Tag: creativity

There seems to be something missing…

It seems the closer I get to the end of a story, the harder it becomes.

In this case, it is not the first draft, but more like the fifth.  The first is to correct any continuity errors and hidden clues that, when the reader gets to the end, it’s not a case of ‘how the hell did that happen’.

The second and quite possibly the third is to correct all the grammatical and spelling errors.

The fourth is to read it as a reader and to find anything that may have slipped through the first three passes.  You would be amazed, at this point, how many grammatical errors there can be, and even a wrong spelling or two.  Sometimes it seems the eyes see what they assume is right when it is glaringly wrong.

Sometimes there isn’t the fifth reading.  On those very rare occasions when there isn’t, it is when I am satisfied with what I’ve written, but this doesn’t happen too often, because, after the fourth reading, I let it rest, and let it stew in my mind.  If it doesn’t fade away after a week or two, it means there’s something wrong.

Hence the fifth reading.

So, here we are, and there is something not quite right, and it needed a few more pages earlier on to reinforce what comes later, and I get this done.  Now, the conclusion is sounding more plausible, but there’s going to be one less death because I can see, somewhere in a dark and murky future, this person is going to return at an entirely unexpected moment.

Whether it’s to save the day, or something a lot, lot worse, I won’t know until the idea in the back of my mind becomes words on paper.

Maybe next year.

Writing about writing a book – Day 21 continues

I’m still working on Bill’s backstory, and how he got mixed up in the war, and as a general background to his situation, and life before Davenport.

This is still in his own words:

 

But whether we were stupid or naive, or completely mad, we were all eager to get into battle, filled with the sort of hate only Army propaganda films could fill you with.  They were our enemy, and they deserved to concede or die.

A fresh face in a hardened platoon, I was eager to get on with it.  They looked knowingly, having seen it all before.  No idea of the reality, and no time to tell us.  Have a few beers to celebrate, and then, the next morning, go out on patrol.  No problem.

There was camaraderie, but it was subdued.  We walked single file, the seasoned campaigners in front and at the rear, treading carefully, demanding quiet, and a general cautiousness.  In the middle of nowhere, where only the sound of rain, or the animals and birds for company, we were naive enough to think this was going to be a doddle.

Then it happened, six hours out, and just before we reached a small clearing.  I thought to myself it was odd there should be such a clear space with jungle all around it.  There must be a reason.

There was.

We had walked into an ambush, and everyone hit the ground.  I was bringing up the rear with another soldier, a veteran not much older than myself whose name was Scotty, a little farther back from the main group.  Bullets sprayed the undergrowth, pinging off trees and leaves.  I buried my face in the dirt, praying I would not die on my first patrol.

We became separated from the others, lying in a hollow, with no idea how far away help was.  He was muttering to himself.  “God, I hate this.  You can never see the bastards.  They’re out there, but you can never bloody well see them.”  Then he crawled up the embankment, gun first.

He let off a few rounds, causing a return of machine-gun fire, spattering the dirt at the top.  Next thing I knew he was sliding down the hill with half his face shot away.  Dead.  I threw up there and then.  What an initiation.

Then one of the enemy soldiers came over the hill to check on his ‘kill’.  I saw him at the same time he saw me and aimed my gun and shot.  It was instinct more than anything else, and I hadn’t stopped to think of the consequences.  He fell down, finishing up next to me, staring at me from black, lifeless eyes. 

Dead. 

I’ll never forget those lifeless eyes.  I just got up and ran, making it back to the rest of the group without getting hit.  No one could explain how I made it safely through the hail of gunfire, from our side and theirs.

Back in the camp later, the veterans remarked on how unlucky Scotty was and how lucky I was to shoot one of the enemies, and not be killed myself.  They all thought it was worth a celebration.

Before we went out the next day to do it all again.

I spent the night vomiting, unable to sleep, haunted look on his face, one I finally realized that reflected complete astonishment.

 

There will be more, as the story develops.

 

© Charles Heath 2016-2020

I’d like to write a political thriller

But, I don’t understand politics.

The question is, do you really have to?

I mean all you have to do is read the papers and read between the lines. It doesn’t take much imagination to find something worth writing about

For instance,

How could it possibly happen that a leader of a very powerful country become a spy for another?

It doesn’t seem plausible, but is it possible?

It depends I’m guessing, on power and wealth, well, perhaps not so much the power, but it is true that money and wealth are great motivators.

How could it happen when the leader is in the public eye nearly all of the time? And even if that leader has closed-door conversations, which is doubtful he would be on his own, the red not really be an opportunity to sell out to the other side.

Even an exchange of gifts, like apartments or a dacha, wouldn’t be enough of an incentive, well, not for me anyway. But a clear path to investment in a rival country, maybe.

Perhaps then rather than becoming a spy, the leader could adopt a policy of appeasement.

We have history to tell us how well that works, and the fact giving concessions to another county only emboldens it to take advantage of apparent weakness, and then, hey presto, we have another war.

So…

What do we really have?

A lot of speculation and conjecture. It’s easy to construe what might be the truth from a set of circumstances and behavioral patterns of the individuals involved.

It could be likened to two cats circling each other in a cage before the fight begins.

The waters can be muddied by a constant stream of incendiary tweets which fire the readers’ imagination, all intended as a smoke screen, or feelers to see which was the wind is blowing.

Is that leader masterful and clever or is he a naive fool?

My political thriller might have a working title of,

‘Which Way Does The Wind Blow’

I don’t usually have a title for any of the books until after the first draft, or sometimes something might spring out as it’s being written.

But, for now, let’s sit back and see which way the wind is blowing.

Is there an end in sight?

I feel like I’m losing my mind.

Or perhaps I’m turning a molehill into a mountain.

I’m suffering from indecision, one of those moments in a writer’s life where either you get on with it, take a holiday, start a new story, of finish another one.

I want to get on with it, finish it, sent it to the editor, and then move on, but I can’t.

Once again I’m struggling with the end.  Well, not so much the end, but the way in which the story unfolds getting there.  I have the ending written, it just that part that usually falls into the category of ‘then a miracle occurs’.

The first draft was supposed to be finished three months ago and I’m getting frustrated.

Over the last few days I have taken a break away from it.  Every time I load it up, and sit on the page where I want the end to start (a rather curious mix of opposites) it draws a blank.

Will I add a few explosions, a building demolition, or an edge of the seat car chase?

Will I let a few of the secrets out of the bag?

Will I try to set it up for a sequel?

Wow!  So many possibilities.

I know what I’d do if it was me, which begs the question of how much of ourselves is woven into the fabric of our characters.

I want the main character to appear more human against a backdrop of having to be inhuman in order to get the necessary result.  And, there in lies the dilemma.

Perhaps I’ll sleep on it one more night.

Brainstorming, or is it barnstorming?

Perhaps it should be brainstorming in a barn!

It’s a weird word that describes a process where a bunch of people get together and throw ideas around, though others may have different permutations on what brainstorming is.

Reading through the current blogs sent to my reader, the word ‘brainstorming’ got my attention.

I use it, well, I try to use it.

I’m still working on the YA novel, you know the sort, a far off land where there’s kingdoms, kings, queens, princes and princesses, witches, no dragons and the jury’s still out on a unicorn.

I have three grandchildren, all girls, who wanted me to write a story for them.  Not that thriller stuff, or murder, but what sort of life they’d like to have in they could live in a different world.

Fortunately, both still have an imagination, a prime requisite for them to transition through their childhood to young adult, smoothing out the bumps.  They are avid readers, so I have an untapped source of ideas.

Or so you would think.

This is how it started:  A few years ago I told the eldest, who’s 18 this year, to stop acting like a princess.  She didn’t get the inference because it was an ‘adult’ concept when dealing with children.

What she did say was how she was going to be a princess when she grew up.  I said there were not enough real-life princes to go around, a point she took on board with all the aplomb of as she was then 12-year-old, so it graduated to becoming a princess in a story.

Somehow she ended up with the name Marigold.

She decided Marigold was going to be a haughty, self-indulgent, spoilt brat.  That condescending tone, those flicks of the hair, those sharp put-downs, a princess indeed.   It was as if she had acting lessons from the Disney ‘bad princess’ school of acting.

But …

As all haughty and condescending people do, the princess is taught an invaluable lesson in humility when her Kingdom is invaded, her brother, next in line to the throne, murdered, the king thrown in the dungeons, and her mother put to the sword and left for dead.  She flees the castle and her betrothed prince who is leading the invasion of their Kingdom, and who is now regarded as both unworthy and dangerous, goes after her.

The first few ‘brainstorming’ sessions saw the addition of two sisters (her two real life cousins, one back then who was ten and other six), a healer (another name for a witch as witches are outlawed in her Kingdom), magic spells, and a quest to save her family and the land.

It’s been done before, but this is without the Knight in shining armour, and where a young girl who has never had to fend for herself has to come to grips with a completely alien environment, and the fact none of her companions believe she is going to be of any help whatsoever.

Several sessions later we came up with the quest.

What has surprised me, for a generation of children brought up with video games, endless violence, and the endless pressures on youth these days versus what I had in my day, they have this amazing ability to take a step back and see themselves in such a different light.

I’ve always had an overactive imagination borne from a time where we didn’t have any of the facilities children have these days.  We had to make our own adventures, not live them out on TV and in video games.

I dragged them into my world, and now, together, we have a bond that will never be shaken.  I am the storyteller, they are Marigold, Ophelia and Nerida, princesses.

They are as different as chalk and cheese.  Ophelia wants her own story, the princess who battles against the magic within her.  Nerida has a quite simple aim in life, having been taught swordplay by her brother, she wants to slay a dragon.

The first story is now nearly finished, and at the rate I’m going I’ll be lucky to see it published by her 18th Birthday.

Still, how good would it be to be handed a book that was specially commissioned by, and written for her?

Writing about writing a book – Day 20

It is a day of rest although writers are ready and able to work on any given day at any hour of the day or night when an idea or thought comes to them.

I’m trying not to think, but that’s not working.

I’ve been going over the reasons for writing the first draft of the book 30 odd years ago and it had something to do with the fact I was working with personal computers and local area networking when both were in their infancy, and I wanted to blend this knowledge into a story.

Of course, I’d always wanted to write thrillers, and this presented the opportunity to use computers as a basis for a worldwide conspiracy.  How easy it is these days to do just that, but back in those days, it was a lot of hard work.

I remember sitting in a meeting when the company I was working for at the time had just implemented a network and personal computer to replace the mainframe and dumb terminals, also looking to leverage the new technologies of spreadsheets and word-processing, effectively making accounts staff more productive, and removing typists and moving into the world of centralized word processing.  It was not a new idea with Wangwriter, but using PC’s was.

One of the departmental managers got up to give his take on the new technology, this about six months after implementation, and after a lot of teething troubles caused mainly by people who were vehemently resisting change, and his message was, it should not be called ‘networking’, but ‘not working’, in reference to the number of times the network went down.

But this is a digression.  Computers are only a part of the story.

The story also goes back to a time when there was a clear demarcation between the management levels.  Management offices were oasis’s whereas the staff worked in a stark desert-like environment.  When one came to work for such an organization, it was with the belief that you start at the bottom, and over time, you work your way up the ladder.  There was, very definitely, class distinction, and the various management levels never mixed, at work or socially, except within their own level.

There were Managers, Assistant Managers, and Manager’s Assistants, a typing pool, a secretary, that young, or old, lady who did so many jobs for their boss, that these days it would be considered demeaning.  They were dedicated to their jobs and irreplaceable.  There was no such person as a Personal Assistant.

Nor was such a thing as sexual harassment.  One company I worked in where one of the Assistant Managers was sexually abusing an office girl, her complaints didn’t get a prosecution as it would now, it just had him transferred to another branch.  Reprehensible, yes, and thankfully no longer a problem, except of course, in Fifty Shades of Grey which apparently condones such behavior.

There were department heads, General Managers, and Board Members.  The upper management level and participants were in a world of their own, one few could ever aspire to.  This is the world in which Transworld, my fictitious (but based on a very real) company lives.

I have to work on my company structure to make sure it is right.

Now I have two charts.  A timeline, for both Bill, and the story, and a hierarchy for the office management and staff.

This is beginning to be more complicated than I thought.

 

© Charles Heath 2016-2020

The bane of our existence: social media

I’m back to writing, sitting at the desk, pad in front of me, pen in hand.

The only thing lacking is an idea.

It’s 9:03 am, too early to start on a six-pack.

I need a distraction.

Blogging, websites, Twitter, and Facebook, all of these social media problems are swirling around in my mind.

The more I read the more it bothers me that if I don’t have the right social media presence if I do not start to build an email list, all of my efforts in writing a book will come to naught.

Then I start trawling the internet for information on marketing and found a plethora of people offering any amount of advice for anything between a ‘small amount’ to a rather large amount that gives comprehensive coverage of most social media platforms for periods of a day, a week or a month.  I don’t have a book so it’s a bit early to be worrying about that.

I move on to the people who offer advice for a cost on how to build a following, how to build a web presence, how to get a thousand Twitter followers, and how to get thousands of email followers before the launch.

The trouble is I’m writing a novel, not a nonfiction book, or have some marvellous 30 page ebook on how to do something, for free just to drive people to my site.

I’m a novelist, not a handyman so those ideas while good are not going to help me.

Yet another problem to wrestle with along with actually creating a product to sell in the first place.

Except I’m supposed to be writing for the love of it without the premeditated idea of writing for gain or getting rich quick.

What am I missing here?

So should l be writing short stories and offering them for free to drive people to my site?  These would have to be genre-specific so it needs time and effort and fit into a convenient size story that will highlight or showcase my talent.

Or should I create a website for the novel and set up pages for the characters and get some interaction going that way?

It will be difficult without giving the whole plot away so if I do it will have to be carefully managed.

I don’t think I will have a good night’s sleep again with all of these social media problems I’m going to have.

Oh well, back to the book.  It’s time to have a nightmare of a different sort!

Searching for locations: Niagara Falls, Canada

We visited the falls in winter, just after Christmas when it was all but frozen.

The weather was freezing, it was snowing, and very icy to walk anywhere near the falls

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Getting photos is a matter of how much you want to risk your safety.

I know I slipped and fell a number of times on the ice just below the snowy surface in pursuit of the perfect photograph.  Alas, I don’t think I succeeded.

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The mist was generated from both the waterfall and the low cloud.  It was impossible not to get wet just watching the falls.

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Of course, unlike the braver people, you could not get me into one of the boats that headed towards the falls.  I suspect there might be icebergs and wasn’t going to tempt the fate of another Titanic, even on a lesser scale.  The water would be freezing.

The bane of our existence: social media

I’m back to writing, sitting at the desk, pad in front of me, pen in hand.

The only thing lacking is an idea.

It’s 9:03 am, too early to start on a six-pack.

I need a distraction.

Blogging, websites, Twitter, and Facebook, all of these social media problems are swirling around in my mind.

The more I read the more it bothers me that if I don’t have the right social media presence if I do not start to build an email list, all of my efforts in writing a book will come to naught.

Then I start trawling the internet for information on marketing and found a plethora of people offering any amount of advice for anything between a ‘small amount’ to a rather large amount that gives comprehensive coverage of most social media platforms for periods of a day, a week or a month.  I don’t have a book so it’s a bit early to be worrying about that.

I move on to the people who offer advice for a cost on how to build a following, how to build a web presence, how to get a thousand Twitter followers, and how to get thousands of email followers before the launch.

The trouble is I’m writing a novel, not a nonfiction book, or have some marvellous 30 page ebook on how to do something, for free just to drive people to my site.

I’m a novelist, not a handyman so those ideas while good are not going to help me.

Yet another problem to wrestle with along with actually creating a product to sell in the first place.

Except I’m supposed to be writing for the love of it without the premeditated idea of writing for gain or getting rich quick.

What am I missing here?

So should l be writing short stories and offering them for free to drive people to my site?  These would have to be genre-specific so it needs time and effort and fit into a convenient size story that will highlight or showcase my talent.

Or should I create a website for the novel and set up pages for the characters and get some interaction going that way?

It will be difficult without giving the whole plot away so if I do it will have to be carefully managed.

I don’t think I will have a good night’s sleep again with all of these social media problems I’m going to have.

Oh well, back to the book.  It’s time to have a nightmare of a different sort!

Writing about writing a book – Day 19

I’m still working on the sequence of flashbacks for the story, filling out the back story to how Bill became associated with a man called Colonel Davenport.

It is important to remember that while Davenport may have begun with good intentions, it was not difficult to go slowly mad given the conditions.  This character, Davenport, runs a multitude of operations within the war zone, turning a huge profit and setting up a business for when the war ended.

Bill meets his Davenport’s cronies and then the man himself.  Life is not what it seems, and working for him is not a guarantee of safety, so Bill not only has to watch out for the enemy but also those with whom he also works.

 

Part 3 – In the Service of Davenport

Davenport and punishment

Busted mission, the first threat to Davenport

Manilow’s death – and how he got there

More on Manilow, the night before his death

Taken to rendezvous with Davenport’s boss

Identify Davenport by ‘sniveling morons’

Sniper – killing Ellen’s father – set up

Sniper – Killing Ellen’s father, execution

Planes and death

 

Bill gets to meet an interesting cast of characters, not the least of which is Davenport’s right-hand men, and a very unlucky lad who was supposed to see through his tour in the command station far from the war zone, and who is connected to a person close to him.

He was also unwittingly involved in a murder, one set up by Davenport, and one designed to keep his silence.

 

Part 4 – The Lead up to Capture, and in a POW camp

The object that Davenport is seeking

After R & R revoked, retrieved by Davenport for the last mission

Capture by Cho’s forces, delivered by Davenport’s men

In the POW Camp, and the arrival of Cho

Day of Rescue from Cho

Ellen and Jacobson after rescue in the hospital

 

Bill’s safety may have been assured had he simply toed the line, but, while on a secret mission with Davenport’s men, he sees an opportunity to take some evidence of Davenport’s activities, as an act of self-preservation.

Of course, he doesn’t reckon with the ruthlessness of Davenport and ends up in a camp where Bill is handed over to the chief interrogator, a friend of Davenport’s.  There is no doubt what Cho’s mission is.

But, like all seemingly simple plans, it doesn’t go the way Davenport wants, Bill does not talk, and is eventually rescued.

 

Part 5 – Post Rescue and Transworld

Employment at Transworld, then first interrogation via Collins

In hospital immediately after being shot

Davenport in my hospital room, post being shot

Recognize Jorgenson

 

Davenport discovers Bill was rescued, and that is has lost his memory of all the time in his service, so just in case Bill does, one day, remember, he will be there to get the answers, and the missing information.

It is almost a story within a story, and maybe one day will be published as such.

At least now I have some idea of how to work the much larger story into the flashbacks, as a prelude to what happens to Bill once he realizes who is behind everything that is happening at Transworld.

 

© Charles Heath 2015-2020