Tag: creativity

The cinema of my dreams – It’s a treasure hunt – Episode 22

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

I was a fool for thinking that I could help Nadia when the whole time she was playing me.  There didn’t look like any tension between them, and nothing that would convince me that he had any sort of hold over her.

I cursed myself for my own stupidity.

With a shake of the head, I went over to the bar attached to the beachside restaurant and order a cold beer, then another.   The bartender gave me a long measured look as if trying to gauge my age, but I was old enough and had the ID card to prove it.  

It was a curse to look so young for that reason, but I suppose, like more old men, I would eventually curse being old.  At least, that’s what my mother said, along with the warning I should not be so eager to start drinking booze.

At least I didn’t smoke, though that hadn’t always been the case, and, at times, it was hard not to reach for a cigarette in moments of anguish or anger, like now.

I was on my fourth bottle when I heard someone sit on the stool next to mine.  About the same time I recognised the perfume wafting my way.

Nadia.

“So, this is where you’re hiding?”

I looked sideways at her.  My first thought was to tell her exactly what I thought of her.  That passed quickly.  No telling how many of her friends were here, and the thought of facing Vince was not something I wanted to do, any time.

“What do you want?”

“I thought I saw you on the pier?”

“I like to see how the other half live.  What’s your excuse?”  OK, that didn’t come out exactly how I wanted it to.

I could feel her glaring at me.  She knew exactly what I was talking about.  At least she wasn’t going to dodge the issue.

“I do what I have to.  If it means I have to cosy up to a rattlesnake, then I will.”  Delivered barely above a whisper, but spat out with a great deal of venom.  “What happened out there?”

“Rico got busted for having a dead body on his boat.  You wouldn’t know anything about that, would you?”

“I didn’t put it there if that’s what you mean.”

“Alex?”

“He hasn’t got the brains for something like that.  Not in plain sight.”

That was an odd thing to say, in plain sight.  Did that mean they were in full view of Rico’s boat the whole time he was not on it?

“Why do you say that?”  I looked sideways at her.  Slightly sunburned on the top of her cheeks.  No makeup, and surprisingly, she looked very different, not as grown-up.

“The yacht was parked three bays down.  Engines were not working again and Alex had to come back and just made it into the dock.  Sent down a couple of divers to check the propellers or something.”

“You see Rico on his boat?”

“Briefly.  He was with a couple of Benderby’s thugs.  They left the boat, and about ten minutes later we left the dock.  Alex said some fishing line had fouled the propeller.”

“What happened then?”

“We went down below to have lunch.  The Captain took it for a run, everything seemed to be working, and we came back.  That’s when I saw you and Rico on the dock and all the police. You in some sort of trouble?”

“No.  The FBI has taken over the investigation, and told Johnson to let us go.”

“I’m sure Johnson is absolutely thrilled the feds took over his ticket to becoming the next Sherriff.”

“Why?  Is he in the Cossatino’s back pocket?”

“You’re asking the wrong person.  This will put a dent in your plan to help me out with Alex.  I can’t pretend to like the bastard for much longer, and I swear if he touches me again, I’ll kill him.”

I guess it was easy, for a minute, to forget that her brother was exactly the same with other women, and, when we’d been at school, girls too frightened to say no.  Perhaps it was the Cossatino blood running through her veins, that it was alright in some cases, and not in others.  “That’s ironic after what Vince has done, and probably still does, don’t you think?”

The bartender stopped and put a half-full glass of straight bourbon in front of her.  A nod and the bill was paid.

She looked at me, picked it up and drunk the contents straight down, then said, “You’re a bastard smidge.  You know I could crush you like the insignificant bug you are, but I’m not going to.  You see, I like you, no matter what you think of me.  Just call me once you’ve got over your bout of smug superiority.”

A smile, or a grimace, I wasn’t sure what it was, she slid off the stool and left.

 

© Charles Heath 2019

Back to those ‘old days’ again

I started out by saying I didn’t want to be a lone voice in the wilderness.

Apparently I am, still.

Well, that might be a little harsh in the circumstances, but the monkey on my shoulder is telling me I should start writing something that someone might want to read.

I guess the trials and tribulations of a writer who basically is a lone voice in the wilderness is as boring as everyday life.

I mean, who wants to read about someone’s miserable, or, on rare occasions, good, day.

Yet, if I was to pick up any book written in the 18th and 19th century, all it seems to be about is everyday life, but what makes it interesting is the fact we never lived it, nor realized how hard it was for some, and how good it could be for others.

Best not to be born poor.

So, I was wondering, in 200 years time when someone sits down to read about the vicissitudes of my life, will it be interesting to know what it was like back in the ‘old days’ that is really today for me?

Interesting how a change in time frame makes something interesting, and ‘classic’ literature.

But one difference between then and now is the fact we, today, can write about science fiction, spies and all manner of events that come out of recent inventions.  Odd too, that people are still the same, those that tell the truth, those that are pure of heart, those who are as evil as the devil himself.

Some things never change.

Just the when, where, and how.

The cinema of my dreams – It’s a treasure hunt – Episode 21

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

“Why are we still here,” Boggs asked.

A small crowd had gathered to watch the police, some vocal about them finally doing what they should have some time ago.  Very few people liked Rico and rumours were rife about his alleged participation in trafficking drugs.

The fact the current Sherriff hadn’t arrested him before now was said to be because he was corrupt, but nobody would say so out loud.  I felt sorry for the Sherriff because my mother said he had made it quite clear he was not working for anyone but the city that employed him, and that no one was above the law.

But I’d only heard one person question why he was not here, using the event as part of his campaign for re-election.

“Curiosity,” I said.

“About what.  I thought the situation explained itself.  Rico’s finally been caught red-handed.”

“I’m not so sure/it was him.  Were you watching the boat the whole time when you were waiting for me?”

“What do you mean?”

“If you were, you would have seen him on the boat, join the others and leave.  Did it look like they were killing a man below deck?”

How the hell should I know?  As you said, it was below deck.”

“But the boat would have been moving, well, the mast really.”

“With the wash coming towards it from the fools who drive their boats too fast.  Good luck with that.  Do you want Rico to get off, and then come terrorize us.  That’s what’s going to happen if they let him go.”

“I don’t think so.”

Despite his protestations, Boggs was as interested in what was unfolding as I was.  Only I suspect he wanted to see Rico locked up, if possible, forever.  Quite a few people would, and none more than the Benderby’s.

Boggs might not realise it, but his quest for the treasure was at the heart of this.  Had Rico tried to double-cross the Benderby’s?  He was trying to get Nadia to steal the map from Rico, and perhaps Rico had discovered Benderby was trying to cut him out of the deal.

Had Rico threatened them, and was this how they rep[aid disloyalty?

Or was it my original thought, that the Benderby’s were looking for an easy target?

“I’m going.  Coming?”  Boggs had lost interest.

“No.  Not yet.  I want to see what Alex is going to do.”

“Alex Benderby?  What’s he doing here?”

“He just conveniently arrived on his father’s boat, which means he wasn’t very far away.”

“Of course not.  They’ve been having engine troubles for the last month.  They were probably out testing the repairs.”

“How do you know that?”

“Rico.  He thinks it’s hilarious they spent so much money on that boat and haven’t got a full day of sailing out of it.  More money than sense, that lot.”

I looked in the direction of Alex’s boat and he was coming ashore.  So were the divers, now out of their suits and dressed casually, and for the sake of looking normal, with three women, one of whom looked like Nadia.

“Anyway, I’ve decided,” he said, “we’re doing this treasure hunt on our own.  I don’t trust anyone but you.  It was a mistake thinking Alex would help.  Call me tomorrow when you’re free.  We have to start planning.”

“OK.”

I didn’t see him leave.  I was too busy watching the group with Alex.  It was Nadia, and she was looking very cosy next to him.

 

© Charles Heath 2019

In a word: Second

It would be very interesting if duelling was still allowed.  There are a few people I’d like to stand toe to toe with, take ten paces, then test my ability to shoot with an old style flint duelling pistol.

What’s this got to do with anything?

It’s where our word of the day comes in.  If I lose my nerve, or I know my opposite number is a better shot, my second would have to stand in my place.

It’s,  if anything, an older use of the word.

Of course, it mainly means, on one hand, coming second in a race or a competition, not exactly the place you really want to be, simply because no one really remembers who came second.

It plays host to a plethora of statements using second as part of the saying, such as,

Second rate, second hand, even if it had more than one owner, second best.

But then there’s a few more that mean something else like a second look, mainly because you didn’t trust your eyes, second nature, it’s been drilled into you (a rather painful idiom if it truly was) and second sight, though this might not necessarily be a verifiable attribute.

And, of lesser note, I’m not necessarily sure I’m second to none.

On the other hand, and pardon the pun using this definition, it also describes a length of time, very short in fact, and it takes 60 of them to make a minute.

Hang on, it’ll only take a second.  Yes, we often use the word in vain.  I doubt there is any one of us who could do anything useful in a second.

Searching for locations: The Silk Factory, Suzhou, China

China is renowned for its exquisite silk, so naturally, a visit to the Silk Spinning Factory is part of today’s tour.

After that, we will be heading downtown to an unspecified location where we’re getting a boat ride, walk through a typical Chinese shopping experience, and coffee at a coffee shop that is doubling as the meeting place, after we soak up the local atmosphere.

The problem with that is that if the entire collective trip a deal tourists take this route then the savvy shopkeepers will jack up their prices tenfold because we’re tourists with money.  It’ll be interesting to see how expensive everything is.

So…

Before we reach the silk factory, we are told that Suzhou is the main silk area of China, and we will be visiting a nearly 100 years old, Suzhou No 1 Silk Mill, established in 1926.  Suzhou has a 4,700-year history of making silk products.  It is located at No. 94, Nanmen Road, Suzhou, Jiangsu, China.

Then we arrive at the Silk Factory, another government-owned establishment with a castiron guarantee of quality and satisfaction.

The look and feel of the doona cover certainly backs up that claim

And the colors and variety is amazing (as is the cost of those exquisite sets)

We get to see the silk cocoon stretched beyond imagination, and see how the silk thread is extracted, then off to the showroom for the sales pitch.

It isn’t a hard sell, and the sheets, doonas, pillows, and pillowcases, are reasonably priced, and come with their own suitcase (for free) so you can take them with you, or free shipping, by slow boat, if you prefer not to take the goods with you.

We opt for the second choice, as there’s no room left in our baggage after packing the Chinese Medicine.

The cinema of my dreams – I never wanted to go to Africa – Episode 22

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

Lallo was gone ten minutes, perhaps a specific amount of time that was supposed to make me sweat.  It was warm in the ward so it wasn’t his presence or the questions that made me feel uncomfortable.

It was fear of the unknown.

If anything, it was more likely I’d be going to a black site rather than rest and recuperation in Germany.  And apparently over an operation, I had little or no knowledge of its inception or execution beyond being used for target practice.

Unless the army in its infinite wisdom was looking for a scapegoat, they’d tried pinning it on Treen, but he didn’t play ball, so now it was my turn.  However, just to complicate that thought, why didn’t they just kill me on the ground when they had the chance?

Because they needed me alive.

My mind went back to that fateful operation.

I went over as many of the crew as I could remember.  Ledgeman, Sergeant, explosives expert, he was with me until he was shot, caught in the crossfire, which now made me consider my first assessment of what has happened to him, that it might have been one of us who shot him, was the likely outcome.

Willies, Corporal, also explosives expert, sent with Mason, Gunnery Sergeant like me, who was providing cover for Willies.

Breen, Lieutenant, Leader, although it didn’t exactly appear to be the case, the more I thought about it, there seemed an undertone of indifference from the team towards its leader, one I should have picked up on.  Informal command never worked when push came to shove.

Andrews, Cathcar, Edwards and Sycamore, regular soldiers with combat experience along for protection, Andrews and Sycamore were with us and had worked together before, their camaraderie didn’t extend to me, but they were professional soldiers.

Of all the people in that entire group, why did Treen survive?  In putting the pieces together now in my mind, and if what I remembered was right, he should have been the first to die.

I mean, drugs and paranoia aside, that was the one single damning conclusion I could draw from events.  If he had, then a lot of the others might have survived.

But time was up; Lallo was back, squirming in his seat, and armed with a different coloured notebook.

First question, “What was your opinion of Treen?”

Relevance?  “Competent, but perhaps not truly in charge of his men.”

“How so?”

“I got the impression it was a case of familiarity breeds contempt.”

“You question his ability to command?”

“Just his style.”

Groups who worked together in close combat as a unit, from the top to the bottom, acquired a level of camaraderie that transcended rank.  It was not supposed to, but it did.  It was built on mutual respect and got to a point where everyone knew what they were doing without being asked, or ordered.  I got the impression that had been the case for Treen and his team up till that operation.  Perhaps the loss of one of the team had changed the dynamic.

“He’s there to lead, not be liked.”

“Then why ask me what I thought?  You’d know what I meant by that if you were out on the front line and your life depended on your team.  Something was not right.”

“How did you fit in,” he asked, with an emphasis on the word ‘fit’.

I didn’t, but I was not going to tell him that.  In the end, I just didn’t trust them.  You can get a measure of a man in that first meeting with or speaking with them, and they closed me out from the start.

“I had a job to do and I did it.”

And, it was probably the reason why I walked away.

© Charles Heath 2019-2021

I’m trying to write a period piece

Televison is a great recorder of the past, and most channels, and especially cable tv have great libraries of films that go back more than a hundred years.

And, whilst it’s possible that modern day films and television series can try to recapture the past, the English as an exception being very good at it, often it is impossible to capture it correctly.

But, if you have a film shot in the moment, then you have a visual record of what life, and what was once part of our world before you in all it’s dated glory. The pity of it is that, then, we never appreciated it.

After all, in those particular times, who had the time to figuratively stop and smell the roses. Back then as life was going on, we were all tied up with just trying to get through each day.

Years later, often on reflection, we try to remember the old days, and, maybe, remember some of what it was like, but the chances are that change came far too rapidly, and often too radical, that it erases what we thought we knew existed before.

My grandmothers house is a case in point. In it’s place is a multi lane super highway, and there’s nothing left to remind us, or anyone of it, just some old sepia photographs.

I was reminded of how volatile history really is when watching an old documentary, in black and white, and how the city I grew up in used to look.

Then, even though it seemed large to me then, it was a smaller city, with suburbs that stretched about ten or so miles in every direction, and the outer suburbs were where people moved to get a larger block, and countrified atmosphere.

Now, those outer suburbs are no longer spacious properties, the acreage subdivided and the old owners now much richer for a decision made with profit not being the motivator, and the current suburban sprawl is now out to forty or fifty miles.

The reason for the distance is no longer the thought of open spaces and cleaner air, the reason for moving now is that land further out is cheaper, and can make buying that first house more affordable.

This is where I tip my hat to the writers of historical fiction. I myself am writing a story based in the 1970s, and its difficult to find what is and isn’t time specific.

If only I had a dollar for every time I went to write the character pulling out his or her mobile phone.

What I’ve found is the necessity to research, and this has amounted to finding old films, documentaries of the day, and a more fascinating source of information, the newspapers of the day.

The latter especially has provoked a lot of memories and a lot of stuff I thought I’d forgotten, some of it by choice, but others that were poignant.

Yes, and don’t get me started on the distractions.

If only I’d started this project earlier…

Using Hollywood as a source of inspiration

I’m not one for writing Western, I’ll leave the honours for that to Louis L’Amore, whose acquaintance I made when I saw How The West Was Won on the big screen, and then read the book.

That led to reading a few more by Zane Grey, but it was not in the reading of the stories but in the visual splendour of the west depicted in these films that made the actors almost secondary.

But my interest in watching Westerns had been fuelled by the fact my parents watched them on TV, though back in those days, they were in black and white, and starred John Wayne, Gary Cooper, Alan Ladd and, later on, Clint Eastwood among a great many others.

But the mainstay of my interest in the archetypal Western centred on John Wayne whose movies may have almost the same plot line, just a substitution of actors and locations.

Often it was not so much that John Wayne was in it, but the actors he surrounded himself with, like Dean Martin, Ricky Nelson, Walter Brennan, and Robert Mitcham, all of whom made the experience all the better.

Films like The Sons of Katie Elder, True Grit, Rio Bravo, and El Dorado.

Who can forget the vast open spaces, the dry dusty stresses lines with wooden buildings and endless walkways that substituted for footpaths?  Bars in hotels, rooms overlooking the street, havens for sharpshooters, when bad guys outnumber the good guys, and typically the Sherrif who always faced insurmountable odds.

Or the attacks staged by Indians who were routinely killed, in fact, there was not one film I saw where they ended up winning any battle. Only in recent years did they get a more sympathetic role, one film that comes to mind is Soldier Blue, which may have painted them as savages, but a possible reason why they ended up so.

But for those without Indians, there were plenty of others whose intentions were anything but for the good of the settlers.

A lot of films ended in a classic gunfight.  High Noon, 3:10 to Yuma are two, where the story led to gun fights between good and bad in unlikely places like El Dorado or Rio Bravo.

There are countless others I could name, like Shane, or became to be called, the spaghetti westerns with Clint Eastwood, or last but not least, The Magnificent Seven, or Once Upon a time in the west.

All have contributed to a picture in my mind of how the American West was, fearsome men, beleaguered sheriffs, people with good intentions, and those driven by greed and power. All of this plays out in the harshest of conditions where life and death could be determined by a wrong word or a stray bullet.

And let’s not forget the role of the guns, Colt, Winchester, and Remington.  And Smith and Wesson, and the gunslingers of the day. Some were good, but most according to the film world were bad.

So, against the lifelong interest of watching and reading about the archetypal view of the old West, shall I attempt to put pen to paper. Thank God it will be a work of fiction because I don’t think there are many who knew what it was really like.

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

…

Available on Amazon here: amzn.to/2H7ALs8

…

Memories of the conversations with my cat – 44

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some months ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

20160902_123157

This is Chester.  I’ve just dropped the bombshell we’re thinking of getting a dog.

So, the first response from him:  Well, the last dog didn’t turn out so well, did it?

We didn’t tell him what happened to the dog, but maybe he’s psychic.

Or is that psycho?

Anyway, the last dog we had moved to my son’s place when he moved, and shortly after, broke his hip and had to be put down.

So I say, that dog moved when my son left.  I don’t have any more sons living in, so that won’t be a problem.

It’s going to be a mistake.

Oh, how?

You know they all start out like soft furry balls, like cat’s I’ll admit, but then they grow up, and up, and up, and up.  And eat you out of house and home.  Not like us lovable cats, we stay small furry balls, and don’t eat all that much.

No, you’re just fussy, and it’s like hell on earth getting you to eat.

Then stop buying the cheap stuff.

Cheap?  Cheap?  That last lot of food cost an arm and a leg.  At least with a dog, it will eat anything, including scraps from the table.

He gives me that condescending look reserved for people who think they own or know cats.

As you wish, my Lord.

Then he walks off, head in the air and tail swishing in annoyance.