Ideas come from everywhere

I have an electronic note book on my smart phone and writing pads at the ready at home in my office/writing room/library.

As soon as one hits, I get it down, either on paper, or on the phone app. I use SomNote as it’s easy to export the text to an email, or have a version of the app running on my computer and just copy and paste. SomNote is great because I can used it anywhere.

Of course, it doesn’t work so well in the shower, so I’m still waiting for a waterproof phone. Or perhaps it can wait for a few minutes until I’m finished.

But, the trouble with that it, these ideas come so quickly and are sometimes so vivid that they need to be put down as quickly as possible. I have come up with the perfect dialogue for a tricky scene, and played it all out in my head, and by the time I got to the paper, it was almost gone.

Perhaps a whiteboard and a permanent marker on the wall.

Or is that going to far?

A long time ago, I received a portable tape recorder for a present, you know, the one you can hold in your hand, and the tapes so small you wonder how much will fit on it. The gifter said that when ideas came to me, all I had to do was speak. It was also voice activated.

Needless to say that conjured up a few ideas right there.

But, I used it, but I found it quite weird to be talking, ostensibly to myself, in the car whilst driving home, or go to, work, and the curious looks I’d get from others. One thing it did teach me was that when a conversation was repkayed, it would sound ok or like most of the time, hardly what one expected a conversation would really be like.

So, because of that device, I learned to read out all conversations, and if they sounded stupid, they were.

SO, ideas come in the shower, ideas come while driving, ideas come when reading the newspaper, ideas even come when reading books.

Which leads me to another point that I learned early on. Writers must read. Not only novels of their chosen genre, but any reference books that go with it. Research was, a friend and more successful author than I told me, was mandatory.

So too was the reading to the classics, old English, and sometimes American, literature, to gain an appreciation for the written word. We might not follow those styles, but we can learn the majesty of the English language.

That author taught me a lot, though at the time I didn;t realise it. Perhaps I thpought I was already smart enough to write, but I’m guessing that it took a long time before I felt my writing was worth reading before publishing it.

I don’t profess to have a fully understanding of the language. I might have loved that school subject called English, and later in University, creative writing and literature, but not all of it soaked in. But writing is one of those odd things, that it can take many forms and styles, but at the end of the day, if the reader understands where the story is going, and when at the end, is satisfied that it was ‘a good read’, then the author’s work is done.

The only trouble is, getting the next idea, and then the were withal to write a second book, or third. It is said everyone as one book in them. For those who can write more, well, that might be what might be called, a gift.

My trouble is, I have too many ideas, too many starts and brief outlines to work with, I don’t know which story to start on next. I guess being spoinlt for choice is a good thing, yes?

A score to settle – The Second Editor’s draft – Day 28

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

We’re near the end, and I have to say, it has been hard work.

Today I’ve been writing, revising and reading. There are aspects to the flow that are bothering me, and I know I’m supposed to let it mull for a while before I start editing, but I’m like that, I have to do something about it now, not later.

While I’m doing that, I’ve been working on a musical theme for the writing and hit upon the big band sounds of the 1940s and ’50s.

I have always been fascinated by that era of music, particularly Benny Goodman, but not so much the Dorsey brothers.

It then led to the final chapter, as I was playing Sing, Sing, Sing, I had the vision, in the ballroom, just our main character, and Teresa, with a few selected guests.

I’m also one of those people who like happy endings to the stories, or at least until the next book in the series starts.

Two days to go and I can rest.

Maybe. Maybe not. We’ll see.

A score to settle – The Second Editor’s draft – Day 28

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

We’re near the end, and I have to say, it has been hard work.

Today I’ve been writing, revising and reading. There are aspects to the flow that are bothering me, and I know I’m supposed to let it mull for a while before I start editing, but I’m like that, I have to do something about it now, not later.

While I’m doing that, I’ve been working on a musical theme for the writing and hit upon the big band sounds of the 1940s and ’50s.

I have always been fascinated by that era of music, particularly Benny Goodman, but not so much the Dorsey brothers.

It then led to the final chapter, as I was playing Sing, Sing, Sing, I had the vision, in the ballroom, just our main character, and Teresa, with a few selected guests.

I’m also one of those people who like happy endings to the stories, or at least until the next book in the series starts.

Two days to go and I can rest.

Maybe. Maybe not. We’ll see.

A score to settle – The Second Editor’s draft – Day 26

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

There is a history of strong female characters. They don’t have to be the lead character in order to become a focal point in the story.

I’m reminded of the CIA agent in Cuba in the latest James Bond Film, No Time To Die, where she literally kicks ass. To my mind, that is a girl to be reckoned with, and no, I would not want to meet her in a dark alley or be her enemy.

I wanted one, and put her in the Zoe series, an assassin without a conscience, but has one of those life-defining moments that doesn’t take away anything from her character, just adds another dimension.

This story is going to have one too, Teresa, only she is a different kettle of fish, to quote an analogy.

She is just the sort of person our main character’s handler recruits in a heartbeat. The fact she is in jail when we first meet her just adds to the mystique.

And when the main character and her meet, it’s like water and oil. She had a role to play, even if it’s not the one our main character is led to believe is.

The trouble is, I’m having too much fun playing to the two off against each other, so much so, I’m beginning to like her, as much as I would, in real life (if such a person existed) fear her.

Interesting question: how would I react if my imaginary world suddenly became all too real?

I guess that’s another story.

A score to settle – The Second Editor’s draft – Day 26

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

There is a history of strong female characters. They don’t have to be the lead character in order to become a focal point in the story.

I’m reminded of the CIA agent in Cuba in the latest James Bond Film, No Time To Die, where she literally kicks ass. To my mind, that is a girl to be reckoned with, and no, I would not want to meet her in a dark alley or be her enemy.

I wanted one, and put her in the Zoe series, an assassin without a conscience, but has one of those life-defining moments that doesn’t take away anything from her character, just adds another dimension.

This story is going to have one too, Teresa, only she is a different kettle of fish, to quote an analogy.

She is just the sort of person our main character’s handler recruits in a heartbeat. The fact she is in jail when we first meet her just adds to the mystique.

And when the main character and her meet, it’s like water and oil. She had a role to play, even if it’s not the one our main character is led to believe is.

The trouble is, I’m having too much fun playing to the two off against each other, so much so, I’m beginning to like her, as much as I would, in real life (if such a person existed) fear her.

Interesting question: how would I react if my imaginary world suddenly became all too real?

I guess that’s another story.

A score to settle – The Second Editor’s draft – Day 24

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

I’ve come to the realization that I’m not going to get this story finished in the allotted time.

In fact, there are aspects of the story that have been bugging me, and it’s been the devil’s own job not to go back and fix some of it up. It’s probably why today’s output is terrible compared to previous days.

What I have done, as elements of the previous part of the story have had to be changed so that what happens later makes sense, I have a copious quantity of post-it notes on the desktop to remind me.

And that tells me that the whole project is getting out of hand.

As it stands, at a guestimate, this story is going to finish up over 100,000 words. If I meet the targets I’ve set myself for the rest of the month, that 30th November total should be around 85,000 words.

It’s an achievement in itself, but I’m not happy with the product as it stands. There’s going to be a huge editing blitz next month if I can face it.

As for now, it’s about 2 am and I’m very tired, I’ve just thought of another change that needs to be made, so I’m going to scribble it down and get to bed.

Thank goodness I don’t try to write all my books in a month!

A score to settle – The Second Editor’s draft – Day 24

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

I’ve come to the realization that I’m not going to get this story finished in the allotted time.

In fact, there are aspects of the story that have been bugging me, and it’s been the devil’s own job not to go back and fix some of it up. It’s probably why today’s output is terrible compared to previous days.

What I have done, as elements of the previous part of the story have had to be changed so that what happens later makes sense, I have a copious quantity of post-it notes on the desktop to remind me.

And that tells me that the whole project is getting out of hand.

As it stands, at a guestimate, this story is going to finish up over 100,000 words. If I meet the targets I’ve set myself for the rest of the month, that 30th November total should be around 85,000 words.

It’s an achievement in itself, but I’m not happy with the product as it stands. There’s going to be a huge editing blitz next month if I can face it.

As for now, it’s about 2 am and I’m very tired, I’ve just thought of another change that needs to be made, so I’m going to scribble it down and get to bed.

Thank goodness I don’t try to write all my books in a month!

A score to settle – The Second Editor’s draft – Day 22

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

It’s hard to know just how someone would react in real life to a situation that is not normally expected to happen.

Like, for instance, a gunman walks into a supermarket and suddenly starts shooting randomly.

But, in the USA, that seems to be a situation that could happen anywhere, anytime and with tragic results.

What would I do in such a situation?

It’s probably impossible to tell unless it really happened.

Why do I ask this question?

There’s a lot of effort required to plan out what each character is going to do in any given situation. What he or she might do has a lot to do with how they have been previously portrayed.

If they were nervous or frightened at the little things, it’s hardly likely that they would run into a hail of bullets unless there was a very good reason like saving a child, and even then it might be a stretch to believe they would.

So, I’m writing about a dangerous situation, and it’s taking a lot longer than I expected because my characters have to fit their previous profiles, and I have to remember them, or, what I should have done in the first place, create profiles from which to draw on when necessary.

Another lesson learned the hard way, is that planning is necessary, even if it appears tedious.

A score to settle – The Second Editor’s draft – Day 22

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

It’s hard to know just how someone would react in real life to a situation that is not normally expected to happen.

Like, for instance, a gunman walks into a supermarket and suddenly starts shooting randomly.

But, in the USA, that seems to be a situation that could happen anywhere, anytime and with tragic results.

What would I do in such a situation?

It’s probably impossible to tell unless it really happened.

Why do I ask this question?

There’s a lot of effort required to plan out what each character is going to do in any given situation. What he or she might do has a lot to do with how they have been previously portrayed.

If they were nervous or frightened at the little things, it’s hardly likely that they would run into a hail of bullets unless there was a very good reason like saving a child, and even then it might be a stretch to believe they would.

So, I’m writing about a dangerous situation, and it’s taking a lot longer than I expected because my characters have to fit their previous profiles, and I have to remember them, or, what I should have done in the first place, create profiles from which to draw on when necessary.

Another lesson learned the hard way, is that planning is necessary, even if it appears tedious.

A score to settle – The Second Editor’s draft – Day 19

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

It’s a bad day.

Nothing I start seems to work out, a bit like painting yourself into a corner.

Words are beginning to annoy me, so much so, every file I’ve started today, so far, I’ve deleted.

It’s not a matter of getting words on paper, no matter how bad they are. If I added up all the words I’ve written so far, and discarded, it would have to be close to 10,000.

Time to step away from the laptop. My head is hurting, and I’m tired, more so than usual. I think the combination of late nights and not being able to work out where this story is going, is giving me a great deal of grief.

Is this where real writers head for the drinks cabinet and make a severe dent in the single malt?

Maybe I need to go out to a restaurant and have a fancy meal.

Or go to the pizza shop and get a meat lover’s special, and a cheap bottle of merlot.

It’s the second-worst number of words for a day in the past month.

Maybe after a rest, it’ll be different.