Tag: Charles Heath

Sunday in New York

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

Sunday In New York

Avoiding the abyss

When I was last in Europe we decided to get the Eurostar, from London, through the Chunnel, to Paris Disneyland.  Not exactly as fast as the Japanese bullet trains, but faster than anything we have in this country.

You are hurtling along at up to 160 kph, thought it feels a lot faster, and then you begin to brake, and it seems like nothing is happening, except for some outside friction noise, and the speed dropping.

I feel like that now, on my way to the bottom of the abyss.

At the end of that fall it is something referred to as hitting rock bottom.

I’m told once you hit tock bottom the only way is up.

The question is, who do you know that has fallen into the abyss and come back to tell you about it?

Put into layman’s terms, hurling down the abyss is like having a severe episode of depression.  There are different types, some worse than others.  Hitting the ground is roughly the equivalent of looking for a way out that eases the pain, and that, for some people, is a quite drastic answer.

But the sign that the free fall is braking, like the express train slowing down, is a sign that you’ve seen the light, that there are external forces that can render assistance.

I see them now, the hands of friends, the hands of people I don’t know, but who are concerned.

Writers like any other professional people, are the same as everyone else, but with one rather interesting difference.  It is a profession where a lot of the time you are on your own, alone with your thoughts, your characters, your fantasy world, which sometimes so frighteningly drifts into your reality.

Some of us will make a fortune, most of us will make an adequate living, and live the ‘dream’ of doing the one job they always wanted to, and some will not.

I’m not rich, I’m not one who gets an adequate income, yet.

But I will get out of this abyss.

I can feel the brakes.

My eldest granddaughter, who is 12, tells me the fantasy story where she is a princess I’m writing for her is brilliant.

The free fall has stopped.  I step out into the sunshine.

All I needed was a little praise.

Writing and re-writing and …

The process of writing is rewriting editing and more rewriting.

A few days ago l wrote some words.  I didn’t like them.  But it had laid the groundwork for a second draft.

Here it is:

 

Growing up I did not believe l had one of those lovable faces.

My brother, known in school as the best looking boy of his graduating class, said it was a face only a mother could love.

He was mean.

Simone, a girl who was a friend, not a girlfriend, said my face had character.

She was charming and polite.

Looking now, in the mirror, l decided I’d aged gracefully.

I could truthfully say my brother had not, but that was as far as the comparison went.

My over achieving brother was the epitome of success in business, a veritable god zillionaire.  Everything he touched turned to gold.

My ultra successful sister, Penelope, had married into the right family perhaps by chance, but she was also a very learned scholar whose life was divided between her chair at the university and her social life with the rich and famous.

Then there was me.

I gave up on my chance at university because l was not the scholarly sort and didn’t last long.  Sadly l was the first of my family to be sent down from Oxford.

Instead l took on a series of professions such as seasonal laborer, farm hand, factory worker, and lastly, night watchman.  At least now I had a uniform and looked like I’d made something of myself.

It would not be enough for my parents who every year didn’t say it out loud but the disappointment was always there in their expressions.

My brother in his usual blunt manner said l was a loser and would never change.

My sister was not quite so blunt.  She simply said it was disappointing so much potential was going to waste.  I only asked her once what she meant and lost me after the first four syllable word.

Finally I’d taken their comments to heart and decided l would not be going home to the family Christmas holiday reunion.

I told my boss l was available to work the night shift over the holidays, the shift no one else wanted.

It was he said a time for reflection.  He hated his family as much as I did so we would be able to lament our bad luck though the long cold hours from dusk till dawn.

It was 3 a.m. and it was like standing on the exact epicenter of the North Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

It was going to be a white Christmas, all I needed.  I hoped I remembered to put the anti freeze in my radiator this time.

As I approached my car, the light went on in a SUV parked next to my car.  The door opened and what looked to be a woman was climbing down from the driver’s seat.

She closed the door and leaned against the side of the car.  “Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time, my ultra successful sister, Penelope.  From what I could see, she didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her, or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

The instant the last word left her lips I saw her jerk backwards into the car, and then start sliding down to the ground.  There was no mistaking the red streak following her as she fell.

She’d been shot from what could be a sniper rifle, which meant …

 

It still needs work but I’ve got the gist of where I want to go.

The idea is not to make a character so loathsome no one would want to read about him.

This will evolve and you can if you like come along for the ride!

 

© Charles Heath 2016

A pleasant Sunday morning in suburbia

 

All I wanted was a cup of coffee.

OK, I could have made one, I have a Nespresso machine, purchased after watching an inspiring George Clooney advertisement (well, my wife bought it) but I was after something with a little more oomph!

We have a small shopping centre just up the road about a kilometer and I thought, what’s five minutes and a short drive against a cup of hot, steaming, delicious to the last drop, coffee?

That’s where any semblance of sanity ends.

I walked out the back door, and forgot the car keys, so I had to go back in.  The door opens and the cat gets out.  Not so bad you think, but no, after three road kills, the cat getting out is a major catastrophe (pardon the pun).

Ten minutes later, cornered like a rat in a trap, he is back inside, I have the keys, and out in the car.  It’s a hot day, and the air conditioning isn’t working.  Damn.  It’s like 45 degrees Celsius in the car.

This is the time to give up and go back inside.  The omens are telling!

I don’t.

Our driveway is up a slight hill and usually we back the cars up so it’s easier to drive out onto the street.  We live in a corner house, and whilst it is not a busy intersection, it has been known for cars to treat it like the third chicane of a grand prix.  Late at night cars have rolled trying to make that tight corner.

I’m reversing off the driveway, too lazy the previous day to back it up, and you guessed it, Enzo Ferrari’s brother is making heavy weather in the third chicane and takes the corner wide, sliding across to the other side of the street, a) because he’s going too fast, and b) because he just saw me backing out of my driveway.

I’m having a heart attack and waiting for the bang, and he’s rapidly accelerating, smoke pouring from streaming tyres, and engine roaring in first or second as the revs pass 9000 and are redlining.

Disaster averted.  One speed junkie and daredevil happy, one old man shaken to the core.

So far I’ve travelled 10 metres.

On the radio the station is playing the James Bond theme from ‘You Only Live Twice’.

Apt, very apt.

I am now very sedately driving to the shopping centre, the road following a wide curve.  Nothing can go wrong here, until I reach the T intersection.  I stop like I do every time, and look.  No cars from the left, and one opposite me, turning into my street.

I start to turn.  The car opposite decides to do a U Turn, and I slam the foot on the brakes.  The driver of the other car is oblivious to me, happily chatting on her mobile phone.  Didn’t stop, didn’t look, didn’t care.

My heart rate is now 170 over 122, and perhaps I should be clinically dead.

Coffee is the last thing I need.

But I persevere.  How much worse can it get?

The shopping centre is not far, up to the roundabout and a right turn into the shopping centre car part.  Usually there are plenty of parking spots, today there a none.  I drive down one of the lanes, and nearly get hit but a reversing driver.  Again, not looking, or perhaps distracted by four children in the back seat.

Or the very, very loud music coming from the car.

I thought at first it was the pounding of my headache, brought on by high blood pressure.

I back up the car a) top give the driver more room to reverse out, and b) so I could turn into the spot when he vacates it.

More fool me.  The car backs out, another driver swoops in and takes the spot.

I get out to remonstrate, but he’s three feet wide and seven feet tall with a scarred face and tattoos on both arms.  Time to move on.

Yes, there’s nothing like a tall hot steaming cup of coffee on a pleasant Sunday morning.

In hell!

Rainy days and Sunday

It’s one of those grey, dark, wet mornings where you can inadvertently sleep in because the bedroom remains dark for an extra two hours.

That could be a problem if you have a day job, like most of us.

But, today is Sunday, and it’s just what I need.

Time to mull over the latest storyline, marshal my thoughts, write the prose in my head.

OK, that not working for me.

The rain is getting heavier, and is splashing outside; the steady waterfall of overflow from the gutters is taking away my concentration.

Rain, rain, go away …

I have two different visions.

A cold, grey day in London (is there any other sort of day?) waiting for a train, and seeing the woman of your dreams go past, standing in the doorway, and in that fraction of a second your eyes meet, a connection is made.

I suspect it has fuelled many a song such as ‘The Look of Love’.

The second is on a desolate section of coast line as for north as you can go in Scotland (yes, I am a glutton for punishment), and she is standing on the cliff top gazing out to sea, hair blowing in the wind.  Silent, strong, resolute.

The rain falls harder, and going outside is not an option.

Notes hastily scribbled in a notebook for later reference.

Time to curl up on the couch and watch an old movie!

Searching for … ?

Everything I’ve read, and understand, about this writing ‘thing’ is that it’s better to get words on paper, even if none of it fits the story.

Go to keep up the word count.

But, to me, it has to make sense.  I’ve written 2,000 words or four pieces of paper, or 20 sheets longhand in a notebook, but it doesn’t feel right.

It doesn’t make any sense, it doesn’t fit, it doesn’t progress the story, they are just words on a piece of paper.

For example:

 

My life was going nowhere.  If I took a step back and took a good, long, hard look at it, what could I say was the one defining moment?

There was no defining moment.

I’d bounced around schools till the day I decided I was not cut out to learn anything more, or perhaps the teachers had given up trying to impart knowledge.  Whatever the reason, I dropped out of college, and drifted.  Seasonal laborer, farm hand, factory worker, night watchman.

At least now I had a uniform and looked like I’d made something of myself.

Until I went home.

My parents were distinctly disappointed I was not married with children.

My overachieving brother always said I was a loser, and would never make anything of myself.

My ultra successful sister, married into a very wealthy family, had the regulation 2.4 children, and lived in the lap of luxury, mostly pretended I didn’t exist, didn’t invite me to the wedding, and I had yet to meet the husband and children.  I guess she was ashamed of me.

This year I was avoiding going home.

This year I volunteered to work the holidays.

 

It’s about as gloomy and depressing as it gets.  We’re supposed to entertain, take people out of their humdrum, mundane lives, put them in the passenger seat of a car, bus, or truck careening out of control.

Yep, time to walk away and do something entirely different, like wrapping Christmas presents, my second favorite job to mowing the lawn.  Maybe if I contrive an accident with the lawn mower …

Back in front of the words, some hours later, an idea pops into my head.  The story continues:

 

It was 3 a.m. and it was like standing on the exact epicenter of the South Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

A white Christmas?  That’s all I needed.  I hoped I remembered to put the anti freeze in my radiator this time.

As I approached my car, the light went on in a SUV parked next to my car.  The door opened and what looked to be a woman was getting out of the car.

“Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time.

My ultra successful sister, Penelope.  She was leaning against her car door, and from what I could see, didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her, or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

With that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.

 

OK, so not such a good idea to cut close to the bone here, but rivalries do make for great thrillers.  Even if they are not your own!

Maybe it’s not such a bad day after all.

Who am I today?

I have often wondered just how much or how little of the author’s personality and experiences end up in a fictional character.

Do they climb mountains, escape from what is almost the inescapable, been shot, tortured, get dumped, get divorced, .become world travelers, or get locked up in a foreign jail.

We research, read, and I guess experience some or all of the above on the way to getting the book written, but it’s perhaps an interesting fundamental question.

Who am I today?

Or it can be a question, out of right field, in an interview; “Who are you?”

My initial reaction was to say, “I’m a writer.”  But that wasn’t the answer the interviewer is looking for.

Perhaps if she had asked, “Who are you when you are writing your stories?” it would make more sense.

Am I myself?

Am I some fictional character made up from a lot of other people?

Have I got someone definite in mind when I start writing the story?

The short answer might be, “I usually want to be someone other than what I am now.  It’s fiction.  I can be anyone or anything I want, provided, of course, I know the limitations of the character.”

“So,” she says, “what if you want to be a fireman?”

“I don’t want to be a fireman.”

“But if the story goes in the direction where you need a fireman…”

“What is this thing you have with firemen?”  I’m shaking my head.  How did we get off track?

“Just saying.”

“Then I’d have to research the role, but I’m not considering adding a fireman anytime soon.”

She sighs.  “Your loss.”

Moving on.

And there is that other very interesting question; “Who would you like to be if you could be someone else?”

A writer in that period between the wars, perhaps like an F Scott Fitzgerald or Earnest Hemingway, in Paris, or if it is a fictional character, Jay Gatsby.

He’s just the sort of person who is an enigma wrapped up in a mystery.

Is there an end in sight?

I feel like I’m losing my mind.

Or perhaps I’m turning a molehill into a mountain.

I’m suffering from indecision, one of those moments in a writer’s life where either you get on with it, take a holiday, start a new story, of finish another one.

I want to get on with it, finish it, sent it to the editor, and then move on, but I can’t.

Once again I’m struggling with the end.  Well, not so much the end, but the way in which the story unfolds getting there.  I have the ending written, it just that part that usually falls into the category of ‘then a miracle occurs’.

The first draft was supposed to be finished three months ago and I’m getting frustrated.

Over the last few days I have taken a break away from it.  Every time I load it up, and sit on the page where I want the end to start (a rather curious mix of opposites) it draws a blank.

Will I add a few explosions, a building demolition, or an edge of the seat car chase?

Will I let a few of the secrets out of the bag?

Will I try to set it up for a sequel?

Wow!  So many possibilities.

I know what I’d do if it was me, which begs the question of how much of ourselves is woven into the fabric of our characters.

I want the main character to appear more human against a backdrop of having to be inhuman in order to get the necessary result.  And, there in lies the dilemma.

Perhaps I’ll sleep on it one more night.

Experiences as inspiration

At what point does the journalist come out in a writer?

Quite often journalists become writers because of their vast experience in observing and writing about the news, sometimes in the category of ‘truth is stranger than fiction’.

I did journalism at University, and thought I would never get to use it.  I had to interview people, write articles, and act as an editor.  The hardest part was the headlines.

How much does that resemble the job of coming up with a title for your book?

Well, several opportunities arose over the last few months to dig out the journalist hat, put it on, and go to work.

Where?

Hospital.  I’ve had to go there a few times more in the last few months than I have in recent years.

And I’d forgotten just how hospitals are interesting places, especially the waiting room in Emergency.

After the second or third visit, I started to observe the people who were waiting, and ran through various scenarios as to the reason for their visit.  None may have been true, but it certainly was an exercise in creative writing, and would make an excellent article.

Similarly, once we got inside the inner sanctum, where the real work is done, there is any number of crises and operations going on, and plenty of material for when I might need to include a hospital scene in one of my stories.

Or I could write a volume in praise of the people who work there and what they have to endure.  Tending the sick, injured and badly injured is not a job for the faint hearted.

Research, if it could be called that, turns up in the unlikeliest of places.  Doctors who answer questions, not necessarily about the malady, nurses who tell you about what it’s like in Emergency on nights you really don’t want to be there, and other patients and their families, all of whom have a story to tell, or just wait patiently for a diagnoses and then treatment so they can go home.

We get to go this time about four in the morning.  Everyone is tired.  More people are waiting.  Outside it is cool and the first rays of light are coming over the horizon as dawn is about to break.

I ponder the question without an answer, a question one of the nurses asked a youngish doctor, tossed out in conversation, but was there a more intent to it; what he was doing on Saturday night.

He didn’t answer.  Another crisis, another patient.

I suspect he was on duty in Emergency.

Memories

I am constantly reminded of how curious grandchildren can be, when they are not asking you what it was like to live with dinosaurs!

The eldest, about 12, thought it interesting that I was a writer, and having just met a ‘real’ author who came to visit them at school, asked me a few questions, some of which sounded like she had asked my ‘real’ counterpart.

The first, how old I was when it I first wrote a story, and what was that story about.

OK, that sent me back a long way into the distant past.

There was also a trick question; “What was the first story you read that put you on the path to wanting to become a writer”.

That was easy, Alistair Maclean’s HMS Ulysses.  I showed her a copy of the book.

But, back to the main question.  When did I start writing?

That required a little thought, and there were several triggers that gave me a date, where I lived at the time, the fact I used my mother’s old portable typewriter, and the fact I had not been long out of school.  I was, in fact, about 17.  It was 45 years ago; I’ll let you do the math!

What was it about; that I couldn’t tell her, but I said I had rescued a lot of old scribbling of mine and put them in a box to look at later when I had the time.

I guess that time had arrived.

And, yes, there was the book, the individually typed pages, some with corrections, unfinished.

The pages were brown with age.

The story, well, I read the first few pages, and it seems I’d started down the thriller path then, the story so far, an agent comes ashore from a trawler to a bleak and isolated village, perhaps on the Scottish coast,

The next question, understandably; “What was the first book you ever finished?”  That was The Starburst Conspiracy, soon to be published on Amazon.

It also led to a few more discoveries, including a book I had forgotten I’d written. And all of the short stories I’d written when at University.

There were more questions, but like all children her attention was soon distracted.

But, for me, the memories it brought back about my earliest forays into the world of writing were priceless.