Tag: creativity

An excerpt from “The Things We Do For Love”; In love, Henry was all at sea!

In the distance he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs, and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was about mid-twenties, slim, long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back on his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’s spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slight abrupt in manner, perhaps as a result of her question, and the manner in which she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought,  she had completely different ideas of what constituted a holiday than he, not that she had actually said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

 

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no possible way she could know than anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for very different reasons.

On discreet observance whilst they ate, she gained the impression his air of light-heartedness was forced and he had no sense of humor.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and rather incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, almost unbearably awkward.

 

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humor.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought, when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs. Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humor failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening had worn on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close up, didn’t hide the very pale, and tired look, or the sunken, dark ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner now over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet the compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

 

© Charles Heath 2015-2020

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Getting the lie of the land

A lot of locations for stories are based on places that I’ve visited. So, any time I’m on holiday, I’m also discreetly observing, and noting, the places with an ulterior motive.

At some point in time they’ll finish up in a story.

Places like Florence, London, Paris, New York and Venice have all been used in recent stories.

Of course places change, and there are some that I can’t get to, so it’s useful having Google Maps and Street View. These can either make up for lack of memory and a be a refresher.

Especially if you need to visit Africa. Parts of several stories are set in Nigeria, not exactly a place I would go, no matter how much I wanted to get the lie of the land, nor would I go to the Democratic Republic of Congo.

Rwanda, maybe, but in investigating locations, it is interesting to discover that places like Kenya and Rwanda are reasonbly safe. Uganda is more or less the same, but whether I’d visit, as inviting as it might be to see the wildlife (animals that is) I’m thinking Google Maps will do for now.

And, of course, at the moment there is another reason why I can’t get a practical look at overseas locations. Covid-19.

I have always had a fascination for other places, from way back when I was in school and we did a subject called geography. Back then, nearly 60 years ago, we had school atlases that had all of the British colonies, even if they had become independent, coloured red on the maps, and there was a lot of them.

Places like London, of which we also studied in history, always held a fascination for me, and, in particular, the royal family. Oddly enough, I knew all of the kings and queens from 1066 onwards, and yet had no idea who our Prime Ministers in Australia were.

It wasn’t until much later we learned about Australian history.

But seeing places foreign are only part of the story. I have had time during the pandemic when we were not allowed to leave home, to delve into the historical side of Australia, and it has created a fascination for writing a story that has basis in fact.

This was unwittingly pushed along when my grand daughter came home from school with the assignment of writing a story about a character that was affected by a historical event. Thus Eliza at the Eureka Stockade was created.

I remember back in university days when working on the narrative part of my literature stream we were set an assignment based on pictures from a certain period, and a series of written documents to put together a story. Mine was about a passenger on a ship from Melbourne to Geelong in the days before rail around the time of the gold rush.

I’m guessing that’s what is called historical fiction.

Well, it’s time to get back to the mists of time…


“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

John Pennington’s life is in the doldrums. Looking for new opportunities, prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favor for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favor’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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Memories of the conversations with my cat – 39

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some months ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

 

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This is Chester.  He’s amused by the new Google Home device we have.

It sits on the table next to the dining table, and only today did he discover we talk to it.

You know, you say “Hey Google” and it listens and fairly accurately types out the voice request you’ve made, such as,  “Hey Google, play some Creedence Clearwater Revival”.

Of course, Chester doesn’t like their songs, and all but covers his ears when he hears it.  It might be the reason why I request it often, but

Sometimes he’ll sit in front of it, waiting.  I suspect he thinks it will work on thought transference, and it will play ‘the meowing of a thousand cats’, to get his revenge.

Sorry, great minds don’t think alike in your case.

Then play something I would like.”

Right.

I ask google to play the Pastoral Symphony.  Not exactly Vivaldi’s Four Seasons, but it has it’s moments, like turning up the volume and waiting for the cannon fire.

Scares him every time.

But that was last week.  This week he’s requesting Ravel’s Bolero.  I think he’s been watching late-night movies again.

I say, “Hey Google, play Ravel’s Bolero.”

Instead of music, I get the instruction to reinstall Spotify.  It seems my subscription has run out.

Ugh, technology at it’s finest!

 

Searching for locations: A long, narrow, winding road to the top of a hill

Or in other words, going up the mountain to O’Reilly’s Rainforest Retreat.

…

The road, from the turn off the Greenlee cottages, Is narrow, winding, and not one you can go faster than 40kph. Buses and trucks are restricted to 20kph, but as you get further into the mountains, it’s difficult to see how they can get along the road at all.

It’s difficult enough in a mid-size SUV.

At times the road is so narrow that you wonder how trucks and buses could get between the trees, because the close you get to the guest house, the narrower the road. And, at times, the car has to scrape by the overhanging branches, especially when having to make way for oncoming traffic.

The road in places is definitely not wide enough for two cars, but there are a lot of points where you can pull off to the side to let them pass.

It is tarred, but being in the middle of a dense tropical forest, it’s pitted and rutted, and very uneven. There is not one moment where can relax, or tale your eyes off the road, as some of us do, to take in the surrounding scenery.

But, whilst most of it looks the same, it’s certainly not boring, and every now and then you break out of the darkness into a clearing. And, sometimes a house.

Yes, people do live on the side of a mountain, and, just to be clear, their view, every morning, from the back verandah must be spectacular

At the end of the three quarters of an hour drive we emerge onto a mountain top, and what is O’Reilly’s guest house, though after a more investigative look around, the guests stay in motel like rooms. Those were the rooms we could see, but apparently there are villas that are part of the rainforest, but we did not get to see them.

That would be where I would stay, if I was going to stay up here.

There is an old wooden structure, but if this is the original guest house, it doesn’t look like people stay there any more.

But, it’s not the accommodation the people come here for, it’s the endless bush walks. Of course, there’s other stuff there, but I suspect for most people, it’s more about communing with nature, discovering the wildlife, and taking in the fresh country air.

Oh, and a plane, like one that had crashed nearby, with an interesting story to go with it.

We went into the souvenir story and whilst the prices are higher than I expected, there’s a wide variety of items that are worthy of being a reminder of the place.

We also went into the cafe, a large cavernous space that was a reminder of the chalet style building in alpine areas, made completely of wood. I was expecting it to be older than it was, but certainly, it was more atmospheric than the modern cafes. The food, though expensive, was good, and the coffee excellent.

It was a pity that we could not do more walking that day, but it was a pleasant interlude, and a place I would go back to.

Who do you think you are?

I have seen this television program once or twice, where a television personality digs into their past and sometimes they discover they had famous, or sometimes infamous, relatives.

I don’t think I would be so lucky, or unlucky as the case may be.

But, to be honest I haven’t really been interested in digging into the past.

On the other hand, my older brother has a keen interest in genealogy in general, borne from a desire to find out more about our family tree.

And he has gone back to the 1600s, for the relatives who came out from England, and no, they have no transported convicts, or at least he’s not saying.

Genealogy is a rather fascinating subject, and, I’ve discovered, is taught in university as a degree.  My brother has one now. 

What I didn’t realize is that I’ve been playing with it for years because in writing what might be called sagas you need to create your own set of mythical families, and then trace to forebears back in time.

I have one novel I’m writing that has required a family tree, and recently another for a story that required starting with a character who participated in the Eureka Stockade.  We had to create parents, a migration from England to Australia, and then construct a family tree through to today so we could write a story from the perspective of a fourth-generation girl at school doing a school project.

If that sounds complicated, believe me, it is.  But from my granddaughter who came up with the idea, she is very excited about it.

Much better than sitting in front of a computer playing games or a tv watching cartoons.

But once again I digress…

I have found a lot of genealogy stuff that my mother had been working on, and I’m taking it to my brother, and at the same time, l will get the latest installment on our family.

So far I’ve learned that I come from a combination of British relatives on both my mother and father’s side, the most recent my father’s mother who was born in England, and German from my mother’s side, her surname being Auhl.

No doubt, and with a great deal of irony, my relatives probably fought against each other in two world wars.

I’m sure more will be revealed on Wednesday.

But, the more I learn the more I feel inclined to create a fictionalized history with my family members as characters in the story.  At the moment a biographical account of the family would be reasonably boring since as yet no one notorious had been discovered.

Memories of the conversations with my cat – 38

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some months ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

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This is Chester.  We’re back to discussing topics of interest on the internet.

I’m not sure why, because yesterday, after a few minutes he yawned and went to sleep.

Today, it seems, he’s prepared to show more interest.

There seems, I said, a lot of discussion around writer’s block.

You mean, those lumps of wood you keep putting on the fire, he says.  And, while we’re at it, why haven’t you got one going today.  It’s cold.

I thought we were on the same page, injured elbow, can’t use the axe.

A slight shake of the head, as if to say, I can’t remember everything you say.

OK, moving on.  Writer’s block is not about wood.

Come to think of it, haven’t we got a shed full of wood, you cut it up last year.

Enough with the wood already.  Writer’s block.  The only block I can see that’s preventing me from writing is you.

Yawn.

Yep, conversation over.

Time to make some tea.  He doesn’t like that.  I wonder if the makers of the tea would want to know it makes an excellent cat repellant?

“The Things We Do For Love” – Coming soon

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

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The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

Searching for locations: An old country homestead, Canungra, Australia

Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions, and wine tastings.

My interest was that we had assumed there was a restaraunt, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.

I was more interested in the old homestead, because it was a fine example of the homesteads built in the ‘outback’.

…

Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.

Certainly the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.

At one end, a large bay window, which would be ideal to sir and view the outside, past the sweeping verandah.  There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.

The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.

On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.

It may be small but it does have a fireplace.  Which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.

Behind the room we’re in is another bedroom, or perhaps this might be the master, because it does have a fireplace and is quite large.  And a name, the Ambassador room.  Now it serves as the pick up place for picnic baskets.

There is another room on the opposite side of the corridor called the Drawing Room, but is not open to the public.  But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be case.

After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.

At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.

It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.

As for the food, it’s either a picnic basket, or pizzas.  We chose the latter, not realising the bases were not home made, but bought in.  

The toppings however were both plentiful and tasty.  It could have been hotter, because it was a cold day, and it was cold in the room.

As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.

Perhaps next time we’ll have a picnic down by the river.