Tag: creativity

Searching for locations: The last plane out on Friday night

Everyone knows that if you are on the last flight out on a Friday night the chances of you getting away on time are remote.

Yep.

We’re on the last flight out.

Yep.

There’s no way in hell we’re leaving on time.

But, here’s the thing.

Our incoming plane arrives 6 minutes late, so there’s every hope of getting away on time.

We are, of course, delusional.

Planes can’t fly without a crew, and part of our crew on another incoming plane, which is, yep,
delayed.

In fact, the whole arrivals board is lit up with the word “delayed” for every flight but our incoming plane and one other from Sydney.

And, no, our missing crew members are not on either.

So, it becomes a waiting game and placating messages from the gate crew first to tell us we’re waiting for crew and two more times to tell us we will be boarding soon.

The look on some faces says they’ve been through all this before.

Then, one of the gate staff, communicator in hand goes out to see if the errant crew members are coming. She waits a few minutes but it probably takes longer than that for them to finalize their duties on the incoming plane and get to our gate.

She returns to the gate counter just as an electric car comes towards us from one of the satellites.

Crew found.

Boarding starts.

We leave 35 minutes late. About the average time all the delayed planes were, well, delayed.

Ah, the joys of travelling on a Friday night

Almost nonsensical descriptions we sometimes use without thinking

I found this explanation on the internet which seems to sum up what odd phrases like ‘you can’t judge a book by its cover’ mean: ‘a word or phrase used in a non-literal sense for rhetorical or vivid effect.’

We, as writers, are constantly reminded that we should not use these in our writing because most people might not understand their use.

But, being that unconventional, never to be told, type, I honestly think that it sometimes adds a degree of whimsy to the story.

I remember some years ago when I working with a Russian chap who’d not been in the country very long, and though he had a reasonable use of English, was not quite up with our figures of speech.

And made me realize when he kept asking me what they meant, just how many I used in everyday conversation.

Most of these figures of speech use descriptions that do not necessarily match the word being described, such as ‘I dance like I have two left feet’.

And that pretty much sums up how good I can dance.  But …

‘Like a bat out of hell’, not sure how this got into the vernacular, but it means to get the hell out of dodge quickly.  Hang on, that’s another saying, American, and the way Dodge city was in western American folklore, if you irritated a gunslinger, then best be on your way, fast.

Otherwise, yes, you guessed it, you were at the end of another saying, you would get a one-way ticket to boot hill.  In other words, the cemetery.

And while I’m digressing, again, Yul Brynner made a trip to boot hill very memorable in The Magnificent Seven.

Then,

‘Like a bull in a china shop’, describes a toddler let loose, not necessarily in a china shop, but I have seen it happen in reality and it wasn’t pretty

‘More front than Myers’, as my mother used to say, but in context, Myers is the Australian version of the English Selfridges or Harrods or Paris Galleries Lafayette.  It refers to the width of street frontage of the stores, and means that someone has the nerve to be so confronting

‘As mad as a hatter’, though not necessarily of the millinery kind, but, well, you can guess, it’s from Alice in Wonderland

‘As nutty as a fruitcake’, provided your fruitcake has nuts in it, we seemed to have coined the phrase nutty, or nuts for people who are a little, or a lot, eccentric

You can see, if you get the references, they are somewhat apt, and, yes, they sometimes creep into my stories.

 

The cinema of my dreams – Was it just another surveillance job – Episode 22

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An unlikely ally?

 

When we were far enough away, not far from the bridge that crossed the Thames towards the Houses of Parliament, and with the London Eye in the foreground, I slackened my pace.  There were enough people around to afford us cover if Maury and his team realised quickly enough what we had done to escape.

“What now?” she asked.

“Go back to your people, tell them you’ve been compromised, but only on the basis that your flat was tossed, don’t mention Nobbin or Severin unless you feel compelled you have to, and make sure you don’t go back to the flat.  Both of them will have it staked out by now.”

“And what are you doing to do?”

“Try and play them off against each other, which probably won’t work.  I’m not nearly good enough at this caper yet.  Unfortunately, I’m going to have to talk to both of them and tell them I’m onto McConnell, though that will hardly be a surprise to either of them.  After that, find somewhere safe to figure out what to do next.”

“Who was that back at the station?”

“A chap called Maury, and I think he’s one of Severin’s hatchet men.  He was one of those who trained me and several others.”

“You do realise what you’re saying?”

“That my situation is so screwed up, yes, I know.”

It was when I stopped to think about it.  Trained by a rogue group no one knew about, or so they said, and transferred to another group, but not told about it, well, not officially, anyway.

“Maybe we should keep each other’s back.  I mean, if what you say is true, if I go back to my people and tell them about this, it’s likely I’ll be putting a target on my back too.”

True.  I had considered that, but not that we might team up.  It would introduce a third group to the game, and it might be one too many, or act as a catalyst leading to catastrophic consequences.

“What are you saying?”  I asked her, just in case I was misinterpreting what she was saying.

“I’m not safe, you’re not safe, together we might be.  I might have something useful about O’Connell, but I wouldn’t know if it was useful of not.  You at least know what to look for, and basically who to avoid.  Who knows, we might make a great team.”

We might.  But it would have to be predicated on trust, and, right now, I was not sure if I could trust her.  That pen thing, she might have precipitated it, and was working with Severin.  It seemed logical in the circumstances.

But what was that saying, keep your friends close, and your enemies closer?  I’d soon find out.

“Ok.  What do you think we should do first?”

“Find a hotel, an obscure one, nearby, and you call your so-called friends, and see what happens, as you said.”

I nodded.  “Sounds like a plan.”

And, I thought to myself, ideal for her if she was insinuating herself into my world, much the same as she had in O’Connell’s case.  In was now in my nature to suspect everyone and everything, because a few words of one lesson came back to haunt me.  We trust people because we instinctively want to believe them, and in this line of work, the people we come across are good and sincere storytellers.

It was a question of how much truth they weaved into their story, that made it believable.  I wanted to believe her, but the facts, circumstantial or otherwise, pointed me in the other direction.

I would have to wait and see and make sure I was prepared for the worst.

It was Jan’s idea t stay near the Charing Cross station in a hotel that I would not normally stay in because of the cost.  I let Jan do the check-in and when we arrived at the room, I discovered she hadn’t booked two rooms, but a Studio Suite with two single beds and a sofa bed.

Apparently, we were brother and sister, which made sense after I had overheard some of the conversation with the check-in clerk.  I didn’t hear what her excuse was for lack of luggage.  Perhaps the airline had lost it, but I had to admit the girl could think on her feet.

Once inside the room, it felt cramped, but the beds looked comfortable, and it had a minibar.

“Before you make any calls, you need to disable the GPS in your phone.”

“They’ll still be able to track it.”

“Not if you are on it for a short period, and we are outside the hotel.”

Well, before that I need a drink.”

“So, do I.  Give me a minute to freshen up and we’ll go down to the bar.  It’ll be a lot cheaper than the minibar.  Then I think we both need to get some supplies.”

I wondered if this is what it was like to be married.

© Charles Heath 2019

“Trouble in Store” – Short stories my way: Character refinement

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves Annalisa, and her boyfriend, Simmo:

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2016-2020

The cinema of my dreams – Was it just another surveillance job – Episode 22

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An unlikely ally?

 

When we were far enough away, not far from the bridge that crossed the Thames towards the Houses of Parliament, and with the London Eye in the foreground, I slackened my pace.  There were enough people around to afford us cover if Maury and his team realised quickly enough what we had done to escape.

“What now?” she asked.

“Go back to your people, tell them you’ve been compromised, but only on the basis that your flat was tossed, don’t mention Nobbin or Severin unless you feel compelled you have to, and make sure you don’t go back to the flat.  Both of them will have it staked out by now.”

“And what are you doing to do?”

“Try and play them off against each other, which probably won’t work.  I’m not nearly good enough at this caper yet.  Unfortunately, I’m going to have to talk to both of them and tell them I’m onto McConnell, though that will hardly be a surprise to either of them.  After that, find somewhere safe to figure out what to do next.”

“Who was that back at the station?”

“A chap called Maury, and I think he’s one of Severin’s hatchet men.  He was one of those who trained me and several others.”

“You do realise what you’re saying?”

“That my situation is so screwed up, yes, I know.”

It was when I stopped to think about it.  Trained by a rogue group no one knew about, or so they said, and transferred to another group, but not told about it, well, not officially, anyway.

“Maybe we should keep each other’s back.  I mean, if what you say is true, if I go back to my people and tell them about this, it’s likely I’ll be putting a target on my back too.”

True.  I had considered that, but not that we might team up.  It would introduce a third group to the game, and it might be one too many, or act as a catalyst leading to catastrophic consequences.

“What are you saying?”  I asked her, just in case I was misinterpreting what she was saying.

“I’m not safe, you’re not safe, together we might be.  I might have something useful about O’Connell, but I wouldn’t know if it was useful of not.  You at least know what to look for, and basically who to avoid.  Who knows, we might make a great team.”

We might.  But it would have to be predicated on trust, and, right now, I was not sure if I could trust her.  That pen thing, she might have precipitated it, and was working with Severin.  It seemed logical in the circumstances.

But what was that saying, keep your friends close, and your enemies closer?  I’d soon find out.

“Ok.  What do you think we should do first?”

“Find a hotel, an obscure one, nearby, and you call your so-called friends, and see what happens, as you said.”

I nodded.  “Sounds like a plan.”

And, I thought to myself, ideal for her if she was insinuating herself into my world, much the same as she had in O’Connell’s case.  In was now in my nature to suspect everyone and everything, because a few words of one lesson came back to haunt me.  We trust people because we instinctively want to believe them, and in this line of work, the people we come across are good and sincere storytellers.

It was a question of how much truth they weaved into their story, that made it believable.  I wanted to believe her, but the facts, circumstantial or otherwise, pointed me in the other direction.

I would have to wait and see and make sure I was prepared for the worst.

It was Jan’s idea t stay near the Charing Cross station in a hotel that I would not normally stay in because of the cost.  I let Jan do the check-in and when we arrived at the room, I discovered she hadn’t booked two rooms, but a Studio Suite with two single beds and a sofa bed.

Apparently, we were brother and sister, which made sense after I had overheard some of the conversation with the check-in clerk.  I didn’t hear what her excuse was for lack of luggage.  Perhaps the airline had lost it, but I had to admit the girl could think on her feet.

Once inside the room, it felt cramped, but the beds looked comfortable, and it had a minibar.

“Before you make any calls, you need to disable the GPS in your phone.”

“They’ll still be able to track it.”

“Not if you are on it for a short period, and we are outside the hotel.”

Well, before that I need a drink.”

“So, do I.  Give me a minute to freshen up and we’ll go down to the bar.  It’ll be a lot cheaper than the minibar.  Then I think we both need to get some supplies.”

I wondered if this is what it was like to be married.

© Charles Heath 2019

“Trouble in Store” – Short stories my way: Character refinement

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves Annalisa, and her boyfriend, Simmo:

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2016-2020

Using Hollywood as a source of inspiration

I’m not one for writing Western, I’ll leave the honours for that to Louis L’Amore, whose acquaintence I made when I saw How The West Was Won on the big screen, then read the book.

That led to reading a few more by Zane Grey, but it was not in the reading of the stories, but in the visual splendour of the west depicted in these films that made the actors almost secondary.

But my interest in watching Westerns had been fuelled by the fact my parents watched them on TV, though back on those days, they were in black and white, and starred John Wayne, Gary Cooper, Alan Ladd and, later on, Clint Eastwood among a great may others.

But the mainstay of my interest in the archetypal Western centred on John Wayne whose movies may have almost the same plot line, just a substitution of actors and locations.

Often it was not so much that John Wayne was in it, but the actors he surrounded himself with, like Dean Martin, Ricky Nelson, Walter Brennan, and Robert Mitcham, all of whom made the experience all the better.

Films like The Sons of Katie Elder, True Grit, Rio Bravo, and El Dorado.

Who can forget the vast open spaces, the dry dusty stresses lines with wooden buildings and endless walkways that substituted for footpaths. Bars in hotels, rooms overlookinf street, havens for sharpshooters, when bad guys outnumbers the good guys, and typically the sherrif who always faced insurmountable odds.

Or the attacks staged by Indians who were routinely killed, in fact there was not one film I saw where they ended up winning any battle. Only in recent years did they get a more sympathetic role, one film that comes to mind Soldier Blue, which may have painted then as savages, but a possible reason why they ended up so.

But for those without Indians, there were plenty of others whose intentions were anything but for the good of the settlers.

A lot of films ended in the classic gun fight. High Noon, 3:10 to Yuma are two, or where the story led to gun fights between good and bad in unlikely places like El Dorado or Rio Bravo.

There are countless others I could name, like Shane, or became to be called, the spaghetti westerns with Clint Eastwood, or last but not least, The Magnificent Seven, or Once Upon a time in the west.

All have contributed to a picture in my mind of how the American West was, fearsome men, beleaguered sheriffs, people with good intentions, and those driven by greed and power. All of this playing out in the harshest of conditions where life and death could be determined by a wrong word or a stray bullet.

And let’s not forget the role of the guns, Colt, Winchester, Remington. And Smith and Wesson, and the gunslingers of the day. Some were good, most according to the film world were bad.

So, against the lifelong interest of watching and reading about the archetypal view of the old West, shall I attempt to put pen to paper. Thank God it will be a work of fiction, because I don’t think there’s many who knew what it was really like.

The cinema of my dreams – Was it just another surveillance job – Episode 21

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An unlikely ally?

 

“Wait.”

It seemed that I had managed to scare her.  Either that, or she had decided to be a little more forthcoming.  I stopped and waited until she caught up.  I was nearly at the top of the stairs.

“Look, I have to go back to my people, and I’ll get them to look into those two people you don’t seem to trust, who were they, Nobbin and Severin?”

“I don’t think you want to do that.  You start making waves, your people will send out feelers and they’ll get to hear about it, and they will know exactly where it came from, and it’ll come back and bite you.  For your own peace of mind, I’d let the sleeping dogs lie.”

She seemed over-eager to get ahead using this as a steppingstone.  I’d seen the type, in the training ranks, and in former jobs.  She was clearly assigned this job because of her looks, and she might be a good agent too, but she hadn’t thought this through.

“Are you telling me to back off?”

“I’m trying to save your life.  If I have no idea who to trust, then I have to assume both of them are theoretically the enemy.  I’m still counting the blessings I’m still alive, but I suspect that will only last until the USB is found.  The rest of my team are dead.”

Now that put the right amount of fear into her.

“If they’re willing to kill everybody that’s come in contact with this information, I doubt they’d stop at killing the both of us if we got in their way.”

“Then you have a plan?”

“At the moment that plan consists of one line.  Stay alive and find the USB before they do.  After that, I’ll see what happens.”

I caught sight of an incident, two people almost colliding, and one, I noticed, was more intent on his phone which is what caused the clash.  And, a second later, I thought I recognised one of the two.

Maury.  Severin’s offsider, and more likely cleanup man.  My guess, he was the one searching O’Connell’s flat, and Jan’.”

I think it was safe to say she was compromised.

“Ok,” I said quietly, “we have a problem, well two problems.”  And if I was wrong about her, and she was one of Severin’s people, which, seeing Maury just turned a probable into a likely, I had three.

If she was, I hadn’t seen that coming. 

“What now?”

Time to test the water.

“One of Severin’s men is downstairs, mingling, which means he knows I’m here, and maybe you two.”

I did a quick check of my scan of O’Connell’s, thinking I might have picked up a bug.  It was the only explanation why Maury was here.  And, it was likely he was not alone.

Not me.  Jan?

“Did you take anything from O’Connell’s?”

“No.  Why?”

“Are you sure.  Think”

While scanning the lower floor of the station looking, no doubt, for Maury, and anyone that might present a problem, she looked like she was recounting her steps.

“Damn.  A pen.  I left it there the last time I saw him.”  She pulled it out of her bag and went to toss it in the bin.

I snatched it, and as someone brushed past me, I dropped it into their pocket.

A flash of annoyance, then, “Hey, that cost a lot of money.”

“Then be grateful it didn’t cost you your life.  Yet.”

We waited, keeping far enough back from the stairs, but with still a good view of the station.  I kept an eye on the man whom I gave the pen as he made his way across the floor towards one of the platforms.  Luckily it was at the furthest end, and as he approached it, I saw three figures, and Maury slowly make their way towards him forming a blockade so he couldn’t escape.

“Time to go.”

She had noticed the movement too.

We went down the stairs and headed towards the first available exit.  As we were going out the door, we heard a commotion, the team obviously apprehending the wrong man, who would be wondering why four burly men were accosting him on his way home.

We didn’t wait to find out what happened to him.

 

© Charles Heath 2019

Searching for locations: Venice, ships come and ships go

Through this window, which wasn’t one of those floor to ceiling, walk out onto a balcony type windows, we saw big ships, little ships, small boats, and then huge ocean liners.And when that wasn’t enough, sunrise and sunset, or just the sight of Venice in the sunshine

The many vaporettos that came and went

It was simply a matter of watching ships go by, or watching the Venetians go about the daily business
Ferries that would arrive in the morning, and leave at night, small

and large

Small ocean liners

Very, very large ocean liners

And everything in between

The cinema of my dreams – Was it just another surveillance job – Episode 21

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An unlikely ally?

 

“Wait.”

It seemed that I had managed to scare her.  Either that, or she had decided to be a little more forthcoming.  I stopped and waited until she caught up.  I was nearly at the top of the stairs.

“Look, I have to go back to my people, and I’ll get them to look into those two people you don’t seem to trust, who were they, Nobbin and Severin?”

“I don’t think you want to do that.  You start making waves, your people will send out feelers and they’ll get to hear about it, and they will know exactly where it came from, and it’ll come back and bite you.  For your own peace of mind, I’d let the sleeping dogs lie.”

She seemed over-eager to get ahead using this as a steppingstone.  I’d seen the type, in the training ranks, and in former jobs.  She was clearly assigned this job because of her looks, and she might be a good agent too, but she hadn’t thought this through.

“Are you telling me to back off?”

“I’m trying to save your life.  If I have no idea who to trust, then I have to assume both of them are theoretically the enemy.  I’m still counting the blessings I’m still alive, but I suspect that will only last until the USB is found.  The rest of my team are dead.”

Now that put the right amount of fear into her.

“If they’re willing to kill everybody that’s come in contact with this information, I doubt they’d stop at killing the both of us if we got in their way.”

“Then you have a plan?”

“At the moment that plan consists of one line.  Stay alive and find the USB before they do.  After that, I’ll see what happens.”

I caught sight of an incident, two people almost colliding, and one, I noticed, was more intent on his phone which is what caused the clash.  And, a second later, I thought I recognised one of the two.

Maury.  Severin’s offsider, and more likely cleanup man.  My guess, he was the one searching O’Connell’s flat, and Jan’.”

I think it was safe to say she was compromised.

“Ok,” I said quietly, “we have a problem, well two problems.”  And if I was wrong about her, and she was one of Severin’s people, which, seeing Maury just turned a probable into a likely, I had three.

If she was, I hadn’t seen that coming. 

“What now?”

Time to test the water.

“One of Severin’s men is downstairs, mingling, which means he knows I’m here, and maybe you two.”

I did a quick check of my scan of O’Connell’s, thinking I might have picked up a bug.  It was the only explanation why Maury was here.  And, it was likely he was not alone.

Not me.  Jan?

“Did you take anything from O’Connell’s?”

“No.  Why?”

“Are you sure.  Think”

While scanning the lower floor of the station looking, no doubt, for Maury, and anyone that might present a problem, she looked like she was recounting her steps.

“Damn.  A pen.  I left it there the last time I saw him.”  She pulled it out of her bag and went to toss it in the bin.

I snatched it, and as someone brushed past me, I dropped it into their pocket.

A flash of annoyance, then, “Hey, that cost a lot of money.”

“Then be grateful it didn’t cost you your life.  Yet.”

We waited, keeping far enough back from the stairs, but with still a good view of the station.  I kept an eye on the man whom I gave the pen as he made his way across the floor towards one of the platforms.  Luckily it was at the furthest end, and as he approached it, I saw three figures, and Maury slowly make their way towards him forming a blockade so he couldn’t escape.

“Time to go.”

She had noticed the movement too.

We went down the stairs and headed towards the first available exit.  As we were going out the door, we heard a commotion, the team obviously apprehending the wrong man, who would be wondering why four burly men were accosting him on his way home.

We didn’t wait to find out what happened to him.

 

© Charles Heath 2019