The Things We Do For Love – The final editor’s draft – Day 3

Michelle, to Henry, was the proverbial black widow, having arrived with every stitch of clothing black or near enough.

They settle into an uneasy co-existence, by the fire, waiting out the rain and weather, not avoiding meals because it would require explanation, but stumbling over the conversation, mainly because of Henry’s shyness and reserve.

The arrangements come to a head when she goes out and comes back soaked.  She stands by the fire to get warm; Mrs Mac brings a towel for her to dry her face and hair, and here Henry discovers her injuries make it difficult.

He helps but makes a mess of it through inexperience and fear of, yes, making a mess of a moment, which, word-wise, he does.

At this point, we discover a lot more about who she is and why she is there, and why she can never have a relationship, friendship or anything with that enigmatic, shy, boy.

Then the weather breaks.

Alone, Henry goes out to explore the coast, finds a way down to the beach, goes for a walk to be alone with his thoughts, and remembers where he had seen her before.

In magazines, ads.  Not only a model but a lot more.  A woman he realizes he is way out of his depth when with her.

She ventures to the beach, and they talk, he discovers small talk is not something that comes easy and is left in despair at his ineptitude.

I know this feeling from experience, and it makes this story easy.

The Things We Do For Love – The final editor’s draft – Day 3

Michelle, to Henry, was the proverbial black widow, having arrived with every stitch of clothing black or near enough.

They settle into an uneasy co-existence, by the fire, waiting out the rain and weather, not avoiding meals because it would require explanation, but stumbling over the conversation, mainly because of Henry’s shyness and reserve.

The arrangements come to a head when she goes out and comes back soaked.  She stands by the fire to get warm; Mrs Mac brings a towel for her to dry her face and hair, and here Henry discovers her injuries make it difficult.

He helps but makes a mess of it through inexperience and fear of, yes, making a mess of a moment, which, word-wise, he does.

At this point, we discover a lot more about who she is and why she is there, and why she can never have a relationship, friendship or anything with that enigmatic, shy, boy.

Then the weather breaks.

Alone, Henry goes out to explore the coast, finds a way down to the beach, goes for a walk to be alone with his thoughts, and remembers where he had seen her before.

In magazines, ads.  Not only a model but a lot more.  A woman he realizes he is way out of his depth when with her.

She ventures to the beach, and they talk, he discovers small talk is not something that comes easy and is left in despair at his ineptitude.

I know this feeling from experience, and it makes this story easy.

The Things We Do For Love – The final editor’s draft – Day 2

Some people are not who they appear to be.

Henry, for instance, had suffered the tragic loss of what he believed to be his one true love.  That, in essence, had led him to that life at sea, away from everything and everyone, because all it did was remind him of what he had lost.

And, yes, he was not going to fall in love again, it was far too painful.

Trying to get over the overwhelming grief, still raw a year later, he hears the arrival of another guest, and curious discovers it is a woman about his age, one who is quite at odds with what he would expect as a guest, at this hotel, at this time of year.

It raises that inevitable question, why would someone like her be there?

This leads to an awkward dinner where, with only two guests in the hotel, would it not be better if they sat together?  Neither thought so, but it seems impolite not to.

From there, of course, the conversation could only get worse, with each emphasising, in their thoughts, just how much they didn’t want to be there.

It is here we discover how these two are going to get along, or not, as the days proceed, not having realised that meeting others was a possibility, but meeting someone else who might be a match, never.  Both know they’re at that hotel to stay away from everyone else, but, in the coming days, that wasn’t going to be possible.

Plans must be made.

The Things We Do For Love – The final editor’s draft – Day 2

Some people are not who they appear to be.

Henry, for instance, had suffered the tragic loss of what he believed to be his one true love.  That, in essence, had led him to that life at sea, away from everything and everyone, because all it did was remind him of what he had lost.

And, yes, he was not going to fall in love again, it was far too painful.

Trying to get over the overwhelming grief, still raw a year later, he hears the arrival of another guest, and curious discovers it is a woman about his age, one who is quite at odds with what he would expect as a guest, at this hotel, at this time of year.

It raises that inevitable question, why would someone like her be there?

This leads to an awkward dinner where, with only two guests in the hotel, would it not be better if they sat together?  Neither thought so, but it seems impolite not to.

From there, of course, the conversation could only get worse, with each emphasising, in their thoughts, just how much they didn’t want to be there.

It is here we discover how these two are going to get along, or not, as the days proceed, not having realised that meeting others was a possibility, but meeting someone else who might be a match, never.  Both know they’re at that hotel to stay away from everyone else, but, in the coming days, that wasn’t going to be possible.

Plans must be made.

“Trouble in Store” – Short stories my way: Actions have consequences

It’s time for the policewoman to arrive.

There is such a thing as pure dumb luck.

If she did not walk through the door when she did then Jack would have walked away.

From the policewoman’s perspective:

 

She crossed the street from the corner instead of remaining on the same side of the street as she did every other night.  When she reached the other sidewalk, she was about 20 yards from the nearest window of the store.

As she crossed, she got a better view of the three people in the store and noticed the woman, or girl, was acting oddly as if she had something in her hand, and, from time to time looked down beside her.

A yard or two from the window she stopped, took a deep breath, and then moved slowly, getting a better view of the scene with each step.

Then she saw the gun in the girl’s hand, and the two men, the shopkeeper and a customer facing her, hands up.

It was a convenience store robbery in progress.

She reached for her radio, but it wasn’t there.  She was off duty.  Instead, she withdrew, and called the station on her mobile phone, and reported the robbery.  The officer at the end of the phone said a car would be there in five minutes.

In five minutes there could be dead bodies.

She had to do something, and reached into her bag and pulled out a gun.  Not her service weapon, but one she carried in case of personal danger.

 

Guns are dangerous weapons in the hands of professional and amateur alike.  You would expect a professional who has trained to use a gun to not have a problem but consider what might happen in exceptional circumstances.

People freeze under pressure.  Alternately, some shoot first and ask questions later.

We have an edgy and frightened girl with a loaded gun, one bullet or thirteen in a magazine, it doesn’t matter.  It only takes one bullet to kill someone.

Then there’s the trigger pressure, light or heavy, the recoil after the shot and whether it causes the bullet to go into or above the intended target, especially if the person has never used a gun.

The policewoman, with training, will need two hands to take the shot, but in getting into the shop she will need one to open the door, and then be briefly distracted before using that hand to steady the other.

It will take a lifetime, even if it is only a few seconds.

Actions have consequences:

 

The policewoman crouched below the window shelf line so the girl wouldn’t see her, and made it to the door before straightening.  She was in dark clothes so the chances were the girl would not see her against the dark street backdrop.

Her hand was on the door handle about to push it inwards when she could feel in being yanked hard from the other side, and the momentum and surprise of it caused her to lose balance and crash into the man who was trying to get out.

What the hell…

A second or two later both were on the floor in a tangled mess, her gun hand caught underneath her, and a glance in the direction of the girl with the gun told her the situation had gone from bad to worse.

The girl had swung the gun around and aimed it at her and squeezed the trigger twice.

The two bangs in the small room were almost deafening and definitely disorientating.

Behind her, the glass door disintegrated when the bullet hit it.

Neither she nor the man beside her had been hit.

Yet.

She felt a kick in the back and the tickling of glass then broke free as the man she’d run into rolled out of the way.

Quickly on her feet, she saw the girl had gone, and wasted precious seconds getting up off the floor, then out the door to find she had disappeared.

She could hear a siren in the distance.  They’d find her.

 

If the policewoman had not picked that precise moment to enter the shop, maybe the man would have got away.

Maybe.

If he’d been aware of the fact he was allowed to leave.

He was lucky not to be shot.

Yet there were two shots, and we know at least one of them broke the door’s glass panel.

 

Next – the epilog

© Charles Heath 2016-2020

“Trouble in Store” – Short stories my way: Point of view

If this story were being written in the first person, the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story, and we need to know something about her, so we must get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiralling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was that she had outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, and something must give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, call the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

Next, actions have consequences, building the tension.

This section was rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  In a race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighbourhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, call the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

© Charles Heath 2016 – 2020

A photograph from the inspirational bin – 48

What story does it inspire?

This photograph represents an idyllic scene, a pool at the bottom of a waterfall, which on a fine day would be perfect.

The fact it looks to be in the middle of nowhere is neither here nor there because…

That’s where the writer’s inventiveness kicks in.

So…

How do we get there? If it’s below the waterfall, then we came up the river, which is basically how you would go anyway, it’s just the depth of the river that determines how far you can go.

We had a situation like that where the depth of the river nearly stopped us from getting far enough up the river into the mountains to discover some amazing territory.

You could also go downriver, but since this river might start up in the mountains, it might be a long way.

Why would we be there?

The boring answer, we are on holiday.

The better answer, we’re searching for gold, and so are others who are trying to get us to move on, or we’re searching for something, just insert what you want to find. I was thinking: an intrepid brother or sister who has gone missing, and the waterfall was the last place they were seen.

And, what if there’s a secret entrance behind the waterfall, that opens into an underground complex with sophisticated, very strange and never seen before equipment, that hasn’t been used in a very long time.

Somehow I like the last one best.

And, just to add a new twist, you find a human-like body in a pod, and when someone accidentally leans on a button, it comes to life. Is it human, or is it a robot?

Or, is it….?

Searching for locations: From X’ian to Zhengzhou dong by bullet train, China

Lunch and then off on another high-speed train

We walked another umpteen miles from the exhibition to a Chinese restaurant that is going to serve us Chinese food again with a beer and a rather potent pomegranate wine that has a real kick.  It was definitely value for money at 60 yuan per person.

But perhaps the biggest thrill, if it could be called that, was discovering downstairs, the man who discovered the original pieces of a terracotta soldier when digging a well.  He was signing books bought in the souvenir store, but not those that had been bought elsewhere.

Some of is even got photographed with him.  Fifteen minutes of fame moment?  Maybe.

After lunch, it was off to the station for another high-speed train ride, this time for about two and a half hours, from X’ian to Zhangzhou dong.

It’s the standard high-speed train ride and the usual seat switching because of weird allocation issues, so a little confusion reigns until the train departs at 5:59.

Once we were underway it didn’t take long before we hit the maximum speed

Twenty minutes before arrival, and knowing we only have three minutes to get off everyone is heading for the exit clogging up the passageway.  It wasn’t panic but with the three-minute limit, perhaps organized panic would be a better description.

As it turned out, with all the cases near the door, the moment to door opened one of our group got off, and the other just started putting cases on the platform, and in doing so we were all off in 42 seconds with time to spare.

And this was despite the fact there were about twenty passengers just about up against the door trying to get in.  I don’t think they expected to have cases flying off the train in their direction.

We find our way to the exit and our tour guide Dannie.  It was another long walk to the bus, somewhat shabbier from the previous day, no leg room, no pocket, no USB charging point like the day before.  Disappointing.

On the way from the station to the hotel, the tour guide usually gives us a short spiel on the next day’s activities, but instead, I think we got her life history and a song, delivered in high pitched and rapid Chinglish that was hard to understand.

Not at this hour of the night to an almost exhausted busload of people who’d had enough from the train.  Oh, did I forgot the singing, no, it was an interesting rendition of ‘you are my sunshine’.

The drive was interesting in that it mostly in the dark.  There was no street lighting and in comparison to X’ian which was very bright and cheerful, this was dark and gloomy.

Then close to the hotel our guide said that if we had any problems with the room, she would be in the lobby for half an hour.

That spoke volumes about the hotel they put us in.

Searching for locations: From X’ian to Zhengzhou dong by bullet train, China

Lunch and then off on another high-speed train

We walked another umpteen miles from the exhibition to a Chinese restaurant that is going to serve us Chinese food again with a beer and a rather potent pomegranate wine that has a real kick.  It was definitely value for money at 60 yuan per person.

But perhaps the biggest thrill, if it could be called that, was discovering downstairs, the man who discovered the original pieces of a terracotta soldier when digging a well.  He was signing books bought in the souvenir store, but not those that had been bought elsewhere.

Some of is even got photographed with him.  Fifteen minutes of fame moment?  Maybe.

After lunch, it was off to the station for another high-speed train ride, this time for about two and a half hours, from X’ian to Zhangzhou dong.

It’s the standard high-speed train ride and the usual seat switching because of weird allocation issues, so a little confusion reigns until the train departs at 5:59.

Once we were underway it didn’t take long before we hit the maximum speed

Twenty minutes before arrival, and knowing we only have three minutes to get off everyone is heading for the exit clogging up the passageway.  It wasn’t panic but with the three-minute limit, perhaps organized panic would be a better description.

As it turned out, with all the cases near the door, the moment to door opened one of our group got off, and the other just started putting cases on the platform, and in doing so we were all off in 42 seconds with time to spare.

And this was despite the fact there were about twenty passengers just about up against the door trying to get in.  I don’t think they expected to have cases flying off the train in their direction.

We find our way to the exit and our tour guide Dannie.  It was another long walk to the bus, somewhat shabbier from the previous day, no leg room, no pocket, no USB charging point like the day before.  Disappointing.

On the way from the station to the hotel, the tour guide usually gives us a short spiel on the next day’s activities, but instead, I think we got her life history and a song, delivered in high pitched and rapid Chinglish that was hard to understand.

Not at this hour of the night to an almost exhausted busload of people who’d had enough from the train.  Oh, did I forgot the singing, no, it was an interesting rendition of ‘you are my sunshine’.

The drive was interesting in that it mostly in the dark.  There was no street lighting and in comparison to X’ian which was very bright and cheerful, this was dark and gloomy.

Then close to the hotel our guide said that if we had any problems with the room, she would be in the lobby for half an hour.

That spoke volumes about the hotel they put us in.

“Strangers We’ve Become” – The final countdown to publishing in 19 Days

There are high rollers, and then others

I’ve been to the Monaco main casino, a rather interesting piece of architecture, and of all things in the bathrooms, gold taps.

And it was fascinating to watch the patrons, people who had single articles of clothing or jewellery that were worth more than my house, in fact probably more than I would earn in twenty years of my working life.

Let alone the value of the chips they had in front of them on the tables.

There was a sort of elegance and unreal atmosphere about it all like I was in a place where I shouldn’t; the proverbial ‘on the outside looking in’.

Not for David.

He belongs here, among these people, where he could, if he wanted to, pull a wad of money out of a coat pocket and make a splash.

But that’s not why he’s here.  He’s filling in time until the date and time of the message, tomorrow.

Only there’s no one there that he recognises, just a particular high roller who stands out from the others, and a girl at the bar, looking like she needed to be rescued.

Perhaps the night will not be a dead loss.