Tag: Creative Writing

Writing about writing a book – Day 5 continues – The complications of life

I hate it when other characters are drawn in, and without a proper introduction, the reader gets confused.

Well, let me tell you, the writer can get confused too.

The introduction of Jennifer cannot go without the introduction of Ellen Bill’s ex-wife, and we have talked a little about her background before.

She has a role, one that will have a major impact later on, but every now and then she is going to appear, adding to the backstory between her and Bill.  There is no real animosity between them, their parting amicable because both knew it was time to end.

Bill’s problems were brought about his military service, and her father has a part to play in the story, though I’m not sure how to weave this in yet.  But it’s not so much what Bill remembers of his service, but of what he has forgotten, or more to the point buried.

That will eventually rise to the surface.

However, at this time, it’s still at the part where the narrator has to introduce Jennifer.

There are three distinct stages to this relationship between the two most important characters, and as it happens it’s Ellen unknowingly that brings Bill and Jennifer together,

 

Then Ellen, my estranged, and sometimes difficult wife decided she wanted a divorce.  I had no objection, and that was most likely the problem.  Perhaps she had expected me to fight for her, but she had made it clear, many years before, that she was no longer interested in preserving the marriage and was only keeping it up until our two daughters were old enough to fend for themselves.

That time had come.

I found myself in a situation where I needed someone to talk to.  I was not one of those people who made friends easily, nor did I spend much time seeking the company of other women.  I had my work, and it had been enough.

But Ellen’s request for a divorce, for some reason, had shaken me, and the day I got the phone call, Jennifer has bustled into my office as she always did, dumping the pile of log file printouts on my desk, and instead of leaving, perhaps she had seen my look of dismay, or more to the point, utter shock, and stayed.

It caused a slight change in our relationship.

 

I’m still working on it, but there will be more.

Or fewer words perhaps, after all, it’s only meant to be a brief introduction.

See how simple things become complicated, very quickly.

 

© Charles Heath 2019

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

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whatsetscover

That helicopter story that kept me awake – Episode 13

It’s still a battle of wits, but our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because the enemy if it is the enemy, doesn’t look or sound or act like the enemy.

If at first, you don’t succeed, try a few threats, or leverage.

Or just get rid of the problem

 

Back in my cell, delivered more forcibly than when they escorted me to the interrogation room, I had time to consider his words.

A tactic, I told myself.  Classic divide and conquer.

It was obvious that he wanted me to corroborate his suspicion that Breeman had sent the helicopter out to find his operation.  Did it sound like something she would do or any other commanding officer whose jurisdiction this operation fell under?

Why hadn’t they told her?  If t was military and being run by our side, why would they keep it secret from their own people, especially when something like what just happened, could happen?

It didn’t make sense.

Unless, of course, it was the CIA.  They seemed to be a law unto themselves, except in this case they needed something to incriminate her with in order to have her removed, and replaced with a more sympathetic commanding officer.

It was all too much for a gunnery sergeant like me to understand.

At least I didn’t know anything so I couldn’t tell them anything.  A little solace perhaps, but the trouble was, they’d never believe me.

I sighed.  Perhaps some sleep before they returned for the next round.

They came in the middle of the night.  Or day, I had no idea what it was outside because there were no windows in my cave cell.

They had no intention of being polite, I was dragged up by the scruff of the next and tossed in the direction of the door.  When I stumbled, still half asleep and unable to see properly, one of the guards kicked me and said he would do it again if I didn’t get up.

He did anyway because I took too long.

My ribs were hurting when I breathed, as I staggered in front of them, one behind me giving me a shove every two or three steps, perhaps hoping I’d stumble again so he could kick me.

At the interrogation room, a different one this time, he shoved me in and shut the door.  I didn’t hear a key in the lock, so perhaps they were hoping I’d try to escape.

There was only one chair in the room, and I sat in it.  I couldn’t sit up straight because it hurt, so I had to slump over.

A half hour later a man and a woman, both with white coats like a doctor would wear, came in.  Nothing was said.  The man took up a position behind me, then held me so I couldn’t move.

The woman then joined him, produced as a syringe, and jabbed it in my neck.

The man let me go, and a few seconds later I fell off the chair onto the floor hitting my head in the process, and a few more after that, it was lights out.

At least there was no more pain.

 

© Charles Heath 2019

In a word: Light

Yes, I see the lighthouse, what’s it doing all the way out there?  The thing is, these places are sometimes so remote, I start thinking I should rent one for 6 months and then, without any distractions, I’ll get the blasted book finished.

Until there’s a shipwreck, of course!

Light is of course light, duh.  Turn on the switch and let there be light.

Hang on, didn’t someone else say that, millennia ago?  Someone famous?  It’s on the tip of my tongue.

No! It’s not cyanide…

So, whilst we need it to see everything, it has another meaning…

My, that’s a light load your carrying today, which means not very heavy.

Or, that’s a light-coloured jumper, which means pale.

Oh, and did you light the fire?

And, after you light the fire, do you light out to a safe haven in light traffic because really it was arson, and you got a light sentence the last time enabling you to do it again.

If you are trying to rob someone, then it was a kilo light.

And after a long hard struggle, did you light upon the correct answer?

This is not to be confused with another similar word, lite.

It seems this is only used for describing low-calorie drinks and food, such as lite beer, which seems to me to be a lazy way of not using light

Still, there’s not much other use of the word except as a suffix -lite, but then you’d have to mention -lyte as well.

The message here – just use the damn word light and be done with it.

 

Writing about writing a book – Day 5 continues – Those annoying people called characters

Whilst it is always an idea to sit down and write and keep going, not worrying too much about the narrative, there’s always the problem of ideas about characters, and relationships that come back and need to be addressed.

I have issues with Jennifer in that we will need to know something about her, and need a little backstory.

Jennifer is the second most important character in this novel and one that has more talents than what my main character, or anyone else for that matter, thinks she has.  Of course, that is deliberate on her part for a number of reasons that will be introduced at the appropriate time.

But, at the start, all we will have to work with, is the introduction provided by the narrator.

It may go something like this:

 

Jennifer Pennington Smythe was, as you might expect, very English, very reserved, and very private.  She was the definitive ‘don’t judge a book by its cover’, and I was guilty, at first, of suspecting she had once been a schoolmistress due to the severity of dress, demeanor, and expression.

HR had sent her to me when I’d requested an IT Specialist, though of what particular discipline it was never divulged, neither by HR nor by her.  She arrived one morning, told me she was to ‘help resolve our technical difficulties’, moved into an office that had been used as a storeroom, and worked hard to prove her worthiness in the role.

My first attempt at conversation was rebuffed, the second met with a very cold stare.  Everyone, including me, learned very quickly that any other topic of conversation than work would be ignored.  At the time it suited me, there was trouble in paradise and I didn’t want anything more on my plate to deal with.

 

So, what is this trouble?

There are three distinct stages of this relationship between the two most important characters, and it is the actions of one of the protagonists that brings them together.  This particular protagonist, of course, is the main character’s wife, a woman that is on the periphery for the period the novel covers, but a little background will be needed at some point before we reach this part of the narrative.

This now means that I will have to put together a back story for Bill and his ex-wife Ellen, not too much yet but enough to explain the next part of the evolving relationship between Bill and Jennifer.

 

I’m sure this topic is going to raise it’s head again and again…

NaNoWriMo 2021 – Day 7

A score to settle

…

Starting a project with half the plan and a sense of where the story is going to go sometimes leaves you in much the same position as painting yourself into a corner.

I’ve been there a few times, which is why I prefer to start the story with no firm ending in sight, and ad lib.

Yes, at the end of this story I want the revulsion to succeed, but like all good intentions, sometimes it doesn’t quite work out that way.

Taking on a military dictatorship, no matter how benevolent it’s leader tries to portray it, and themselves, you may discover the intelligence you’re working with is not quite the case.

So, I need to invent a little background, more for me, so that I can get my head around what will be needed.

For instance, this country, in northern Africa, was once one of several old French colonies, among those that were once British, or German. These countries were poor, had leaders backed by their colonial masters and as Colonialism became a yolk rather than a benefit, the countries citizens found themselves inducted into the military as a means of giving the country employment and stability.

That in turn emboldened the military leaders to eventually oust the government propped up by the colonial masters and run the country themselves, usually because vested interests need a ‘friendly and corrupt regime to continue exploiting the country and its people.

Until the people fight back. Sometimes that ’cause’ centres itself one one person, or a group of people, and quite often these people can disappear, or be assassinated.

In this case, the county’s most outspoken critic has disappeared, and his deputy finds himself in a rather invidious position of working in the shadows and using suspects means to get a message across.

That means is going to be a human rights conference. There is a plan of sorts, but it’s not known whose involved among the delegates attending from many counties, or who the various intelligence services have on the ground.

Our main character, and his assistant are but two of many, and their mission, like others, is overtly one thing, but why they’re really there, that’s for Delacrat to find put, because he knowns he’s right in the middle of what could only be described as a nest of vipers.

More on this tomorrow

…

Today’s word count: 2,678 words, for the running total of 16.091.

That helicopter story that kept me awake – Episode 12

It’s still a battle of wits, but our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because the enemy if it is the enemy, doesn’t look or sound or act like the enemy.

If at first, you don’t succeed, try a few threats, or leverage

 

He took a deep breath, gave me a look a parent would give a miscreant child, and started again.

“What’s the deal with you and Commander Breeman?”

Yes, he does know about her proclivities, but he was hardly in a position to condemn her.  He, too, had a ‘thing’ for the female trainees under his command, and one in particular.

“She has to eat, I have to eat, in the same mess as it happens.”

He gave me another of his penetrating glares.

“Nothing else?”

“That would be against regulations, as I think you are fully aware.”  I returned his glare but with more intensity.

“What did you discuss over the dinner table?”

Odd question.  Not operational matters, if that was what he wanted to hear.  But what we spoke about had little relevance to work.

“Cars.”

It was true.  She liked restoring old cars from the mid-war period, some of which had been used as props in period movies.  I had an old Cadillac, the sort that would fail any fuel economy test.

I could see it was not the answer he was looking for.  He would have to ask a specific question in order to get a specific answer one way or the other.

“Did she mention the no-fly zone?”

I thought about it for a moment, and then said, “No, there are no cars out there to speak of.”

“Flippancy doesn’t become you, Alan.”

Perhaps not, but it was all he was going to get.

And for added emphasis, I said, “Like I said to your predecessor, I don’t know how or why you would have to ask the pilot.”

He stood abruptly, nearly knocking the chair over.  Angry.

“You know something, Alan, otherwise you would not have been on that helo.  She threw you under the bus, and the quicker you realize that the better.”

Then he walked out, slamming the door behind him.

 

© Charles Heath 2019

NaNoWriMo 2021 – Day 6

A score to settle

…

Today I’m looking at planning a revolution.

Of course, we all know that it is the military forces of a small country that takes over the democratically elected government, or one that is propped up by a superpower.

This is going to be different, and the people are going to run the revolution.

And like those about to make the attempt, I still have to work out the details, and I have a bit of reading to do.

One thing I do know is that you have to take over the airports, military bases, which might take some doing, and the media outlets like radio and television.

Fortunately, the country does not have a large military force, or at least, those among the military that will back the current government when push comes to shove.

They will also need another country’s backing, like the USA, Britain, or Europe. Will there be the CIA, the Russians and the Chinese there? Quite possibly.

We’ll see how it pans out.

Next, I’ll be looking at the conference, the capital city, the lay of the land, and the people.

…

Today’s word count: 2,689 words, for the running total of 13,413.

That helicopter story that kept me awake – Episode 11

It’s still a battle of wits, but our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because the enemy if it is the enemy, doesn’t look or sound or act like the enemy.
Old friends, new tricks.

Genial tone, trying to win my confidence.  I wasn’t going to ask, but wait for an explanation.  Asking would be like leaving the door ajar.

He sat after pulling the chair closer to the table and put his clasped hands on the table.

“This is a secret military operation known only to very few, apart from the team that is in situ.  Commander Breeman has been, against very specific direct orders, trying to find out what we are doing here.”  He stopped.

I think this was the moment I was supposed to ask, what was going on here.

If it was secret, then I didn’t want to know, and he was not going to tell me anyway.

I just looked attentive.

“You have been caught up in a jurisdictional issue.  It’s not hard to assume that you were sent here, with the pilot of that helicopter, to do an off the book search for this camp.  That, in itself, would be impossible, but the flyover coincided with a provedore run.  Just plain bad luck.”

For Joe, the pilot, it was.  Or not, if he had been given specific verbal orders, making it out to be a training run.  And the odds of me being on board at the same time, given my association with Breeman?

One coincidence too many.

And if it was as the man before had said, they knew everything, then Bamfield would know of my connection to her.

“You said you had no idea where you were when you were shot down?”

Time, I guess, to speak.  “No, I didn’t.  The desert looks all the same to me.”

“You will forgive me if I say I find that hard to believe.  I know you are better than that, Alan.  Who sent you out here?”

“I was along for the ride.  Standard operating procedure.  A helo goes up, someone like me has to be on board in case of trouble.  More conventional trouble than rockets.”

“But you specifically?”

“I don’t make the rosters, I just go where they tell me.”

Bamfield frowned.  I think he’d finally noticed I was not addressing him as ‘sir’.  Until I knew what side he was on, I considered myself a prisoner of war.

 

© Charles Heath 2019

Writing about writing a book – Day 5

6:30 am, can’t sleep.  Too many notes to self!

Time to read 101 things you need to be a writer, and 101 items to consider when writing a book.

You need:

Pen, check.  Paper, check.  Enthusiasm, not the greatest at this hour, but check.  Writing software, I’ve got Scrivener, what have you got?  Word?  So have I, so I see you, and raise it with Y-Writer.  Not sure how to use either yet, but some proficiency with Word.  Still using pen, paper, and typewriter.  Till I run out of ribbons … do they actually make ribbons anymore?

Writing the book:

The plot, well that will evolve as I’m writing, like the reader I don’t want to know the end yet.  Well, I have an idea how it will end, but that could change.

Characters, yes, they are works in progress.

Oh, while I remember, Bill has a past which he doesn’t remember, the events so traumatic, he knows something happened, spent time in the hospital, but was not sure what it was.  It will come back, triggered by another traumatic event.  It will also fuel dreams or nightmares.

And we need a master criminal, and he is going to be a character called Colonel Davenport.  A career soldier turned disillusioned and finds a way to make a living out of the war.  A very good living.  Led a group, some of whom still exist as his henchmen, the sort who kill without conscience.

Outline, isn’t that written after the book is complete?  No?  Ok, then the story so far:

1 – Bill is on holidays

2 – Benton calls, emergency, the network is down – Company name Transworld (PK, boring)

3 – Other problems – a dead body for one (Richardson, the Accountant), departmental members unavailable

4 – Police – introduce a new character, Chief Inspector Gator

5 – Arrival at work, meeting with Managers, discuss the situation – new character Aitchison – he is involved somehow ??  The first suggestion is, there is a network within a network

6 – Locating the problem – Introduce Giles the IT officer, Bill meets with Gator, speak about files on servers gone missing (ok, a bit of geek speak here)

7 – Introduce Jennifer, explore their relationship – more geek speak with added humor

8 – Lunch – then Aitchison calls, and everything goes to hell in a handbasket.

So far so good.

 

8:00 am, coffee in hand, to the writing room (well, desk anyway!)

A little more profiling on Bill, now with the last name Chandler.  Still not sure if I want to keep up the first person narrative, but I’ll worry about that later …

 

Looking at the mess constituting my room and my life, slob may have been an appropriate description.  I considered myself old, overweight though not necessarily fat, hair greying at the edges, and few wrinkles around the eyes, there were no real plusses in my description.

Some said I had a kindly face, but perhaps I had the look of a paternalistic grandfather.  There were several men in the office who were the same age and had grandchildren.  And some who had children at a time when they should be planning for retirement, not parenthood.

World-weary and perpetually tired, I’d passed mid-life crisis, wondering what it was that affected other men my age.  I’d never had the desire for fast cars and even faster women.  I had trouble keeping up with Ellen.

I used to think I’d missed a lot in half a lifetime.

Now, I didn’t know what to think.

Did I deserve pity?  No.

Did I deserve sympathy?  No!

The only person who could get me out of the rut was myself.  For years I’d traded on Ellen’s good nature.  She deserved better, left me, and was now happier in the arms of a man who I wanted to believe treated her far better than I.  She had told me so herself, and judging by her manner, it had to be true.  Only recently had she got her smile back, the one that lit her face up, one that infectiously spread happiness to anyone near her.

There were reasons why I became the person I was now.  Some might say they were valid.  In the cold, hard light of dawn, I could see it was time I stopped using my past as a crutch and got on with the business of living.

Perhaps today would be the first day of the rest of my life.

 

OK, Jennifer is there, and things are about to change.

 

 

© Charles Heath 2016 – 2019