Tag: Charles Heath

Writing about writing a book – Day 28

So after that rather undramatic ‘off with the fairies’ moment, it’s time to come back to earth.  Holiday or not, there’s always something that can go wrong.

Even when you’ve been told to take some vacation days, and reluctantly stayed home.  The notion that vacation meant going away somewhere doesn’t enter Bill’s mind.

Perhaps he’s like a lot of workaholics, using their job as an excuse to forget about life outside work.

Maybe he was hoping something would go wrong.  Maybe he had considered manufacturing a problem so that he would have to go back.

Maybe not, but that was the sort of employee he was, not one that could willingly take a day away, just in case.

Like now.

 

I’d almost managed to doze off again when the phone rang.

I jumped to its equally shrill sound cutting through the silence.  It had to be a wrong number because no one at work would call me, and I didn’t have many friends, so I let it ring out.  As far as I could remember, it was only the third time it had rung since I’d moved in, four years ago.

Blissful silence.  I looked at the bedside clock.  7 am.  Who called anyone at that hour?

It rang again.

Ignore it, I thought.  If it was anyone, it would be someone from the office.  I’d told them all not to call me, not unless the building was burning down and they were all trapped in it.

And even then, I’d have to think about it.

Burying my head under the pillow didn’t shut out the insistent ringing, compelling me to answer.  Almost reluctantly I rolled back, pulled the telephone out from under the bed, and lifted the receiver to my ear.

“Bill?”

It was Carl Benton, my immediate superior; an insipid, loathsome, irritating little man, the last person I would want to speak to.  He’d insisted I take this leave, that the office could survive without me, adding in his most condescending manner that I needed the break.

I slammed the receiver down in anger.  It was a forlorn gesture.  Seconds later, it rang again.

“I seem to remember you were the one to tell me to go on holiday, that I needed a holiday.  I’m off the roster.  It can’t be that important.  Call someone else.”  I wasn’t going to give him the opportunity to speak.  Not this morning.  I was not in the mood to listen to that squeaky, falsetto voice of his, one that always turned into a whine when he didn’t get his way.

And hung up again.

Not that it would do any good.  I knew that even if I was in Tibet, he would still call.  Then I realized it was too early for him to be in the office, and if he was, he would have been dragged out of bed and put in a position where if he didn’t produce results, they might realize just how incompetent he was.

At last, my holiday had some meaning and smiled to myself.  I’d make the bastard sweat.

He left it a few minutes before he rang again.  And I let it ring out.  I could see the expression on his face, bewilderment, changing slowly into suffused anger.  How dare I ignore him!

Another five minutes, then the phone began its shrill insistence again.  Before it rang again, I’d moved it from the floor to the bed.  I counted the rings, to ten, and then picked up the receiver.

“Bill?  Don’t hang up.”  Almost pleading.

“Why?  You said I should go, away from work, away from the phones, away to recharge my batteries, I believe you said.”

“That was Friday.  This is Monday. You’re needed.  Richardson has been found shot dead by his desk.  All hell has broken loose!”  Benton rarely used adjectives, so I assumed when he said all hell had broken loose, it meant something had happened he couldn’t fix.  His flowery language and telegram style had momentarily distracted my attention from Richardson’s fate.

Harold Richardson was an accountant, rather stuffy, but good at his job.  I’d spoken to him probably twice in as many years, and he didn’t strike me as the sort who would kill himself.  So why did I think that?  Benton had only said he was shot.

Benton’s voice went up an octave, a sure sign he was going into meltdown.  “It’s a circus down here.  Jennifer is missing, Giles is not in yet, the network is down, and that bunch of nincompoops you call support staff are running around the office like headless chooks.”

It all came out in a nonstop sentence, followed by a gasp for air.  It gave me time to sift the facts.  Jennifer, my sometime assistant, and responsible for data entry and accounts maintenance, was not there, which in itself was unusual, because she kept longer hours than me, Peter Giles, my youthful assistant, just out of university and still being beaten into shape was not in, and that was usual, so it could only mean one thing.

The network was down.

 

© Charles Heath 2016-2020

 

Questions, sometimes without answers

#Creative Writing, #Blog, #Writing

At what point does a writer become a journalist?

Quite often journalists become writers because of their vast experience in observing and writing about the news, sometimes in the category of ‘truth is stranger than fiction’.

I did journalism at University, and thought I would never get to use it.  I had to interview people, write articles, and act as an editor.  The hardest part was the headlines.

How much does that resemble the job of coming up with a title for your book?

Well, several opportunities arose over the last few months to dig out the journalist hat, put it on, and go to work.

Where?

Hospital.  I’ve had to go there a few times more in the last few months than I have in recent years.

And I’d forgotten just how hospitals are interesting places, especially the waiting room in Emergency.

After the second or third visit, I started to observe the people who were waiting, and ran through various scenarios as to the reason for their visit.  None may have been true, but it certainly was an exercise in creative writing, and would make an excellent article.

Similarly, once we got inside the inner sanctum, where the real work is done, there is any number of crises and operations going on, and plenty of material for when I might need to include a hospital scene in one of my stories.

Or I could write a volume in praise of the people who work there and what they have to endure.  Tending the sick, injured and badly injured is not a job for the faint hearted.

Research, if it could be called that, turns up in the unlikeliest of places.  Doctors who answer questions, not necessarily about the malady, nurses who tell you about what it’s like in Emergency on nights you really don’t want to be there, and other patients and their families, all of whom have a story to tell, or just wait patiently for a diagnoses and then treatment so they can go home.

We get to go this time about four in the morning.  Everyone is tired.  More people are waiting.  Outside it is cool and the first rays of light are coming over the horizon as dawn is about to break.

I ponder the question without an answer, a question one of the nurses asked a youngish doctor, tossed out in conversation, but was there a more intent to it; what he was doing on Saturday night.

He didn’t answer.  Another crisis, another patient.

I suspect he was on duty in Emergency.

 

Short Story Writing – Don’t try this at home! – Part 6

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

Now, there’s this thing called continuity, but it covers a whole range of writing sins, most of which I eventually get caught out.  Films sometimes miss a few items, like back in the roman days, there are plane trails in the sky, in a 1920’s period piece, there’s a mobile phone sitting on a desk.

Like one minute the hero has a gun, and the next he’s fighting for his life with a knife, and, hey presto, there’s that gun again.  The error might not be that big but you can’t pull out a weapon you don’t have or wasn’t there in the first place.

Similarly, the hero pulls out a mobile phone, but there’s only one problem, it’s 1980, and there are no mobile phones.  Our problem might be that we are so used to doing and using certain things that we might forget, for a minute or two, that were not available in the past.

Then there’s places like hotels and restaurants, both of which change hands and close and reopen with a different owner like someone changes their socks.  There’s no substitute for checking, on the internet of course, whether a Hilton Hotel was in 6th Avenue, New York, in 1920.

The answer is no.  The first Hilton Hotel was in Waco in 1927.  The New York Hilton opened in 1963.

The same goes for the fashion of the day.

I’m no fashion guru, but I have to rely on Google once again to fill in the gaps.

And my all-time favourite, getting the right make and model of car.

Oh, and just for good measure, back in the old days they used acoustic couplers to attach to phones via a serial port to dial-up not a server, but a BBS, Bulletin Board Service, at a rate of 300 baud, or a little while later, 1,200 baud.

There was no internet in general use.  If you wanted to call the office when out, use a telephone box.  Or carrier pigeon.

And the use of language, there’s a lot of stuff relevant today that was not used back then, and there was a lot of stuff back then that isn’t tolerated now.  Some of it might be hard to get your head around. 

It isn’t for me, because I can remember the 1970s and 1980s, but I’m not too sure about allowing some of what happened then to creep into my work.

So, you get the picture.  Try to use the past as the past, or leave it in the past.

Unless it’s a book about time travel, then all bets are off.

In a word: Line (and there’s more)

There’s more to that word ‘line’, a lot more, making it more confusing, especially for those learning English as a second language.

I keep thinking how I could explain some of the sayings, but the fact is, it’s only my interpretation, which could possibly have nothing to do with its real meaning if it has one.

Such as,

Hook, line, and sinker

We would like to think that this is only used in a fishing depot, but while it is generally, there are other meanings, one of which is, a con artist has taken in a victim completely, or as the saying goes, hook, line, and sinker.

At the end of the line

Exactly what it t says though the connotations of this expression vary.

For me, the most common use is when you’re waiting, like for a table in a restaurant with a time-specific reservation, and you see people who arrive after you, getting a table before you, it’s like being continually sent to the end of the line.

Line ball decision

This is a little more obscure, but for me, it means the result could go either way, and it’s a matter of making a call. The problem is both decisions are right, and unfortunately, you’re the poor sod who has to decide.

It of course partners very well with you can’t please everyone all of the time.

These are the most difficult because one side is going to be aggrieved at the decision especially when it is supposed to be impartial and sometimes isn’t.

Get it over the line

This, of course, has many connotations in sport, particularly rugby when the aim is to get the ball over the try line.

But another more vicarious meaning might be from a senior salesman to a junior, get [the sale] over the line, i.e. get it signed sealed and delivered by any means possible by close of business.

Line of credit

A more straight forward use of the word, meaning the bank will extend credit up to a certain limit, but it’s generally quite large and can feel like its neverending.

Until you have to pay it back.

There’s more, but it can wait till another day.

What do these mean?

I’ve been reading the latest headlines and picked out a few:

 

The seems to be a currency war,

Oil prices are set to rise in line with a cut in production,

Some tankers will not be playing the Hormuz strait,

There was a massive power outage in the UK,

Gold prices are rising,

North Korea is shooting missiles into the sea

The USA needs more missiles,

There are Chinese survey vessels in the South China Sea,

In Russia there is an explosion on a secret base with nuclear implications, and,

There might be a global recession coming.

 

What do all these events mean?  Nothing really when taken individually, but when you start combining them, then the thriller writer in me starts to see all sorts of conspiracies and plotlines for stories.

For instance

Take that explosion in Russia, and the fact the word nuclear is attached to it, and then look at the massive power outage in the UK.  What if that site was a laboratory, working on small,  powerful bombs that can easily be carried, installed, in or around vital infrastructure, and in that quest for smaller and more powerful something goes wrong.

After all, isn’t that what testing is for?

And the fact there’s been one major event involving vital infrastructure, should we be looking for more?  Then there are a few problems with bombs being attached to tankers in the Hormuz Strait.  Does anyone see the potential for an apocalyptic event coming on?

Then there’s North Korea firing test missiles, and the US calling for more missiles to add to their arsenal.  Are they using North Korea as an excuse?  Or is there something more sinister going on with Chinese survey vessels in the South China Sea.  What if they’re not really survey vessels?

Then there’s a small matter of rising oil prices.  Whilst the same report might say that the rise is due to OPEC cutting output, there could be other reasons, such as the currency war that’s about to erupt, and will this pre-emp a global recession.  A good indicator to impending disaster, wars, and other maladies is the rising price of gold.

The gold market goes into overdrive when currency starts to lose value, recessions are coming or have arrived, or there is about to be a war, or there is one.  The US and China are facing off, the US and half the middle east is a disaster waiting to happen, and, hang on, but North Korea is being provocative, and in a late development, India and Pakistan are facing off over Kashmir.

Are we surprised people are turning to gold?

Maybe I should go back to doing the crossword, and ignoring the news.

 

Short Story Writing – Don’t try this at home! – Part 5

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

Now we have the where and the who.  What’s the story going to be about?

I find inspiration in the most unlikely places.

Shopping malls are great, there is so many things going on, so many different types of people, there’s often enough to fill a journal.

Driving on the roads, you get to see some of the most amazing stunt driving, and it’s not even being filmed, it’s just playing out before your very eyes.

Waiting in hospitals, waiting for doctors, accountants, dentists, friends, hanging around coffee shops, cafes, bistros, restaurants, hotels, the list is endless.

But often a reliable source, the media and newspapers in particular, and a frequent go to, and the more obscure the headline the better.  Then it’s simply a matter of letting your imagination run free, like:

Four deaths, four mysteries, all homeless.

This poses a few interesting scenarios, such as, were they homeless or were they made to look like they are homeless.  If they are genuinely homeless how did they die?  Are they connected in any way?

The point is, far from the original story that simply covers four seemingly random deaths, a writer can spin this into a thriller very easily.

It could follow a similar headline in another country where three headlines could be found, say, in London, where a man is found dead in an abandoned building, a week after he died, with no obvious signs of how he died.

A woman is killed in what seems, from the outset, an accident involving two cars, but the kicker is after three days, the driver of the second vehicle just simply disappears.

A man is reported missing after not reporting for work when he was supposed to return from a vacation in Germany.

And the third death, where an obscure piece says a man was found at the bottom of a mountain, presumed to have fallen in a climbing accident.

It’s all in the joining of the imaginary, yet possibly quite real, dots.

You could be on a train, and two people are acting oddly, note I didn’t say suspiciously, when going to or from work.

When on a holiday, you notice that a fellow hotel guest is in the same place at the same time every day but acting like he or she is waiting for someone or something.  Then suddenly they’re not there.

But I’m not suggesting for a minute you should start investigating.

Just let the imagination work it’s tricks.

And, before you know it, you’re on that rollercoaster ride.

Maybe there’ll be less confusion tomorrow.

Short Story Writing – Don’t try this at home! – Part 4

This is not a treatise, but a tongue in cheek, discussion on how to write short stories.   Suffice to say this is not the definitive way of doing it, just mine.  It works for me – it might not work for you.

…

You’ve got the place, now you want the who.

My main characters are quite often me.

Not the real me, because I’m boring.  No, those characters are what I would like to be, that imaginary superhuman that can do everything.

Until, of course, reality sets in, and the bullets start flying.  When that happens, we should be looking to run or at the very least get under cover, not walk into a hail of bullets, with a huge grin, staring down the enemy.

Hang on, that never happens except in superman comics.

What’s really needed here is a little vulnerability, a little humility and a lot of understanding, qualities at times I don’t have.

So, in order to create a more believable character, I start dragging traits from others I’ve met, or know, or really don’t want to know.  

In a writer’s environment, there are a plethora of people out there that you can draw on for inspiration.  I once spent and afternoon at a railway station just observing people.  Even now, I make observations, some of which are true, and others, wildly off course. 

I once tried to convince my other half that I could pick people’s traits, and we sat at a café outside a church in Venice.  I was lucky, I got more than 75% correct.

Other characters in my stories I have met along the way.

Like a piano player in a restaurant.  It was not so much the playing was bad, it was the way he managed to draw people into his orbit and keep them there.  The man has charisma, but sadly no talent for the instrument.

Like an aunt I met only twice in a lifetime, and who left a lasting impression.  Severe, angry looking, speaking a language I didn’t understand, even though it was English.  It was where I learned we came from England, and she was the closest thing I came to as an example of nineteenth-century prim and proper.  And, no, she didn’t have a sense of humour or time for silly little boys.

Like one of my bosses, a man of indeterminate age, but it had to be over 100, or so it seemed to my sixteen-year-old brain, who spoke and dressed impeccably, and yes, he did once say that I would be the death of him.

I can only hope I wasn’t.

Like a Captain of a ship I once met, a man who didn’t seem to have time for the minions, and a man who reeked authority and respect.  I’ve always wanted to be like him, but unfortunately, it was not in the genes.

Those are only a few, there are thousands of others over the years, a built-in library, if you will, of characters waiting to be taken off the shelf and used where necessary or appropriate.  We all have one of these banks.

You just have to know when to use them.

“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

It’s just another day of the week

I used to like Saturdays, it was the first day of the weekend, and after working Monday through Friday, one could sleep in, have a leisurely breakfast, and then do the shopping.

Then there’s the reality.

Body clocks are dreadful, and never let you sleep in if, in fact, it’s bright daylight shining through the curtains at 5am.  Blackout curtains never seem to quite work.

Shutters are marginally better.

Once awake it is difficult to get back to sleep, so you lie in bed staring at the ceiling or partake in monitoring social media.

I read the latest in the New York Times, online.  Some days I wish I didn’t.

But…

Yes, there’s always a but…

I can, at times, go through the plotline of the latest story in my head, and if it’s boring, it puts me to sleep, and if it’s not, I head to the writing room and start putting it down.

Until notifications start distracting me.

Twitter, Facebook, WordPress, Linked In, Tumblr, and Instagram.

News headlines, the world is ending, or close enough, a car accident is causing traffic delays even though I’m not going out, yet another school shooting massacre in the USA, and my crossword for the day has arrived.

Why can’t the computer make me coffee, and toast and marmalade?

From 6am to 9am shot to hell, not a word on paper, perhaps I should go back to bed.

I remember Saturdays before computers, before social media, before any of those modern distractions.

What is referred to, these days, as the good old days!

 

Sayings: Irons in the fire

There is an expression you hear a lot, here, there, and everywhere when referring to someone who is very busy, ‘oh, he has a lot of irons in the fire’.

These days we use it as an analogy not to have too many things on the go at the same time, and, in the end, none of them will be finished properly, or finished at all.

There are two old-time literal meanings that can apply to this analogy, the first being that in laundries, they used to have their irons in the fire, warming so that clothes could be ironed. Having too many meant sometimes one would be left too long, and end up scorching the clothes being ironed.

Hopefully, that didn’t happen to a very expensive dress!

The second meaning came from a blacksmith’s foundry where he had iron bars in the fire, heating up so that they could be worked on. Having too many in the fire at once sometimes meant that one became overheated, and ruined.

Conversely, having too many pieces of iron in the fire might cause the fire to be too cool to heat any of the metal bars.

These days, a lot of people need to have a lot of projects on the go at once, in the hope that one or more might suddenly become a winner.

Sadly, that doesn’t happen very often.

And, no, buying a lot of lottery tickets hoping one will win, that is not very likely either.