Tag: creativity

A photograph from the inspirational bin – 48

What story does it inspire?

…

…

This photograph represents an idyllic scene, a pool at the bottom of a waterfall, which on a fine day would be perfect.

The fact it looks to be in the middle of nowhere is neither here nor there because…

That’s where the writer’s inventiveness kicks in.

So…

How do we get there? If it’s below the waterfall, then we came up the river, which is basically how you would go anyway, it’s just the depth of the river that determines how far you can go.

We had a situation like that where the depth of the river nearly stopped us from getting far enough up the river into the mountains to discover some amazing territory.

You could also go downriver, but since this river might start up in the mountains, it might be a long way.

Why would we be there?

The boring answer, we are on holiday.

The better answer, we’re searching for gold, and so are others who are trying to get us to move on, or we’re searching for something, just insert what you want to find. I was thinking: an intrepid brother or sister who has gone missing, and the waterfall was the last place they were seen.

And, what if there’s a secret entrance behind the waterfall, that opens into an underground complex with sophisticated, very strange and never seen before equipment, that hasn’t been used in a very long time.

Somehow I like the last one best.

And, just to add a new twist, you find a human-like body in a pod, and when someone accidentally leans on a button, it comes to life. Is it human, or is it a robot?

Or, is it….?

A photograph from the inspirational bin – 47

What story does it inspire?

…

…

A table for two…

This was at a winery in Italy where, on the tour we took, we had lunch as part of the tour, after, of course, a tour of the winery.

It was a picturesque setting, and the food, and matching wines, were exquisite, and perhaps we may have had slightly more than we should have.

But, they did leave the wine behind…

However…

Inspirationally, we could base the story around a lunch or dinner, two people looking to get their relationship back on track, deciding to take time out alone to see if the part is still there.

How could it not in a setting like this?

It could be the setting for a chef, trying out his new menu, or working on a new menu, getting tourists to sample the courses and wines.

We’d have to make the chef a man, or woman, on the edge of disaster, and looking to recover from a disaster of some description – like a failed restaurant and the need for second chances…

Or…

A failing chateau, typified by the declining visitor number and warring family members, all of whom were left a share in the large but rapidly deteriorating mansion.

Should they renovate and turn it into a hotel with a 5 star restaurant, or should they sell to developers and see it bulldozed, or will one, secretly very wealthy, offer to buy them all out and preserve the ancestral home?

Anything is possible…

First Dig Two Graves – The Final Draft – Day 4

The second Zoe thriller.

…

John’s search for Zoe was at an impasse, simply because it was her job to disappear and reappear at will, and he knows he was no match for her in that regard.

So, having gone to her residence in Paris, not finding her there which was predictable, the place looked like it had not been visited in months, he concluded a short stay might help to clear his head.

Until he gets a phone call.

Kidnappers, other than the Russians, have captured Zoe, and they’re ringing him for a ransom.

Odd, because he was not the one who placed the kidnap order on her, so why would they be ringing him?

This was initiated by Zoe, no doubt playing the kidnapper by sending him to a bigger payday.

If that’s the case then John has to deduce she has faith in him to come and get her.

Which he’s going to do, but not on his own.

It’s time to call Sebastian, someone John knew would know what to do.

Or at least hope he does!

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 3,270 words, for a total of 8,871.

A photograph from the inspirational bin – 46

What story does it inspire?

…

…

This is a photograph of the Leopoldskron Palace used for exterior shots in the movie “The Sound of Music”.

It was a very bleak day when we decided to go on the Sound of Music bus tour, and, yes, there was singing.

But…

It is a sombre setting and lends a great deal of inspiration to a story.

For instance…

There was a large uninhabited house on the edge of a lake where multiple fatalities occurred in the mid-1800s. The family was cursed from the moment the house was built because a gypsy family who had lived on the land before the building commenced were murdered because they would not leave.

The original owner died when falling from a ladder fetching a book from the top shelf in his library, the wife died when she accidentally slipped and fell on a knife in the kitchen, and the eldest son died when he fell from the roof. No one could explain how he got there.

The daughter left immediately after all of these events which happened in the first week of residence, and moved far away.

Move forward about 170 years and one of the ancestors discovered they are entitled to take ownership of the building that had not been lived in for a long, long time.

But…

It does not look any different from the day the last inhabitants died, and is in perfect condition.

How could this be after 170 years?

And what exactly is going on when the descendants come to live in the house?

Is it paranormal activity or is it just gold old fashioned scare tactics to send them away?

First Dig Two Graves – The Final Draft – Day 4

The second Zoe thriller.

…

John’s search for Zoe was at an impasse, simply because it was her job to disappear and reappear at will, and he knows he was no match for her in that regard.

So, having gone to her residence in Paris, not finding her there which was predictable, the place looked like it had not been visited in months, he concluded a short stay might help to clear his head.

Until he gets a phone call.

Kidnappers, other than the Russians, have captured Zoe, and they’re ringing him for a ransom.

Odd, because he was not the one who placed the kidnap order on her, so why would they be ringing him?

This was initiated by Zoe, no doubt playing the kidnapper by sending him to a bigger payday.

If that’s the case then John has to deduce she has faith in him to come and get her.

Which he’s going to do, but not on his own.

It’s time to call Sebastian, someone John knew would know what to do.

Or at least hope he does!

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 3,270 words, for a total of 8,871.

The day is disappearing, and nothing is getting done

…
Do you have days when you feel like you’ve achieved nothing, even after getting through what might appear to be a lot?  It’s the ancillary stuff that’s the bugbear of anyone who simply wants to get on with what’s important, and that’s writing.

You know, sit down in front of a blank page on the computer, for on your writing desk, if you have one, ready for the words to come.

Except there’s the email to check.

Then there are ads to be sent out on Twitter and the general Twitter feed to look at just to keep up with what’s happening out there.

Then there’s the news usually that arrives on my desktop computer, the feed from the major papers around the world, for me, the New York Times, in the US, the Times in The UK and the Australian, in my country.

And, dammit, each has a challenging crossword that I really don’t have time to do, well, not in the morning.

Then there’s the stuff that has to be done around the house, I’m home but my wife still works so there’s washing, cooking, and domestics to be done which eats into the day.

Sometimes it’s not until mid-morning before I get to sit down with a cup of tea.

The point is, it’s not conducive to writing during the day because you can’t get a run at it, time enough to think about what you’re going to write before committing it to paper.

That is, before the phone rings with another scammer, and breaks your concentration.  Right, I hear you, cut the phone off.

So, three phone calls later, I’m about to give up.  It’s time to get the dinner on with family coming.  Perhaps I’ll have a few bottles of beer instead.

This is why I write at night, sometime after ten.  No phone calls, no distractions.  Well, that’s not necessarily true because what you didn’t get done earlier had a way of backing up if you don’t get through it in a timely manner.

Perhaps I’ll get a blog post or two done, another episode of the trip to China, upload another photo to Instagram and look at the current novel I’m in the middle of editing.

By that time it will be two am, way past anyone’s decent time to go to bed.  In fact, it’s ten past two, and I’ve got an early morning.

First Dig Two Graves – The Final Draft – Day 2

The second Zoe thriller.

…

Just when you think you’ve got a good start, it all comes crashing down.

Here’s the thing…

I’ve been planning the sequel for quite some time, and from time to time, I’ve been jotting down notes about how the story will go. I thought I had filed them all in the same place, and because I thought I had all of them, I missed a part.

This was confirmed when I found a synopsis, something I rarely make before writing a story, with details of several sections I obviously added when the thought came to me. Perhaps the idea of the synopsis was to consolidate all the ideas, at a time when I thought I was going to sit down and write the story.

Dated a month or so before covid came along, I suspect it all got set aside for the two or so year’s hiatus.

Now, the time has come, and today, I went n a detailed search of three computers, four phones, cloud storage, and the boxes that hold all the handwritten notes.

I have a reference to the section, and several chapters, but no writing. In the back of my mind, I have a feeling I’d written the chapters, but the evidence says otherwise.

Damn!

I’ll move on, and come back to it later. At the moment it doesn’t have relevance.

Oh, and Zoe has now become Mary-Anne. What is John going to think when he finally finds her.

…

Todays writing, introducing Mary Anne, 1,501 words, for a total of 3,610.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

Motive, means, and opportunity – Episode 3

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Worthey updates Detective Bryson

…

Bryson was glad to get out of the apartment building where he felt the air was so rarefied that it was beginning to strangle him.

The fact he let her snootiness get to him was almost unforgivable especially if she chose to make a complaint because everyone like her had a “friend” in the city administration, he would get into trouble.  Again.

He dialled Worthey’s cell number.

Six rings before he answered, dropping the file in his hands and reaching for the phone, papers spread over the floor.  “Yes,” he growled, angry at the interruption.

Bryson ignored it.  “Write this down.”  He gave Worthey the cell number and the business name.  “Get a request in for the cell records and track down where that business is.  I want to get there before they find out the boss is dead.  Text me the address the moment you get it.  Have you found any further evidence at the scene?”

“Not yet, but there’s an interesting wrinkle, the car was not his, it was a rental in the name of Phillip Magarry.”

“Who the hell is he?”

“As far as I can make out, Bergman.  I tracked the car to a rental outlet in Manhattan, took a photo of Bergman there, and the desk clerk said it was him, although he tried to hide his identity.  He didn’t try very hard, because I doubt, he expected anything would happen.  Always expect the unexpected I say.”

Anyone could be wise after the fact, so Bryson simply ignored that remark.  The real question was why Bergman needed to have an alternative identity.  Did his estranged wife know about it?  A note to ask her next time.

“Anything else on this Megarry?”

“There was a copy of his Megarry’s driver’s license hidden in Bergman’s wallet, and it shows Megarry’s from Nevada, and when I checked the address, it was for a vacant lot in Las Vegas.  Then I had the lab guys take a look at it, and it’s fake, but it’s a very good fake.”

Two possibilities Bryson considered that Bergman was trying to cover his movements for some reason, driving around in a car that could not, without some investigation, be associated with him, if at all.  The other, Bergman had more than one identity, possibly living more than one life.  Why couldn’t he just get a simple case for once?

“I take there was no sign of a phone at the scene, or in the car?”

“No.”

“Preliminary cause of death?”

“Like we thought, single gunshot at close range to the head.  Death was instantaneous, we’ll get the time of death when the medical examiner had done his preliminary report, but from early indications, sometime between ten last night and two this morning.  Also, it seems likely that the killer was known to the victim to get that close. We’ll find out what type of weapon was used before the afternoon is out.  I put a rush on it.”

It would be closer to 2 am, Bryson thought, having seen similar conditions before.  Being in a car and given the sub-zero temperature during the night would mess with the time of death, so they were going to have to wait until a proper examination of the body was completed.

“Something else the wife told me.  Bergman had a mistress or another woman.  She didn’t know her name but said she remembered him lining up a date at a hotel, one of the Hiltons in the city.  Get a man to take a photo of him and check the front desk, and the restaurant staff for identification, and a description or the name of this woman.”

He could hear Worthey scribbling notes, cursing once when the pen he had picked up ran out of ink.

“I’m going to get coffee.  Hopefully, by the time I’ve drunk it, you will have sent me the workplace address for our victim.”

…

© Charles Heath 2019-2023

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

 

Get it here:  https://amzn.to/2CYKxu4

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