Tag: creativity

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 28

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

I didn’t get to go wandering into the next ward to see Boggs, if he was there, because the head of ER had decided I was well enough to be discharged.  It seems they had kept me there just in case there might be problems with concussion after being whacked on the head.

I still had a dull ache in my head, but they gave me a few days supply of pain killers and sent me on my way.  After I signed some papers to that said anything happened to me outside the hospital was my fault, and that I’d been duly warned about the possible consequences of concussion.

That list of consequences always ended in death, but that could happen by being run over by an ambulance arriving outside the ER just as I was leaving.

I don’t know why, but I’d expected someone to be there, though I was not sure who.

It was a short walk to the main entrance to the hospital, and then a bit of a puzzle to be solved in trying to find the appropriate person who could tell me where Boggs was.

Twenty minutes later I came to an abrupt woman in a hospital uniform with a clipboard in her hand, and a solemn look on her face.  If the brick wall could be personified, this was it.

Nurse Jamieson.  No first name.  No sense of humour.

She looked up at me with utter disgust that someone would dare interrupt what she was doing, something I had not worked out yet unless staring at a screen saver on her computer could be said doing something.

“Can you tell me where Wiliam Boggs is, please,”  I said it nicely, and politely.

“Are you a relative?”

“No, I’m his best friend.”

“That’s not what I asked.  You can hear properly can you?”

“Yes.”

Then, what did I ask you, just before?”

“Was I a relative?”

“And the answer?” followed by what I thought she said, “not that we don’t already know the answer to that one.”

“No.”

“The go away.  Close relatives only.”

“Then if I can’t see him, can you tell me how he is?”

Too late.  Nurse Jamieson had gone back to the mesmerising screen saver.  Perhaps it was being used by some intergalactic alien to brainwash her.

I shook my head and headed back towards the main entrance.

“Excuse me?”

I heard a voice from behind, approaching quickly but quietly.  Another nurse, a different coloured uniform.  Bad nurse, good nurse, was this the latter?

I turned as she reached me.  “Yes?”

“I heard you were looking for Boggs.”

Last name, only used by friends, not that he had many, and none who were female unless he’d been holding out on me.  No, he didn’t know any girls.

“Yes.  He’s my best friend.  Do you know him?”

“A friend of his cousin, Annabelle.  I can take you to him, but you won’t be able to stay very long.”

Annabelle?  I don’t remember him telling me anything about a cousin called Annabelle, but he did say there were family members he still hadn’t met, but that was because of longstanding feuds.

“Is he alright?”

“Nothing a little rest won’t cure.  He looks worse than he is.”

I followed her back along a passage off the main foyer to an elevator, and then up to the sixth floor.  

A sign on one of the ways pointed to what was called ‘Recovery’.  We walked halfway down that passage then stopped at a room.

“He’s in there.”

The door was open, but there was a screen pulled across the entrance blotting out those who walked past from looking it.  I pushed the screen back a short distance and saw the end of the bed.

When I stepped in and reclosed the screen, I realized the bed was empty, though someone had been in it.  I stepped further into the room, and around the corner, sitting in a chair, was Nadia.

© Charles Heath 2019

Back waiting at the railway station…

One of my retirement jobs is running a taxi service known as uberpoppy.

It’s a job that I don’t mind doing because I get to see my grandchildren several times a week, and get to hear their stories, from the very worst of teenage angst, to sometimes good news.

I have absolutely no idea how children cope with the modern day pressures of school, dealing with their contemporaries, parents, and siblings.

And the older you are, the harder it gets.

And if you are girls, it is even more fraught.

So first cab off the rank in terms of how her day was going, old friends have become new enemies, losing one friend for reasons unknown to anyone other than the friend in question, potentially isolates you from that group.

It’s peer pressure at its worst.

Then there’s the necessity to conform, not to anything sensible, but what ever the queen bee of the group considers initiation worthy .

Sometimes it’s not worth the effort to confirm.

The thing here is, not a lot has changed from my day, over 50 years ago. Initiations were also terrible, it was thought up by the leader, who usually was a cretin, and his acolytes, equally as moronic.

What advice do I give her?

The temptation is to conform to the group, but that sometimes backfires, because these situations all have the possibly of damned if you do or damned if you don’t.

My best advice to her was that she had to dance to the tune of her own song. Sometimes all it takes is for others to realise your worth is to take a stand, not one that you rubbish the group but in your silence and in your actions.

Its very hard at that age to say you should lead by example, but sometimes it gives you that small break from the nonsensicality of school life you need to refocus on what is important to you.

The rest as so many others say will take care of itself.

Of course though all of the she has been texting on the phone and I suspect she didn’t hear a word I said.

It’s home, uberpoppy, home.

Is ‘The End’ the end, or is it the start of something else?

Can you actually say you know the exact moment a story is done, finished, and that’s it?

For me, the end never quite seems to be the end, that point where you finally draw a line in the sane and say, that’s it, I’m done, step away from the typewriter.

But are we ever satisfied the story is done, can we not make one more change, it’s just a little tweak, it won’t take long.

Please!

My editor tolerated three ‘minor’ changes.

Firstly, a change of name for a character

Secondly, consistency of word use, such as times and contractions

Thirdly, I wasn’t happy with the overall story, and it needed some more action.  More writing, more editing, more prevaricating.

It took three weeks to sort out all of those issues, and last night I send the final draft to the Editor.

It’s like watching your child go to school on their first day.  Not knowing what will happen but expecting everything will be fine.

This morning I sat in front of the computer, a blank sheet of paper on the screen.  I know it’s not a matter of starting the next story from scratch; I have so many started and finished, sitting in the wings to be ‘tinkered with’.

It’s my way of savoring the moment.

Just before I dive back into the murky waters.

A life so ordinary – the beginning

When I was trying to think of a title for this post, and probably a lot more in the same vein, I thought of using

The Life of an Ordinary man

or

The life of an ordinary person

and realized that political correctness wasn’t going to make the title any easier to create.

The other thing is that should we have the right to say our life is ordinary?

What is ordinary life?

Is it the life the Joe and Jane Average have?

Dear God, I think I’ll just give up and go home.

Then I started thinking about school and the first girl I liked. I was five, and with absolutely no understanding of what I was feeling, I think it was great we were just friends.

It was 1958.

That was a long, long time ago.

No need to worry about politics, where the next paycheck was coming from, can I afford the car payments, and why do my children hate me so much.

Five was a great age. You go to school, sit around having fun, have an afternoon sleep, you always got a bottle of milk mid-morning (pity there was no flavoring in it) and lunchtimes you sat outside near the oval and made daisy chains in summer, or ran through the puddles in winter.

Or play on the monkey bars.

I remember the school, Dandenong State School. A large gothic, or so I thought then, building, that looked really scary from the outside, and then, when you met the teachers, really scary inside.

It had a quadrangle and a bell.

We had an assembly every morning and sang God Save the Queen.

Halcyon days indeed.

We lived in a house in Bess Court.

It was odd how our places of residence were reduced to a street name.

From my first, Valetta street, I think the first house my parents moved into.

Later in a foray into the past via genealogy we discovered my father had qualified for a war service loan and built the house himself.

We stayed there for a few years, then moved to Warren Road, for a very short time. There was no rhyme or reason for this move but it was notable for one reason, my younger brother was born while we were there.

And one single other memory I have, is that I used to go picking jonquils in a field behind the house

Then we moved to Bess Court, where we stayed for a number of years, what literally become a house of horrors, a time that consisted of only bad memories.

While there, I started grade school.

Then it was a move to Henty Street, where I spent the rest of my life before getting married and moving out.

Oh, yes, there was an exception when we spent a year in another state, in the middle of nowhere, but that’s another story.

Each had significance, and a definitive set of memories, some good, some bad, some really bad, and some that were all of the above at the same time.

As for that ordinary, perhaps we’ll explore it tomorrow.

A blank look means you’re in another world

I can see how it is that a writer’s life can be a lonely one.  That’s why, I guess, so many writers have an animal as a pet, someone to talk to, or just feel as though you are not alone in this quest.

I’m often sitting in front of the computer screen, or in a large lounge chair with my trusty tablet computer, writing the words, or staring into space!

Sometimes the words don’t make any sense, sometimes the thoughts leading to those words don’t make any sense.

Sometimes the most sensible person in the room is the cat.

I’m sure his thoughts are not vague or scrambled, or wrestling with the ploys of several stories on the go, getting locations right, getting characters to think and do their thing with a fair degree of continuity.

The cat’s world is one of which chair to lie on, where is that elusive mouse be it real or otherwise, and is this fool going to feed me, and please, please, don’t let it be the lasagna.  I am not that cat!

Unlike other professions, there is no 9 to 5, no overtime, no point where you can switch off and move into leisure time.  Not while you are writing that next masterpiece.  It’s a steady sometimes frustrating slog where you can’t just walk away, have a great time, and come back and pick up where you left off.

Stories have to be written from beginning to end, not a bit here and a bit there.

It’s a bit like running a marathon.  You are in a zone, the first few miles are the hardest, the middle is just getting the rhythm and breathing under control, and then you hope you get to the end because it can seem that you’ve been going forever and the end is never in sight.

But, when you reach the end, oh, isn’t the feeling one of pure joy and relief.

And, yes, perhaps you’ve just created another masterpiece!

Damn and blast those interruptions

I can see how it is that a writer’s life is one that, at times, has to be shut off from the outside world.

It’s a bit hard to keep a stream of thoughts going when in one ear is some banal detective show, and in the other, a conversation that you have to keep up with.  I know how hard it is because I’ve tried doing three things at once, and failed miserably in all three.

So, out I slink to the writing room and start by re-reading the previous chapters, to get back into the plot.  I should remember where I am, and get straight to it, but the devil is in the detail.

Going back, quite often I revise, and a plotline is tweaked, and a whole new window is opened.  God, I wish I didn’t do that!

Then I get to the blank page, ready to go, and…

The phone rings.

Damn.  Damn.  Damn.

Phone answered, back to the blank page, no, it’s gone, got yo go back, blast, another revision, and back to the blank page.

Half an hour shot to pieces.

The phone rings again.

Blast scam callers.  I nearly rip the cord out of the wall.

All through this the cat just watches, and, is that a knowing smile?

It can’t be, I’ve just learned that cats can’t smile, or make any sort of face.

I’m sure his thoughts are not a vague or scrambled, or wrestling with the ploys of several stories on the go, getting locations right, getting characters to think and do their thing with a fair degree of continuity.

The cat’s world is one of which chair to lie on, where is that elusive mouse be it real or otherwise, and is this fool going to feed me, and please, please, don’t let it be the lasagna.  I am not that cat!

Unlike other professions, it’s a steady, sometimes frustrating, slog where you can’t just walk away, have a great time, and come back and pick up where you left off.  Stories have to be written from beginning to end, not a bit here and a bit there.

It’s a bit like running a marathon.  You are in a zone, the first few miles are the hardest, the middle is just getting the rhythm and breathing under control, and then you hope you get to the end because it can seem that you’ve been going forever and the end is never in sight.

But, when you reach the end, oh, isn’t the feeling one of pure joy and relief.

Sorry, not there yet.

And no comment is required from the cat gallery, thankyou!

 

Searching for locations: San Gimignano, Italy

We have visited this town on a hill, famous for its fourteen towers, twice.  The first time we stayed in a hotel overlooking the main piazza, and the second time, for a day visit, and return to a little restaurant tucked away off the main piazza for its home cooking.

No cars are allowed inside the town and parking is provided outside the town walls.  You can drive up to the hotel to deliver your baggage, but the car must return to the carpark overnight.

This is one of the fourteen towers

I didn’t attempt to climb to the tower, which you can do in some of them, just getting up the church steps was enough for me.  Inside the building was, if I remember correctly, a museum.

Looking up the piazza towards some battlements, and when you reach the top and turn left, there is a small restaurant on the right-hand side of the laneway that had the best wild boar pasta.

Another of the fourteen towers, and through the arch, down a lane to the gated fence that surrounds the town.  The fortifications are quite formidable and there are several places along the fence where you can stand and look down the hill at the oncoming enemy (if there was one).

Part of the main piazza which is quite large, and on the right, the wishing well where my wish for a cooler day was not granted.

Officially, the Piazza della Cisterna is the most beautiful square of the town, San Gimignano.  The well was built in 1273 and enlarged in 1346 by Podestà Guccio dei Malavolti.

And not to be outdone by any other the other old towns, there is an old church, one of several.  It is the Collegiate Church or the Duomo di San Gimignano, a monument of Romanesque architecture built around 1000 and enlarged over time.

Next door is the Museum of Sacred Art.

And I guess it’s rather odd to see television aerials on top of houses that are quite literally about a thousand years old.  I wonder what they did back then for entertainment?

“Trouble in Store” – Short stories my way: Actions have consequences

It’s time for the policewoman to arrive.

There is such a thing as pure dumb luck.

If she did not walk through the door when she did then Jack would have walked away.

From the policewoman’s perspective:

 

She crossed the street from the corner instead of remaining on the same side of the street as she did every other night.  When she reached the other sidewalk, she was about 20 yards from the nearest window of the store.

As she crossed, she got a better view of the three people in the store and noticed the woman, or girl, was acting oddly as if she had something in her hand, and, from time to time looked down beside her.

A yard or two from the window she stopped, took a deep breath, and then moved slowly, getting a better view of the scene with each step.

Then she saw the gun in the girl’s hand, and the two men, the shopkeeper and a customer facing her, hands up.

It was a convenience store robbery in progress.

She reached for her radio, but it wasn’t there.  She was off duty.  Instead, she withdrew, and called the station on her mobile phone, and reported the robbery.  The officer at the end of the phone said a car would be there in five minutes.

In five minutes there could be dead bodies.

She had to do something, and reached into her bag and pulled out a gun.  Not her service weapon, but one she carried in case of personal danger.

 

Guns are dangerous weapons in the hands of professional and amateur alike.  You would expect a professional who has trained to use a gun to not have a problem but consider what might happen in exceptional circumstances.

People freeze under pressure.  Alternately, some shoot first and ask questions later.

We have an edgy and frightened girl with a loaded gun, one bullet or thirteen in a magazine, it doesn’t matter.  It only takes one bullet to kill someone.

Then there’s the trigger pressure, light or heavy, the recoil after the shot and whether it causes the bullet to go into or above the intended target, especially if the person has never used a gun.

The policewoman, with training, will need two hands to take the shot, but in getting into the shop she will need one to open the door, and then be briefly distracted before using that hand to steady the other.

It will take a lifetime, even if it is only a few seconds.

Actions have consequences:

 

The policewoman crouched below the window shelf line so the girl wouldn’t see her, and made it to the door before straightening.  She was in dark clothes so the chances were the girl would not see her against the dark street backdrop.

Her hand was on the door handle about to push it inwards when she could feel in being yanked hard from the other side, and the momentum and surprise of it caused her to lose balance and crash into the man who was trying to get out.

What the hell…

A second or two later both were on the floor in a tangled mess, her gun hand caught underneath her, and a glance in the direction of the girl with the gun told her the situation had gone from bad to worse.

The girl had swung the gun around and aimed it at her and squeezed the trigger twice.

The two bangs in the small room were almost deafening and definitely disorientating.

Behind her, the glass door disintegrated when the bullet hit it.

Neither she nor the man beside her had been hit.

Yet.

She felt a kick in the back and the tickling of glass then broke free as the man she’d run into rolled out of the way.

Quickly on her feet, she saw the girl had gone, and wasted precious seconds getting up off the floor, then out the door to find she had disappeared.

She could hear a siren in the distance.  They’d find her.

 

If the policewoman had not picked that precise moment to enter the shop, maybe the man would have got away.

Maybe.

If he’d been aware of the fact he was allowed to leave.

He was lucky not to be shot.

Yet there were two shots, and we know at least one of them broke the door’s glass panel.

 

Next – the epilog

© Charles Heath 2016-2020

Searching for locations: Venice, Italy (Again)

We have visited Venice twice, in 2006 and not so long ago.

Not much had changed from visit to visit.

Instead of staying in a hotel selected by a travel agent, the Savoia and Jolanda on the waterfront of Riva Degli Schiavoni, because I’m a Hilton Honors member, more recently we stayed at the Hilton Molino Stucky.  It was located on an island, Giudecca, and had its own transport from the hotel to St Mark’s Square for a very reasonable one-off charge for the stay.

hiltonmolinostuckey2

On our first visit, we traveled from Florence to Venice.  We were advised to take a water taxi to the hotel, not only the most direct route but to see some of Venice from the water.  The only drawback, you have to negotiate a price with the driver.

We were not very good negotiators, and it cost 60 Euros.

But, despite the cost, it was worth every Euro because the taxi driver took us by the scenic route, directly from the Station to the doorstep of our hotel.  For a first time in Venice, and you want to see it from the water, a water taxi is the best option.

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The first time we stayed at the Savoia and Jolanda Hotel, which was at the time quite old, and the room we had, on the ground floor, was comfortable enough, but being November, they had just stopped using the air conditioning, it was still quite warm and at times uncomfortable.

There were better rooms, but this was beyond the knowledge of the travel agent, and one of the reasons we stopped using agents to book hotels.

The most recent visit we had driven down from Salzburg to Venice airport where we had to return the hire car.  From there we were intending to take a private water taxi from the airport to the hotel, for an estimated 120 Euros.

We saved our money and took the ACTV public waterbus, from the airport to the hotel, with one stop.  It took a little over an hour and was equally as scenic.

venicecanals1

Our room in the Hilton was on one of the upper levels, floor four, and had a view of the canal, the large passenger ships coming and going, as well as a remarkable view of Venice itself as far up the canal to St Marks Square in one direction, and the port for the passenger ships in the other.

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We got to see three or four very large passenger ships come and go, along with a lot of other craft.  I hadn’t realized how busy the waterways, and the Grand Canal, were.

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Each evening after a day’s exploring we would end up in the Executive Lounge, and then one of the many restaurants, usually Il Molino for breakfast, and the Rialto Lobby Bar and Lounge for dinner.  After that, it was a stroll down the waterfront taking in the night air, and perhaps to walk off the delicious dinner.

Searching for Locations: Venice, Italy

Venice is definitely a city to explore.  It has an incredible number of canals and walkways, and each time we would start our exploration at St Marks square when it’s not underwater

Everyone I have spoken to about exploring Venice has told me how easy it is to get lost.  It has not happened to me, but with the infinite number of ways you can go, I guess it is possible.

We started our exploration of Venice in St Marks square, where, on one side there was the Museo di Palazzo Ducale and, next door, the Basilica di San Marco.  Early morning and/or at high tide, water can be seen bubbling up from under the square, partially flooding it.  I have seen this happen several times.  Each morning as we walked from the hotel (the time we stayed in the Savoia and Jolanda) we passed the Bridge of Sighs.

Around the other three sides of the square are archways and shops.  We have bought both confectionary and souvenirs from some of these stores, albeit relatively expensive.  Prices are cheaper in stores that are away from the square and we found some of these when we walked from St Marks square to the Railway station, through many walkways, and crossing many bridges, and passing through a number of small piazzas.

That day, after the trek, we caught the waterbus back to San Marco, and then went on the tour of the Museo di Palazzo Du which included the dungeons and the Bridge of Sighs from the inside.  It took a few hours, longer than I’d anticipated because there was so much to see.

The next day, we caught the waterbus from San Marco to the Ponte di Rialto bridge.  Just upstream from the wharf there was a very large passenger ship, and I noticed there were a number of passengers from the ship on the waterbus, one of whom spoke to us about visiting Venice.  I didn’t realize we looked like professional tourists who knew where we were going.

After a pleasant conversation, and taking in the views up and down the Grand Canal, we disembarked and headed for the bridge, looking at the shops, mostly selling upmarket and expensive gifts, and eventually crossing to the other side where there was a lot of small market type stalls selling souvenirs as well as clothes, and most importantly, it being a hot day, cold Limonata.  This was my first taste of Limonata and I was hooked.

Continuing on from there was a wide street at the end and a number of restaurants where we had lunch.  We had a map of Venice and I was going to plot a course back to the hotel, taking what would be a large circular route that would come out at the Accademia Bridge, and further on to the Terminal Fusina Venezia where there was another church to explore, the Santa Maria del Rosario.

This is a photo of the Hilton Hotel from the other side of the canal.

It was useful knowledge for the second time we visited Venice because the waterbus from the Hilton hotel made its first stop, before San Marco, there.  We also discovered on that second visit a number of restaurants on the way from the terminal and church to the Accademia Bridge.

This is looking back towards San Marco from the Accademia Bridge:

And this, looking towards the docks:

Items to note:

Restaurants off the beaten track were much cheaper and the food a lot different to that in the middle of the tourist areas.

There are a lot of churches, big and small, tucked away in interesting spots where there are small piazza’s.  You can look in all of them, though some asked for a small fee.

Souvenirs, coffee, and confectionary are very expensive in St Marks square.