictate that we must seek help.  It’s been explained in detail.  If you cannot understand the situation, then don’t interfere.”  Harkness glared at his old chief, for the first time feeling more than a match for him.  Rawlings would never again dominate him.

“Then you’re fools, as are all the rest of you if you condone this idiocy.  I wash my hands of it.”  And he ignored them, going back to his book.  If that Davidson character wanted to kill himself, that was his business.

There were no other objections.  The others understood the realities of the situation, both Harkness and Harry had explained at length.  Harry would seek assistance.  Harkness would do his best to keep the others alive.

Then, after a good meal (in the circumstances) and taking enough food for two days, Harry left.  At the top of the rise, he stopped, briefly, looking at the scene.  It was, he thought, exactly as it had been in the dream.

For two days, it had snowed continuously.  The sub-zero temperatures had virtually sapped them all of whatever energy they had left, and, on the morning of the third day, they were all barely alive

At the end of the second day, Harkness had requested everybody to huddle together, including the standoffish Rawlings, who finally agreed, despite inner misgivings.  It was probably this single action that saved them.

Harkness, though he said nothing, had given up hope that Harry would still be alive.  No one could have survived the intensity of the blizzard.

Harkness had woken to inky darkness and a death-like silence, the storm having abated.  His first thought was that he had died, but that passed as the cold slowly made itself felt.  Soon after, finding his torch still worked, he roused everyone and cajoled or browbeat them into doing their exercises to ward off frostbite.

It was then that they heard the strange throbbing sound, and Harkness instinctively went to go outside and found they’d been snowed in.  As the throbbing sound passed over them again, Harkness didn’t need to ask for assistance to make an opening in the snow.  They frantically dug their way through; luckily, the snow wall was only of powder-like consistency.  Not long after daylight showed through, and then Harkness was out.  But the plane, or what he assumed to be a plane, had gone.

Instead, he was alone, by the snow mountain that covered the plane, greeted by a perfectly blue sky and the sun’s rays.  It was, he thought wryly, perfect skiing weather, but awfully lonely if no one could see where you were.

In a minute, he was joined by Daphne, and the disappointment was written on her face.  They waited, wordless, by the plane for an hour, glad to be out of the confined space of the fuselage, and were, at various times, joined by the others, escaping what Mrs Gaunt had said (now, after the rescue plane had gone) would probably be their grave.  The disbelief and joy of having survived the crash had now worn off, and Harkness knew that if they had to try to survive another night, some might not make it.

He was alone, striking out for the rise when the throbbing sound returned, coming from behind him.  And judging by the sound, it could not be a plane.  It was too low and too slow.  Thus, he was not surprised when a helicopter hovered over the rise and slowed as the occupants sighted him waving frantically, and yelling, quickly being joined by the others.

They all couldn’t believe they’d been rescued, all, that is, except Rawlings.  In every instance, Rawlings had been the exception, and it was not to his credit.  He was the only one who had suffered severely from frostbite.  He was, however, the one to say, when they finally reached what he called civilisation, that he’d been right:  that all they had to do was sit tight and wait.  They’d be rescued sooner or later.

That was when the leader of the rescue operation shattered his illusion – and shocked everyone else.  “That’s not necessarily so, Mr Rawlings.  You would have been discovered, but late in spring, after the thaw.  The plane was terribly off course, and to be honest, after the second day, we’d given up any real hope of finding you.  The country around here is very rugged.  No, you owe a great deal to a fellow called Davidson.”

“Davidson, you say?” Harkness muttered.  “He’s alive?”

“Unfortunately, no.  He died soon after he told us about the plane and where it had crashed.  If he hadn’t, you’d still be there.”

“My God.”  Harkness slumped into a chair, only barely able to hear Rawlings say, quietly, “I told him it was suicide, but no one listened to me.  Suicide, I said.  And, as for that damn pilot…..”

©  Charles Heath  2026

NaNoWriMo – April – 2026 – Day 21

I’m currently working on some back chapters because they impact from the point where I’m currently up to, chapter 24/28, and with a little twerking, this part is coming together and will serve its purpose as a lead into what happens later on, and make sense where it was a little out of the blue.

I’ve got a new character, but what her role will be beyond this part of the story is yet to be determined. I think it might end up being a walk-on, walk-off, but part with lines.

Other than that, the novel is proceeding, and the end, three or four chapters long, is sitting at the back of my mind, and after a few more days, as we get closer to the end, it will become clear.

There is a plan, but as we are all fully aware, some things don’t go according to plan.

NaNoWriMo – April – 2026 – Day 20

It’s now two-thirds of the way through, and I’m making great progress.

The consequences of the twist that happened yesterday did not have much of an effect on the planned storyline, so it’s full steam ahead.

This story is going to be longer than 50,000 words, as, at the moment, the count is just under 40,000 words.

So far, I have 8 chapters in Part 1

9 chapters in Part 2, with one to be edited (outline is written)

24 chapters in Part 3, with 2 to be edited (also have outlines written)

Looking at the plan, there are approximately 9 more chapters to be edited, and then,

3 or 4 chapters in Part 4 to wrap it up

My best guess, this story will come in at around 70,000 words.

365 Days of writing, 2026 – 93

Day 93 – This is your life!

The Art of Timing: When is the Right Moment to Write Your Memoir?

You’ve lived a life full of twists, turns, heartbreaks, and triumphs. You feel the itch to put it all on the page—to organise the chaos of your past into a narrative that others can learn from. But then, the nagging question creeps in: Is it too soon?

We often hear that “everyone has a book in them,” but not everyone understands that a memoir is not just an autobiography—it’s a carefully curated work of art. If you’re wondering when to sit down and start writing, consider this your guide to finding the right moment.

The “Age 20” Trap: Why Gravitas Matters

It’s easy to feel like you’ve lived a lifetime by the time you hit your twenties. Perhaps you’ve travelled, fallen in love, or survived a difficult season. While your story is undoubtedly valid, it may lack the perspective required for a compelling memoir.

Writing a memoir requires emotional distance. If you are still in the thick of the trauma, the anger, or the immediate aftermath of a life-changing event, you are likely writing a diary, not a memoir. Diaries are for processing; memoirs are for reflecting.

At twenty, your life is still in the “active” phase. You are the protagonist, but you aren’t yet the historian of your own existence. Gravitas—the weight, the wisdom, and the “so what?” factor—usually comes when you can look back at your younger self with compassion rather than reactiveness. You need enough time to have passed so that you can see how the dots connected, not just how they hit you in the moment.

The Key Ingredients of a Compelling Memoir

A great memoir isn’t just a chronological list of dates and events. It is a transformation arc. To move your story from a personal journal to a page-turner, you need to infuse it with these three ingredients:

1. The Universal Theme

The biggest mistake aspiring memoirists make is assuming people want to read about them. The truth is, readers want to read about themselves through your experiences. Your memoir needs a universal theme—grief, resilience, the search for identity, or the complexity of forgiveness. If your story can act as a mirror for the reader, you have a winner.

2. The “Reflective Narrator”

Readers don’t just want to see the person who was making mistakes at 22; they want to hear from the person you are today. How has your understanding of the past shifted? The tension between who you were then and who you are now is where the “gravitas” lives. You must be willing to analyse your own motivations, even the ones that aren’t particularly flattering.

3. The Vulnerability Threshold

If you aren’t sweating a little bit while you write, you probably aren’t being honest enough. A compelling memoir requires you to strip away the ego. If you portray yourself as the hero of every chapter, the reader will lose interest. We connect with human flaws, failed ambitions, and the quiet moments of realisation. Ask yourself: Am I holding back to protect my image, or am I laying it all out to serve the story?

So, How Long Should You Wait?

There is no specific year on the calendar that signals “you are ready.” Instead, ask yourself these three questions:

  • Can I write about this without wanting to exact revenge? (If you’re writing to settle scores, it’s not ready.)
  • Do I understand the “Why”? (Can you explain what your story teaches you about the human condition?)
  • Is the wound a scar, or is it still bleeding? (If it’s still bleeding, use your journal. When it becomes a scar, start your memoir.)

Writing a memoir is an act of archaeology. You are digging through the layers of your identity to find the fossilized truths that remain. Take your time. Let the story settle. When the urgency to scream your story matches the clarity to understand it—that is when you are ready to write.


Are you working on your story? What’s the biggest challenge you’re facing in capturing your past? Let’s discuss in the comments below.

“People have a way of surprising you…” – A short story

Last days were supposed to be joyous, the end of your working life and the start of the rest of your life.

I’d spent the last 35 years working for the company, navigating through three buyouts, five name changes, and three restructures. I was surprised I was still employed after the last, only two years before.

But, here I was, sitting in the divisional manager’s office, my office for one more day, with my successor, Jerry, and best friend, sitting on the other side.

“Last day, what are you thinking?” He asked casually.

It might have been early, but we both had a glass of scotch, a single malt I’d kept aside for an important occasion and this seemed like one.

I picked up the glass and surveyed the contents, giving myself a few moments to consider an answer to what could be a difficult question. To be honest, the thinking had started on the subway on the way in, when I should have been working on the crossword, but instead, I was lamenting the fact that the next chapter of my life would be without Ellen.

We would have been married, coincidently, 43 years ago today, had she been alive. Unfortunately, she had died suddenly about four months ago, after a long battle with cancer.

And I still hadn’t had time to process it. Truth is, it had been work that kept me together, and I was worried about what was going to happen when it would no longer there.

To a certain extent, I was still on autopilot, her death coming in the middle of a major disaster concerning the company, one that had finally, and successfully, been brought to a conclusion with favorable results for everyone.

But what was I thinking right then, at that precise moment in time? Not something he would want to hear, so I made the necessary adjustment. “That I’m basically leaving you a clean slate, so don’t screw it up.”

I could see that was not what he wanted to hear.

He decided to take a different tack. “What have you got planned for the first day of retirement.”

He knew about Ellen and had been there for me, above and beyond what could have been expected from anyone. I owed him more than a platitude.

“Sleep in, probably, but I’m going to be fighting that body clock. It’s going to be difficult after so many years getting up the same time, rail hail or shine. But we had plans to go away for a few months, you know, the trip of a lifetime, then move. Ellen wanted to go back home for a while, now, I’m not sure what I’m going to do.”

“Then perhaps you should, or at the very least, go home for a while. You said you both come from there; who knows, being back among family might just be what you need.”

It was something I had been thinking about and had been issued an open-ended invitation from her parents to come and stay for as long as I wanted, one that I was seriously considering.

But, before I could tell him that, the phone rang.

Never a dull day…
The day went quickly, and as much as it was expected I’d hand over anything that happened to my successor, I couldn’t quite let go. There was the proverbial storm in a teacup, but it was a good opportunity to watch the man who was taking over in action. He had a great teacher, even if I said so myself.

But it was the end of the day and the moment I had been dreading. I’d asked the personnel manager not to make a big deal out of my departure, and that I didn’t want the usual sendoff, where everyone in the office came and I would find myself at a loss of words and feel like I had to speak to a lot of people I didn’t really know.

There were only about a dozen that I really knew, a dozen that had survived the layoffs and restructuring, and although there were others, I didn’t have anything to do with them. My last job took me out of the office more than being there, and so many of the other people were from offices scattered all up and down the east coast.

I’d mostly said my goodbyes to them on the last quarterly visit. Sixteen offices, fifty-odd employees who were as much friends as they were staff who worked for me. There had been small dinners and heartfelt moments.

This I was hoping would be the same.

Jerry had been charged with the responsibility of getting me to the presentation; they called it a presentation because I had no doubt there would be a presentation of some sort. I had told the CEO a handshake and a couple of drinks would suffice, and he just congenially nodded.

Jerry had taken the manager’s chair and I was sitting on the other side of the table. We’d finished off the last of the single malt, and dirt was time to go. I closed the door to the office for the last time, and we walked along the passage towards the dining room. It was a perk I’d fought hard to keep during the last restructure when the money men were trying to cut costs.

It was one of the few battles I won.

He opened the door and stood to one side, and ushered me through.

It was a very large space, usually filled with tables, chairs, and diners. Now it was filled with people, leaving a passageway from the door to a podium that had been set up in front of the servery, where a large curtain stretched across the width of the building with the company logo displayed on it.

There were 2,300 people who worked in this office and another 700 from the regional offices. By the look of the crowd, every single one of them was there.

It took fifteen minutes to get from the door to the podium. Faces of people I’d seen every day, faces I’d seen a few times a year, and faces I’d never seen before. On the podium there was a dozen more, faces I’d only seen in the Annual Accounts document, except for the General Manager and the CEO.

“You will be pleased to know everyone here wanted to come and bid you farewell,” the General Manager said.

“Everyone? Why?”

“Well, I’ve learned a lot about this company and its people over the last week, and frankly, people have a way of surprising you. And given the impact you have had on each and every one of them, I’m not surprised. So much so, they wanted to give you something to remember them by.”

A nod of the head and the curtains were pulled back, and behind them was an original 1968 XJ6 Jaguar, fully restored, a very familiar XJ6. The car had belonged to Helen and I had to sell it to help pay the medical bills. It had been a gut-wrenching experience, coming at a time when everything that was happened to her almost overwhelmed me.

“Jerry told us about this particular car, so all of your friends thought, as a fitting memory to you and of her, that we should find it and restore it. Everyone here contributed. It is our gift to you for everything you have done for us.”

So much for the usual sendoff…

—-

© Charles Heath 2020-2021

365 Days of writing, 2026 – 93

Day 93 – This is your life!

The Art of Timing: When is the Right Moment to Write Your Memoir?

You’ve lived a life full of twists, turns, heartbreaks, and triumphs. You feel the itch to put it all on the page—to organise the chaos of your past into a narrative that others can learn from. But then, the nagging question creeps in: Is it too soon?

We often hear that “everyone has a book in them,” but not everyone understands that a memoir is not just an autobiography—it’s a carefully curated work of art. If you’re wondering when to sit down and start writing, consider this your guide to finding the right moment.

The “Age 20” Trap: Why Gravitas Matters

It’s easy to feel like you’ve lived a lifetime by the time you hit your twenties. Perhaps you’ve travelled, fallen in love, or survived a difficult season. While your story is undoubtedly valid, it may lack the perspective required for a compelling memoir.

Writing a memoir requires emotional distance. If you are still in the thick of the trauma, the anger, or the immediate aftermath of a life-changing event, you are likely writing a diary, not a memoir. Diaries are for processing; memoirs are for reflecting.

At twenty, your life is still in the “active” phase. You are the protagonist, but you aren’t yet the historian of your own existence. Gravitas—the weight, the wisdom, and the “so what?” factor—usually comes when you can look back at your younger self with compassion rather than reactiveness. You need enough time to have passed so that you can see how the dots connected, not just how they hit you in the moment.

The Key Ingredients of a Compelling Memoir

A great memoir isn’t just a chronological list of dates and events. It is a transformation arc. To move your story from a personal journal to a page-turner, you need to infuse it with these three ingredients:

1. The Universal Theme

The biggest mistake aspiring memoirists make is assuming people want to read about them. The truth is, readers want to read about themselves through your experiences. Your memoir needs a universal theme—grief, resilience, the search for identity, or the complexity of forgiveness. If your story can act as a mirror for the reader, you have a winner.

2. The “Reflective Narrator”

Readers don’t just want to see the person who was making mistakes at 22; they want to hear from the person you are today. How has your understanding of the past shifted? The tension between who you were then and who you are now is where the “gravitas” lives. You must be willing to analyse your own motivations, even the ones that aren’t particularly flattering.

3. The Vulnerability Threshold

If you aren’t sweating a little bit while you write, you probably aren’t being honest enough. A compelling memoir requires you to strip away the ego. If you portray yourself as the hero of every chapter, the reader will lose interest. We connect with human flaws, failed ambitions, and the quiet moments of realisation. Ask yourself: Am I holding back to protect my image, or am I laying it all out to serve the story?

So, How Long Should You Wait?

There is no specific year on the calendar that signals “you are ready.” Instead, ask yourself these three questions:

  • Can I write about this without wanting to exact revenge? (If you’re writing to settle scores, it’s not ready.)
  • Do I understand the “Why”? (Can you explain what your story teaches you about the human condition?)
  • Is the wound a scar, or is it still bleeding? (If it’s still bleeding, use your journal. When it becomes a scar, start your memoir.)

Writing a memoir is an act of archaeology. You are digging through the layers of your identity to find the fossilized truths that remain. Take your time. Let the story settle. When the urgency to scream your story matches the clarity to understand it—that is when you are ready to write.


Are you working on your story? What’s the biggest challenge you’re facing in capturing your past? Let’s discuss in the comments below.

NaNoWriMo – April – 2026 – Day 20

It’s now two-thirds of the way through, and I’m making great progress.

The consequences of the twist that happened yesterday did not have much of an effect on the planned storyline, so it’s full steam ahead.

This story is going to be longer than 50,000 words, as, at the moment, the count is just under 40,000 words.

So far, I have 8 chapters in Part 1

9 chapters in Part 2, with one to be edited (outline is written)

24 chapters in Part 3, with 2 to be edited (also have outlines written)

Looking at the plan, there are approximately 9 more chapters to be edited, and then,

3 or 4 chapters in Part 4 to wrap it up

My best guess, this story will come in at around 70,000 words.

NaNoWriMo – April – 2026 – Day 19

As a result of a sit-down with Chester, who has been keeping an eye on the progress of the project, or at least that’s what he thinks, we’ve decided that there’s going to be a slight change.

Plan or not, writing the story was always going to go the way the characters want to go, and I’ve decided that the two protagonists are not going to have a happily ever after.

They can’t.

It was a pie in the sky notion that they could, given the nature of their professions. But it’s not only that; it comes down to the plans their employer has for them, and it certainly isn’t for them to be together.

So, the way it’s written, they were about to have that intimate moment when common sense took over, and instead of being together, they are apart in her apartment.

She wanted him to stay, he wanted to stay, but there are forces in play that dictate caution.

Then the plot twist no one saw coming.

I’m excited about the next ten days.

Stay tuned

365 Days of writing, 2026 – 92

Day 92 – Holidays – Bah, humbug

The Blank Page, The Burnout, and the Necessity of Leaving Your Desk

There is a specific kind of romanticism attached to the image of the “tortured writer.” We envision the solitary figure, hunched over a desk in a dimly lit room, surrounded by stacks of paper and empty coffee mugs, finding their ultimate bliss in the quiet hum of creation.

If your ideal scenario—your slice of heaven—is sitting in a silent room with nothing but a blank sheet of paper and a pen, you might be wondering: Is there something wrong with me?

The short answer? No. But there is a danger in confusing “solitude” with “stagnation.”

The Comfort of the Void

For many of us, the blank page is the ultimate sanctuary. It is a space of pure potential, untainted by the messy, demanding realities of the outside world. When the world feels loud, chaotic, or overwhelming, the blank page is the only place where we can impose order. It’s a controlled environment where we are the architects of the universe.

However, that sanctuary can quickly become a cage. When you retreat into the vacuum of your own mind for too long, your writing begins to suffer. It loses its vitality, its texture, and its connection to the very thing it’s supposed to reflect: life.

The Myth of the Perpetual Engine

We feel guilty when we stop. We worry that if we step away from the desk, we’ll lose our momentum, our “voice,” or our discipline. But here is a hard truth every writer needs to internalise: To write about life, you must actually live it.

If you spend every waking hour staring at a blank page, you are not refilling the well; you are just watching the bottom of the bucket. Eventually, the well runs dry.

When you force yourself to stay in that room, you aren’t just risking a “writer’s block” or a mediocre draft; you are risking a breakdown. Writing requires a massive expenditure of emotional and intellectual energy. It is an act of extraction. If you never replenish, you begin to run on fumes. You become irritable, exhausted, and—perhaps worst of all—your writing starts to sound like a rehash of a rehash.

Why You Need to “Get Out”

Taking a break isn’t an act of laziness; it is a vital part of the creative process. Here is why you need to leave the room:

1. You need input to create output. Inspiration is rarely found at the desk. It is found in the way a stranger speaks on the bus, the changing colour of the leaves in the park, the frustrating delay of a train, or the taste of a meal you didn’t have to cook yourself. These experiences provide the “raw material” for your stories. Without them, your writing becomes abstract and hollow.

2. The subconscious needs room to breathe. Have you ever noticed that your best ideas come in the shower or while you’re out for a walk? That’s because your brain is a problem-solving machine that works best when it’s distracted. By stepping away, you give your subconscious permission to connect the dots that your conscious mind was too stubborn to see.

3. Perspective is a cure for perfectionism. When we sit in a room for too long, we lose our sense of proportion. A single paragraph feels like a life-or-death struggle. A week away from the work allows you to come back with fresh eyes, seeing the flaws you were blind to and the potential you had buried under anxiety.

The Holiday is Part of the Work

If you are currently feeling like the “ideal situation” of the blank page is starting to feel more like a prison cell, take it as your sign: Go on holiday.

It doesn’t need to be an exotic excursion. Go to a museum, sit in a crowded cafe, take a hike, or simply spend a weekend completely disconnected from your project. Give yourself the gift of being a person for a few days, rather than a “writer.”

When you return to that desk, you won’t be returning to a cage. You’ll be returning with pockets full of observations, a rested nervous system, and a surplus of energy.

The blank page will still be there. It’s not going anywhere. But it will be waiting for a version of you that has something new to say.

365 Days of writing, 2026 – 92

Day 92 – Holidays – Bah, humbug

The Blank Page, The Burnout, and the Necessity of Leaving Your Desk

There is a specific kind of romanticism attached to the image of the “tortured writer.” We envision the solitary figure, hunched over a desk in a dimly lit room, surrounded by stacks of paper and empty coffee mugs, finding their ultimate bliss in the quiet hum of creation.

If your ideal scenario—your slice of heaven—is sitting in a silent room with nothing but a blank sheet of paper and a pen, you might be wondering: Is there something wrong with me?

The short answer? No. But there is a danger in confusing “solitude” with “stagnation.”

The Comfort of the Void

For many of us, the blank page is the ultimate sanctuary. It is a space of pure potential, untainted by the messy, demanding realities of the outside world. When the world feels loud, chaotic, or overwhelming, the blank page is the only place where we can impose order. It’s a controlled environment where we are the architects of the universe.

However, that sanctuary can quickly become a cage. When you retreat into the vacuum of your own mind for too long, your writing begins to suffer. It loses its vitality, its texture, and its connection to the very thing it’s supposed to reflect: life.

The Myth of the Perpetual Engine

We feel guilty when we stop. We worry that if we step away from the desk, we’ll lose our momentum, our “voice,” or our discipline. But here is a hard truth every writer needs to internalise: To write about life, you must actually live it.

If you spend every waking hour staring at a blank page, you are not refilling the well; you are just watching the bottom of the bucket. Eventually, the well runs dry.

When you force yourself to stay in that room, you aren’t just risking a “writer’s block” or a mediocre draft; you are risking a breakdown. Writing requires a massive expenditure of emotional and intellectual energy. It is an act of extraction. If you never replenish, you begin to run on fumes. You become irritable, exhausted, and—perhaps worst of all—your writing starts to sound like a rehash of a rehash.

Why You Need to “Get Out”

Taking a break isn’t an act of laziness; it is a vital part of the creative process. Here is why you need to leave the room:

1. You need input to create output. Inspiration is rarely found at the desk. It is found in the way a stranger speaks on the bus, the changing colour of the leaves in the park, the frustrating delay of a train, or the taste of a meal you didn’t have to cook yourself. These experiences provide the “raw material” for your stories. Without them, your writing becomes abstract and hollow.

2. The subconscious needs room to breathe. Have you ever noticed that your best ideas come in the shower or while you’re out for a walk? That’s because your brain is a problem-solving machine that works best when it’s distracted. By stepping away, you give your subconscious permission to connect the dots that your conscious mind was too stubborn to see.

3. Perspective is a cure for perfectionism. When we sit in a room for too long, we lose our sense of proportion. A single paragraph feels like a life-or-death struggle. A week away from the work allows you to come back with fresh eyes, seeing the flaws you were blind to and the potential you had buried under anxiety.

The Holiday is Part of the Work

If you are currently feeling like the “ideal situation” of the blank page is starting to feel more like a prison cell, take it as your sign: Go on holiday.

It doesn’t need to be an exotic excursion. Go to a museum, sit in a crowded cafe, take a hike, or simply spend a weekend completely disconnected from your project. Give yourself the gift of being a person for a few days, rather than a “writer.”

When you return to that desk, you won’t be returning to a cage. You’ll be returning with pockets full of observations, a rested nervous system, and a surplus of energy.

The blank page will still be there. It’s not going anywhere. But it will be waiting for a version of you that has something new to say.