Tag: Charles Heath

Distractions, distractions…

A writer’s life is a constant battle, keeping the flashing cursor busy, making sure blank pages are filled with words, not doodles, and keeping the ideas coming at a steady rate.

Just like driving down the freeway at a steady rate?

The first is not as easy as the second, and even the second can be a bit of a trial when there are other cars around, or you don’t have cruise control.

Perhaps it’s time for a cruise control for writers.

Or not.

As you can see, I’m easily distracted from what I should be doing.

Writing.

 

 

A few weeks ago I was sitting in front of the computer screen, the ever pervasive cursor flashing on a blank piece of digitized paper, and that was as far as I got.

No, the house wasn’t burning down, there was no major catastrophe lurking, nor was a family member or friend in dire need of my help.

I just didn’t know what to write.  The idea factory had closed its doors.

It was not necessarily a problem.

I have been writing, but not in the normal sense.  I have SomNote on my phone and my tablet, and when I’m waiting, usually for doctors or in Government offices, I write.

A bit of this, a bit of that, but usually the YA novel I’m writing for, and not necessarily about, my 13-year-old grand-daughter.

I find SomNote excellent for just putting words down, emailing it my myself and rehashing it later.  It has basically been used to write the first 37 chapters of the novel.

But as for other writing?

‘Strangers We’ve Become’, the follow up to ‘What Sets Us Apart’ has taken a different direction.  As this is the next book to be published, I should be working on it, but instead, some of it is still swirling around in my head.

The other day I went back to have a look at it.  Except for one chapter, possibly two, it’s done and so much better than the original.  Never let anyone tell you there’s not something else to be done after 10 edits and endless re-writes.

‘The Things We Do For Love’, a little story I wrote many years ago, was resurrected almost intact and is also almost ready for publication.  It will be categorized as Romantic Suspense, along with ‘Sunday In New York’.

My serial, the cases of Harry Walthenson, private investigator, has taken a back burner for a while, as I try to get a handle on where it is going.  It is a story now that is so very different than when I originally started it.  I suppose that’s indicative of a serial.

 

After that, Zoe, who first features in ‘The Devil You Don’t’, will be back.  After the trials and tribulations in her first adventure, she finds the past she tried to leave behind has come back to bite her.

The second adventure is called ‘First Dig Two Graves’, because it is about revenge and whether or not it’s best served cold.  And as for whether or not John’s romantic aspirations are fulfilled, you’ll just have to wait a little longer.

That’s my life at the moment, how is yours?

What’s that coming out of left field?

Why is it ideas come at the least expected and most inconvenient time?

I thought I’d trained my thoughts to assemble when I was having a shower.  It seems that has not worked so well, and now the telephone rings instead.

Don’t you hate that?

I wasn’t considering a new idea for yet another book; I have so many on the go already.  But, the sad truth is, you have no control over it.

When I sit down, listening to Ravel, or some other classical music, I close my eyes and drift along to the music, waiting for the imagination to kick in.

Can’t force it, can you?

But, five minutes to three, after a frantic call announcing yet another storm in a teacup, I’m racing out the door, setting the alarm, locking the door, and …

… bing …

The idea is there, out of left field, in front of me.

 

Here’s the pitch:

Detroit, ghost town, a nightwatchman, formerly a high flyer on Wall Street, is doing the rounds.

Yep, different location, same story as a dozen others, you say.

Pitch on:

With him, his work partner, from Mexico, a woman with a checkered past, maybe an illegal, maybe not, but who would work for the kind of pay they got if there was not something they were either running or hiding from?

A man and a woman thrown together by fate.  Seriously?

Pitch on:

They’re guarding a large factory, looking exactly the same as it had the day the doors closed, only there are no people, no work, and no likelihood of it reopening.

It’s night.  It’s dark.  Only the security lighting casts a dim glow over everything, casting shadows.  The walls and roof creaks as the building moves, as all do in a wind.

From here it could go anywhere, ghosts, murder, mayhem, or …

Pitch on:

Every night is the same, go to point B, the extent of the guard’s run, and no further.  Punch a card to say you’ve done the check, then back to the office.

That’s it.

As for the rest of the factory, don’t worry.  They were told that beyond point B was taken care of by another team.  It was a large factory, and neither had questioned their orders.  A job was a job in a city where jobs were at a premium.

Six months, from the office to point B and back.

Of course, the story has to suddenly come alive, like when you’re sitting alone in a dark room watching a horror moving, and the music hypes the fear factor to 1000% and you nearly jump out of your skin.

Not so easy to do in writing, but we try.

Pitch on:

Six months and one day later, it was time to find out what was beyond point B.

What they found was to change the fabric and course of their lives.

 

Reads like blurb inside the cover of a bestseller, doesn’t it?

All it will take is somewhere between 50,000 and 100,000 words, and the time to write them.

Scouring the newspapers, still looking for inspiration, maybe

I’ve been thinking…

… and that could be a good thing or a bad thing.

An idea had popped into my head, fired up from seeing the news on television.  I don’t normally look at the news if I can help it because usually its all bad, deaths, fires, drugs, and worst of all, politics.

This item was the equivalent of a two paragraph ‘mention’ buried on page six of the newspaper.

It was the umpteenth variation of a common story, wife having an affair, wife murdered, and, after seeing so many American and English cop shows, assumed the husband would be the number one suspect, no children involved mercifully, but there was something else going on, something I thought I could read between the lines.

No names were mentioned.

I’m not sure why it captured my imagination, but it did, and it swirled around in my head for about a week.

Then, out came a pad and pen and I started to write.

I put myself in the place of the husband and tried to imagine what it was like.

It is a work in progress.

A week or so later, another small paragraph appeared on page five, getting closer to the front page.

No names still because I assume the relative had not been tracked down.

But this alluded to something else as being the cause, and it was the manner of the death that warranted further investigation.

My imagination went into overdrive.

Rest assured I’ll be scouring the papers for the next ‘clue’.

 

At times I have this small problem, who the hell am I?

I have often wondered just how much or how little of the author’s personality and experiences end up in a fictional character.

Do they climb mountains, escape from what is almost the inescapable, been shot, tortured, get dumped, get divorced, .become world travelers, or get locked up in a foreign jail.

We research, read, and I guess experience some or all of the above on the way to getting the book written, but it’s perhaps an interesting fundamental question.

Who am I today?

Or it can be a question, out of right field, in an interview; “Who are you?”

My initial reaction was to say, “I’m a writer.”  But that wasn’t the answer the interviewer is looking for.

Perhaps if she had asked, “Who are you when you are writing your stories?” it would make more sense.

Am I myself?

Am I some fictional character made up of a lot of other people?

Have I got someone definite in mind when I start writing the story?

The short answer might be, “I usually want to be someone other than what I am now.  It’s fiction.  I can be anyone or anything I want, provided, of course, I know the limitations of the character.”

“So,” she says, “what if you want to be a fireman?”

“I don’t want to be a fireman.”

“But if the story goes in the direction where you need a fireman…”

“What is this thing you have with firemen?”  I’m shaking my head.  How did we get off track?

“Just saying.”

“Then I’d have to research the role, but I’m not considering adding a fireman anytime soon.”

She sighs.  “Your loss.”

Moving on.

And there is that other very interesting question; “Who would you like to be if you could be someone else?”

A writer in that period between the wars, perhaps like an F Scott Fitzgerald or Ernest Hemingway, in Paris, or if it is a fictional character, Jay Gatsby.

He’s just the sort of person who is an enigma wrapped up in a mystery.

Thoughts while staring into space, figuratively!

I can see how it is that a writer’s life can be a lonely one.  That’s why, I guess, so many writers have an animal as a pet, someone to talk to, or just feel as though you are not alone in this quest.

I’m often sitting in front of the computer screen, or in a large lounge chair with my trusty tablet computer, writing the words, or staring into space!

Sometimes the words don’t make any sense, sometimes the thoughts leading to those words don’t make any sense.

Sometimes the most sensible person in the room is the cat.

I’m sure his thoughts are not vague or scrambled, or wrestling with the ploys of several stories on the go, getting locations right, getting characters to think and do their thing with a fair degree of continuity.

The cat’s world is one of which chair to lie on, where is that elusive mouse be it real or otherwise, and is this fool going to feed me, and please, please, don’t let it be the lasagna.  I am not that cat!

Unlike other professions, there is no 9 to 5, no overtime, no point where you can switch off and move into leisure time.  Not while you are writing that next masterpiece.  It’s a steady sometimes frustrating slog where you can’t just walk away, have a great time, and come back and pick up where you left off.

Stories have to be written from beginning to end, not a bit here and a bit there.

It’s a bit like running a marathon.  You are in a zone, the first few miles are the hardest, the middle is just getting the rhythm and breathing under control, and then you hope you get to the end because it can seem that you’ve been going forever and the end is never in sight.

But, when you reach the end, oh, isn’t the feeling one of pure joy and relief.

And, yes, perhaps you’ve just created another masterpiece!

Writing and re-writing, or so the story goes

The process of writing is rewriting editing and more rewriting.

Some time ago l wrote some words.  I didn’t like them.  But it had laid the groundwork for a second draft.

Here it is:

 

Growing up I did not believe l had one of those lovable faces.

My brother, known in school as the best looking boy of his graduating class, said it was a face only a mother could love.

He was mean.

Simone, a girl who was a friend, not a girlfriend, said my face had character.

She was charming and polite.

Looking now, in the mirror, l decided I’d aged gracefully.

I could truthfully say my brother had not, but that was as far as the comparison went.

My overachieving brother was the epitome of success in business, a veritable god zillionaire.  Everything he touched turned to gold.

My ultra successful sister, Penelope, had married into the right family perhaps by chance, but she was also a very learned scholar whose life was divided between her chair at the university and her social life with the rich and famous.

Then there was me.

I gave up on my chance at university because l was not the scholarly sort and didn’t last long.  Sadly l was the first of my family to be sent down from Oxford.

Instead, l took on a series of professions such as seasonal laborer, farm hand, factory worker, and lastly, night watchman.  At least now I had a uniform and looked like I’d made something of myself.

It would not be enough for my parents who every year didn’t say it out loud but the disappointment was always there in their expressions.

My brother in his usual blunt manner said l was a loser and would never change.

My sister was not quite so blunt.  She simply said it was disappointing so much potential was going to waste.  I only asked her once what she meant and lost me after the first four syllable word.

Finally, I’d taken their comments to heart and decided l would not be going home to the family Christmas holiday reunion.

I told my boss l was available to work the night shift over the holidays, the shift no one else wanted.

It was he said a time for reflection.  He hated his family as much as I did so we would be able to lament our bad luck through the long cold hours from dusk till dawn.

It was 3 a.m. and it was like standing on the exact epicenter of the North Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

It was going to be a white Christmas, all I needed.  I hoped I remembered to put the antifreeze in my radiator this time.

As I approached my car, the light went on in an SUV parked next to my car.  The door opened and what looked to be a woman was climbing down from the driver’s seat.

She closed the door and leaned against the side of the car.  “Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time, my ultra successful sister, Penelope.  From what I could see, she didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

The instant the last word left her lips I saw her jerk back into the car, and then start sliding down to the ground.  There was no mistaking the red streak following her as she fell.

She’d been shot from what appeared to be a sniper rifle, which meant …

 

It still needs work but I’ve got the gist of where I want to go.

The idea is not to make a character so loathsome no one would want to read about him.

This will evolve and you can if you like to come along for the ride!

 

© Charles Heath 2016-2018

Being Inspired, maybe

A picture paints … well, as many words as you like.  For instance:

theremarkables3

“It’s up there.”

Giles was pointing at a random spot at the top of the range, this after gesturing in that general direction.

I knew I should have asked for better directions.  Giles was not the sort of person who dealt in hard facts or listened to closely to briefings.

“Exactly where up there,” I asked, in a rather more harsh tone that I meant.

“You were at the same briefing.  No matter where it is, it’s going to be a hard climb.”

“Surely there’s a road.  We can go so far, then do the climbing.”

“We wouldn’t cover a kilometer before they saw us coming.  You know as well as I do they have the whole road, and half the mountain covered.”

“Then climb it is.”

I noticed he had pulled out his binoculars and was sweeping the mountain slowly, then suddenly he stopped.

“There it is.”

He handed me the binoculars and I followed his pointing finger til I found the spot, the eerie almost hanging off the side of the mountain, and then a glance below at the terrain.

Just another day at the office.

 

 

Looking for inspiration in all the wrong places

I’m wandering through a shopping mall.  Not exactly what you’d expect from a writer looking for ideas.

Not that I came to the mall with that in mind, we have to do some shopping and a visit to the bank.

It’s one of those odd things we writers do, subconsciously looking for characters, character traits, or plots.

One came to me when I saw someone running.  Had they stolen an item and were they running from the store manager?  Were they escaping from a situation?  Perhaps they were just trying to catch up to the rest of their party.

Then, in another corner, not so private from everyone else, a couple are having an argument.  They are young.  There could be any number of subplots going on, were they breaking up?  Had one found out the other was cheating?  Were they married and discovered they were about to have a child they couldn’t afford?

Shopping malls are not exactly places that can be woven into a story unless it’s about teen angst, and there’s a lot of that in the after school hours and k as the night shopping.  I have never understood the need for teens to gather together and wander the halls of a shopping center.  Perhaps it’s just to hang out, whatever that means.

My teens used to gather and go to the cinema.  Years later we discovered they used to get drunk first then go to the cinema and misbehave.  It seemed like one of the ‘passage of rites’ thing for young people.  Not in my day, but times were different for them.  Nowadays it’s all about drugs and rage parties

Is this the sort of angst that finds it’s way into YA novels even though they might have a paranormal and/or fantasy theme.  People are still people no matter what the setting, so are we trying to sort out the problems of youth living in the current perilous times using a mythical background?

So much for finding subplots, now I’m looking at solving the world’s problems. I guess it’s time to go to the bank and solve my own problems and leave the rest to more competent people than myself.

Still, food for thought.  Perhaps a short chat with my 14-year-old granddaughter might make some sense of it.

Thoughts, maybe

Football

In Melbourne, it’s an institution even a religion.  Traditionally it is played on a Saturday afternoon and luckily for us, we are attending such a game.

The stadium is the mcg, one of the best in Australia.  Shortly after the start, I’d estimate there are about 40,000, but eventually, there was 53,000, spectators here for a clash between the two Melbourne based teams.  It is not unheard of to have in closer to 90,000 spectators, and the atmosphere is at times electric.

For the die-hards like me who can remember the days when there were only Victorian-based teams,  in the modern day form of the game, to have two such teams is something of a rarity.

However, it’s not so much about the antics on the field as it is the spectators.  They are divided into three groups, the members, the private boxes and the general public.

But in the end, there is no distinction between any of them because they all know the rules, well, their version of them, and it doesn’t matter who you are, If there is something that goes against your team, it is brings a huge roar of disapproval.

Then there are ebbs and flows in the crowd noise and reactions to events like holding the ball attracting a unified shout ‘ball, or a large collective groan when a free kick should have been paid or by the opposite team’s followers if it should have been.

It is this crowd reaction which makes going to a live game so much better than watching it televised live.  The times when players take marks, get the ball out of congestion, and when goals are scored when your team is behind and when one is needed to get in front.

This is particularly so when one of the stars goes near the ball and pulls off a miracle 1 percent movement of the ball.  These are what we come to see, the high flying marks, the handball threaded through a needle, a kick that reaches one of our players that looked like it would never get there, an intercept mark or steal that throws momentum the opposite way.

This game is not supposed to be a game of inches but fast yards, a kick, a mark, a handball, a run and bounce.  You need to get the ball to your goal as quick as possible.

That’s the objective.

But in this modern game, much to the dismay of spectators and commentators alike, there is this thing called flooding where all 36 players are basically in a clump around the ball and it moves basically in inches, not yards.

It is slow and it is ugly.

It is not the game envisioned by those who created it and there is a debate right now about fixing it.

Here, it is an example of the worst sort.  This game is played in four quarters and for the first two, it is ugly scrappy play with little skill on display.  The third shows improvement and it seems the respective coaches had told their players to open it up

They have and it becomes better to look at.

But this is the point where one team usually gets away with a handy lead, a third-quarter effort that almost puts the game out of reach.  The fourth quarter is where the losing team stages a comeback, and sometimes it works sometimes it does not.

The opposition gives it a red hot try but is unsuccessful.  Three goals in a row, it gave their fans a sniff of hope but as the commentators call it, a kick against the flow and my team prevails.

It is the moment to stay for when they play the winning teams song over the stadium’s loudspeaker system, and at least half the spectators sing along.  It is one of those hair raising on the back of your neck moments which for some can be far too few in a season

We have great hopes for our team this year, and it was worth the trek from Brisbane to Melbourne to see it live rather than on the TV

Leaving the ground with thousands of others heading towards the train station for the journey home there is a mixture of feelings, some lamenting their teams, and others jubilant their team won.  There is no rancor, everyone shuffles in an orderly manner, bearing the slow entry to the station, and the long lines to get on the train.

Others who perhaps came by car, or who have decided to wait for a later train or other transport, let their children kick the football around on the leaf-covered parkland surrounding the stadium.

It is an integral part of this game that children experience the football effect.  Kicking a ball with your father, brothers, and sisters, or friends on that late autumn afternoon is a memory that will be cherished for a long long time.

It’s where you pretend you are your favorite player and are every bit as good.  I know that’s what I used to do with my father, and that is what I did with my sons.

But no matter what the state of the game, it is the weekend the football fans look forward to and whom turn out in their hundreds of thousands.  It is a game that ignites passions, it brings highs and it brings incredible lows.

And, through thick and thin, we never stop supporting them.