Tag: Book

After a few days to consider the existing text – a new approach? – Part 3

It’s been a while since I looked at this story, and after reading the start through each iteration, it always seems the case that I’m never quite satisfied.

That said, I decided to come at it from a different direction.  It might not be better, but it might provide a different perspective, and lead to a more polished start in the next iteration.

Certainly this time, there are more words, and a totally different start.  It was needed bcause we need to get a little insight into the main character, just before the action starts.

And now we know our main character is a bit of a pessimist, something bad does happen.

…

There were five cars in the car park, three over the back, and one next to mine, closer to the entrance.  Perhaps it was one of the two new guards, though I thought they had left before me.  The three others belonged to the morning shift.

As I approached it, the door opened, and a figure well wrapped up in snow clothes got out.  My first thought, the detective who had said he would get back to me, though I doubted he would come to the factory site, or in this weather.

Someone else then?

I headed towards the other car, and seeing me approach them, the person stopped not far from the door.

“David?”

It was a voice I was familiar with, belonging to my sister Penelope.  She had pulled back the hood so I could just see her face and from what I could see, she didn’t look too well.  My second thought, how did she know where I worked.  We were supposed to meet a cafe in town, later in the morning.

“How did you find me?”

“I’m a lawyer, I can find anything or anyone.”

“What couldn’t wait a few hours.  I just finished a long shift and was hoping to freshen up before coming to see you.”

“Circumstances.”

A second, maybe two, after she took a step towards me, the windscreen of her car shattered.  Instictively, I dived towards her, pushing her to the ground between the cars just as there was a loud bang as something hit the front of the her car.

A bullet.  A sound I was familiar with, and hoped I wouldn’t hear again.

“What the…”

“Someone is shooting at us.”  The moment I said it, it sounded unbelievable.

A second shot, lower this time, not far from where my head had just been, told me we were being targeted by a sniper, a good one to get so close in these conditions.

It was cold, and cramped in that small space, and the sniper wasn’t going to wait around until we came out, he, or she, was going to come to us and finish the job.

“What the hell have you got me into,” I said, more than a little anger in my tone.

“I think my husband is trying to kill me.”

…

More on this tomorrow, enough time to get over the shock, and figure out what to do…

…

© Charles Heath 2020-2021

Short Story writing – don’t try this at home! – Part 7

Putting it all together: the short story

…

I had once said that Grand Central Station, in New York, was large enough you could get lost in it.  Especially if you were from out of town.

I know, I was from out of town, and though I didn’t quite get lost, back then I had to ask directions to go where I needed to.

It was also an awe-inspiring place, and whenever I had a spare moment, usually at lunchtime, I would go there and just soak in the atmosphere. It was large enough to make a list of places to visit, or find, or get a photograph from some of the more obscure places.

Today, I was just there to work off a temper. Things had gone badly at work, and even though I hadn’t done anything wrong, I still felt bad about it.

I came in the 42nd street entrance and went up to the balcony that overlooked the main concourse. A steady stream of people was coming and going, most purposefully, a few were loitering, and several police officers were attempting to move on a vagrant. It was not the first time.

But one person caught my eye, a young woman who had made a circuit of the hall, looked at nearly every destination board, and appeared to be confused. It was the same as I had felt when I first arrived.

Perhaps I could help.

The problem was, a man approaching a woman from out of left field would have a very creepy vibe to it, so it was probably best left alone.

After another half-hour of watching the world go by, I had finally got past the bad mood and headed back to work. I did a wide sweep of the main concourse, perhaps more for the exercise than anything else, and had reached the clock in the center of the concourse when someone turned suddenly, and I crashed into them.

Not badly, like ending up on the floor, but enough for a minor jolt. Of course, it was my fault because I was in another world at that particular moment.

“Oh, I am sorry.” A woman’s voice, very apologetic.

I was momentarily annoyed, then, when I saw who it was, it passed. It was the lost woman I’d seen earlier.

“No. Not your fault, but mine entirely. I have a habit of wandering around with my mind elsewhere.”

Was it fate that we should meet like this?

I noticed she was looking around, much the same as she had before.

“Can I help you?”

“Perhaps you can. There’s supposed to be a bar that dates back to the prohibition era here somewhere. Campbell’s Apartment, or something like that. I was going to ask…”

“Sure. It’s not that hard to find if you know where it is. I’ll take you.”

It made for a good story, especially when I related it to the grandchildren, because the punch line was, “and that’s how I met your grandmother.”

…

© Charles Heath 2022

After a few days to consider the existing text – a new approach? – Part 1

It’s been a while since I looked at this story, and after reading the start through each iteration, it always seems the case that I’m never quite satisfied.

That said, I decided to come at it from a different direction.  It might not be better, but it might provide a different perspective, and lead to a more polished start in the next iteration.

Certainly this time, there are more words, and a totally different start.  It was needed bcause we need to get a little insight into the main character, just before the action starts.

This iteration puts the main character squarely in the frame, gives a few small details about him, and context leading into the next part

…

I was woken abruptly from an uneasy sleep by an unusual sound coming from my cell phone.

It was late afternoon, and the night shift had extended into the morning after an incident that required a report, and a statement to the police.  As a security guard in a dormant factory in an abandoned industrial estate, this was the worst incident I’d been involved in since starting there, a deliberately lit fire, no doub to hide a body, and what looked like wholesale theft of a factory’s machinery, and the police had hinted it was an inside job.  As the new guy, I had been interrogated rather than questioned, and it had been rough, my past being dragged up, and not the good aspects of it.  I was very tired and still angry.

The phone was on the floor, just out of reach, and I was tempted to ignore it.  I might have, if it hadn’t made the same sound a minute later.

It was a simple phone, one that stored numbers, sent messages, and took photos.  I purposely didn’t get the internet connected, and disabled the GPS.   There were seven numbers stored on it, the only people I wanted to make contact with, or had to, and none had a unique message tone.

I pressed a button and the screen came to life.

Two notifications were displayed, two missed calls from Penelope Bryson.  Definitely not one of the seven stored numbers.  Penelope was my sister, and Bryson was her married name.  But the bigger question here was, how did she get my cell number?

She had also left a message, and I played it out loud.

“David, long time.  I am somewhat disappointed you didn’t tell me you were back, or for that matter, whether you were dead or alive.  You’re a hard man to find, for obvious reasons, but don’t be a stranger, at least not to me.  I need to see you for some advice and I will be in Wilmington next Monday.  Let me know where and when and I will be there.”

I rang the number but it went to message bank, and then I remembered she rarely answered the phone first time, waiting to see who it was, and then decided if she would call them back.  Perhaps it was a lawyer thing.

I tossed the phone back on the floor and lay down again.  I tried to put it out of my mind, but kept going back to the phrase ‘I need to see you for some advice’.  I was the last person a high flying lawyer would want advice, unless she wanted to become a soldier, or a get away driver, the only occupations I had since leaving school.  I doubted she was looking to become a secuirty guard, but she could hardly know that I was one.  I hadn’t spoken to her since our father died, just before I served my final tour.

Now I had two issues on my mind, whether the police would assume I was the guilty party so they could wrap up the case, even if I could prove it was not me, and what Penelope could possibly want, and it was odd that it was the latter that caused me the most concern.

…

© Charles Heath 2020-2022

You learn something new every day (2)

I got a call this morning from my brother who has been delving into the places we have lived over the years, including those before we were born.

My recollection, hazy at best, is that my father’s parents lived in Camberwell, a suburb of Melbourne, and the boys, those that survived the war, lived there too. He had three brothers, I think, and a sister. From what I’ve read, his older brother was a sensible chap and the peacemaker between him and his parents.

Later one of his brothers went to Sydney, his sister lived among orchards our Ringwood way, and another, much later, moved to Queensland. We very rarely, if ever, saw them, and the last time I did with most in one place, was after my Grandmother died. I do remember Dora, the site, visiting us once, and being young at the time, she seemed a very forbidding woman.

But, this is about where they lived.

My father, presumably before and immediately after the war, at home, and my mother at her home in Pakenham. There her father ran a service station and motor mechanic shop and was well known. Their house, at the time, was built over the road, just a short walk from home to work. The place, the first time I saw it, was a mechanics dream, with old cars and car parts outside and inside garages, and a woodworking shop with every tool imaginable.

Once the place had very elegant gardens, but by the time I got to stay there, in the 1960s, it was all overgrown, and the house was in disrepair. My mother’s brother lived there with my grandmother, and he was a fearsome, huge man who said little. All I knew about him was that, a) he was the one who found his father after he had killed himself, b) he liked fishing and went to a place called Corinella, and c) he was a mechanic like his father.

So, at some point in 1948, my father must have up and left, perhaps after an argument with his parents, and moved to Keiwa House, Bogong, where the Snowy River Hydro-Electric Scheme was being built, as a projectionist, bringing films to the workers in Town Halls.

As I’ve said, my mother stayed in a boarding house for ladies during the week and went home on weekends. I have the first letter that my father wrote to her and references the fact he went calling on her, and she was not there. We’ll never know what she thought, but there’s a second letter, after she wrote back, so a friendship was struck. He told her, almost in minute detail, what he was doing, and presumably, she told him about hers.

A year later, they married.

Now it gets interesting. We both thought that their first house, after getting married was in Carrum. It wasn’t. In the pile of letters were references to the family staying in a rented flat in Camberwell.

Sometime after that, there is a contract for a war service loan in relation to a property in Carrum, which turns out to be the first house they lived in, and where my brother, born in 1950) lived, and where I lived after I was born in 1953. I have interesting if vague memories of this house, and of the people who lived behind us because we could climb through the fence into their property. We knew them during, and after living in Carrum.

Now, today, some interesting new facts came to light about the Carrum house. We always assumed we owned it, but it seems that we didn’t. A copy of the title for that property never had the name Heath on it, so did we rent it? More information is required, and we need to dig deeper. Let’s hope there are no skeletons there.

And something else came out of a discussion with the daughter of my mothers sister, that it was believed my mother’s parents bought them a house in Chelsea, but my father, apparently, refused to live in it and sold it.

OK, I never claimed that my father was the sort that might have accepted charity, so perhaps in a moment of madness, he lost the plot. The question is, what happened to the money?
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You learn something new every day (2)

I got a call this morning from my brother who has been delving into the places we have lived over the years, including those before we were born.

My recollection, hazy at best, is that my father’s parents lived in Camberwell, a suburb of Melbourne, and the boys, those that survived the war, lived there too. He had three brothers, I think, and a sister. From what I’ve read, his older brother was a sensible chap and the peacemaker between him and his parents.

Later one of his brothers went to Sydney, his sister lived among orchards our Ringwood way, and another, much later, moved to Queensland. We very rarely, if ever, saw them, and the last time I did with most in one place, was after my Grandmother died. I do remember Dora, the site, visiting us once, and being young at the time, she seemed a very forbidding woman.

But, this is about where they lived.

My father, presumably before and immediately after the war, at home, and my mother at her home in Pakenham. There her father ran a service station and motor mechanic shop and was well known. Their house, at the time, was built over the road, just a short walk from home to work. The place, the first time I saw it, was a mechanics dream, with old cars and car parts outside and inside garages, and a woodworking shop with every tool imaginable.

Once the place had very elegant gardens, but by the time I got to stay there, in the 1960s, it was all overgrown, and the house was in disrepair. My mother’s brother lived there with my grandmother, and he was a fearsome, huge man who said little. All I knew about him was that, a) he was the one who found his father after he had killed himself, b) he liked fishing and went to a place called Corinella, and c) he was a mechanic like his father.

So, at some point in 1948, my father must have up and left, perhaps after an argument with his parents, and moved to Keiwa House, Bogong, where the Snowy River Hydro-Electric Scheme was being built, as a projectionist, bringing films to the workers in Town Halls.

As I’ve said, my mother stayed in a boarding house for ladies during the week and went home on weekends. I have the first letter that my father wrote to her and references the fact he went calling on her, and she was not there. We’ll never know what she thought, but there’s a second letter, after she wrote back, so a friendship was struck. He told her, almost in minute detail, what he was doing, and presumably, she told him about hers.

A year later, they married.

Now it gets interesting. We both thought that their first house, after getting married was in Carrum. It wasn’t. In the pile of letters were references to the family staying in a rented flat in Camberwell.

Sometime after that, there is a contract for a war service loan in relation to a property in Carrum, which turns out to be the first house they lived in, and where my brother, born in 1950) lived, and where I lived after I was born in 1953. I have interesting if vague memories of this house, and of the people who lived behind us because we could climb through the fence into their property. We knew them during, and after living in Carrum.

Now, today, some interesting new facts came to light about the Carrum house. We always assumed we owned it, but it seems that we didn’t. A copy of the title for that property never had the name Heath on it, so did we rent it? More information is required, and we need to dig deeper. Let’s hope there are no skeletons there.

And something else came out of a discussion with the daughter of my mothers sister, that it was believed my mother’s parents bought them a house in Chelsea, but my father, apparently, refused to live in it and sold it.

OK, I never claimed that my father was the sort that might have accepted charity, so perhaps in a moment of madness, he lost the plot. The question is, what happened to the money?
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Short story writing – don’t try this at home! – Part 2

This is not a treatise, but a tongue in cheek, discussion on how to write short stories. Suffice to say this is not the definitive way of doing it, just mine. It works for me – it might not work for you.

There are two methods of writing, planning, sometimes meticulous planning, or flying by the seat of your pants, or being called a ‘pantser’.

The first has it all planned out before they start writing, from beginning to end, knowing what the end result will be. The second, well, we like to write and see where it takes us.

I like to think I fly by the seat of my pants, you know, like the reader who takes up the story and starts reading, not having a clue where it’s going to go. I prefer that blissful ignorance, of course, until I run out of ideas, roughly the equivalent of hitting a brick wall

Or that common enemy all writers have, the dreaded ‘writers block’.

I’ve tried both methods.

Each work, but in the case of the ‘planner’, you need to know where it’s going to start what’s going to happen in the middle and have the end firmly planted in your mind.

Not much good if a rotten character is making you angry and you want to kill him off, and in the most excruciatingly painful manner.

Flying blind gives you a little more creativeness and be able to go around a corner and see what’s there. It also allows for those complete changes of direction you come up with in the shower, the place that is a fertile ground for new ideas just when you’re running out of them.

But it can sometimes play havoc with word counts and if you’re trying to fit into 2,000 words, 5,000 words, or a lot less, taking the story where it wants to go is not a good idea, and sadly, I tend to let stories run their course.

And sometimes I like the idea of writing three different endings, and then can’t choose which one I like the best.

So, role model I am not. I like writing, and when I’m in the ‘zone’ it’s like I’m in another world.

But then, isn’t that the case for all of us?

More unclarity tomorrow!

I go missing for a day, and…

It’s like dying a literary death.

The silence is deafening.

It seems, after a lot of trial and error, trying this that and the other, I’ve discovered that you only get out of social media what you put into it.

And it means that unless you are on it 24 hours a day, every day, spruiking, or whatever it is we writers are supposed to do promoting ourselves and our work, nothing happens.

Don’t get me wrong, there are those who are raging successes, and I am happy for them.

But for us living on the fringe, and there is quite a lot of us, trying valiantly to reach the public eyes, the battle is just that, a battle.

When do you get time to write?

Is it a choice between writing, or trying to garner support and a following?

The authors who are published by the large publishers will tell you that it is the only way to become an author, where all of the marketing is done by the publisher and all they have to do is put in an appearance and pocket the royalties.

I don’t think that’s necessarily true.

But when I find that happy medium between marketing and writing, I’ll let you know.

Until then, I guess there will be more days like today, and that battle going on in your head that is telling you to give up, it’s never going to get any better.

Maybe not.

But give up? Not today, nor tomorrow.

After all, we live in a world where anything is possible.

I go missing for a day, and…

It’s like dying a literary death.

The silence is deafening.

It seems, after a lot of trial and error, trying this that and the other, I’ve discovered that you only get out of social media what you put into it.

And it means that unless you are on it 24 hours a day, every day, spruiking, or whatever it is we writers are supposed to do promoting ourselves and our work, nothing happens.

Don’t get me wrong, there are those who are raging successes, and I am happy for them.

But for us living on the fringe, and there is quite a lot of us, trying valiantly to reach the public eyes, the battle is just that, a battle.

When do you get time to write?

Is it a choice between writing, or trying to garner support and a following?

The authors who are published by the large publishers will tell you that it is the only way to become an author, where all of the marketing is done by the publisher and all they have to do is put in an appearance and pocket the royalties.

I don’t think that’s necessarily true.

But when I find that happy medium between marketing and writing, I’ll let you know.

Until then, I guess there will be more days like today, and that battle going on in your head that is telling you to give up, it’s never going to get any better.

Maybe not.

But give up? Not today, nor tomorrow.

After all, we live in a world where anything is possible.

There’s more time for TV

Being confined to home because of COVID not only gives me, and a lot of others more time to write, it also enables us to explore a few more leisure options to fill in the time.

After all, we can hardly just keep writing endlessly.

Well, perhaps some of us could.

At first I decided I would do some virtual travelling, you know, go to places I would never go in person, like South Africa, Kenya, Egypt, South America, you know the sort of places I mean, the ones where you can’t get travel insurance cover, or not without mortgaging your home.

That lasted about a day. Seeing the pyramids online was not the same as being there, getting the sand blown in your face, or the tour bus being hijacked, and you spend the next three months in a dark, hot, hell hole while the kidnappers negotiate with governments that refuse to negotiate with terrorists.

So far, I’m not filling in my time very well.

There are weeds to be pulled, lawns to be cut, shrubs and trees to be pruned, painting to be done, you know, all of those chores that you put off until tomorrow, knowing tomorrow will never come.

Don’t ask me to explain that.

So, we’re left with television.

Firstly there was a series called Yellowstone, a western in a modern setting, three series worth. Yes, we watched all of them, no, didn’t like the swearing, or Beth Dutton, Rip was channelling the Duke, and Kevin Kostner, well, his stint in Dances with Wolves stood him in good stead.

Geez though, how much trouble can one ranch attract? Indians, speculators, developers, and an international airport? To be honest, at times it spiralled out of control, but for sheer entertainment value, it was slightly better than I thought it might be. As for Jamie, how could one person be so complicated?

Then there was another series, Away. OK, this was about as far fetched as a premise could get, and the characters, as diverse, and sometimes as obtuse as any I’ve seen thrown together for over eight months. Thank god we didn’t have to suffer eight months of it.

It was good, I guess, with people being the way they are, and I’d expected in the confines of that small space for so long, they might have killed each other off one at a time, like in Lord of the Flies, but no such luck.

My favourite? The Russian. He might have been blind but he was interesting. Just would have liked a few subtitles for us non-Ghana, Chinese, Russian, Indian people.

As for White House Farm, I’m still trying to work out who killed them all, because it definitely wasn’t the daughter. It had to be the indifferent son, or at his behest. Full marks to the dogged detective, who, the last time I saw him, he was a rather improbable Hercules. Funny how your impression of a performance goes back to one you’ve seen him before.

Which is another of our viewing interests, watching a show and trying to work out where we’ve seen the actors before. Some are familiar and seem to be in everything, others rarely seen, or remembered. I hope this is not a sign of their acting talent, or more to the point, lack of it.

At the moment we are in the middle of Young Wallender. Those who may have seen Branagh in the Wallender series would remember this as being the most stultifying of series, filmed bleakly in a bleak country with bleak characters, and bleak crimes.

Fortunately, the Young Wallender series is not as bleak, but it has dark undertones. Some might call this gritty. There are four more to go so it can only get better.

Like jumping off a ten storey building, it’s so far so good…

Using Hollywood as a source of inspiration

I’m not one for writing Western, I’ll leave the honours for that to Louis L’Amore, whose acquaintence I made when I saw How The West Was Won on the big screen, then read the book.

That led to reading a few more by Zane Grey, but it was not in the reading of the stories, but in the visual splendour of the west depicted in these films that made the actors almost secondary.

But my interest in watching Westerns had been fuelled by the fact my parents watched them on TV, though back on those days, they were in black and white, and starred John Wayne, Gary Cooper, Alan Ladd and, later on, Clint Eastwood among a great may others.

But the mainstay of my interest in the archetypal Western centred on John Wayne whose movies may have almost the same plot line, just a substitution of actors and locations.

Often it was not so much that John Wayne was in it, but the actors he surrounded himself with, like Dean Martin, Ricky Nelson, Walter Brennan, and Robert Mitcham, all of whom made the experience all the better.

Films like The Sons of Katie Elder, True Grit, Rio Bravo, and El Dorado.

Who can forget the vast open spaces, the dry dusty stresses lines with wooden buildings and endless walkways that substituted for footpaths. Bars in hotels, rooms overlookinf street, havens for sharpshooters, when bad guys outnumbers the good guys, and typically the sherrif who always faced insurmountable odds.

Or the attacks staged by Indians who were routinely killed, in fact there was not one film I saw where they ended up winning any battle. Only in recent years did they get a more sympathetic role, one film that comes to mind Soldier Blue, which may have painted then as savages, but a possible reason why they ended up so.

But for those without Indians, there were plenty of others whose intentions were anything but for the good of the settlers.

A lot of films ended in the classic gun fight. High Noon, 3:10 to Yuma are two, or where the story led to gun fights between good and bad in unlikely places like El Dorado or Rio Bravo.

There are countless others I could name, like Shane, or became to be called, the spaghetti westerns with Clint Eastwood, or last but not least, The Magnificent Seven, or Once Upon a time in the west.

All have contributed to a picture in my mind of how the American West was, fearsome men, beleaguered sheriffs, people with good intentions, and those driven by greed and power. All of this playing out in the harshest of conditions where life and death could be determined by a wrong word or a stray bullet.

And let’s not forget the role of the guns, Colt, Winchester, Remington. And Smith and Wesson, and the gunslingers of the day. Some were good, most according to the film world were bad.

So, against the lifelong interest of watching and reading about the archetypal view of the old West, shall I attempt to put pen to paper. Thank God it will be a work of fiction, because I don’t think there’s many who knew what it was really like.